terminologie gojuryu.pdf

Glossary of Commonly used Terms and Expressions

Basic Ideas and ConceptsSeifukan 西風館 Hall (dojo) of the West Wind

Haragei 腹芸 Using the lower abdomena s t h e c e n t e r o fpower/movement, breatha n d c o n c e n t r a t i o n(Sanchin)

Karategi 空手着 Karate uniform also Keikogi (稽古着) "training uniform"

Karateka 空手家 Karate practitioner

Keikogi 空手着 Training uniform

Ki 気; 氣 Life force; breath; vitalenergy; breath-energy;breath-power; spirit

Kiai 気合 Shout on focusing a strike

Makiwara 巻藁 Striking post

Seifukan Goju-ryu Karate Dojo Canberra Australia Page 1 of 26 Glossary of Terms

Muchimi 餅身 Stickiness/ heaviness

Morote 双手 With both hands

Obi 帯 Belt

Uwagi 上衣 Jacket

Zubon ズボン Pants

Numbers, Counting and EraIchi; Hitotsu; Itsu 一 or 壱 1: one

Ni; Futatsu 二 or 弐 2: two

San; Mittsu 三 or 参 3: three

Shi, Yon; Yotsu 四 or 肆 4: four

Go; Itsutsu 五 or 伍 5: five

Roku; Muttsu 六 or 陸 6: six

Shichi, Nanatsu; Nana 七 or 漆 7: seven

Hachi; Yatsu 八 or 捌 8: eight

Kyu; Kokonotsu 九 or 玖 9: nine

Ju; To 十 or 拾 10: ten

Hyaku 百 or 陌 100: one hundred

Sen 千 or 阡和 1,000: one thousand

Showa 昭和 The Era (Enlightened Peace) of Emperor Hirohito (the ShowaEmperor: 19261225 - 19890107)

Heisei 平成 The Era (Peace Everywhere) of Emperor Akihito (the HeiseiEmperor: 18980108 -)

Note: the second, more complex kana shown are used in legal documentsand may be used on Kokusai Goju Kobujutsu Kenkyukai certificates

CommandsDamatte keiko! 黙って稽古 Shut up and train!

Hajime! 始め Begin!

Hanshi Nitaishite Rei! 範士に対して礼 Bow to Hanshi!

Kiwotsuke! 気を付け Come to attention!

Kyoshi Nitaishite Rei! 教士に対して礼 Bow to Kyoshi

Mawatte! 回って Turn around!


Moichido! もう一度 One more time!

Mokuso! 黙想 Close eyes and meditate!

Mokuso Yame! 黙想止め Cease meditation!

Otagaini Nitaishite Rei! 御互いにに対して礼 Bow to each other!

Rei!; Lei! 礼 Bow!

Renshi Nitaishite Rei! 練士に対して礼 Bow to the Renshi!

Seiza! 正坐 Assume formal kneelingposture!

Semete! 攻め手 You are the attacker!

Sensei Nitaishite Rei! 先生に対して礼 Bow the teacher!

Shihan Nitaishite Rei! 師範に対して礼 Bow to the Shihan!

Shinden Nitaishite Rei! 神殿に対して礼 Bow the dojo shrine!

Shomen Nitaishite Rei! 正面に対して礼 Bow to the front of the Dojo!

Tate!; Kiritsu! 立て; 起立 Stand up!

Ukete! 払い手 You are the defender!

Yame! 止め Stop (what you are doing!)

Yasume! 休め Relax!

Yoi! 用意 Ready! (assume Heiko-dachi)

Yoshi! 良 OK, continue!

Kokusai Goju Kobujutsu Kenkyukai Teaching TitlesHanshi 範士 Most senior teaching title

Kyoshi 教士 2nd most senior teaching title

Shihan 師範 3rd most senior teaching title

Renshi 練士 4th most senior teaching title


Sensei 先生 5th most senior teaching title

EtiquetteArigato Gozaimasu! 有り難う御座います Thank you very much!

Hai! はい Yes!

Iie! いいえ No!

Onegai Shimasu! お願いします Please, help me!

Shitsurei Shimasu 失礼します Excuse me

The VirtuesDojo-kun’yu 道場訓諭 Dojo Admonition, Dojo

rules, “the virtues;” alsoknown as Dojo-kun (道場訓)

The five precepts of the Kokusai Goju Kobujutsu Kenkyukai , the Dojo Kun’yu, are:


OrganisationDan 段 Grade; black belt rank

Dojo 道場 “Way place” – training place

Dojo-cho 道場長 Dojo head

Kai 会 Association

Kai-cho 会長 Association Head

Kai-ha 会派 Tradition, eg, “Ceberano-ha”

Kokusai Goju 国際剛柔古武術研究会 International Goju TraditionalKobujutsu Kenkyukai Martial Arts Research Society

Kohai 後輩 Less senior student (to you)

Kyu 級 Grade below black belt

Mudansha 無段者 Non black belt member

Sempai 先輩 More senior student (to you;)in the IGK specifically 1st and2nd dan members

Shibu-cho 支部長 Branch head

Shihan-kai 師範会 An association of Shihans

Kodansha 高段者 Black belt above 5th dan

Yudansha 有段者 Black belt, 1st dan – 4th dan

Yudansha-kai 有段者会 Association of Yudansha

TrainingAshi wo kaeru 足を変える Change legs

Ate-waza 当て伎 St r i k ing ( smash ing)techniques

Awase-gumite 合わせ組手 Slow, light, cooperativesparring

Bunkai-gumite 分解組手 Paired analysis of kataapplication; in the IGK:fixed application of kata

Chibu Jutsu (Tsubo Jutsu) 壷術 The art of attacking thevital points. Okinawanname for Kyusho/Kinsho-jutsu

Fudo-gumite 不動組手 Stationary, hands onlysparring


Go-waza 剛伎 Hard techniques:punches, strikes & kicks

Henka-waza 変化伎 Changing techniques;adap t i ng a s pe c i f i ct e c h n i q u e t o t h ec i r c u m s t a n c e s o rchanging it into anothertechnique, according tothe circumstances

Ju-waza 柔伎 Soft techniques:throws, joint-locks andstrangulations

Jyu-kumite 由自組手 Free sparring

Kansetsu-waza 関節伎 Joint-manipulationtechniques

Kata 型; 形 Solo form or pattern

Kawashi-waza 躱し伎 Evasion techniques (Tai-sabaki, Ashi-sabaki andTenshin)

Keri-waza (Geri-waza) 蹴り伎 Kicking techniques

Kihon 基本 Basic; elementary

Kihon-ido; Ido-kihon 基本移動; 移動基本 Moving basics

Ko-waza 小伎 Execution or training oftechniques using smallmovements of the body,limbs and/or center ofgravity

Kumite; Gumite 組手 Fighting exercise

Kyusho-waza 急所伎 Vital point techniques

Kyougi-gumite 教義組手 Teaching the meaning oft h e se l f d e f e n c eapplications of kata

Morote-waza 双手伎 Two handed techniques

Nage-waza 投げ伎 Throwing techniques

Ne-waza 寝伎 Ground techniques

O-waza 大伎 Execution or training oftechniques using largemovements of the body,limbs and/or center ofgravity


Renraku-waza 連絡伎 Combination techniques

Semete 攻め手 the attacker

Shime-waza 絞め伎 Strangulation techniques

Suwari-waza 座り伎 Seated techniques

Tachi-waza 立ち伎 Standing techniques

Te wo kaeru 手を変える Change arms

Tsuki-waza 突き伎 Punching techniques

Tuidi or Tuite (Torite) 取手 Grappling; wrestling

Uchi-waza 打伎 Striking techniques

Ukete 受け手 the defender

Uke-waza 受け伎 Blocking/deflectingtechniques

Ukemi-waza 受け身伎 Break fall techniques

Levels and DirectionsJodan 上段 Upper level

Chudan 中段 Middle level

Gedan 下段 Lower level

Hiza-shita 膝下 Lowest level; below the knee

Embujo 演武場 Centre of the dojo;practice area

Genkan 玄関 Entry to the dojo


Hidari 左 Left

Joseki 上席 Upper s ide of dojo;Seniors side; right handside

Kamiza 上坐 Seat of honour; dojospirit’s seat; front of dojo

Migi 右 Right

Mae; zen 前 Front

Shimoseki 下席 Lower side of dojo;Juniors side; left handside

Shimoza 下坐 Lower seat; rear of thedojo

Shinden 神殿 Dojo shrine

Shomen 正面 Front of the Dojo

Ushiro 後 back; behind; rear

Stances/PosturesTachi (Dachi) 立ち Stance

Kamae 構 Posture

Bensoku-dachi 便側立ち Cross behind step fromSeipai – similar to kosa-ashi

Fudo-dachi 不動立ち Immovable stance

Hanzenkutsu-dachi 平前屈立ち Half or short front stance


Heiko-dachi 併行立ち Parallel stance: shoulderwidth, knees slightlybent, feet slightly turnedin

Heisoku-dachi 閉塞立ち Closed foot stance: Feettogether

Hikui shiko-dachi 低い四股立ち Deep Shiko-dachi(thighs horizontal)

Hikui zenkutsu-dachi 低い前屈立ち Deep front stance

Kiba-dachi 騎馬立ち Horse riding stance; like Shiko-dachi but withparallel feet

Kokutsu-dachi 後屈立ち Back stance

Kosa-ashi-dachi 交叉足立ち Cross leg stance

Koshi-dachi 腰立ち Squat stance

Musubi-dachi 結立ち Closed stance (with heelst o u ch i n g ) ; u s ed a sformal attention stance

Moto-dachi 基立ち Basic fighting stance

Naifanchin-dachi 内汎戦立ち Stance from Naifanchin

Neko ashi-dachi 猫足立ち Cat foot stance

Renoji-dachi レ−の字立ち "L" Re/Le) shaped stance

Sagi ashi-dachi 鷺足立ち Heron stance; ‘one leg stance’

Sanchin-dachi 三戦立ち Three battles stance

Shiko-dachi 四股立ち Straddle leg stance


Shiko-dachi kujudo 四股立ち九十度 Sideward 90o shiko-dachi

Shiko-dachi yokomuki 四股立ち横向 Sideward 90o shiko-dachi

Shiko-dachi naname 四股立ち傾 Diagonal 45o shiko-dachi

Shiko-dachi yonjugodo 四股立ち四十五度 Diagonal 45o shiko-dachi

Soto-hachi-dachi 外八立ち Shoulder width stancefeet turned out at 45o

Uchi hachi-dachi 内八立ち One foot width widerthan shoulder width, feetparallel

Zenkutsu-dachi 前屈立ち Forward stance

Footwork and BodyworkAshi-sabaki 足捌き Foot shifting

Ayumi-ashi 歩み足 Natural step

Gyaku-kaiten 逆回転 Reversed turn (of the hips)

Happo-ido 八方移動 Movements in 8/All directions

Hiki-ashi 引足 Pulling back the leg

Hiki-ayumi-ashi 引歩み足 Pull back/step over

Hiraki-yose-ashi 開寄足 Side stepping

Hiraki-kosa-ashi 開交叉足 S i d e s t e p p i n g w i t hkamae change

Hojo-oshi 補助押し Augmented strike fromSeiyunchin


Hojo-oshi

Issokucho 一足長 One foot (distance)

Jun-kaiten 順回転 Regular turn (of the hips)

Keri-ashi 蹴り足 Kicking foot

Kotai 後退 Backward

Sa-yu 左右 Sideward

Sa-yu kotai naname 左右後退傾 Diagonal backward

Sa-yu zenpo naname 左右前方傾 Diagonal forward

Suri-ashi 摺足 Sliding foot step

Tai-sabaki 体捌き Generally: body shiftLiteral: handling the bodyUsually used to denoteevasion techniques inwhich a combination offoot movements andturning of the body isused

Tenshin 転進 Movemen t ; mov ing .Used to denote evasiontechniques based on footmovements

Tsugi-ashi 次足 Shuffling foot step

Yori-ashi 寄り足 Dragging foot step

Zenshin 前進 Forward

Body PartsAshi 足 Leg/foot

Hara 腹 Belly/Abdomen


Ken 拳 Fist

Seika-tanden 臍下丹田 One’s centre

Shu; Te 手 Hand

Shita-hara 下腹 Lower abdomen

Blocking/Deflecting TechniquesAge-uke 上げ受け Rising Deflection

Chudan-gedan shita-barai 中段下段下払い Combination middle level/lowlevel deflection

Chudan soto-uke 中段外受け M i d - l e v e l o u t w a r ddeflection

Chudan uchi-uke 中段内受け M i d - l e v e l i n w a r ddeflection

Gedan-barai 下段払い Low sweeping deflection

Harai otoshi-uke 払い落し受け Low sweeping deflectionwith the palm

Hiji-uke 肘受け Elbow deflection

Hiza-uchi-uke 膝内受け Inward knee deflection

Hojo-uke 補助受け Augmented deflectionfrom Seiyunchin

Jodan-uke 上段受け Upper level deflection

Kaki-te 鈎手 Hooking hand

Kaki-uke 鈎受け Hooking deflection

Kosa-uke 交叉受け Crossed arm deflection


Ko-uke 曲受け Controlling deflectionwith the back of thehand from Kururunfa

Kuri-uke 繰り受け Inside-out circular elbowdeflection, as used inKururunfa

Mawashi-uke 回し受け Two handed c i rcu lardeflection (also known astora-guchi or tigers mouth)

Nagashi-uke 流し受け Flowing palm deflection

Shuto-uke 手刀受け Sword hand deflection

Sukui-uke 掬い受け Scooping deflection

Tora-guchi 虎口 Tiger's Mouth (also knowas Mawashi-uke)

Ude-uke 腕受け Inside of arm deflection

Yumi-barai 弓払い Archer pose sweepingdeflection

Striking TechniquesAge ura-zuki 上げ裏突き Rising inverted punch

from Seiyunchin


Age-zuki 上げ突き Rising punch

Choku-zuki 直突き Straight punch

Chudan-zuki 中段突き Mid-level punch

Empi-uchi 猿臂打 Elbow strike

Furi-uchi 振り打 Circular haito-uchi

Furi-zuki 振り突き Circular punch

Gaiwanto-uchi 外腕刀打 O u t s i d e s w o r d a r m(forearm) strike

Gedan Hiraken-uchi 下段平拳打 Lower level flat handstrike from Seipai

Gedan-zuki 下段突き Lower level punch

Gyaku-zuki 逆突き Reverse punch

Haishu-uchi 背手打 Back of hand strike

Haito-uchi 背刀打 Blunt side sword handstrike

Haiwanto-uchi 背腕刀打 Backward outside swordarm (forearm) strike

Heiko-zuki 併行突き Parallel punch from Saifa


Hiji-ate 肘当て Elbow strike

Hiki kai-zuki 引下突き Combination hiki ayumi-ashi, lead hand harai-otoshi and gyaku-zuki

Hikite 引手 Pulling back the oppositehand to the breast

Hiraken-uchi 平拳打 Flat fist strike

Hira-nukite 平抜き手 Flat spear hand thrustfrom Seiyunchin

Jodan-zuki 上段突き Upper-level punch

Kage-zuki 鈎突き Hook punch

Kata-ate 肩当て Shoulder strike

Keito-uchi 鶏刀打 Chicken's head strik

Kentsui-uchi 拳椎打 Hammer fist strike (alsoknown as Tetsui-uchi 鉄椎打 Iron Hammer strike)

Kizami-zuki 刻み突き Jab punch

Koken-uchi 曲拳打 Bent wrist strike (alsoknown as Kakuto-uchi 角刀打 Bent sword strikeand as Kakuken 角拳Bent fist

Koshi-ate 腰当て Body strike (bump)

Kouto-ate 後頭当て Head butt with back ofhead


Kumade 熊手 Bear hand strike

Morote awase-zuki 双手合わせ突き Doub l e p un ch f r omGekisai Dai Ichi

Naiwanto-uchi 内腕刀打 I n s i d e s w o r d a r m(forearm) strike

Nakayubi ippon-ken 中指一本拳 Middle knuckle fist

Nukite 抜き手 Spear hand thrust

Ippon-nukite 一本抜き手 Single finger Spear handthrust

Nihon-nukite 二本抜き手 Two finger Spear handthrust

Yonhon-nukite 四本抜き手 Four finger Spear handthrust

Oi-zuki 追突き Lunging punch

Oyayubi Ippon-ken 親指一本拳 Thumb Fist

Ryuto-ken 龍登拳 Rising Dragon Fist

Sanbon-zuki 三本突き Three consecutive punches

Seiken-zuki 正拳突き Normal Fist punch

Seiryuto-uchi 生立刀打 Standing sword hand strike

Sho-ken 小拳 Single knuckle fist {smallfist} (also known as Ryu-ken 龍拳 Dragon fist)

Shotei-uchi 掌底打 Heel of hand strike (alsoknown as Teisho-uchi 底掌打)


Shuto 手刀 Hand sword (also knownas Te-gatana 手刀)

Shuto-mawashi-uchi 手刀回し打 Circular hand swordstrike

Shuto-uchi 手刀打 Hand sword strike

Tate-ken-zuki 立拳突き Standing (vertical) fiststrike

Ura Hiraken-uchi 裏平拳打 Inverted flat hand punchfrom Kururunfa

Ura-zuki 裏突き Inverted punch

Uraken-uchi 裏拳打 Back fist strike

Washide-uchi 鷲手打 Eagle hand (claw) strike

Yoko Oi-zuki 横追突き Sideward lunge punch

Yoko Ura-zuki 横裏突き Sideward inverted punch

Zento-ate 前後頭当て Head butt with front ofhead


Kicking TechniquesGyaku-Mawashi-Geri 逆回し蹴り Reverse roundhouse kick

Hiza-geri 膝蹴り Knee kick

Kakato-Geri 踵蹴り Back of the heel kick

Kansetsu-geri 関節蹴り Sokuto-geri to the knee

Keage-geri 蹴上蹴り Snap kick

Kekomi-geri 蹴込蹴り Thrust kick

Kin-Geri 金蹴り Groin kick with the instep

Kinteki-geri 金的蹴り Groin kick with the instep

Kogan-geri 睾丸蹴り Deep groin kick (with shin)

Mae-Geri 前蹴り Front kick


Mawashi-Geri 回し蹴り High roundhouse kick

Mawashi-geri: chosoku 回し蹴り：長足 High roundhouse kick:Strike with the ball of the foot

Mawashi-geri: haisoku 回し蹴り：背足 High roundhouse kick:Strike with the instep

Sokutei furi-geri 足底振蹴り Swinging sole of the footkick from Suparinpai

Sokuto-Geri 足刀蹴り Thrusting kick strikingwith the edge of the foot

Sune-Geri 脛蹴り Kick with the shinbone

Ushiro-Mawashi-Geri 後回し蹴り Backward roundhouse kick

Yoko-Geri 横蹴り Low roundhouse kick

Yoko-geri: chosoku 横蹴り：長足 Low roundhouse kick:Strike with the ball of the foot

Yoko-geri: haisoku 横蹴り：背足 Low roundhouse kick:Strike with the instep

Grappling TechniquesUra-waza 裏伎 Reversing techniques

Tsukami-waza 掴み伎 Grabbing techniques


Hiki-waza 引伎 Pulling techniques

Oshi-waza 押し伎 Pushing techniques

Hazushi-waza 外し伎 Avoidance techniques

Kaeshi waza 返し伎 Reversal techniquesHiji-age 肘上 Elbow lifting

Osae waza 押え伎 Controlling techniques;techniques to control theopponent

Throwing TechniquesAshi-nage 足投げ Leg throw

Ashi-barai 足払い Foot sweep

Ashi-basami 足鋏 Leg scissors

Koshi-nage 腰投げ Hip throw

Kata-nage 肩投げ Shoulder throw

Te-nage 手投げ Hand throw

Ashi-dori 足捕り Grabbing the leg

Furi-nage 振投げ Swinging throw

Sukui-nage 掬い首投げ Scooping throw

Kubi-nage 首投げ Neck throw

Sutemi-nage 捨身投げ Sacrificial throw

Joint TechniquesAshi-garami 足絡み Leg entwine. Joint lock in

which the legs of theattacker is bend andtwisted into a lock


Ashikubi kansetsu-waza 足首関節伎 Ankle-joint manipulationtechniques

Hiji-garami 肘絡み Technique in which theelbows of the opponentare crossed in order tocreate an arm lock

Hiji Kansetsu-waza 肘関節伎 Elbow-joint manipulationtechniques.

Hiza-garami 膝絡み Knee entwine. Joint lockin which the legs of theattacker is bent andtwisted into a knee lock

Hiza kansetsu-waza 膝関節伎 Knee-joint manipulationtechniques

Kote-gaeshi 小手返し Wrist reversal (to throw)

Kote Kansetsu-waza 小手関節伎 Alternative name forwrist-joint manipulationtechniques

Kubi-hineri 首捻り Neck twist

Kubi kansetsu-waza 首関節伎 Neck-joint manipulationtechniques

Ude-osae 腕押え Forearm control used ina joint lock, for example,the elbow

Suhei-osae 水平押え Horizontal control

Maki-age 巻上 Rising (arm) roll

Tekubi kansetsu-waza 手首関節伎 Wrist-joint manipulationtechniques

Tekubi-gaeshi 手首返し Alternate for Kote-gaeshi

Ude-garami 腕絡み Arm entwine; Joint lockin which the arm of theattacker is bent andtwisted into an arm lock

Ude kansetsu-waza 腕関節伎 Arm-joint manipulationtechniques. This canrefer to wrist, elbow orshoulder joint.

Yubi-gaeshi 指返し Finger reversal (twist orbend)


Yubi kansetsu-waza 指関節伎 Finger joint manipulationtechniques

Strangling and ChokingHadaka-jime 裸締め Naked strangulation

Eri-jime 衿締め Strangulation using the collar

Okuri Eri-jime 送り衿締め Strangulation sliding the collar

DrillsKihon-ido Ichi 基本移動一 Basic manoeuvring #1

Kihon-ido Ni 基本移動二 Basic manoeuvring #2

Kihon-ido San 基本移動三 Basic manoeuvring #3

Sanchin-shuho: Jodan 三戦手法：上段 Four directionmanoeuvring exerciseusing jodan-uke

Sanchin-shuho: Chudan 三戦手法：中段 Four directionmanoeuvring exerciseusing chudan-uke

Konji-ido 金字移動 Diamond patternmanoeuvring exercise

Yakusoku Kumite Ichi 約束組手一 Pre-arranged fighting #1


Yakusoku Kumite Ni 約束組手二 Pre-arranged fighting #2

Yakusoku Kumite San 約束組手三 Pre-arranged fighting #3

Kihon Geri 基本蹴り Pre-arranged fighting Kicking

Yonhon Kumite 四本組手 Four part Sparring drill

Gohon Kumite 五本組手 Five part Sparring drill

Nanahon Kumite 七本組手 Seven part Sparring drill

KataTaikiyoku no Gata 大局の型 Kata of the “First Cause”A series of 6 kata developed by YAMAGUCHI Gogen Hanshi as kihon Gata orFoundational kata for his Goju-ryu organisation IKG Gojukai

Taikyoku: Jodan 大局：上段 First cause high level (attack)

Taikyoku: Chudan 大局：中段 First cause mid level (attack)

Taikyoku: Gedan 大局：下段 First cause low level (attack)

Taikyoku: Mawashi-uke 大局：回し受け First cause circular deflection

Taikyoku: Kake-uke 大局：鈎受け First cause hooking deflection

Taikyoku: Gousei 大局：合成 First cause combination kata

Sanchin 三戦 “Three Battles”

Gekisai Dai-ichi 撃砕：第一 “Attack and smash” #1

Gekisai Dai-ni 撃砕：第二 “Attack and smash” #2

Saifa 砕破 “Smash and Tear”(thought to come fromSaifa 獅法 “Lionmethod”)

Seiyunchin 制引戦 “Pull in and Battle”(thought to come fromSeiyouchin 鷹青戦 “BlueHawk Battle”)

Sanseru 三十六手 “Thirty six” (techniques)

Sesan 十三手 “Thirteen” (techniques)

Shisochin 四向戦 “Four way Battle” (thought tocome from Shisauchin 蟋蟀戦 “Cricket/MantisBattle”)

Seipai 十八手 “Eighteen” (techniques)

Kururunfa 久留頓破 “Holding Ground”(thought to come from


Gorunfa 臥龍法 “LyingDragon Law”)

Suparinpai 壱百零八手 “One hundred and eighttechniques” (also known asPechurin ペッチュリン“100 continuous steps)”

Tensho 転掌 “Rotating Palms”

Sanchin-Tensho 三戦転掌 A combination of Sanchinkata and Tensho kata

Extension Kata: NafadiNaifunchin 内汎戦 “The battle within”

Naifunchin: Juho 内汎戦：柔法 “The battle within soft method”

Naifunchin: Zengou 内汎戦：前後 “The battle within backand forth method” Adevelopment kata basedon Naifunchin but usingan “X” shaped embusen

Aragaki no Sochin 新垣之壯鎮 ARAGAKI Seisho 新垣世璋s e n s e i ’ s v e r s i o n o fS o c h i n , “ M o n k s o fPeace;” a Nafadi 那覇手(Naha-te) kata well knownto both HIGASHIONNAs e n s e i a n d M I YA G ISensei

Geishusai 迎襲砕 A development katabased on Gekisai

Extension Kata: TumaidiMatsumora no Rohai 松茂良之鷺牌 MATSUMORA Kosaku 松茂

良興作 sensei's version ofTumaidi 泊手 (Tomari-te)kata Rohai "Vision of aWhite Heron"

Oyadomari no Patsai 親泊之抜砦 OYADOMARI Kokai 親泊興寛 sensei’s version ofPatsai (Passai/Bassai),“ T o r e m o v e a nobstruction;” a Tumaidi


泊手 (Tomari-te) version ofthe well known Suidi kata

Tumai no Chintou 泊之戦東 “Battle in the east”

Tumai no Useishi 泊之五十四手 “Fifty Four” (techniques) alsoknown as Gojushiho 五十四方

Tumai no Wandou 泊之王道 “The kings way”

Extension Kata: SuidiMatsumura no Sesan 松村之十三手 MATSUMURA Sokon 松村

宗棍 sei’s version ofSesan “Thirteen” a Suidi首里手 (Shuri-te) katarelated to the Goju-ryukata of the same name

Chokyu 長宮 No meaning – Combinesthe alternatepronunciation of the firstkanji of both NAGAMINEShoshin Sensei's andMIYAGI Chojun Sensei'snames

Sui no Niseishi 首里之二十四手 “Twenty Four” (techniques)also known as Nijushiho 二十四方

Extension Kata: White CraneNiipai 二十八歩 “Twenty Eight” (steps;) a

White Crane kata fromthe teachings of MIYAGIsensei's close friend WUXianhui 五乾卉 (GoKenki) Shifu

Paipuren 八歩連 "Eight Linked Steps;" Aprecursor to Sanchinfrom Quanfa Xing "BaBu Lien"

Go no Hakuchou 五之白鳥 “White Crane” alsofrom the teachings ofWU Xianhui 五乾卉 Shifu(also know as Paihou 白鴇 “White Ibis”)


Matayoshi no Kakuken 又吉之鶴拳 “Crane Fist” also fromthe teachings of WUXianhui 五乾卉 Shifu fromKingai-ryu 金硬流,MATAYOSHI Shinpo 又吉眞豊 where it is know asHakutsuru 白鶴 “Whitecrane”

Matayoshi no Hakkaku 又吉之白鶴 “White Crane” also fromthe teachings of WUXianhui Shifu fromKingai-ryu 金硬流,MATAYOSHI Shinpo 又吉眞豊 where it is know asHakkaku Nidan 白鶴：二段


Documents

terminologie gojuryu.pdf