Teori Musik 1

7/17/2019 Teori Musik 1

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MUSIK

TEORI MUSIK 1 oleh Ibnu Amar M.



7 KEWAJIBAN MAHASISWA SENIMUSIK

1. TEORI MUSIK

2. SOLFEGIO

3. HARMONI4. INSTRUMEN MAYOR

5. KOMPOSISI

6. ANALISIS DAN KRITIK MUSIK 7. EPISTIMOLOGI MUSIK

TEORI MUSIK 1 oleh I!" A#$% M.



TEORI MUSIK 1


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MUSIK ADALAH UNGKAPANHATI MANUSIA ERUPA

UNYI YANG ISA DIDENGARKAN




NOTASI MUSIK

PERTEMUAN KE3



NOTASI MUSIK

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• NOTASI ANGKA

• NOTASI MUTLAK

• NOTASI ALOK UMUMB


CENIS NOTASI MUSIK



NOTASI MUSIK UMUM

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-"!+* Al'o. TEORI MUSIK 1 oleh I!" A#$% M.



Gambar Jenis kunci C dalam sangkarnada:




K#$%i A&'(




• Untuk menulis titinada-titinada yang terletakdiatas garis bantu kelima dan dibawah garisbantu kelima dipergunakan singkatan musik:

– 15 va bassa : nama mutlak dua oktaf lebih rendah daritulisan

–

! va bassa :nama mutlak lebih rendah satu oktaf daritulisan

– ! va : nama mutlak satu oktaf lebih tinggi dari tulisan

– 15 va : nama mutlak lebih tinggi dua oktaf dari tulisan


o!'oh $



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o!'oh 15 $

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o!'oh 15 $ $,,$

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TANDA

KROMATIS


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• "anda kromatis adalah tanda dalamnotasi musik yang dipergunakan untuk

menaikan atau menurunkan titinadapokok setengah nada atau laras


B



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IRAMA


PERTEMUAN KE6



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Bentuk

Notasi

Nama Notasi Birama Nilai

Notasi

Utuh -

Setengah (1/2) 2/2, 4/2 1 ketuk

Seperempat (1/4) 2/4, 3/4 1 ketuk

Seperdelapan (1/8) 3/8, 6/8 1 ketuk



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IRAMA:P+r'+#a$ + 0



IRAMA:

RHYTHM


P+r'+#a$ +!0



1. PENGERTIAN IRAMA

• U!,"% /o-o- 0$l$# #",*- 'e%0*%*$'$, I%$#$ #elo0* 0$! h$%#o!*.

• D* 0$l$# #",*- /e!)e%'*$! I%$#$

$0$l$h "!,"% /o-o- #",*- $!)'e%e!'"- 0$%* ,e-elo#/o- "!*0$! 0*$# 0e!)$! /$!8$!) /e!0e-

$!) e%e0$ l$#$ $-'"!$.A'$" ,e+$%$ ,*!)-$' *%$#$#e%"/$-$! /ol$ /$!8$!) /e!0e-

"!* 0$l$# l$)". TEORI MUSIK 1 oleh I!" A#$% M.



2. NOTASI IRAMA

• No'$,* *%$#$ $0$l$h e!'"- 'e%'"l*,0$%* *%$#$. U!,"% /o-o- !o'$,* *%$#$$*'" '$!0$ e!'"- '*'*!$0$ 0$!

e!'"- '$!0$ 0*$# ,e0$!)-$!"!,"%"!,"% l$*!!$ $0$l$h '$!0$*%$#$ 0$! )$%*, *%$#$.

• U!'"- #e#$h$#* No'$,* I%$#$/e%h$'*-$! ,e%'$ -*'$ /%$-'e-$!+o!'oh !o'$,* *%$#$ e%*-"' *!*




• o!'oh No'$,* I%$#$

L$)" +*+$-+*+$- 0* 0*!0*!)


L$)" "%"!) K$-$- T"$

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e%0$,$%-$! Pe#$)*$! P"l,$!$I%$#$ 0*$)* #e!8$0* 3 #$+$# $*'"

$. I%$#$ R$'$. I%$#$ T*0$- R$'$

+. I%$#$ S*!-o/




$. I%$#$ R$'$

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+. I%$#$ S*!-o/

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o $ $ $ y pattern)

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'*'*!$0$ $!) ,e+$%$ 'e'$/ 0$!e%"l$!)"l$!) 0*)"!$-$! "!'"-#e!)*%*!)* l$)" 'e%'e!'".

•

ee%$/$ +o!'oh /ol$ *%$#$


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4. O,'*!$'o I%$#$

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5. Pol*%*'#*-

• Pe!))"!$$! ee%$/$ /ol$ *%$#$$!) e%e0$ ,e+$%$ ,e%e#/$-.o!'oh


P+r'+#a$ +!1



MELODI


P+$g+r'ia$ M+&(*i



g• Melo0* $0$l$h ,","!$! %$!)-$*$! !$0$

$!) 'e%0e!)$% e%"%"'$! ,e%'$ e%*%$#$

0$! #e!)"!)-$/-$! ,"$'" )$)$,$!.C$#$l", 1= 16B

• M+&(*i $0$l$h %$!)-$*$! !$0$!$0$ $!)

e%"!* ,e+$%$ e%"%"'$! ,e+$%$ 'e%$'"%0$! #e!)"!)-$/-$! *0e $'$" )$)$,$!'e%'e!'". G$)$,$! $!) 'e%"!)-$/ 0$l$##elo0* 0*,e"' 2T+a3. R$!)-$*$! !$0$

!$0$ 0$l$# #elo0* e%)e%$- #$8" 0e!)$!'$'$ "!* $!) !$*- '"%"! $'$"e%)e%$- 0* 'e#/$' $'$" e%-e,$!#e!0$'$%. e!'"- ,","!$! !$0$!$0$

$!) e%,*9$' #elo0*, 0$/$' 'e%0e!)$% TEORI MUSIK 1 oleh I!" A#$% M.

N('ai M+&(*i

N('ai




N('ai M+&(*i

M+&(*i Lag#

N('ai +&(*i

M+,a%a N('ai +&(*i*a$ +$ir#a$ $('ai a'a# 5air &ag#

N('ai

M+&(*i

a*a&a-

,+$'#'+r'#&i *ari

o!'oh No'$,* Melo0*



o!'oh No'$,* Melo0*


lo0* #e#*l*-* 2 "!,"% /o-o- $*'" iraa 0$! $a*



G+ra M+&(*i

• D$l$# $!)$!$!)$! #$!",*$ #elo0*#e#/e%-e!$l-$! 0*%* ,e+$%$ #o'o%*-,e$)$* #e!)$l*%!$ ,"$'" )$%*, $!)

-$0$!)-$0$!) !$*- 0$! -$0$!)-$0$!)'"%"! #e!"%"' '*!))* !$0$!$0$ $!)#e#$$!$.

• Ke#$#/"$! #$!",*$ $!) h$!$ *,$

#e!)h$,*l-$! ,$'" ,"$%$ 0$l$# ,$'"$-'" #e#"$' #elo0* #e!8$0* "!,"%#",*- /$l*!) #"0$h.


& *i



Raga G+ra M+&(*i

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'*)$ $*'" –Ge%$- #el$!)-$h

–Ge%$- #elo#/$'

–Ge%$- #e!0$'$%


G & -



G+ra M+&a$ga-

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0*e0$-$! #el$!)-$h !$*- 0$!#el$!)-$h '"%"!.

• Ge%$- #el$!)-$h #e#e%* -e,$!

%$,$ 'e!$!).


C($'(- g+ra +&a$ga- $ai6



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G+ra M+&("a'

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0*e0$-$! #e!8$0* )e%$- #elo#/$'!$*- 0$! )e%$- #elo#/$' '"%"!.

• Ge%$- #el$!)-$h #e#e%* -e,$!

%$,$ 'e)$!). Se#$-*! 8$"h lo#/$'$!#$-$ $-$! ,e#$-*! e,$%-e'e)$!)$!!$.

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• o!'oh


SOAL LATIHAN@



SOAL LATIHAN@

• Pe%h$'*-$! !o'$,* l$)" 0*$$h *!*@

$%* )e%$- #elo0* #el$!)-$h !$*-#elo0* #el$!)-$h '"%"! #elo#/$'!$*- #elo#/$' '"%"! ,e%'$

#e!0$'$% /$0$ #$,*!)#$,*!)*%$#$.





M+&a$ga- $ai

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INTERAL


PERTEMUAN KE!8;

PENGERTIAN INTERAL



PENGERTIAN INTERAL• An interval is the relationship in pitch between

two tones. intervals are named by the numberof diatonis note (note with dierent letternames) that can be contained within them. forexample, the whole step g to a contains only

two diatonis notes (g and a) and is called asecond.(Bruce Benward, !!") *!'e%$l$0$l$h h""!)$! 8$%$-B 0*$!'$%$ 0"$ !$0$.*!'e%$l 0*e%* !$#$ 0e!)$! !o#o% 0$%*

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INTERAL

PERTEMUAN KE!88

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