" ": '
:
' : " , ". , . , . . Cinema 1: The Movement-Image - Cinema 2:
The Time-Image " " , " " , " " , " " , " " , . , .
: 1: . :Gilles Deleuze, Having an Idea in Cinema. Deleuze and
Guattari: New Mappings in Politics, Philosophy, and Culture. Edited
by Eleanor Kaufman and Kevin Jon Heller. Minneapolis: University of
Minnesota Press, 1998. 14-22.
Andras Balint Kovacs, The Film History of Thought. The Brain is
the Screen. Edited by Gregory Flaxman. Minneapolis: University of
Minnesota Press, 2000. 153-170.
- 2-3: ; ; -. :Deleuze, Cinema 1: The Movement-Image. Translated
by Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of
Minnesota Press, 1986. 1-11; 56-70.
Ronald Bogue, Deleuze on Cinema. New York: Routledge, 2003.
11-39. D. N. Rodowick, Gilles Deleuzes Time Machine. Durham: Duke
University Press, 1997. 18-37. 4-5: : , , '; : , . Deleuze, Cinema
1: The Movement-Image. Translated by Hugh Tomlinson and Barbara
Habberjam. Minneapolis: University of Minnesota Press, 1986.
12-28.Ronald Bogue, Deleuze on Cinema. New York: Routledge, 2003.
41-64. D. N. Rodowick, Gilles Deleuzes Time Machine. Durham: Duke
University Press, 1997. 38-78.Richard Rushton. Cinema after
Deleuze. London: Continuum, 2012. 13-26.- 6-7: - , -; - . Deleuze,
Cinema 2: The Time-Image. Translated by Hugh Tomlinson and Robert
Galeta. Minneapolis: University of Minnesota Press, 1989. 1-13;
68-83.Nick Davis, The Desiring-Image: Gilles Deleuze and
Contemporary Queer Cinema. Oxford: Oxford University Press, 2013.
142-160; 208-213.
Ronald Bogue, Deleuze on Cinema. New York: Routledge, 2003.
107-134.D. N. Rodowick, Gilles Deleuzes Time Machine. Durham: Duke
University Press, 1997. 3-17.
[]: Germany Year Zero, dir. Roberto Rossellini (1948); Velvet
Goldmine. Dir. Todd Haynes (1998)
8-9: -: -, . Deleuze, Cinema 2: The Time-Image. Translated by
Hugh Tomlinson and Robert Galeta. Minneapolis: University of
Minnesota Press, 1989. 98-105; 116-125.Richard Rushton. Cinema
after Deleuze. London: Continuum, 2012. 87-100.
[]: Last Year in Marienbad, dir. Alain Resnais (1961); Citizen
Kane, dir. Orson Welles (1941). 10-11: : Deleuze, Cinema 2: The
Time-Image. Translated by Hugh Tomlinson and Robert Galeta.
Minneapolis: University of Minnesota Press, 1989. 126-136; 164-172;
215-224.Patricia Pisters, Cinemas Politics of Violence. The Matrix
of Visual Culture: Working with Deleuze in Film Theory. Stanford:
Stanford University Press, 2003. 77-105. D. N. Rodowick, Gilles
Deleuzes Time Machine. Durham: Duke University Press, 1997.
139-169.
[]: Fight Club, dir. David Fincher (1999); Edward II, Dir. Derek
Jarman (1991) 11: : -9/11. David Martin-Jones, Renegotiating the
Past after 9/11. Deleuze, Cinema and National Identity: Narrative
Time in National Contexts. Edinburgh: Edinburgh University Press,
2006. 156-187. []: The Butterfly Effect, dir. Bress & Gruber
(2004); Eternal Sunshine of the Spotless Mind, dir. Michel Gondry
(2004)
12: , : :Markos Hadjioannou, In Search of Lost Reality: Waltzing
with Bashir. Deleuze and Film. Edited by David Martin-Jones and
William Brown. Edinburgh: Edinburgh University Press, 2012.
104-120. :Laura U. Marks, Signs of the Time: Deleuze, Peirce, and
the Documentary Image. The Brain is the Screen. Edited by Gregory
Flaxman. Minneapolis: University of Minnesota Press, 2000. 193-214.
[]: , (2008). 13: : . :Patricia Pisters, The Neuro-Image: A
Deleuzian Film-Philosophy of Digital Screen Culture. Stanford:
Stanford University Press, 2012. 243-270. :Garrett Stewart,
Cimnemonics versus Digitime. Afterimages of Gilles Deleuzes Film
Philosophy. Edited by D. N. Rodowick. Minneapolis: University of
Minnesota Press, 2002. 327-350. []: , (2001). 14:
Boljkovac, Nadine. Untimely Affects: Gilles Deleuze and an
Ethics of Cinema. Edinburgh: Edinburgh UP, 2013Bogue, Ronald.
Deleuze on Cinema. New York: Routledge, 2003.Buchanan, Ian and
Patricia MacCormack, eds. Deleuze and the Schizoanalysis of Cinema.
London: Continuum, 2008.Colman, Felicity. Deleuze and Cinema: The
Film Concepts. Oxford: Berg, 2010Davis, Nick. The Desiring-Image:
Gilles Deleuze and Contemporary Queer Cinema. Oxford: Oxford
University Press, 2013.Deleuze, Gilles. Cinema I: The
Movement-Image. Trans. Hugh Tomlinson and Barbara Habberjam.
Minneapolis: U of Minnesota P, 1986.---. Cinema 2: The Time-Image.
Trans. Hugh Tomlinson and Robert Galeta. . Minneapolis: U of
Minnesota P, 1989.---. Negotiations: 1972-1990. Trans. Martin
Joughin. New York: Columbia UP, 1995.Flaxman, Gregory, ed. The
Brain is the Screen: Deleuze and the Philosophy of Cinema.
Minneapolis: U of Minnesota P, 2000.Game, Jrme. Cinematic Bodies:
The Blind Spot in Contemporary French Theory on Corporeal Cinema.
Studies in French Cinema 1.1 (2001): 47-53.Hadjioannou, Markos.
From Light to Byte: Toward an Ethics of Digital Cinema. .
Minneapolis: U of Minnesota P, 2012.Kennedy, Barbara M. Deleuze and
Cinema: The Aesthetics of Sensation. Edinburgh: Edinburgh
University Press, 2002. Print.Marrati-Gunoun, Paola. Gilles
Deleuze: Cinema and Philosophy. Baltimore: Johns Hopkins University
Press, 2008Martin-Jones, David. Deleuze and World Cinemas. London:
Continuum, 2011.---. Deleuze, Cinema and National Identity:
Narrative Time in National Contexts. Edinburgh: Edinburgh UP,
2006.Martin-Jones, David and William Brown, eds. Deleuze and Film.
Edinburgh: Edinburgh University Press, 2012.Top of FormPisters,
Patricia. The Matrix of Visual Culture: Working with Deleuze in
Film Theory. Stanford: Stanford UP, 2003.---. The Neuro-Image: A
Deleuzian Film-Philosophy of Digital Screen Culture. Stanford:
Stanford University Press, 2012.Pisters, Patricia, and Catherine M.
Lord, eds. Micropolitics of Media Culture: Reading the Rhizomes of
Deleuze and Guattari. Amsterdam: Amsterdam University Press,
2001.Powell, Anna. Deleuze and Horror Film. Edinburgh: Edinburgh
UP, 2006Rizzo, Teresa. Deleuze and Film: A Feminist Introduction.
New York: Continuum, 2012.Rodowick, D. N. Gilles Deleuzes Time
Machine. Durham: Duke UP, 1997.---. The Virtual Life of Film.
Cambridge: Harvard UP, 2007.Rodowick, D. N., ed. Afterimages of
Gilles Deleuzes Film Philosophy. . Minneapolis: U of Minnesota P,
2010.Rushton, Richard. Cinema after Deleuze. London: Continuum,
2012.Trifonova, Temenuga. A Nonhuman Eye: Deleuze on Cinema.
SubStance 33.2 (2004): 134-52.
