Upload
blancalicia-martinez
View
527
Download
1
Embed Size (px)
Citation preview
4.3. El descubrimiento del SUBconsciente: el surrealismo en Europa y América Latina.
4.3. Comprender la importancia del descubrimiento del subconsciente y su expresión en el surrealismo en Europa
y América Latina.
SUBCONSCIENTE Y TEORIA FREUDIANA
SURREALISMO
• 1917 – APOLLINAIRE– MOVIMIENTO LITERARIO– ANDRE BRETON
• 1925 – GALERIA PIERRE– MOVIMIENTO PICTORICO– ARP, ENST, RAY, KLEE, DE CHIRICO,
MIRO, PICASSO, DALI, MAGRITTE
DEFINICION DE BRETON
• PURO AUTOMATISMO PSIQUICO POR EL CUAL SE INTENTAEXPRESAR VERBALMENTE O POR ESCRITO O DE CUALQUIER OTRA MANERA, EL FUNCIONAMIENTO REAL DEL PENSAMIENTO EN AUSENCIA DE CUALQUIER CONTROL EJERCIDO POR LA RAZON AL MARGEN DE TODA PREOCUPACION ESTETICA O MORAL
• INCONSCIENCIA
• IRRACIONALIDAD
• BUSQUEDA
• INVESTIGACION INDIVIDUAL
“…CADA SEGUNDO HAY UNA FRASE EXTRAÑA A NUESTRO PENSAMIENTO
CONSCIENTE QUE ESTA PIDIENDO EXTERIORIZARSE”
• FREUD Y EL SUBCONCIENTE : ESCRITURA LIBRE
• COMPROMISO POLITICO DE OPOSICION
• EXCENTRICISMO
• EXPERIMENTACION
PRECURSORES• HIERONIMUS BOSCH (1450? – 1516)
FANTASIA• WILLIAM BLAKE (1757 – 1827)
VISIONES• FRANCISCO JOSE DE GOYA Y
LUCIENTES – (1746 – 1828) PESADILLAS• HENRI ROUSSEAU (1844 – 1910)
RUPTURA DEL MANEJO DEL ESPACIO• MARC CHAGALL (1887 – 1985)
RENUNCIA A LA COMPOSICION• GIORGIO DE CHIRICO (1888 – 1978)
PINTURA METAFISICA
Hieronymous (van Aken) Bosch(1450-1516
• Hieronymus Bosch is known for his enigmatic panels illustrating complex religious subjects with fantastic, often demonic imagery
• References to astrology, folklore, witchcraft, and alchemy, in addition to the theme of the Antichrist and episodes from the lives of exemplary saints, are all woven together by Bosch into a labyrinth of late medieval Christian iconography.
(c. 1450-1516)
Bosch, HieronymousGarden of Earthly DelightsOuter wings, "Creation of the World"c. 1504Triptych, plus shuttersOil on panelCentral panel, 220 x 195 cm; Wings, 220 x 97 cmMuseo del Prado, Madrid
Bosch, HieronymousGarden of Earthly DelightsLeft wing, "Paradise"c. 1504Triptych, plus shuttersOil on panelCentral panel, 220 x 195 cm; Wings, 220 x 97 cmMuseo del Prado, Madrid
Garden of Earthly Delights (center panel) 1504 Triptych, plus shutters Oil on panelCentral panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
Garden of Earthly DelightsRight wing, "Hell"c. 1504Triptych, plus shuttersOil on panelCentral panel, 220 x 195 cm; Wings, 220 x 97 cmMuseo del Prado, Madrid
Bosch, HieronymousGarden of Earthly DelightsDetail of bird-headed monster (right wing)c. 1504Triptych, plus shuttersOil on panelCentral panel, 220 x 195 cm; Wings, 220 x 97 cmMuseo del Prado, Madrid
The Man-Tree,
pen and bistre,
Albertina at Vienna.
Francisco José de Goya y Lucientes(1746-1828) innovative Spanish painter and etcher; one of the triumvirate—including El Greco and Diego Velázquez—of great Spanish masters.
Atropos also called The Fates Las Parcas1820-23 Oil on gesso transferred to linen123 cm x 266 cmMuseo del Prado Madrid Spain
Goat also called Witches Sabbath1820-23 Oil on gesso Prado Museum, Madrid140 cm x 438 cm
Fight with Cudgelsalso calledDuel with Cudgels1820 – 1823
Oil on plaster123 cm x 266 cmPrado Museum, Madrid
Asmodea1820-23 Oil on gesso48 1/2 inches by 104 1/2 inchesPrado Museum, Madrid
SATURNOSaturno devorando a su hijo
1820 – 1823
Oil on plaster146 cm x 83 cmMuseo del Prado,
Madrid, Spain
RUBENS
SATURNO
OLEO SOBRE LINO
1686
MESEO DEL PRADO
MADRID, ESPAÑA
WILLIAM BLAKE
1757 – 1827
INGLATERRA
Blake, William (1757-1827), English poet, painter, and
engraver, who created a unique
form of illustrated verse;His unique style was imaginative and visionary and was a radical
departure from the type of art generally produced in
the late 18th century. .
Blake, WilliamThe Ancient of Days1794Relief etching with watercolor23.3 x 16.8 cm (9 1/8 x 6 7/8 in.)British Museum, London
• NEWTON
NEWTON
William Blake, Pietà, 1795 , Tate Gallery
Blake, WilliamThe Body of Abel Found by Adam and Evec. 1825Watercolor on wood32 x 43 cm (12 3/4 x 17 in.)
HENRI ROUSSEAU“EL ADUANERO”
1844 – 1910
1885 DESPUES DE SU JUBILACION
Rousseau, Henri The Sleeping Gypsy 1897 Oil on canvas51" x 6'7" (129.5 x 200.7 cm) The Museum of Modern Art, New York
LA REALIDAD SE VE SUPERADA POR LA MAGIA Y EL MISTERIO QUE INFUNDEN LOS TONOS MATIZADOS Y LOS ESPACIOS CONFUSOS
Rousseau, HenriWoman Walking in an Exotic Forest (Femme se promenant dans une foret exotique)1905Oil on canvas39 3/8 x 31 3/4 in. (99.9 x 80.7 cm)The Barnes Foundation, Merion, Pennsylvania
Henri Rousseau THe Dream 1910 Oil on canvas 6' 8 1/2" x 9' 9 1/2"The Museum of Modern Art, New York
Marc Chagall (1887-1985)
Russian-born French painter.
Born to a humble Jewish family in the ghetto of a large town in White Russia, Chagall passed a childhood steeped in
Hasidic culture.
Very early in life he was encouraged by his mother to follow his vocation and she managed to get him into a St
Petersburg art school.
Returning to Vitebsk, he became engaged to Bella Rosenfeld (whom he married twelve years later), then, in 1910, set off
for Paris, 'the Mecca of art'.
LA MUJER Y LAS ROSAS 1929
RECUERDOS, DELIRIO, INGENUIDAD, ROMANTICISMO
GIORGIO DE CHIRICO1888 – 1978
Nació en GreciaEstudió en Atenas, Munich,
Florencia, Turín y ParísFUNDADOR DE LA PINTURA
METAFISICA
"The case of Giorgio de Chirico is one of the most curious in art history. An Italian, born in 1888 and raised partly in Greece - where his father, an engineer, planned and built railroads - he led a productive life, almost Picassoan in length; he died in 1978.
He had studied in Munich, and in his early twenties, under the spell of the Symbolist painter Arnold Böcklin, he began to produce a series of strange, oneiric cityscapes. When they were seen in Paris after 1911, they were ecstatically hailed by painters and poets from Picasso to Paul Éluard; before long de Chirico became one of the heroes of Surrealism.
ANDROMACA
Giorgio de Chirico (Italian, born in Greece, (1888–1978)
The Uncertainty of the Poet (1913)
Ariadne, Giorgio de Chirico (Italian, born in Greece, (1888–1978) 1913 Oil and graphite on canvas;135.6 x 180.3 cm , MET
CANCION DE AMOR
ANDRE BRETON
(1896-1966)• French poet and critic
•studied medicine and worked in psychiatric wards in World War I.
•as a writer in Paris, he was a pioneer in the antirationalist movements in art and literature
known as Dadaism and surrealism, which developed out of the general disillusionment
with tradition that marked the post-World War I era.
• Frida Kahlo had three exhibitions during her lifetime. The exhibitions in New York City in 1938 and in Paris in 1939 were organized through her contact with the French surrealist poet and essayist André Breton.
• (1907-1954), Mexican painter, who produced mostly small, highly personal self-portraits using elements of fantasy and a style inspired by native popular art.
REVUELTA Y POESIA
• ESPANTAPAJAROS CONTRA LA RAZON
• DESCREDITO DE LA CIVILIZACION OCCIDENTAL
• GUSTO POR UNA BUENA BROMA– HOMO LUDENS
• MOVIMIENTO ANTI-ARTE • SORPRESA, POLEMICA, ESCANDALO,
EXPERIMENTACION, AGRESION, VIOLENCIA, INSULTO, HUMOR
TENDENCIAS SURREALISTAS
• FIGURATIVAS– SALVADOR DALI– OSCAR DOMINGUEZ– RENE MAGRITTE
• ABSTRACTA– JOAN MIRO– MARX ERNST
MARX ERNST
(1891-1976)Alemania,Alemania,
Max Ernst
The Hat Makes the Man.
1920.
Gouache,
pencil, ink,
and
cut-and-pasted collotypes,
(35.6 x 45.7 cm).
MOMA
"seed-covered stacked-up man seedless waterformer (‘edelformer') well-fitting nervous system also tightly fitted nerves! (the hat makes the man) (style is the tailor),"
MARX ERNST (Alemania, 1891-1976)
The Kiss (Le Baiser), 1927. Oil on canvas, 129 x 161.2 cm. Peggy Guggenheim Collection.
Napoleon in the Wilderness. (1941)
Oil on canvas,
(46.3 x 38.1 cm)The Museum of Modern Art, New York.
19441944 El ojo del silencio Oleo sobre tela. 108 x 141 cm. El ojo del silencio Oleo sobre tela. 108 x 141 cm.Museo: Washington University Art Gallery. Saint LouisMuseo: Washington University Art Gallery. Saint Louis
MAN RAY1890 – 1976AMERICANO
PINTOR Y FOTOGRAFODE VANGUARDIA
Trabajos cinéticos, rayografías, etc.
MAN RAY (1890-1977)•
Brooklyn, NY . Emmanuel Radinski changed his name at the age of 15 to get away from persecution because of his obvious Russian-Jewish heritage.
• His artistic training : evening classes in N. Y. • 1915 - met Marcel Duchamp (1887-1968)
and Francis Picabia (1879-1959) and soon became involved in the thriving Dada movement.
• His most remembered Dada object is "Gift".
OSCAR DOMINGUEZ(1904 – 1957)
MAQUINA DE COSER ELECTRO-SEXUAL
1935
Oscar Domínguez 1935
Madera pintada, hierro y papel
41x33x12 cm.
Firmada y fechada en el dorso
SURREALISMO EUROPEO
SURREALISMO LATINOAMERICANO