t’alynewww.talyne.org

1970 Wheatridge, CO.

BA, BFA, MFA Arizona State University

Tapestries were ubiquitous in the castles and churches of the late medieval and Renaissance eras. At a practical level, they provided a form of insulation and decoration that could be easily transported

The Drowning of Britomartis, 1547–59

Probably designed by Jean Cousin the Elder (French, ca. 1500–ca. 1560); possibly woven by Pierre II Blasse and Jacques Langlois (both French, active 1540–60)

Wool and silk

Otto, Count of Nassau, and his Wife Adelheid van Vianden, ca. 1530Bernaert van Orley (Flemish, ca. 1488 or 1491/92–1542)Pen and brown ink, watercolor over traces of black chalk; on verso, tracing in black chalk of the figures on recto

Influences

Marc Chagall (1887–1985), born in Belarus to a Hassidic family, began his education at a traditional Jewish school in Vitebsk. After studying with a local artist for

several years, the artist moved to St. Petersberg in 1907 and continued his studies at the Zvantseva School. Chagall moved to Paris in 1910 and his inventive

imagery won immediate recognition in the city's avant-garde circles. Here he began to assimilate cubist characteristics into his expressionistic style. He is

considered a forerunner of surrealism. Chagall's dream-based imagery was revered by contemporary Surrealists yet he refused to join the movement, preferring

to pursue his individualistic path. Chagall maintained a consistent style throughout his long career. His frequently repeated subject matter was drawn from

Jewish life and folklore; he was particularly fond of flower and animal symbols. The artist translated his imaginative folkloric imagery to stained glass and

designed windows for cathedrals in Metz and Reims. Among his well-known works are I and the Village (1911; Mus. of Modern Art, New York City) and The Rabbi

of Vitebsk (Art Inst., Chicago). He designed the sets and costumes for Stravinsky's ballet Firebird (1945). Chagall's twelve stained-glass windows, symbolizing

the tribes of Israel, were exhibited in Paris and New York City before being installed (1962) in the Hadassah-Hebrew Univ. Medical Center synagogue in

Jerusalem. His two vast murals for New York's Metropolitan Opera House, treating symbolically the sources and the triumph of music, were installed in 1966.

Much of Chagall's work is rendered with an extraordinary formal inventiveness and a deceptive fairy-tale naïveté. Chagall illustrated numerous books, including

Gogol's Dead Souls, La Fontaine's Fables, and Illustrations for the Bible (1956). A prolific artist and dazzling colorist, Chagall's vast oeuvre of both religious and

secular subjects has gained worldwide recognition.

Influences

Diebenkorn’s use of color, line work, and abstraction of landscapes.

Influences

Laura Owen’s large scale abstract minimal paintings and naturalistic subject matter in her tapestry work.

Influences

Rothko’s created environments i.e. Rothko Room, Tate Modern and the Rothko Chapel, Houston, Texas. In addition, the spiritual and meditative qualities in his work.

Influences

The markets, village, beach, aquatic migration, and the Sea of Cortez in and around Puerto Penosco, Mexico influenced woodcut and intaglio work from 1994-2000.

EnvironmentalInfluences

Sea of Cortez aquatic migration- Gray whales, dolphins, jellyfish, glo-worms

EnvironmentalInfluences

Woodcuts influenced by environmental research in Mexico.

Intaglio works influenced by environmental research in Mexico.

Southern France, vineyards, telephone poles and lines, architecture

EnvironmentalInfluences

Roman Aquaducts-The Pont du Gard is an aqueduct in the South of France constructed by the Roman Empire, and located in Vers-Pont-du-Gard near Remoulins, in the Gard département. The ancient Romans typically constructed numerous aqueducts to serve any large city in their empire, as well as many small towns and industrial sites.

EnvironmentalInfluences

Rousillion, France The history of Ocher in Provence began 110 million years ago when the area was covered by a sea, which deposited a mix of gray clay and sea sand full of minerals. These minerals included Glauconite, the distant ancestor of Goethite which gives Ocher its color range from yellow, the iron oxide limonite, to orange, to red or iron oxide hematite. Man or pre-humans' use of Ocher began with body painting, burial and fertility rites as found in both Neanderthal and Cro-Magnon archeological sites. But the most dramatic prehistoric use of Ocher can be found in the nearby caves of Lascaux and Chauvet where some of the most beautiful

examples of early human art have survived for over 30,000 years.

EnvironmentalInfluences

Lascaux is the setting of a complex of caves in southwestern France famous for its Paleolithic cave paintings. The original caves are located near the village of Montignac, in the Dordogne département. They contain some of the best-known Upper Paleolithic art. These paintings are estimated to be 16,000 years old. They primarily consist of realistic images of large animals, most of which are known from fossil evidence to have lived in the area at the time.The cave contains nearly 2,000 figures, which can be grouped into three main categories — animals, human figures and abstract signs. Notably, the paintings contain no images of the surrounding landscape or the vegetation of the time

EnvironmentalInfluences

Camac Centre D’Art, Marnay sur Seine3 year Artist in Residence

EnvironmentalInfluences

Seine River flooding

EnvironmentalInfluences

Paris since Roman times buried its dead to the outskirts of the city, but this changed with the rise of Christianity and its practice of burying its faithful deceased in consecrated ground in and adjoining its churches. By the 10th century, because of the city's expansion over the centuries, there were many parish cemeteries within city limits, even in central locations. When Paris' population began to rise rapidly in the following centuries, some of these cemeteries became overcrowded where expansion was impossible. Soon only the most wealthy could afford church burials, which led to the opening in the early 12th century of a central burial ground for more common burials: initially dependent upon the St. Opportune church, this cemetery near Paris' central Les Halles district was renamed as the 'Saints-Innocents cemetery' under its own church and parish towards the end of the same century.

EnvironmentalInfluences

Eglise de Saint Jacques, Dival, FranceGaps of Time

Exhibition

CAMAC Centre D’Art, Marnay sur SeineDaVinci Room

Public Art

CAMAC Centre D’Art, Marnay sur SeineDaVinci Room

Public Art

CAMAC Centre D’Art, Marnay sur SeineDaVinci Room

Public Art

Solo Exhibition. Wellington Institute of Technology, New Zealand.

Exhibition

The Japanese rock gardens (枯山水 karesansui?) or "dry landscape" gardens, often called "Zen gardens" were influenced mainly by Zen Buddhism and can be found at Zen temples of meditation.

Japanese gardens are a living work of art in which the plants and trees are ever changing with the seasons. As they grow and mature, they are constantly sculpted to maintain and enhance the overall experience; hence, a Japanese garden is never the same and never really finished. The underlying structure of a Japanese garden is determined by the architecture; that is, the framework of enduring elements such as buildings, verandas and terraces, paths, tsukiyama (artificial hills), and stone compositions.

EnvironmentalInfluences

American River College, Sacramento, CaliforniaMerged, fiberglass, varnish, pigment 7‘x12‘x24’

Exhibition

The beauty of Shoji screens originated in Japan as lightweight, wood framed panels used primarily as sliding doors or room dividers. Initially, Shoji contained a grid on one side with a thin paper, which was replaced every Japanese New Year, glued to the back of the screens.

Shinto (神道 Shintō?) or kami-no-michi is the natural spirituality of Japan and the Japanese people. The word Shinto ("Way of the Gods") was adopted from the written Chinese (神道),[1] combining two kanji: "shin" (神?), meaning gods or spirits (originally from the Chinese word shen); and "tō" (道?), or "do" meaning a philosophical path or study (originally from the Chinese word tao). Shinto is a religion in where practice (actions) and ritual, rather than words, are of the utmost importance. Shinto is characterized by the worship of nature, ancestors, polytheism, and animism, with a strong focus on ritual purity, involving honoring and celebrating the existence of Kami (神?). Kami are defined in English as "spirit", "essence" or "deities", that are associated with many understood formats; in some cases being human like, some animistic, others associated with more abstract "natural" forces in the world (mountains, rivers, lightning, wind, waves, trees, rocks). It may be best thought of as "sacred" elements and energies. Kami and people are not separate, they exist within the same world and share its interrelated complexity.

EnvironmentalInfluences

Group Exhibition. Toledo Museum of ArtJurors: Vince Castagnacci and Tarrance Corbin

Exhibition

Crabtree Falls, VirginiaStudio view at Virginia Center of Creative Arts, Amherst, VA

EnvironmentalInfluences

Over the river and through the woods production shotsfiberglass, varnish, pigment, steel8‘x15’

Exhibition

Over the river and through the woodsfiberglass, varnish, pigment, steel8‘x15’

Exhibition

Solo Exhibition. EmergeWest Michigan Natural Storage. Gypsum Mines85’ below the surface

Exhibition

Solo Exhibition West Michigan Natural Storage. Gypsum Mines85’ below the surface

Exhibition

WaterRain, Lakes, Clouds, Rivers, Waterfalls

EnvironmentalInfluences

Studio production of ChandeliersVermont Studio Center Fellowship April 09

Fellowship

Chandeliers: Sunshine, Planes, Mountains, WaterfallsArtprize 09 Huntington National Bank, Grand Rapids, MIfiberglass, varnish, pigment8’x4’x4’

Public Art

Chandeliers: Sunshine, Planes, Mountains, WaterfallsArtprize 09 Huntington National Bank, Grand Rapids, MIfiberglass, varnish, pigment8’x4’x4’

Public Art

Lakefiberglass, varnish, pigment

7‘x3.3’

Raindrop tapfiberglass, varnish, pigment

7‘x3.3’

Swamp rainfiberglass, varnish, pigment

7‘x3.3’

Insidious Rainfiberglass, varnish, pigment

7‘x3.3’

Insidious drizzlefiberglass, varnish, pigment

7‘x3.3’

Daffodil rainfiberglass, varnish, pigment

7‘x3.3’

Blood rainfiberglass, varnish, pigment

7‘x3.3’

Blue Rainvarnish, pigment on wood panel20”x20”

Next Rainvarnish, pigment on wood panel20”x20”

Playingvarnish, pigment on wood panel20”x20”

Rain overvarnish, pigment on wood panel20”x20”

Rainy sunvarnish, pigment on wood panel20”x20”

Rain undervarnish, pigment on wood panel20”x20”

Catholic Diocese, Grand Rapids, Michigan“Let the waters bring forth...”Slideshare link: http://www.slideshare.net/talyne70/081508-banner-artworklowres

Public Art

ChandeliersFiberglass, varnish, pigment, LED lights, anodized aluminum, cable

Visit SlideShare for more information: http://www.slideshare.net/talyne70/devos-proposal

Public Art