Sarajevo Chamber Music FestivalSarajevo, 26. avgust - 4. septembar 2013.Sarajevo, August 26 - September 4, 2013

realiziran je u koprodukciji / is a co-production of

Manhattan String Quartet &Muzička akademija u Sarajevu /

Academy of Music in Sarajevo

Umjetnici / ArtistsManhattan String Quartet

osnivački rezidentni ansambl /founding ensemble in residence

Cihat Aşkin, violina / violinStanley Drucker, klarinet / clarinet

Nihad Krečo, klavir / pianoSakib Lačević, flauta / fluteDino Mulić, klavir / piano

Christopher Taylor, klavir / pianoVedran Tuce, klarinet / clarinet

Lech Antonio Uszynski, viola / viola

U fokusu / In FocusWolfgang Amadeus Mozart

Johannes Brahms

Direkcija Festivala / Festival DirectorateUmjetnički direktori / Artistic Directors

Chris FinckelDino Mulić

Umjetnički savjetnik / Artistic AdvisorIvan Čavlović

Izvršna direktorica / Operations DirectorAmila Ramović

Draga publiko, Ponosni smo što smo protekla izdanja Sarajevo Chamber Music Festivala proveli u stvaranju izvanredne muzike i atmosfere zajedništva izvođača i publike koja je potvrdila savremena učenja o umjetnosti da je svaka umjetnička činjenica nedjeljiv organizam kojeg čine stvaralac, djelo i publika. U ovakvom promišljanju umjetničkog djelovanja, posebno se nameće svijest o kontekstu u kojem se umjetnost stvara i nastaje potreba da se na okolnosti tog konteksta reaguje. Vizuelni identitet koji je formulirala Ideologija svjesno reflektuje poziciju SCMF-a koji ne može zanemariti činjenicu da ćemo mi sutra izvoditi djela Mozarta, Brahmsa i drugih velikana svjetske umjetnosti u državi u kojoj se zatvaraju muzeji, u kojoj se uništavaju najvrjednija umjetnička djela koja su nam poklonili čuveni umjetnici svijeta, u kojoj nema više od pet aktivnih kompozitora, u kojoj se kultura (ne) finansira prema ličnim i političkim interesima, a ne prema interesima kvaliteta, dugoročnog značaja i stručnosti, i u kojoj pri tome za sve navedeno niko ne snosi nikakvu odgovornost. Iako neuobičajeno za festival kamerne muzike, SCMF je odlučio da će njegova misija prije biti slavljenje užitka svijesti, dakle, misija osvještavanja javnosti, a ne očekivanog uljepšavanja “sive” realnosti. Ovogodišnje festivalske programe i kampanju Muzička akademija, sa umjetnicima i publikom Festivala, će koristiti za edukativni projekt promoviranja poruke da umjetnost, ona koju nose umjetnici poput Mozarta i Brahmsa koji su fokusu SCMF 2013, nije parazitska i periferna društvena aktivnost kojoj treba milostinja, niti je zabavna aktivnost koja treba da privremeno odvrati pažnju od stvarnosti slavljenjem površinske ljepote. Suprotno tome, umjetnost je vrijedna kao najplemenitiji oblik opredmećenja ljudskog duha, u njoj se čovjek najviše udaljava od onog prizemnog, jednostavnog, biološkog,

životinjskog oblika postojanja, ona je najsvjetliji produkt duha čovječanstva, koji u muzici doseže najveće visine. SCMF stoga šalje jasnu poruku da razumijemo aktuelni kontekst i da ćemo se boriti protiv njegovog nepovoljnog djelovanja na umjetnost i društvo, ali da nećemo zbog toga “ugodnim i prilagodljivim” djelima narušavati supstancu onoga čime se bavimo: vrhunska umjetnost majstora muzičke umjetnosti čije je stvaranje oplemenilo i promijenilo čovječanstvo. Na ovaj način Muzička akademija svjesno nastavlja svoje umjetničko i edukativno djelovanje u komunikaciji sa najširom publikom, i kao poklon građanima i gostima Sarajeva ove vrhunske svjetske događaje nudi besplatno. Zahvaljujemo od srca Chrisu Finckelu i Dini Muliću koji su u SAD-u stvarali uslove za nastanak festivala. Zahvaljujemo Manhattan String Quartetu i Christopheru Tayloru na njihovom povratku, Cihatu Aşkinu na trajnom prijateljstvu, Stanleyu Druckeru i Lechu Antoniu Uszynskom na njihovom prvom gostovanju u Sarajevu. Posebno se radujemo saradnji koju će zajedničkim koncertom započeti Manhattan String Quartet i vrhunski bh. muzičari, naše kolege Nihad Krečo, Sakib Lačević i Vedran Tuce. Zahvaljujemo se polaznicima programa Sarajevo Chamber Music Instituta koji su učinili Sarajevo najboljom ljetnom muzičkom učionicom u našem regionu. Posebno se zahvaljujemo Fondu otvoreno društvo BiH i Oswald Fondaciji na povjerenju, i drugim pokroviteljima, sponzorima i prijateljima koji su pomogli realizaciju festivala, u BiH i SAD-u. Na kraju, sve čestitke upućujemo mladom studentskom timu koji je uz veliku predanost i profesionalizam kroz ovaj festival idealan borac za svoje muzičko sutra. Dobrodošli na treći Sarajevo Chamber Music Festival!

Dear audience, We are proud that we have spent the previous Sarajevo Chamber Music Festival seasons in creating some extraordinary music and in the atmosphere of community between performers and the audience, which has confirmed modern theories about every artistic endeavor being an indivisible organism made by the artist, the work and the audience. This reflection on artistic activity particularly addresses the awareness of the context in which art is created and the need to react to the circumstances of that context. The 2013 Sarajevo Chamber Music Festival’s visual identity, created by Bosnia’s own Ideology Creative Team, consciously reflects our position that we can not ignore the fact that tomorrow we will play works by Mozart, Brahms and other great masters of art, in a country in which museums are being closed due to the lack of funding, in which the most valuable works of art that have been given to us by some of the most acclaimed artists of the world still do not have a home, where there are not enough active composers, in which culture is being funded more according to personal and political interests, than the interests of quality, long-term relevance and expertise, and in which, for all the above, no one appears to bear any responsibility. Although unusual for a festival of chamber music, SCMF has decided that its mission will be to celebrate the pleasure of pure consciousness, therefore the mission of raising public awareness, and not the expected beautifying of our “gray” reality. This year, the Academy of Music, along with the artists and the audiences, will use the festival programs and campaign for an educational project of promoting the message that art, such as the art brought to us by Mozart and Brahms who are in the SCMF 2013 focus, is not a parasitic and peripheral social activity that needs charity, nor is it a form of entertainment that is supposed to temporarily divert attention from the reality by celebrating superficial beauty.

Quite the opposite, art is valuable as the most noble form of objectification of the human spirit, it is the space in which the human arises furthest from its simple biological form of existence, it is the brightest product of the spirit of humanity, which reaches its maximum heights in music. SCMF here sends a clear message that we understand our context, and that we will protest whenever it has adverse effects on art and society, that we will not succumb under “pleasant and adaptable” actions and disregard the substance of what we do - great art by masters of music whose creation has ennobled and changed humanity. In this way, the Academy of Music consciously continues its artistic and educational activities in communication with the widest audiences, and as a gift to the citizens and guests of Sarajevo, offers these foremost world events free of charge. We most cordially thank Chris Finckel and Dino Mulić who have created the conditions in the United States for making and continuing this festival. We thank Manhattan String Quartet and Christopher Taylor for their return, Cihat Aşkin for our lasting friendship, we thank Stanley Drucker and Lech Antonio Uszynski for their first concerts in Sarajevo. We are especially looking forward to a new cooperation, which will be launched by the joint concert of the Manhattan String Quartet and acclaimed Bosnian musicians, our colleagues Nihad Krečo, Sakib Lačević and Vedran Tuce. We thank the participants of the SCMI who made Sarajevo the best summer music classroom in our region. Special thanks to the the Open Society Fund and the Oswald Family Foundation for their faith in us, and all the other patrons, sponsors and friends who have helped the realization of the festival, in Bosnia and Herzegovina and in the United States. Finally, all praise goes to our young student festival team whose great dedication and professionalism throughout this festival makes them the ideal fighters for their musical tomorrow. Welcome to the beginning of the third Sarajevo Chamber Music Festival!

Dobrodošli!Welcome!

Dr. Ivan Čavlovićumjetnički savjetnik / Artistic Advisor

Mr. sc. Amila Ramović

izvršna direktorica / Operations Director

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Dragi prijatelji, sa ponosom Vam predstavljamo Sarajevo Chamber Music Festival i Institut i ove, 2013. godine i pozivamo Vas da nam se pridružite u predstojećih 10 dana izvrsne muzike! U predstojećim danima nastavljamo slaviti umjetnost velikih kompozitora: u svojoj trećoj sezoni SCMF u fokusu ima život i djelo Wolfganga Amadeusa Mozarta i Johannesa Brahmsa. Festivalski izvođači, vrhunski umjetnici, njihova su djela strastveno studirali i čekali trenutak Festivala da ih poklone sarajevskoj publici. Uvjereni smo da će entuzijazam i ljubav svih učesnika festivala biti dočekani najtoplijom dobrodošlicom publike kakvu smo s ponosom doživjeli 2012. godine. SCMF slavi tri uspješne godine rada. S razlogom smo ponosni na sve što smo do sada postigli, ali se jednako radujemo izazovima i ostvarenjima u budućnosti, prema kojoj će nas uvijek voditi kriterij izvrsnosti u radu. Međutim, sa velikim uspjehom dolazi i velika odgovornost. Mi jako dobro razumijemo da je kultura u Bosni i Hercegovini u stanju duboke krize. Umjetnost u društvu je percipirana kao ‘bolesna’ ili ‘umiruća’. Zbog toga je za nas veoma važno da pojasnimo da SCMF nije politički neutralan, već ima namjeru da ostane jako aktivan u promovisanju vrijednosti umjetničke muzike i umjetnosti uopšte. S ovim na umu, mi smo odlučili da pošaljemo jasnu

poruku i pridružimo se protestima za prosperitet umjetnosti i umjetnika u bosanskohercegovačkom društvu. Iza našeg uspjeha stoje mnogi dobri i važni ljudi koji obavljaju svoj posao odlično. Mi smo počašćeni što nastavljamo uspješnu saradnju sa Muzičkom akademijom u Sarajevu i dekanom Dr. Ivanom Čavlovićem. Naš stručni tim čine mladi, talentovani i energični ljudi na čelu sa fenomenalnom Amilom Ramović koji žive za muziku. Veliko hvala dugujemo i našim sponzorima sa svih strana svijeta. Hvala Vam svima za podršku i ljubav prema SCMF. Ova sezona SCMF-a će bez sumnje biti još jedna nezaboravna avantura i uistinu smo sretni što ćemo je podijeliti sa Vama!

Dear friends, it is our pleasure to present to you the 2013 Sarajevo Chamber Music Festival and Institute. We invite you to join us for 10 days of great music and we look forward to sharing this thrilling season with you! We are continuing our contribution of the celebration of the greatest composers. For its third edition, the Sarajevo Chamber Music Festival & Institute celebrates the works and lives of Wolfgang Amadeus Mozart and Johannes Brahms. We look forward to sharing their timeless and expressive works of art with you. Sarajevo Chamber Music Festival and Institute has now reached 3 successful years. We are very proud of what we have accomplished so far, and look forward to the many great challenges and programs to come in our continual pursuit of excellence! With great success comes great responsibility. We understand that Bosnia and Herzegovina is in a cultural crisis. The arts are characterized as “dying” or “ill”. For us, it is important that the SCMF is not politically neutral but rather to stay very active in the role of promoting the benefits of classical music and arts in general. Having that in mind, we have decided to send a clear message and join the protest for the prosperity of arts and artists in Bosnian-Herzegovinian society. Behind our success are many great people who do their work extremely well. We are

honored to continue our collaboration with the Academy of Music in Sarajevo and its dean Dr. Ivan Čavlović. Our team is made of young, talented and energetic people who live for music with phenomenal Amila Ramović as head of the team. All this has been made possible thanks to our many donors from around the world. Thank you all for your support and for your love of the Sarajevo Chamber Music Festival and Institute. This will doubtless be a great and memorable adventure and we are happy to share it with everyone!

Riječ umjetničkih direktoraWord from the Artistic Directors

Chris Finckel & Dino Mulić kodirektori / Co-directors

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Program događanjaEvents Schedule

Nedjelja / Sunday25.08.2013.

Ponedjeljak / Monday26.08.2013.

Utorak / Tuesday27.08.2013.

Srijeda / Wednesday28.08.2013.

Četvrtak / Thursday 29.08.2013.

Petak / Friday30.08.2013.

Subota / Saturday 31.08.2013.

Nedjelja / Sunday01.09.2013.

Ponedjeljak / Monday02.09.2013.

Utorak / Tuesday03.09.2013.

Srijeda / Wednesday04.09.2013.

16:00 Registracija studenata / Registration of students17:00 Predavanje / Lecture: Uvod u programe SCMI 2013 / Introduction into SCMI 2013 Programs Dr. Ivan Čavlović, Manhattan String Quartet

11:30 – 12:30Majstorska radionica / MasterclassPredavači SCMI / SCMI Teachers

11:30 – 12:30Majstorska radionica / MasterclassPredavači SCMI / SCMI Teachers14:00 – 15:30Majstorska radionica / MasterclassLech Antonio Uszynski, viola / viola

11:30 – 12:30Majstorska radionica / MasterclassPredavači SCMI / SCMI Teachers

11:30 – 12:30Majstorska radionica / MasterclassPredavači SCMI / SCMI Teachers14:00 – 15:30 Predavanje / Lecture:Dvadeset pogleda na dijete Isusa / Vingt Regards sur l’Enfant-JésusChristopher Taylor, klavir / piano

11:30 – 12:30Majstorska radionica / MasterclassPredavači SCMI / SCMI teachers

11:30 – 12:30Majstorska radionica / MasterclassPredavači SCMI / SCMI Teachers14:00 – 15:30Majstorska radionica / MasterclassCihat Aşkin, violina / violin

11:30 – 12:30Majstorska radionica / MasterclassPredavači SCMI / SCMI Teachers14:00 – 15:30Majstorska radionica i predavanje / Masterclass and LectureStanley Drucker, klarinet / clarinet 19:30KONCERT UČESNIKA SCMISCMI PARTICIPANTS’ CONCERT (Sala Muzičke akademije / Music Academy Hall)

19:30MOZART, BRAHMSLech Antonio Uszynski, viola / violaManhattan String Quartet

19:30 HAYDN, BRAHMS, BARTÓKManhattan String Quartet

19:30MESSIAENChristopher Taylor, klavir / piano

19:30MOZART, BRAHMS, STRAVINSKYManhattan String Quartet & Muzička akademija SarajevoNihad Krečo, klavir / pianoSakib Lačević, flauta / fluteVedran Tuce, klarinet / clarinetManhattan String Quartet

19:30 MOZART, BRAHMS Cihat Aşkin, violina / violinChristopher Taylor, klavir / piano

19:30BACH, HAYDN, RACHMANINOFF, BERGDino Mulić, klavir / piano

19:30BRAHMSManhattan String QuartetStanley Drucker, klarinet / clarinetChristopher Taylor, klavir / piano

DOM OS BIH / ARMY HALL MUZIČKA AKADEMIJA / ACADEMY OF MUSICMAJSTORSKE RADIONICE, PREDAVANJA I KONCERTI /

MASTERCLASSES, LECTURES AND CONCERTSKONCERTI / CONCERTS

U fokusu SCMF-a: Mozart i BrahmsIn SCMF’s Focus: Mozart & BrahmsProf. dr. Ivan Čavlović

Sarajevo Chamber Music Festival

Koncerti Concerts

Izvođači Performers

Sarajevo Chamber Music Institute

Majstorske radionice i predavanjaMasterclasses and Lectures

Podržavaoci Supporters

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DAH MOZARTA I BRAHMSA MEĐU NAMA

Wolfgang Amadeus Mozart i Johannes Brahms na ovogodišnjem Sarajevo Chamber Music Festivalu. Gdje može biti veličanstvenije predstavljana priča o ova dva genija, svaki veliki na svoj način, nego na festivalu kamerne muzike? Živjeli su u različitim vjekovima, ali u jednoj kulturnoj sredini, u Beču, Mozart u drugoj polovini osamnaestog, Brahms u drugoj polovini devetnaestog stoljeća. Oba nositelji stila svoga doba. Mozart, kojeg muzičari i kritičari nazivaju Isusom umjetničke muzike, aludirajući na njegovu ranu smrt i na veličinu mesijanskog u sebi, stvorio je neponovljiv i vječno živ opus, onako kako su žive velike ljudske ideje i otkrića duha. Mozart je jedan od najvažnijih ljudi koji su živjeli na našoj planeti, sasvim sigurno jedan od najvažnijih muzičara, pored Bacha i Beethovena, najvažniji i najveći. U čemu je ta veličina? U duhu ljepote koju je ostavio ljudskom rodu, koja bezbrižno, ali sa svom ljudskom dubinom, nezaustavljivo leti s kontinenta na kontinent, sa stoljeća na stoljeće, u vječnost, imuna na dileme ili prepreke. Suština njegove muzike je ludički ponos ljudskog duha upućen svjesnosti igre kao jedne strane suštine ljudskog i bića umjetnosti. Mozart je stvarao igrajući se tonovima jednako lako kao dišući zrak ili pijući vodu. Ta do njega nenaslućena i od njega netaknuta ljepota jedinstvena je i jedinstveno će ostati kao vječna ljepota ljudskog duha i filozofije umjetnosti. Mozart je stvarao da bi svijet bio ljepši! Na tragu Mozartove genijalnosti, ali gotovo jednako tako genijalan, stvara i Brahms. Taj pomalo mrzovoljni Bečlija, ozbiljnog sjevernonjemačkog mentaliteta, stvarao je u

okrilju velikih umjetničkih dostignuća kojima čak i umjetnički milje nije bio dorastao. Zašto ovo kažem? Beč od Mozartove smrti, vječno obilježen Mozartom i lakoćom stvaranja muzičara iz porodice Strauss, naprosto nije bio spreman bezrezervno prihvatiti velike Brahmsove savremenike poput Brucknera, R. Straussa, Mahlera, ali je Brahmsa samog prihvatio. Zanimljivo i lako objašnjivo! Brahmsova muzika, koliko god bila samo njegova, na tragu je Mozartove po čistoći melodijske misli prije svega, ali i po shvatanju muzike same. Muzika je, naime, nezamjenjiva izvedenica i produkt ljudskog duha i samo najljepši njeni izdanci trebaju biti obznanjeni publici i ljudima umjetničkog duha. Ta premisa je bila važna Brahmsu naročito onda kada je bio nezadovoljan svojim savremenicima i novim stilskim trendovima, prognozirajući čak stoga i kraj muzike kao takve. Na sreću, pogriješio je, ali ta ideja nam jasno govori o Brahmsu kao kompozitoru. Teško dolazeći do velikih muzičkih ideja i polako stvarajući od malih melodijskih ćelija velike melodije i grandiozne stavke, Brahms je svijetu dao samo ono što je mislio da je savršeno. I jeste savršeno! Poslušajte bilo koju njegovu kreaciju i bit će jasno s kojom je brigom radio na izboru i oblikovanju tonskog materijala. Mozart i Brahms se bitno razlikuju po težini stvaranja, ali su veoma bliski po ljepoti koju su dali svijetu. Svako od njihovih djela na ovogodišnjem SCMF-u pokazuje nešto od gore rečenog. Već prvi koncert (28. VIII) na repertoaru ima dva značajna gudačka kvinteta s obligatnom violom: Brahmsov Gudački kvintet op. 111, u G duru, koji opredmećuje ideju o razvoju početnog materijala do neprepoznatljivosti u kontrastnim melodijskim idejama uvijek različitog

BREATH OF MOZART AND BRAHMS AMONG US

Wolfgang Amadeus Mozart and Johannes Brahms are the featured composers at this year’s Sarajevo Chamber Music Festival. Where could the story of these two geniuses, each of them grand in his own way, be told in a more magnificent way than at a chamber music festival? They lived in two different centuries, but in the same cultural environment, that of Vienna: Mozart, in the second half of the eighteenth century, and Brahms, in the second half of the nineteenth century. Both of them carried the styles of their time. Mozart, whom musicians and critics call “Jesus” of his art, (referring to his early death and his messianic grandeur), has created a unique opus that will live forever, in the way the that all great human ideas and discoveries of spirit do. Mozart is one of the most important people and indeed one of the most important musicians who have graced this earth, standing next to Bach and Beethoven. But where does his greatness come from? It comes from the spirit of the beauty that he left to humanity, a beauty with carefree lightness, but all human depth, unstoppably flying from continent to continent, from century to century, in perpetuity, immune to hesitation and obstacle. The greatness can be found in the pride of the human spirit, versed to the awareness of the essence of the human and artistic being. Mozart created by playing with notes, as easily as breathing air or drinking water. The beauty he created, unbounded and untouched before him, will remain unique, as unique as the eternal beauty of the human spirit. Mozart was creating to make the world a more beautiful place!

On the trail of Mozart’s genius, almost a genius of the same magnitude, Johannes Brahms was creating his own art. Brahms, a somewhat grumpy Viennese man with a serious North German mentality, was on the same path of great artistic achievements of his predecessors and then broke new ground. Vienna was not ready to accept Bruckner, R. Strauss, or Mahler at the time, but it did accept Brahms. This can be easily explained. Brahms’ music followed the path of purity of Mozart’s melodic thought and showed his understanding of the music of Mozart, music that is thought of as an irreplaceable product of the human spirit, and only its most beautiful creations need to be presented to audiences and people of artistic spirit. That premise was important to Brahms, especially when he was dissatisfied with his contemporaries and the new stylistic trends, even predicting the end of music as such! Fortunately, he was wrong! But the idea tells us much about Brahms as a composer. By struggling hard to reach great musical ideas and by slowly forming great melodies and grandiose movements from the smallest musical cells, Brahms gave the world what he thought was perfect. And well it was! Listen to any of his creations, and it is clear how thoughtfully and carefully he worked when making choices and shaping his tonal material. Mozart and Brahms vary significantly in the way they reflect the struggle of creation, but they are very close in the beauty they have given the world. Each of their works at this year’s Sarajevo Chamber Music Festival reflects this beauty. The very first concert (August 28), features two major string quintets (string quartet plus viola). The Brahms String Quintet in G Major, Op. 111, develops the ideas of its initial material beyond recognition in contrasting ideas of differing

U fokusu SCMF-a: Mozart i BrahmsIn SCMF’s Focus: Mozart & Brahms

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Prof. dr. Ivan Čavlović

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Prof. dr. Ivan Čavlović

melodijskog toka, bilo da se radi o prvom sonatnom stavku, turobnom drugom, skercoznom trećem ili misaonom četvrtom; Mozartov Gudački kvintet K. 515 u C duru, iako s malo utjecaja njegova učitelja Haydna, vrlo visoke preciznosti u iznošenju klasički zamišljenih melodijskih ideja i dijaloga među instrumentima. Pored Haydna i Bartóka (29. VIII) bit će izveden i Brahmsov Gudački kvartet op. 51, br. 2 u a molu, koji odlazi u nove dubine muzičkog genija u potrazi za najboljim rješenjima u oblikovanju tonskog sloga. Poseban je koncert (31. VIII) s programom dva Mozartova djela: Kvartet za flautu, violinu, violu i violončelo K. 285 u D duru i Gudački kvartet K. 428 u E duru, uz Brahmsov Trio za klarinet, violončelo i klavir op. 114. Značajnost ovoga koncerta bit će izvođenje ovih i drugih djela u interpretaciji umjetnika iz Bosne i Hercegovine – Nihada Kreče, klavir, Sakiba Lačevića, flauta, Vedrana Tucea, klarinet i u saradnji s MSQ-om koji će, sasvim sigurno biti prijateljska umjetnička igra rezidentnog ansambla i domaćih umjetnika, profesora sarajevske Muzičke akademije, u misiji najsnažnijih stvaralačkih traganja za ljepotom. Novi repertoar Mozartovih i Brahmsovih djela, tri čuvene sonate i Scherzo, bit će u izvedbi violiniste Cihata Aşkina i pijaniste Christophera Taylora, dvojice umjetnika s dva kraja svijeta, ali ujedinjenih u otkrivanju tajni muzike Mozarta i Brahmsa (1. IX). Završni koncert (4. IX) bit će posvećen Brahmsu, Kvintet za klarinet i gudački kvartet op. 115 i Kvartet za klavir, violinu, violu i violončelo op. 25 u izvedbi MSQ-a i gostiju iz SAD-a Stanleya Druckera, klarinet, i Christophera Taylora, klavir. Veće zanimljivosti i nije moglo biti od ova dva djela i ovih izvođača posvećenih muzici i izvedbi odabranog repertoara. Karakteristika ovoga koncerta je visoki romantizam Brahmsa, a u izvedbi umjetnika visokog profesionalizma.

Pored navedenih djela Mozarta i Brahmsa ovogodišnji SCMF bit će mjesto izvedbe još nekoliko kapitalnih djela kamerne muzičke literature: Gudački kvartet br. 5 Bele Bartóka (29. VIII) u izvođenju MSQ-a, što je spoj pun slušalačkog zanimanja za umjetnost visoko profiliranog karaktera i značenja, zatim Dvadeset pogleda na dijete Isusa za klavir Oliviera Messiaena (30. VIII), kao opširno muzičko-filozofsko razmatranje života i događaja oko malog Božjeg poslanika Isusa, u izvedbi Christophera Taylora, Tri komada za klarinet i Tri komada za gudački kvartet Igora Stravinskog (31. VIII), kao specijalni uvod u muziku jednog od klasika 20. stoljeća u malim formama. I opet poseban koncert (3. IX) na kojem će bh. pijanist sa američkom adresom Dino Mulić izvesti Sonatu u G duru Josepha Haydna, Englesku svitu u a molu Johanna Sebastiana Bacha, Sonatu za klavir br. 1 Albana Berga i Varijacije na temu Corellija Sergeja Rahmanjinova. Svako od ovih djela su pravi reperezenti svoga tvorca i dokaz podložnosti izvođača visokim zahtjevima izvedbene umjetnosti, koji u muzici donose umjetnost u pravom značenjskom smislu. Konteksti kreatora i interpretatora se idealno poklapaju na našem festivalu kojem, bez imalo dvojbe, predstoji još jedno briljantno izdanje, nemjerljivo s bilo kojim kod nas i u okruženju. S ovom konstatacijom budimo spremni dočekati treće izdanje našeg festivala i preslušavajući izabrana djela pružiti duši priliku da udahne tragove vječite božanske ljepote.

melodic flow. This is seen in the first movement, which is in sonata-form, the melancholic second movement, the scherzo-like third movement and the reflective fourth movement. The Mozart String Quintet in C Major, K. 515, shows a high degree of precision in expressing classically conceived melodic ideas and a dialogue between the instruments. The concert on August 29 will showcase the Brahms String Quartet in A Minor, where Brahms goes into new depths of his musical genius in search of the best solutions in the formation of tonal harmonies. Haydn and Bartók will also be performed on that concert. A special concert on August 31 is to be mentioned, with two Mozart pieces on the program: The Flute Quartet in D Major, K. 285, for flute, violin, viola and cello and the String Quartet in E flat Major, K. 428, along with the Brahms Clarinet Trio, Op. 114. This concert will feature three artists from Bosnia and Herzegovina: Nihad Krečo, piano, Sakib Lačević, flute, Vedran Tuce, clarinet, in collaboration with the Manhattan String Quartet. This will certainly be a unique performance by our resident ensemble of the Sarajevo Chamber Music Festival and professors of the Sarajevo Music Academy. On September 1 Turkish violinist Cihat Așkin and American pianist Christopher Taylor will perform a recital of Mozart and Brahms Sonatas. These two artists, from two ends of the world, will unite in unraveling the secrets of the music of Mozart and Brahms. The final concert on September 4 will be dedicated to Brahms alone: the Clarinet Quintet, Op. 115 and the Piano Quartet, Op. 25. These works will be performed by the Manhattan String Quartet and two renowned American guest artists, Stanley Drucker, clarinet and Christopher Taylor, piano. The high romanticism of Brahms and the unique communicative abilities of these artists will surely result in a concert not to be missed.

In addition to these works of Mozart and Brahms, there will be performances of several seminal works of the chamber music repertoire. The Manhattan String Quartet will perform Bela Bartók’s String Quartet No. 5. This is a piece of highly sophisticated character and meaning. Christopher Taylor will perform Oliver Messiaen’s Vingt Regards sur l’Enfant Jesus for solo piano. This work is an extensive musical and philosophical celebration of the life and events of the infant Jesus. Stravinsky’s Three Pieces for String Quartet and Three Pieces for Clarinet will be performed as well, two small form classics of the 20th century. On September 3, another important concert will take place. Our own Bosnian pianist and co-director of the Sarajevo Chamber Music Festival Dino Mulić will give a recital in which he will perform the Haydn Sonata in G Major, the Bach English Suite in A Minor, Alban Berg’s Piano Sonata No. 1 and Variations on a Theme of Corelli by Sergei Rachmaninoff. Each of these works are genuine representatives of their creators and a challenge for our highly sophisticated performers, but they also bring the true meaning of art in music. The composers and performers are ideally paired at our festival, which, without any doubt will be of unsurpassed quality and unique in our region. With this statement, we can be ready to welcome the third season of the Sarajevo Chamber Music Festival and by listening to the chosen works, give our souls a breath of air of these transcendental moments of divine beauty.

Wolfgang Amadeus Mozart (1756–1791) Kvintet za violu i gudački kvartet K. 515, C dur (1787) Viola Quintet in C Major, K. 515 (1787) Allegro Menuetto: Allegretto Andante Allegro

Johannes Brahms (1833–1897) Kvintet za violu i gudački kvartet op. 111, G dur (1890) Viola Quintet in G Major, Op. 111 (1890) Allegro non troppo, ma con brio Adagio Un poco Allegretto Vivace, ma non troppo presto

KoncertiConcerts

Mozart, Brahms

Lech Antonio Uszynski, violaManhattan String Quartet

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Srijeda, 28.08.2013, 19.30 Wednesday, August 28, 2013, 7:30 PM

Joseph Haydn (1732-1809) Gudački kvartet op. 71, br. 2, D dur, Hob: III/70 (1793) String Quartet in D Major, Op. 71, No. 2, Hob: III/70 (1793) Adagio - Allegro Adagio Menuetto: Allegro Finale: Allegretto - Allegro

Béla Bartók (1881–1945) Gudački kvartet br. 5, Sz. 102 (1934) String Quartet No. 5, Sz. 102 (1934) Allegro Adagio molto Scherzo: alla bulgarese Andante Finale. Allegro vivace

Johannes Brahms (1833–1897) Gudački kvartet op. 51, br. 2, a mol (1873) String Quartet No. 2 in A Minor, Op. 51, No. 2 (1873) Allegro non troppo Andante moderato Quasi Minuetto, moderato Finale. Allegro non assai

Olivier Messiaen (1908–1992) Vingt Regards sur l’Enfant Jesus (1944) Dvadeset pogleda na dijete Isusa (1944) Twenty Contemplations on the Infant Jesus (1944) 1. Regard du Père (Pogled Oca / Contemplation of the Father) 2. Regard de l’étoile (Pogled zvijezde / Contemplation of the star) 3. L’échange (Promjena / The Exchange) 4. Regard de la Vierge (Pogled Djevice / Contemplation of the Virgin) 5. Regard du Fils sur le Fils (Pogled Sina na Sina / Contemplation of the Son upon the Son) 6. Par Lui tout a été fait (Po Njemu je sve stvoreno / Through Him everything was made) 7. Regard de la Croix (Pogled križa / Contemplation of the Cross) 8. Regard des hauteurs (Pogled visina / Contemplation of the heights) 9. Regard du temps (Pogled vremena / Contemplation of time) 10. Regard de l’Esprit de joie (Pogled Duha radosti / Contemplation of the joyful Spirit) 11. Première communion de la Vierge (Prva pričest Djevice / The Virgin’s first communion) 12. La parole toute-puissante (Svemoćna riječ / The All-powerful word) 13. Noël (Božić / Christmas) 14. Regard des Anges (Pogled Anđela / Contemplation of the Angels) 15. Le baiser de l’Enfant-Jésus (Poljubac djeteta Isusa / The kiss of the Infant Jesus) 16. Regard des prophètes, des bergers et des Mages (Pogled proroka, pastira i čarobnjaka / Contemplation of the prophets, the shepherds and the Magi) 17. Regard du silence (Pogled tišine / Contemplation of silence) 18. Regard de l’Onction terrible (Pogled na strašno Pomazanje / Contemplation of the awesome Anointing) 19. Je dors, mais mon cœur veille (Spavam, ali srce mi je budno / I sleep, but my heart keeps watch) 20. Regard de l’Eglise d’amour (Pogled Crkve ljubavi / Contemplation of the Church of love)

Haydn, Brahms, Bartók

Manhattan String Quartet

Messiaen

Christopher Taylor, klavir / piano

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Četvrtak, 29.08.2013, 19.30 Thursday, August 29, 2013, 7:30 PM Petak, 30.08.2012, 19.30 Friday, August 30, 2013, 7:30 PM

Wolfgang Amadeus Mozart (1756–1791) Kvartet za flautu, violinu, violu i violončelo K. 285, D dur (1777–1778) Flute Quartet in D Major, K. 285 (1777–1778) Allegro Adagio Rondo: Allegro

Igor Stravinsky (1882–1971) Tri komada za klarinet (1918) Three Pieces for Clarinet (1918)

Johannes Brahms (1833–1897) Trio za klarinet, violončelo i klavir op. 114, a mol (1891) Clarinet Trio in A Minor, Op. 114 (1891) Allegro Adagio Andante grazioso Allegro

Igor Stravinsky (1882–1971) Tri komada za gudački kvartet (1914/18) Three Pieces for String Quartet (1914/18)

Wolfgang Amadeus Mozart (1756–1791) Gudački kvartet K. 428, br. 16, Es dur (1783) String Quartet No. 16 in E flat Major, K. 428 (1783) Allegro non troppo Andante con moto Menuetto - Trio Allegro vivace

Wolfgang Amadeus Mozart (1756–1791) Sonata za violinu i klavir K. 304, br. 21, e mol (1778) Violin sonata No. 21 in E Minor, K. 304 (1778) Allegro Tempo di Menuetto

Wolfgang Amadeus Mozart (1756–1791) Sonata za violinu i klavir K. 378, br. 26, B dur (1779) Violin sonata No. 26 in B flat Major, K. 378 (1779) Allegro moderato Andantino sostenuto e cantabile Rondo: Allegro

Johannes Brahms (1833–1897) Scherzo za violinu i klavir, c mol (1853) Scherzo for Violin and Piano in C Minor (1853)

Johannes Brahms (1833–1897) Sonata za violinu i klavir op. 108, br. 3, d mol (1878–1888) Violin sonata No. 3 in D Minor, Op. 108 (1878–1888) Allegro Adagio Un poco presto e con sentimento Presto agitato

Mozart, Brahms, Stravinsky

Manhattan String Quartet i Muzička akademija Sarajevo /Manhattan String Quartet and the Academy of Music Sarajevo

Nihad Krečo, klavir / pianoSakib Lačević, flauta / fluteVedran Tuce, klarinet / clarinetManhattan String Quartet

Mozart, Brahms

Cihat Aşkin, violina / violinChristopher Taylor, klavir / piano

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Subota, 31.08.2013, 19.30 Saturday, August 31, 2013, 7:30 PM Nedjelja, 01.09.2013, 19.30 Sunday, September 1, 2013, 7:30 PM

Koncert učesnika SCMF Instituta /Concert of the SCMF Institute participants

Napomena: Koncert će biti održan u Sali Muzičke akademije /Note: To be held at the Academy of Music Hall

Program će biti naknadno objavljen /Program to be announced

Joseph Haydn (1732–1809) Sonata za klavir, G dur, Hob: XVI/40 (1784) Sonata in G Major, Hob: XVI/40 (1784) Allegro innocente Presto

Johann Sebastian Bach (1685–1750) Engleska svita br. 2, a mol, BWV 807 English Suite in A Minor No. 2, BWV 807 Prélude Allemande Courante Sarabande Les agréments de la même Sarabande Bourrée I alternativement Bourrée II Gigue

Alban Berg (1885–1935) Sonata za klavir br. 1 Piano Sonata No. 1

Sergei Rachmaninoff (1873–1943) Varijacije na Corellijevu temu (1931) Variations on a Theme of Corelli (1931) Theme. Andante 1. Poco piu mosso 2. L’istesso tempo 3. Tempo di Minuetto 4. Andante 5. Allegro (ma non tanto) 6. L’istesso tempo 7. Vivace 8. Adagio misterioso 9. Un poco piu mosso 10. Allegro scherzando 11. Allegro vivace 12. L’istesso tempo 13. Agitato Intermezzo 14. Andante (come prima) 15. L’istesso tempo 16. Allegro vivace 17. Meno mosso 18. Allegro con brio 19. Piu mosso. Agitato 20. Piu mosso Coda. Andante

Dino Mulić, klavir / piano

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Ponedjeljak, 02.09.2013, 19.30 Monday, September 2, 2013, 7:30 PM Utorak, 03.09.2013, 19.30 Tuesday, September 3, 2013, 7:30 PM

Bach, Haydn, Rachmaninoff, Berg

Kvintet za klarinet i gudački kvartet op. 115, h mol (1891)Clarinet Quintet in B minor, Op. 115 (1891) Allegro Adagio Andantino Con moto

Kvartet za klavir, violinu, violu i violončelo op. 25, g mol (1861)Piano Quartet in G minor, Op. 25 (1861) Allegro Intermezzo: Allegro Andante con moto Rondo alla Zingarese: Presto

Izvođači Performers

Brahms

Stanley Drucker, klarinet / clarinetChristopher Taylor, klavir / pianoManhattan String Quartet

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Srijeda, 04.09.2013, 19.30 Wednesday, September 4, 2013, 7:30 PM

Manhattan String Quartet Curtis Macomber, violina / violinCalvin Wiersma, violina / violinJohn Dexter, viola / violaChris Finckel, violončelo / cello

Cihat Aşkin

Okarakterisan kao „nacionalno blago“ od strane Boston Globea, Manhattan String Quartet predstavlja jedan od vodećih ansambala u Sjedinjenim Američkim Državama. Ansambl je osnovan 1970. godine pri Manhattan School of Music i od tada je na svojim turnejama nastupao širom svijeta, između ostalog u istaknutim dvoranama kao što su Rudolphinum u Pragu, Salle Cortot u Parizu i New York’s Town Hall. Poznati po svojim pionirskim izvedbama Šostakovičevih 15 gudačkih kvarteta, Manhattanovci su ovaj ciklus predstavili u prigodama kao što Great Performers u Lincoln Centru, za Francuski nacionalni radio, u jednodnevnim maratonima u Tokyu i Nagoyi (Japan), ali i na inauguralnoj sezoni Sarajevo Chamber Music Festivala 2011. godine. Članovi ansambla mnogo vremena posvećuju podučavanju, te na Univerzitetu Colgate kao rezidentni kvartet djeluju već 25 godina i održavaju radionice u zemlji i širom svijeta. 2001. godine Kvartet je predstavio svoj projekt „kulturne ekspedicije“ u kojem su kolege iz oblasti umjetničke muzike za gudače instrumenata iz Amerike vodili u evropske gradove gdje bi muzičari proučavali određeni kvartet i to u gradu u kojem je komponovan. Ovi godišnji seminari bili su fokusirani na djela kompozitora kao što su Bartók, Beethoven, Debussy, Dvořák, Mendelssohn, Mozart, Ravel, Smetana, Schubert i Verdi, a pomoću čega su stotine ljudi uveli u njihove kulturne kontekste. Manhattan String Quartet je učestvovao u brojnim ljetnim festivalima. Ponosan je što ima priliku biti jezgrom Sarajevo Chamber Music Festivala i Instituta.

Hailed by the Boston Globe as “a national treasure,” The Manhattan String Quartet is acclaimed as one of America’s leading ensembles. Founded in 1970 at the Manhattan School of Music the Quartet has gone on to tour the world, appearing in such distinguished halls as the Rudolphinum in Prague, Salle Cortot in Paris and New York’s Town Hall. Well known for their pioneering interpretations of Shostakovich’s 15 Quartets, the Manhattans have presented this cycle for, among others, Great Performers at Lincoln Center, French National Radio, in single day marathons in Tokyo and Nagoya, Japan, and Festival in 2011. Dedicating much of their time as educators, the group has been Quartet-in-Residence at Colgate and produces string quartet workshops at home and around the world. In 2001 the Quartet introduced their ‘cultural expedition’ series, bringing American string players to the musical capitals of Europe to study a single string quartet in the city of its composition. These annual seminars have focused on the works of Bartók, Beethoven, Debussy, Dvořák, Mendelssohn, Mozart, Ravel, Smetana, Schubert and Verdi and introduced hundreds to their cultural contexts. The Manhattan Quartet has participated in numerous summer festivals and is proud to be the core ensemble of the Sarajevo Chamber Music Festival and Institute.

Cihat Aşkin je rođen u Istanbulu. Završio je školovanje u klasi Ayhana Turana. Postdiplomski i doktorski studij završio je na Royal College of Music u klasi Rodneya Frienda, te na City University u klasi Yfrah Neaman, a sarađivao je sa Ruggierrom Riccijem i Dorothy Delay. Nakon povratka u Tursku od 1998. predaje na ITU, i tu je 2008. do 2012. bio i direktor Državnog turskog konzervatorija za muziku. Kao istaknuti umjetnik, nastupao je zajedno sa svjetski poznatim muzičarima poput Cobosa, Dmitrieva, Yoela Levia, Shlomo Mintza i Ide Haendel. Koncertirao je širom SAD-a, Evrope, Bliskog Istoka, Azije i Afrike. Bio je član nekoliko žirija na internacionalnim takmičenjima u Bugarskoj, Srbiji, Poljskoj, Izraelu i Švicarskoj. Aşkin je za Kalan Muzik snimio i prvi nosač zvuka sa snimcima djela turskih kompozitora U. C. Erkina i N. K. Aksesa. Prva integralna izvedba 42 Etide Kreutzera objavljena je na nosaču zvuka 2006. godine u Aşkinovoj izvedbi i odnijela je sve pohvale kritike. Sarađivao je sa Warner Classics i CPO. Među mnogim nagradama i priznanjima koja je osvojio, poput nagrada na prestižnim takmičenjima Menuhin i Flesch, je i nagrada Foyer des Artistes 2002, te Zlatna medalja 2009. J. F. Kennedy Center for the Performing Arts. 2007. godine osniva i Aşkin Ensemble i projekt za mlade Cihat Aşkin i mali prijatelji (CAKA). Ovaj koji je osvojio je godišnju nagradu Classical Music Event koju dodjeljuje Andante 2011 Donizetti Classical Music Awards. Aşkin je u periodu od 1999. do 2010. godine bio i predavač na Keshet Eilon Violin Master Classes u Izraelu. Ovaj viruoz svira na violinama Jean Baptiste Vuillaumea (1846) i Josepha Gagliana (1796).

Cihat Aşkin was born in Istanbul. He graduated from Ayhan Turan’s class with success. He completed his Master’s and Doctoral degrees in London at the Royal College of Music with Rodney Friend and at the City University with Yfrah Neaman. He also studied with the masters Ruggierro Ricci and Dorothy Delay. Aşkin worked as Professor at ITU from 1998 to 2012. He served as the Director of Turkish Music State Conservatory of ITU. He shared the same stage with world famous artists like Cobos, Dmitriev, Yoel Levi, Shlomo Mintz and Ida Haendel. He has participated on festivals and concerts across USA, Europe, Middle East, Asia and Africa. He participated as a jury member in international contests, which were held in countries like Bulgaria, Serbia, Poland, Israel and Switzerland. Aşkin made the first CD recordings of pieces of Turkish composers U. C. Erkin and N. K. Akses for Kalan Muzik. In 2006, the first integral recording of Kreutzer 42 Etudes was released and highly acclaimed by the critics. He worked with Warner Classics and CPO. Among his many prizes like Menuhin and Flesch, he won the Foyer des Artistes award in 2002 and in 2009 the J. F. Kennedy Center for the Performing Arts awarded him with Gold Medal award. In 2007, he founded Aşkin Ensemble with an aim to fulfill the needs of variety of quality music, develop chamber music projects and to support growing young musicians. In 2004, he realized an educational project called Cihat Aşkin and Little Friends (CAKA). He served as a faculty member during 1999–2010 at Keshet Eilon Violin Master Classes in Israel. The virtuoso uses a violin by Jean Baptiste Vuillaume (1846) and Joseph Gagliano (1796) in his concerts.

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Stanley Drucker

Nihad Krečo

Stanley Drucker je krajem koncertne sezone 2008/2009. obilježio 60 godina članstva u jednom od najprestižnijih svjetskih okestara - New York Philharmonic Orchestra. U čast ovako značajnoj obljetnici, koja se podudarila i sa Druckerovim povlačenjem u mirovinu, ovaj umjetnik proglašen je počasnim članom Philharmonic-Symphony Society New Yorka, te je time postao prvi orkestarski muzičar sa ovakvom počasti. U Guinnessovoj knjizi svjetskih rekorda upisan je kao ”klarinetista sa najdužom karijerom”. Dva puta je bio nominovan za Grammy u kategoriji “Najboljeg instrumentalnog soliste sa orkestrom” u oblasti klasične muzike, a njegove izvedbe mogu se poslušati na brojnim nosačima zvuka Njujorške filharmonije. Među ostalim njegovim snimcima, ističu se New York Legends solo album i Drucker Plays Brahms, dvostruko CD izdanje kamernih djela za klarinet. Prema ocjeni Musical America 1998, Stanley Drucker je proglašen “Instrumentalistom godine”. Kao desetogodišnjak, klarinet počinje učiti sa Leonom Russianoffim, a potom pohađa i Curtis Institute of Music. Već sa 16 godina postaje prvi klarinetista Indianapolis Symphony Orchestra, sa 17 prvi klarinetista Adolf Busch Chamber Players, a sa 18 prvi klarinetista Buffalo Philharmonic. Stanley Drucker aktivno nastupa kao solista, vrlo često nastupajući i u kamernim sastavima, a djeluje i kao predavač na brojnim majstorskim radionicama širom svijeta.

Stanley Drucker celebrated 60 years as a member of the New York Philharmonic at the conclusion of the 2008-09 season; in honor of this milestone anniversary, which coincided with his retirement from the Orchestra, he was named an honorary member of the Philharmonic-Symphony Society of New York, the first orchestral musician to be so honored. He is listed in the Guinness Book of World Records as having had the “Longest Career as a Clarinetist.” He has been nominated twice for Grammy Awards in the category of Best Instrumental Soloist/Classical with Orchestra and can be heard on many Philharmonic recordings. His other releases include a New York Legends solo album and Drucker Plays Brahms, a two-CD set of the chamber works featuring clarinet. Stanley Drucker was named Musical America’s 1998 Instrumentalist of the Year. He began his clarinet studies at age ten with Leon Russianoff and later attended the Curtis Institute of Music. He was appointed principal clarinet of the Indianapolis Symphony Orchestra at age 16, Adolf Busch Chamber Players at age 17, and the Buffalo Philharmonic at age 18. Stanley Drucker maintains an active solo career, appearing with ensembles and in master classes throughout the world.

Nihad Krečo se školovao u Sarajevu, gdje je završio Muzičku akademiju u klasi Nede Stanković. Specijalizirao je klavir tokom 2000/2001. godine na Kraljevskoj akademiji u Stockholmu, u klasi Stefana Lindgrena. Dobitnik je tri prve nagrade na takmičenjima učenika i studenata Federacije Bosne i Hercegovine. Imao je koncerte u zemlji i inostranstvu (Švedska, Češka, Izrael, Grčka, Kanada, Francuska, Njemačka i Turska), nastupao je sa Sarajevskom filharmonijom, te snimao za Federalnu televiziju i TV Sarajevo. Pohađao je majstorske kurseve u Grčkoj, Švajcarskoj, Izraelu, Kanadi i Švedskoj, u klasama Alain Lefevrea, Victora Rosenbauma, Jean-Paul Sevillae i Augusta Hautboa. Tokom ljeta 2002. godine pohađao je ljetnu školu na Američkom konzervatoriju u Fontenblaeu (Francuska), u klasama Frederica Agassia, Philipa Bianconia i Xu Zhanga. Postdiplomski studij završio je 2006. godine u klasama Nede Stanković i Borisa Kraljevića. Trenutno je zaposlen na Muzičkoj akademiji u Sarajevu kao docent na glavnom predmetu Klavir.

Nihad Krečo graduated from the Music Academy in Sarajevo, Neda Stanković class. He specialized in 2000/2001 at the Royal Academy in Stockholm, with Stefan Lindgren. He was the winner of competitions of high school and university students of the Federation of Bosnia and Herzegovina three times. He has performed extensively in Bosnia and Herzegovina and abroad (Sweden, Czech Republic, Israel, Greece, Canada, France, Germany and Turkey). He performed with Sarajevo Philharmonic Orchestra and made recordings for the Television of Federation of Bosnia and Herzegovina and for the Television Sarajevo. Krečo attended master classes in Greece, Switzerland, Israel, Canada and Sweden with Alain Lefevre, Victor Rosenbaum, Jean-Paul Seville and August Hautbo. In summer 2002, he attended summer school at the American Conservatory in Fontenblaeu (France), with Frederic Agassi, Philip Bianconi and Xu Zhang. He finished his postgraduate studies in 2006 with Neda Stanković and Boris Kraljević. He is engaged as the Assistant Professor and Head of Piano Department at the Academy of Music in Sarajevo.

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Sakib Lačević

DinoMulić

Sakib Lačević, magistar, akademski profesor i muzičar flautist, je rođen u Sarajevu. Dodiplomski i postdiplomski studij flaute završio je na Muzičkoj akademiji u Sarajevu u klasi prof. Bećira Drnde. Od 1996. god. do danas Sakib Lačević je angažovan, kao prvi flautist, u orkestrima Sarajevske filharmonije, opere i baleta. U proteklom periodu, kao solista - prvi flautist, učestvovao je u izvođenju simfonijske, operne i baletske muzike, sa preko osam stotina i pedeset koncerata Sarajevske filharmonije u zemlji i inostranstvu (Hrvatska, Austrija, Italija, Njemačka, SAD, itd) na kojima su nastupali mnogobrojni, svjetski poznati i priznati solisti i dirigenti. Trenutno je zaposlen na Muzičkoj akademiji u Sarajevu kao profesor flaute i kamerne muzike, te je član i osnivač Sarajevskog duvačkog kvinteta Per sempre.

Sakib Lačević, flutist and academy professor, was born in Sarajevo. He completed his bachelor and master music studies at the Music Academy in Sarajevo with professor Bećir Drnda. From 1996. up until now he has been playing on position of the first flute of the Sarajevo Philharmonic Orchestra, and opera and ballet orchestra. In the past period he played as a soloist-first flutist at various performances of symphonic, opera and ballet music, at almost 850 concerts of Sarajevo Philharmonic Orchestra in Bosnia and Herzegovima and abroad (Croatia, Austria, Italy, Germany, USA, etc). He has performed with many distinguished conductors and soloists. At the moment, he works as the professor of flute and chamber music at the Music Academy in Sarajevo. He is also the founder and a member of the Sarajevo wind quintet Per sempre.

Pijanista Dino Mulić, renomirani je umjetnik u oblasti ozbiljne muzike u Bosni i Hercegovini. Rođen je u Sarajevu. Diplomirao je i magistrirao na Muzičkoj akademiji u Sarajevu. 2005. godine ovaj mladi umjetnik dobiva Zlatnu značku Univerziteta u Sarajevu kao najuspješniji student Univerziteta u Sarajevu, a već 2006. počinje raditi na Muzičkoj akademiji u Sarajevu. Dobitnik je najviših priznanja na državnim takmičenjima, a kao koncertni umjetnik nastupao je u zemljama Balkana, Evrope, te u SAD-u i Kanadi. U.S. State Department ga 2009. godine bira kao učesnika u Junior Faculty Development Programu, u okviru kojeg provodi jedan semestar na Michigan State University. U 2010. godini dobio je grant Ambasade SAD-a u Bosni i Hercegovini uz pomoć kojeg uspostavlja saradnju između Muzičke akademije u Sarajevu i Manhattan String Quarteta. Osnivač je i ko-direktor Sarajevo Chamber Music Festivala. Trenutno se nalazi u Sjedinjenim Američkim Državama na doktorskom studiju na Univerzitetu Wisconsin-Madison u klasi profesora Christophera Taylora i profesorice Jessice Johnson.

Pianist Dino Mulić is one of the brightest lights of classical music in Bosnia and Herzegovina. A native of Sarajevo he earned his Bachelor’s and Master’s degrees from the Academy of Music in Sarajevo. He is the recipient of the 2005 Gold Medal of the University of Sarajevo as a best student of the University of Sarajevo and was appointed to the faculty of the Sarajevo Academy of Music in 2006. Dino Mulić has won top prizes at many state competitions and, as recitalist, has performed throughout the Balkans and Europe and in the United States and Canada. In 2009 he was selected by the U. S. State Department to participate in the Junior Faculty Development Program spending a semester at Michigan State University and in 2010 received a Scholars Grant from the U. S. Embassy in Bosnia and Herzegovina, which helped him to establish collaboration between the Academy of Music in Sarajevo and the Manhattan String Quartet. Dino Mulić is a founder and co-director of the Sarajevo Chamber Music Festival. He is currently completing his doctoral studies at the University of Wisconsin–Madison under the tutelage of Christopher Taylor and Jessica Johnson.

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Vedran Tuce

Vedran Tuce diplomirao je i magistrirao na Muzičkoj akademiji u Sarajevu (u klasi Aleksija Radana), a potom završio trogodišnji postdiplomski studij za klarinet i bas klarinet u Bernu, Švicarska (u klasi Ernesta Molinarija). Nastupao je u mnogim zemljama Evrope i u Americi, a bio je i član žirija na nekoliko međunarodnih takmičenja, te predavač na seminarima u zemlji i inostranstvu. Aktivan je kao solist, član kamernih ansambala, ali nerijetko svira i kao član Sarajevske filharmonije, opere i baleta. Stalni je član i jedan od osnivača ansambla za savremenu umjetničku muziku SONEMUS, koji, nakon decenije postojanja, ima snimljena dva CD-a eminentne savremene literature. Mnoga djela savremene muzike izveo je premijerno u BiH, a neka od njih su i pisana za njega ili za ansambl SONEMUS. Centralni fokus njegovog repertoara je savremena umjetnička muzika, ali jednako uspješno izvodi i svu ostalu literaturu pisanu za klarinet i ansamble. Koristi sve poznate nove i savremene tehnike sviranja klarineta i bas klarineta, te konstatno istražuje nove mogućnosti zvuka. Trenutno radi kao profesor klarineta i kamerne muzike na Muzičkoj akademiji u Sarajevu, a od 2008. godine je i šef Odsjeka za duvačke instrumente.

Vedran Tuce studied at the Music Academy in Sarajevo (with Aleksije Radan), and then completed another three-year post-graduate studies for clarinet and bass clarinet in Bern, Switzerland (with Ernesto Molinari). He has performed in many countries of Europe and America, and was a jury member of several international competitions and a lecturer on masterclasses at home and abroad. He is active as a soloist, member of chamber ensembles, but often plays as a member of the Sarajevo Philharmonic Orchestra, opera and ballet. He is a permanent member and one of the founders of the ensemble for contemporary art music SONEMUS, which, after decades of existence, has recorded two CDs of eminent contemporary literature. He has premiered many works of contemporary music in B&H, among which some were written for Vedran Tuce or ensemble SONEMUS. Main focus of his repertoire is contemporary art music, but with equal success he performs any other literature written for the clarinet and different ensembles. He uses all known new and modern techniques of playing the clarinet and bass clarinet, and constantly explores new possibilities of sound. He is currently working as a professor of clarinet and chamber music at the Music Academy in Sarajevo, and since 2008 he is the Head of the Wind Instruments Department.

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Christopher Taylor

U posljednjih nekoliko godina Christopher Taylor postaje jedan od najistaknutijih američkih muzičara. Publika i kritičari podjednako hvale njegov jedinstven intenzitet i umijeće. The New York Times smatra Taylora “zastrašujuće talentovanim”, a Los Angeles Times njegove nedavne izvedbe nazvao je “zapanjujućim”. Christopher Taylor je dobitnik nagrade “Avery Fisher Career Grant” 1996. godine i bronzane medalje 1993. godine na “Van Cliburn” međunarodnom pijanističkom takmičenju. Godine 1990, osvojio je prvu nagradu na međunarodnom pijanističkom takmičenju “William Kapell”, a jedan je i od prvih dobitnika nagrade za mlade umjetnike “Irving Gilmore”. U posljednjih nekoliko sezona, Christopher Taylor je svirao koncerte širom svijeta, Europi, Aziji i Južnoj Americi. Kod kuće, u SAD-u, nastupao je s mnogim orkestrima, uključujući New York Atlanta Symphony, The Orpheus kamerni orkestar, a nastupao je u njujorškom Carnegie Hallu, Washington Kennedy Center, na Ravinia i Aspen festivalima, kao i mnogim drugim. Sarađivao je s mnogim eminentnim glazbenicima, Borromeo, Shanghai, Pro Arte i Ying kvartetom. Christopher Taylor je professor klavira Univerzitetu Wisconsin-Madison. Živi u Middletonu, država Wisconsin, sa suprugom, muzikologinjom Denise Pilmer Taylor, i dvije kćeri.

The past few years have seen Christopher Taylor emerge as one of America’s foremost musicians. Audiences and critics alike hail his unique intensity and artistry. The New York Times, for instance, deems him “frighteningly talented” and The Los Angeles Times termed a recent performance “astonishing.” Christopher Taylor received an Avery Fisher Career Grant in 1996 and the Bronze Medal in the 1993 Van Cliburn International Piano William Kapell International Piano Competition, Irving Gilmore Young Artists’ Award. In recent seasons Mr. Taylor has concertized around the globe, performing throughout Europe and Asia and South America. At home in the U.S. he has appeared with many orchestras including the New York and Los Angeles Philharmonics, The Atlanta Symphony and The Orpheus Chamber Orchestra and he has performed in such venues as New York’s Carnegie Hall, Washington’s Kennedy Center, the Ravinia and Aspen festivals, and dozens of others. In chamber music settings, he has collaborated with many Robert Mann, and the Borromeo, Shanghai, Pro Arte, and Ying Quartets. In addition to performing, he is currently Paul Collins Associate Professor of Piano Performance at the University of Wisconsin- Madison. He lives in Middleton, Wisconsin, with his wife, musicologist Denise Pilmer Taylor, and two daughters.

INSTITUT KAMERNE MUZIKE SARAJEVO SARAJEVO CHAMBER MUSIC INSTITUTE

26. avgust – 02. septembar 2013, Muzička akademija u SarajevuAugust 26 – September 2, 2013, Academy of Music in Sarajevo

Lech Antonio Uszynski

Lech Antonio Uszynski jedan je od najuglednijih violista svoje generacije. Rođen je 1986. godine u Padovi u poljskoj porodici muzičara. Odrastao je u Švicarskoj, gdje, u Cirihu, uči svirati violinu sa profesorima Anom Chumachenco i Zakharom Bronom. Tu 2007. godine stiče diplomu magistra s pohvalama. U klasi Gerarda Wyssa uspješno završava studij kamerne muzike. Dobitnik je brojnih nacionalnih i internacionalnih priznanja, te nagrada sa mnoštva takmičenja. Lech Antonio je violista Stradivari kvarteta, koji uspješno nastupa na najznačajnijim muzičkim pozornicama svijeta. Sa mladim pijanistom Andriyem Draganom 2010. godine osniva Duo Cremona, koji na takmičenju ORPHEUS 2011. osvaja najvišu nagradu. Uszynski je nastupao sa brojnim orkestrima poput Baden-Baden Philharmonic Orchestra, Bron Chamber Orchestra, Aukso Chamber Orchestra i Eureka Springs Symphonic Orchestra. Lech Antonio za EMI Classics snima djela Stevea Reicha zajedno sa London Steve Reich Ensemblom. U 2009. godini nastupio je u Tonhalle Zurich izvodeći solo dionicu viole u Straussovom Don Kihotu (Sancho Panza) pod dirigentskom palicom maestra Roberta Benzia i uz poznatog violončelistu Thomasa Demengu. Učestvovao je 2009. na IMAS-u pod umjetničkim rukovodstvom maestra Seijia Ozawe, sa kojim je nastupao u Théatre des Champs Élysées u Parizu i u Victoria Hall u Ženevi. Redovno nastupa kao solista i kamerni muzičar na festivalima poput Schleswig-Holstein, Interlaken Classics, CICA music festival i NCPA koncertne serije. Strastveno je posvećen podučavanju i vodi majstorske radionice na Konzervatoriju za muziku u Pekingu, Eureka Springs CICA Music Festivalu i na Four Seasons Festivalu u Riehenu. Svira na jednoj od 9 preostalih Stradivari viola, modelu Gibson iz 1734, koju mu je ustupila Fondacija Habisreutinger-Stradivari.

Lech Antonio Uszynski has emerged as one of the most promising violists of his generation. He was born 1986 in Padova, Italy, as the son of a Polish family of musicians. He grew up in Switzerland where he studied violin under Ana Chumachenco and Zakhar Bron in Zurich. There he achieved his Master with distinction in 2007. He also completed a chamber music diploma with distinction under Gerard Wyss. Lech Antonio is prizewinner of numerous national and international awards and competitions. He is the violist of the Stradivari Quartet which successfully performs on major stages around the globe. In 2010 he founded the Duo Cremona with the young pianist Andriy Dragan, which is prizewinner of the ORPHEUS competition 2011. He has performed with numerous orchestras, such as the Baden-Baden Philharmonic Orchestra, Bron Chamber Orchestra, Aukso Chamber Orchestra and the Eureka Springs Symphonic Orchestra. In June 2011 he recodred Steve Reich’s works for EMI Classics, with the London Steve Reich Ensemble. In February 2009 he performed the Viola solo part in Strauss’ Don Quixote at the Tonhalle Zurich under the conductor Roberto Benzi and with cellist Thomas Demenga. He took part in summer 2009 in the IMAS under the artistic direction of Maestro Seiji Ozawa with whom he performed at Théatre des Champs Élysées in Paris and Victoria Hall in Geneva. He appears regularly as a recitalist and chamber musician at international festivals such as Schleswig-Holstein, Interlaken Classics, CICA music festival and NCPA concert series. Lech Antonio has a great passion for teaching and held masterclasses at places such as the Conservatory of Music in Beijing, Eureka Springs CICA Music Festival and the Four Seasons Festival in Riehen. He is playing one of the 9 remaining Stradivari violas, the Gibson 1734, loaned by Habisreutinger-Stradivari Foundation.

SERIJA MAJSTORSKIH KURSEVA I PREDAVANJA SERIES OF MASTERCLASSES AND LECTURES

Predavači / Teachers:

Manhattan String Quartet Curtis Macomber, violina / violin (SAD / USA)Calvin Wiersma, violina / violin (SAD / USA)John Dexter, viola / viola (SAD / USA)Chris Finckel, violončelo / cello (SAD / USA)&Belma Alić, violončelo / cello (BiH)Cihat Aşkin, violina / violin (Turska / Turkey)Stanley Drucker, klarinet / clarinet (SAD / USA)Dino Mulić, klavir / piano (BiH)Christopher Taylor, klavir / piano (SAD / USA)Deborah Wong, violina / violin (SAD / USA)Lech Antonio Uszynski, viola (Švicarska / Switzerland)

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Sarajevo Chamber Music InstituteProgram

Muzička akademija / Academy of Music

Nedjelja / Sunday, 25.08.2013, 17:00Uvod u programe Sarajevo Chamber Music Instituta

Introduction into Sarajevo Chamber Music Institute programsDr. Ivan Čavlović, Manhattan String Quartet

Utorak / Tuesday, 27.08.2013, 14:00Majstorska radionica / Masterclass

Lech Antonio Uszynski, viola / viola

Četvrtak / Thursday, 29.08.2013, 14:00 Predavanje / Lecture

Dvadeset pogleda na dijete Isusa / Vingt Regards sur l’Enfant-JésusChristopher Taylor, klavir / piano

Subota / Saturday, 31.08.2013, 14:00 Majstorska radionica / Masterclass

Cihat Aşkin, violina / violin

Nedjelja / Sunday, 01.09.2013, 14:00 Majstorska radionica i predavanje / Masterclass and lecture

Stanley Drucker, klarinet / clarinet

Od ponedjeljka do nedjelje / From Monday to Sunday, 26.08-01.09.2013, 11:30 Majstorska radionica kamerne muzike / Chamber Music Masterclass

SCMI Predavači / SCMI Teachers

Ponedjeljak / Monday, 02.09.2013, 19:30KONCERT UČESNIKA SCMI

SCMI PARTICIPANTS’ CONCERT (Sala Muzičke akademije / Music Academy Hall)

O motivima za formiranje Sarajevo Chamber Music InstituteMotivation and Goals of the Sarajevo Chamber Music Institute

Ideja Sarajevo Chamber Music Institute zasnovana je na uvjerenju da, kad ljudi zajedno stvaraju muziku, mogu da stvore fantastične nove situacije. U njima se i život može promijeniti, zablude mogu nestati, mogu se graditi novi mostovi i formirati nove smjernice. Mi smo posvetili svoj život ovom principu, i, da bi se isto to desilo ovdje, očekujemo da i vi, studenti, uložite sav svoj napor, energiju, intelekt, i strast. Da li je ovo što tražimo previše? Muzika, ideja, načelo - oni ne zaslužuju ništa manje od navedenog.

Radujemo se radu sa ovako talentovanom i raznolikom grupom studenata, ali i tome što ljubav prema kamernoj muzici možemo podijeliti s vama, i što ćemo zajedno raditi na ovom fenomenalnom repertoaru. Nadamo se da zajedničkim napornim radom možemo stvoriti sedmicu prepunu ljepote i sklada, te učiti jedni od drugih kako uvjerljivije govoriti univerzalnim jezikom muzike.

To je ono što mi radimo, to je ono što želimo postati, pa neka nam je sretan početak ovog putovanja. Dobrodošli, i krenimo na posao!

The Sarajevo Chamber Music Institute is dedicated to the belief that when people make music together, wonderful things can happen, lives can change, misconceptions can disappear, bridges can be built, bonds can form. We have devoted our lives to this principle, and to make it happen here we expect nothing but all of your effort, energy, intellect, and passion. Is that too much to ask? The music, the idea, the principle deserves nothing less.

We are very excited to be working with such a talented and diverse group of students, to share with you our love of chamber music, and to work with you on this great repertoire. It is our hope that with our hard work together we may learn of a week filled with beauty and harmony, learning from each other how to more convincingly speak the universal language of music.

This is what we do, it is who we all want to become, so let’s get started on this leg of our journey. Welcome, and let’s get to work!

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Calvin Wiersma umjetnički koordinator / artistic coordinator

Manhattan String Quartet

Viola / ViolaAida Dajić, Muzička akademija, Sarajevo / Academy of Music, SarajevoAna Pranjković, Muzička akademija, Istočno Sarajevo / Academy of Music, East SarajevoAna-Maria Pilj, Muzička akademija, Sarajevo / Academy of Music, SarajevoArpad Čibri, Akademija umetnosti, Novi Sad / Academy of Arts, Novi Sad Ilda Kapić, Muzička akademija, Sarajevo / Academy of Music, SarajevoIvor Ivančić, Umjetnička akademija, Split / Academy of Art, SplitJelena Mitrović, Akademija umetnosti, Novi Sad/ Academy of Arts, Novi Sad Lazar Vinković, Muzička akademija, Sarajevo / Academy of Music, SarajevoMuhamed Hrustanović, Muzička akademija, Sarajevo / Academy of Music, SarajevoPetar Obradović, Fakultet muzičke umetnosti, Beograd / Faculty of Music Art, Belgrade

Violončelo / CelloAdrian Ivičević, Muzička akademija, Sarajevo / Academy of Music, SarajevoAna Kopše, Universität für Musik und Darstellende Kunst, Graz Anthony Havelka, Umjetnička akademija, Split / Academy of Art, SplitDanijela Kos, Umjetnička akademija, Split / Academy of Art, SplitDijana Pelidija, Muzička akademija, Sarajevo / Academy of Music, SarajevoEmanuel Pavon, SGŠ Vatroslava Lisinskog, Bjelovar / HSM Vatroslav Lisinski, BjelovarEmil Zubčević, Muzička akademija, Sarajevo / Academy of Music, SarajevoIsak Haračić, Muzička akademija, Sarajevo / Academy of Music, SarajevoLidija Paulin, Akademija umetnosti, Banja Luka / Academy of Art, Banja LukaLucija Gregov, Muzička akademija, Sarajevo / Academy of Music, SarajevoMirna Lazić, Umjetnička akademija, Split / Academy of Art, Split

Klavir / PianoDalila Kurtić, Muzička akademija, Sarajevo / Academy of Music, SarajevoJelena Nedeljković, Universität für Musik und Darstellende Kunst, GrazLejla Nurković, Muzička akademija, Sarajevo / Academy of Music, SarajevoLejla Šehić, Muzička akademija, Sarajevo / Academy of Music, SarajevoMarija Martinović, Muzička akademija, Istočno Sarajevo / Academy of Music, East Sarajevo Sanja Martinović, Muzička akademija, Istočno Sarajevo / Academy of Music, East SarajevoSonja Marković, Akademija umetnosti, Banja Luka / Academy of Art, Banja LukaSuzana Sijarić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo

Klarinet / ClarinetNeven Marinković, Akademija umetnosti, Banja Luka / Academy of Art, Banja Luka

Flauta / FluteNina Stamenković, Muzička akademija, Istočno Sarajevo / Academy of Music, East Sarajevo

Violina / ViolinAdnan Buljušmić, Muzička akademija, Sarajevo / Academy of Music, SarajevoAdnan Handanagić, Muzička akademija, Sarajevo / Academy of Music, SarajevoAlma Dizdar, Muzička akademija, Sarajevo / Academy of Music, SarajevoAljoša Šolak, Akademija umetnosti, Banja Luka / Academy of Art, Banja LukaAmra Vojvodić, Muzička akademija, Sarajevo / Academy of Music, SarajevoAnamarija Marić, Muzička akademija, Sarajevo / Academy of Music, SarajevoAnica Ištuk, Fakultet glazbene umjetnosti, Mostar / Faculty of Music Arts, MostarAriana Škrinjar, Muzička akademija, Zagreb / Academy of Music, Zagreb Asja Draganović, Muzička akademija, Istočno Sarajevo / Academy of Music, East SarajevoAzra Dizdar, Muzička akademija, Sarajevo / Academy of Music, SarajevoDžana Begović, Muzička akademija, Sarajevo / Academy of Music, SarajevoEmina Džanović, Muzička akademija, Sarajevo / Academy of Music, SarajevoIlma Hodović, Muzička akademija, Sarajevo / Academy of Music, SarajevoJelena Aleksijadis, Muzička akademija, Istočno Sarajevo / Academy of Music, East SarajevoLuka Jadrić, Umjetnička akademija, Split / Academy of Art, SplitMarija Marković, Muzička akademija, Istočno Sarajevo / Academy of Music, East SarajevoMelisa Karić, Muzička akademija, Sarajevo / Academy of Music, SarajevoMilena Virijević, Universität für Musik und Darstellende Kunst, Graz Samra Svraka, Muzička akademija, Sarajevo / Academy of Music, SarajevoSara Gadžun, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Sonja Vojvodić, Akademija umetnosti, Banja Luka / Academy of Art, Banja LukaTamara Arsovski, Muzička akademija, Sarajevo / Academy of Music, Sarajevo

UčesniciParticipants

Studenti iz mnogih gradova stigli su u Sarajevo kako bi učestvovali u majstorskim radionicama i predavanjima SCMF-a. Sve nastavne aktivnosti će se održavati na Muzičkoj akademiji u Sarajevu i otvorene su za javnost. Studenti učesnici Sarajevo Chamber Music Festivala izvest će koncert sa djelima koja su izučavana tokom Festivala u ponedjeljak, 2.9.2013. u 19.30 sati u koncertnoj sali Muzičke akademije Sarajevo.

Students have come from many cities to participate in SCMF masterclasses and lectures. All of these sessions will take place at the Sarajevo Academy of Music and are open to the public. The student participants of the Sarajevo Chamber Music Festival Intstitute will present a concert of the works studied during the festival on Monday, September 2, 2013, at 7:30 PM at the Academy of Music Concert Hall.

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Podrška u Bosni i Hercegovini Supporters in Bosnia and Herzegovina

Počasni pokrovitelj / Honorary Patron

Grad Sarajevo City of Sarajevo

Podrška / Support

Kanton Sarajevo – Ministarstvo kulture i sporta Sarajevo Canton / Ministry of Culture and Sport

Federalno ministarstvo kulture i sportaFederal Ministry of Culture and Sport

Bosna i Hercegovina - Ministarstvo odbraneBosnia and Herzegovina - Ministry of Defence

Fond Otvoreno društvo Bosna i HercegovinaOpen Society Fund Bosnia and Herzegovina

Sponzor / SponsorBH Telecom

Prijatelji / FriendsFIS VitezInfo-kod d.o.o.

Medijski Partneri / Media Partners

BHRT – National Broadcasting System of Bosnia and HerzegovinaRadio Sarajevo / radiosarajevo.baUrban Magazine

Podržavaoci Supporters

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Sarajevo Chamber Music Festival iskreno se zahvaljuje slijedećim institucijama, fondacijama i pojedincima u Bosni i Hercegovini i Sjedinjenim Američkim Državama, čija je izuzetna podrška omogućila održavanje Festivala.

The Sarajevo Chamber Music Festival acknowledges with deep appreciation and gratitude the following institutions, foundations and individuals in Bosnia and Herzegovina and the United States of America, whose extraordinary support makes our festival possible.

Victor DvortsovSally Fillmore Michael FinckelJeff FraserSue GingoldRobert McGuiganMartina HabichtHikari HathawayAnita HerronJacquelyn JennettDavid KantrowitzThea KeshavarziJack LevyLewis PaerMargaret LiddellLiane MarstonArnie & Gay MazieEnsemble MemeTom & Michi MorganLouise MortimerSangmi Lim & Dino Mulić Setsuko NagataMartin L. NassDonald PalmaGale & Glenn PatronDavid PetersJoyce & Vladimir PetkovichJoel PitchonMichael ReadRichard RoodAnn & David Samuelson Dena Schutzer

Kristeen SorrellsLaurel SpriggNorma SullivanPeter TacySara ThompsonDennis TownsendChinary UngMineko YajimaGail E. WildDavid WilliamsPaul Wubben

Pokrovitelji / Patrons

Pansy BloomfieldLouise BozorthAlison Nowak & Robert CaneCatharine DeLucaBrian HallNeal KassBirgit KovacsSteve MayerAnne de MedicisBrian & Kay NewnamDženita PašićMichael PengAnne T PrescottJohn ShroyerMichael SimpsonStephen StalkerGennifer Sussman

Ivy A TurnerAnthony VineMary WattsDon WhiteHelen WongMiriam Wu

Sponzori / Sponsors

Dr. Arnold EggarsDennis MurphyMarc & Darlene RivestLee & Marya ShahanianDavid Weitz & M. Rae Nickel

Dobročninitelji / Benefactors

Cecilia BennerOctavio & Nela ChoyBeatrice FrancaisKarl Roth

Fondacije / Foundations

Oswald Family Foundation

Podržavatelji / Supporters

Blanche & Irving AbramElizabeth Anderson Pascal ArcherJaney Bennett Terry BlankRichard BriceRobin BushmanNorman CareyCellomanSheridan Chapin Jenny ChenSheree ClementMiki-Sophia CloudJean ConnerCaroline DavidsonJeanne DuPrauHerbert EpsteinKatsuko EsakiBenjamin Fingland Lisa M Freeman Snježana Kojović-FrodlSuzanne Gilman David GordisAdam GraboisReinhard & Mary Alice GraetzerAngie & Martin GreenwoodNancy GruberKathy HalvorsonKathe Hannauer

Marie Harris Steve Hartman Jane HigginsLori HorowitzMarie IhnenDon JamisonJames KalaitzisEllen KatzmanIlana KrechmerGail Kruvand Conway KuoMirna LekićBeth LevinJill LevyStacy Markowitz Melissa MeellDouglas MerrimanSigurd Midelfort Clare Mottola Louise Myers Susan NaruckiAhling NeuSusan Palma Nidel Ina Page Alan PiersonNirvana PištoljevićMichael M. RansmeierElizabeth M. ReardonGayle Rich Elmar Oliveira & Sandra RobbinsMichael Roth

Ashima Scripp Gail E SlanakerJo-Ann SternbergDorothy StrahlCharlotte SundstromKarl Svačić Karin TateGwendoline ThornbladeJessica TroyJudy Yarbrough Kim WeinerCalvin Wiersma Andrew Wong Grace WongCarol Zeavin

Donatori / Donors

Elizabeth AlvarezCatherine BagnallRonnie BauchGerda E. BielitzJanet Van BlerkomAnne S. BrownGinny BurdJon BurrChristina CarriereDavid & Cynthia ClampittDavid CreswellMartha Dorill Evan Dunnell

Podrška u Sjedinjenim Američkim Državama Supporters in the United States of America

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Sarajevo Chamber Music Festival Sarajevo, 26.08-04.09.2013.Sarajevo, August 26 – September 4, 2013

Produkcija / ProductionMuzička akademija u SarajevuAcademy of Music in SarajevoManhattan String Quartet

Umjetnički direktori / Artistic DirectorsChris Finckel Dino Mulić

Umjetnički savjetnik / Artistic AdvisorDr. Ivan Čavlović, dekan Muzičke akademije u Sarajevu / Dean of the Academy of Music in Sarajevo

Izvršna direktorica / Operations DirectorAmila Ramović

Sarajevo Chamber Music Institute, Koordinacija / Co-ordinationCalvin Wiersma, umjetnički koordinator / artistic co-ordinator / Manhattan String QuartetBelma Alić, koordinator / co-ordinator / Muzička akademija / Academy of MusicMarija Bajo, saradnik za koordinaciju / co-ordination associate

Organizacioni tim / Organizxation TeamBerina Čopra, koordinacija gostoprimstva / hospitality co-ordinationSenka Hodžić, promocija i komunikacije / promotion and communications Miron Konjević, koordinacija koncertnog programa / concert program co-ordinationIvana Vučićević, koordinacija koncertnog programa / concert program co-ordinationJasmin Salihović, saradnik u organizaciji / organization associateAlisa Sokolović, saradnica u organizaciji / organization associateEsma Sulejmanagić, promocija i komunikacije / promotion and communications

Stručna savjetnicia / Expert AdvisorMirjana Papić-Hrkaš

Dizajn vizuelnog identiteta i komunikacija / Visual Identity and Communications DesignIdeologija Sarajevo

Zvanični fotograf / Official PhotographerAlmin Zrno

Koordinator štampe / Print Co-ordinatorEsad Šuman

Sarajevo Chamber Music Festival

Sjedište / Headquarters

SarajevoMuzička akademija

Josipa Stadlera 171000 Sarajevo

BiHT/F: +387 33 444 896E: scmf@mas.unsa.ba

New York18 Boulder Place

Yonkers, NY 10705USA

T/F: +1 914 772 8531E: info@sarajevochambermusicfestival.org

www.sarajevochambermusicfestival.org www.mas.unsa.ba

Rezervacije mjesta / Seat Reservations:E: scmf@mas.unsa.ba

SMS: +387 60 332 6650Facebook: Scmf Sarajevo

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Izdavač / PublisherSarajevo Chamber Music FestivalMuzička akademija u Sarajevu / Academy of Music in Sarajevo

Za izdavača / For the PublisherIvan Čavlović

Urednici / EditorsIvan ČavlovićChris FinckelDino MulićAmila Ramović

Prijevodi / TranslationsDženana AganspahićMarija BajoSenka HodžićDino MulićAmila RamovićMateja MilićevićEsma SulejmanagićIvana Vučićević

Koordinacija produkcije / Production Co-ordinationAmila Ramović

Dizajn / Design Ideologija Sarajevowww.ideologija.ba

Štampa / Print“SDC” Sarajevo

Tiraž / Circulation2000 kopija / copies

Copyright© Sarajevo Chamber Music FestivalSva prava zadržana / All rights reserved

Besplatan primjerak / Free copy