512_4

187.Joan Miró (Spanish, 1893-1983)

Plate XV from FLUX DE L’AIMANT, 1964, edition of 75(Dupin, 385). Monogrammed “M” in pencil l.r., numbered“41/75” in pencil l.l., identified on a label from Retina Gallery,Boston, on the reverse. Color drypoint and aquatint on paper,plate/sheet size 19 x 23 in. (48.2 x 58.3 cm), framed.Condition: Deckled edges to three sides, subtle handling creases,not examined out of frame.

Provenance: A private New England collection.$1,500-2,500


La Chouette et l’escargot/A Greeting Card from Aime Maeght,1964 (Dupin, 388). Unsigned, identified “Aime Maeght vouspresente ses meilleurs voeux pour 1964...” in text in the interior.Drypoint with color aquatint on BFK Rives paper withwatermark, plate size 6 5/8 x 4 1/2 in. (16.7 x 11.3 cm),framed.Condition: Toning, sheet folded to create a card.

$300-350


L’Oiseau destructeur, 1969, edition of 75 (Dupin, 512). Signed“Miró” in pencil l.r., numbered “68/75” in pencil l.l. Coloretching, aquatint and carborundum on paper, image/sheet size28 1/2 x 37 in. (72.3 x 94.0 cm), framed.Condition: Deckled edges, gentle rippling, not examined out offrame.

$12,000-18,000

76

187

188

189


La Femme arborescent, 1974, edition of 50 (Dupin, 649).Signed “Miró” in pencil l.r., numbered “3/50” in pencil l.l.Color etching and aquatint on paper, image/sheet size 43 1/2 x28 1/2 in. (110.4 x 72.3 cm), framed.Condition: Deckled edges, rippling, several subtle handlingcreases, not examined out of frame.

$18,000-22,000


Image from QUELQUES FLEURS POUR DES AMIS, 1964,edition of 225 plus proofs (Mourlot, 340). Signed “Miró” inpencil l.r., inscribed “H.C. III/XI” in pencil l.l. Lithographprinted in black and gray on paper, image/sheet size 16 1/8 x 123/4 in. (41.0 x 32.3 cm), framed.Condition: Deckled lower edge, not examined out of frame.

$800-1,200


La Japanaise, 1971, edition of 150 plus proofs (Mourlot, 829).Signed “Miró” in pencil l.r., numbered “58/150” in pencil l.l.Color lithograph on paper, sight size 13 3/4 x 19 1/4 in. (34.8 x48.8 cm), framed.Condition: Pale mat burn, not examined out of frame.

$2,000-3,000

77

190

191

192


Lot of Four Works from MIRO LITHOGRAPHS I: Plates IV,VIII, IX, and X, 1972 (Mourlot, 860, 864, 865, and 866).Unsigned, each identified in text on the reverse. Colorlithographs on paper, sheet sizes approximately 12 1/2 x 19 1/2in. (31.6 x 49.5 cm), unmatted, unframed.Condition: Each with a centralized vertical crease (with stapleholes and binding residue) and pale staining from inks to thereverse.

$800-1,200 194.Joan Miró (Spanish, 1893-1983)

Plate Five from ODA A JOAN MIRO, 1973, total edition of535 (Mourlot, 907). Signed “Miró” in pencil l.r., numbered“70/75” in pencil l.l., stamped “GALERIA KREISLER DOS...MADRID...” on the reverse. Color lithograph on paper, imagesize 34 x 23 1/2 in. (86.3 x 59.5 cm), unmatted, unframed.Condition: Soft diagonal creases to image, old hinges to upperedge.

$2,500-3,500

195.Henry Moore (British, 1898-1986)

Three Sculptural Motives, 1970, edition of 50 plus proofs(Cramer et al., 158). Signed “Moore” in pencil l.r., numbered“44/50” in pencil l.l., identified on a label from Harcus, Krakow,Rosen and Sonnabend, Boston, on the reverse. Etching on paper,plate size 11 1/2 x 7 7/8 in. (29.2 x 19.9 cm), framed.Condition: Margins over 1/4 inch, not examined out of frame.

$600-800

78

193

194

195

196.Henry Moore (British, 1898-1986)

Six Reclining Figures, 1974, edition of 99 plus proofs (Cramer,353). Signed “Moore” in pencil l.r., numbered “42/99” inpencil l.l. Lithograph in colors on paper, image size 15 x 19 3/4in. (38.0 x 50.0 cm), framed.Condition: Margins over 1/2 inch, not examined out of frame.

$1,500-3,000

197.After Thomas Moran (American, 1837-1926)

The White Mountains, 1874, published by The Aldine. Signed inthe matrix, identified on a label on the reverse.Chromolithograph on paperboard, image/sheet size 11 1/4 x 155/8 in. (28.5 x 39.6 cm), framed.Condition: Toning, soiling.

$400-600

198.Richard Mortensen (Danish, 1910-1993)

Untitled (Blue Figure), 1966-1968, edition of 75. Signed anddated “Richard Mortensen 1966-68” in pencil l.r., numbered“41/75” in pencil l.l. Screenprint in blues on paper, image size15 1/8 x 13 in. (38.3 x 33.0 cm), framed.Condition: Subtle rippling, not examined out of frame.

$300-500

79

196

197

198

199.Kaiko Moti (Indian, 1921-1989)

Girl in Profile. Signed “K Moti” in pencil l.r., inscribed “IX/C”in pencil l.l. Lithograph in grays on paper, image size 22 1/4 x18 in. (56.4 x 45.7 cm), unmatted, unframed.Condition: Margins 2 inches or more, rub/paper loss to uppermargin, masking tape on verso along edges.

$300-500

200.Shiko Munakata (Japanese, 1903-1975)

Landscape, 1958. Signed and dated “...Munakata 1958...” andin Japanese characters in pencil l.l., chop mark l.l. Woodcut withhand-coloring on paper, image size 13 1/4 x 12 1/2 in. (33.5 x31.7 cm), framed.Condition: Unobtrusive cockling, not examined out of frame.

$5,000-7,000

201.Thomas Willoughby Nason (American, 1889-1971)

Winding Road, 1939, edition of 125, published for the NewHaven Print Club (BPL, 286). Signed and dated “TWNason1939” in pencil l.r. Engraving on paper, plate size 6 x 7 7/8 in.(15.0 x 19.9 cm), framed.Condition: Not examined out of frame.

$300-500

80

199 200

201

202.LeRoy Neiman (American, b. 1926)

The Green Table, 1974, edition of 300. Signed “LeRoy Neiman”in pencil l.r., numbered “132/300” in pencil l.l. Colorscreenprint on paper, image size 39 3/4 x 26 in. (100.8 x 66.0cm), framed.Condition: Not examined out of frame.

$2,000-4,000

203.Louise Berliawsky Nevelson (American, 1900-1988)

Untitled/Sculpture for The American Book Award, 1980,edition of 100. Unsigned, identified on a label affixed to thereverse. Black cast polyester resin, 15 1/4 x 15 3/4 in. (38.7 x40.0 cm), framed.Condition: Minor surface grime.

N.B. The present work was awarded in 1983 to William Steig forthe children’s picture book, Doctor de Soto, published by Farrar,Straus & Giroux.

$700-900


Sky Gate I, 1982, edition of 90 plus proofs. Signed and dated“Nevelson - 82” in pencil l.c., numbered “63/90” in pencil l.l.,identified on a label from Pace Editions, Inc., New York, on thereverse. Cast paper relief, sheet size 33 1/2 x 20 1/4 in. (85.0 x51.5 cm), framed.Condition: Not examined out of frame.

$2,000-4,000

81

202

203

204


Untitled, 1985, edition of 250, published by Pace Editions.Signed and dated “Nevelson-85.” in pencil l.r., numbered“122/250” in pencil l.l., identified in information affixed to thereverse. Cast paper relief print, 13 5/8 x 14 1/4 in. (34.5 x 36.2cm), framed.Condition: Not examined out of frame.

$1,000-1,500

206.Dale Nichols (American, 1904-1995)

Sleigh Ride. Signed “+DaleNichols” in pencil l.r. Lithograph onpaper, image size 9 1/4 x 13 1/4 in. (23.4 x 33.4 cm), framed.Condition: Toning, unobtrusive mat burn, not examined out offrame.

$300-500

207.Dean Nimmer (American, 20th/21st Century)

Spiral 42, 2003. Signed “DNimmer” in pencil l.r., signed,inscribed and dated “DNimmer #4400 2003” in pencil on thereverse. Color monotype on paper, image/sheet size 15 1/8 x11 1/4 in. (38.3 x 28.5 cm), framed.Condition: All but the lower edge deckled.

$500-700

82

205

206 207

208.Dean Nimmer (American, 20th/21st Century)

Untitled, 2003. Signed “DNimmer” in pencil l.l. and in whitel.r., signed, inscribed and dated “DNimmer #4136 2003” inpencil on the reverse. Color monotype on paper, image/sheetsize 15 1/8 x 11 1/4 in. (38.3 x 28.5 cm), framed (withoutglass).Condition: All but the lower edge deckled.

$500-700

209.Claes Oldenburg (American, b. 1929)

Geometric Mouse Scale D “Home-Made,” 1971, edition ofapproximately 3,000 (Axsom & Platzker, 73). Signed andidentified in the matrix on the base piece. Offset lithography onfive laminated paper pieces affixed with metal fasteners and chains,base size 19 5/8 x 16 5/8 in. (49.7 x 42.2 cm).Condition: Unobtrusively toned and light struck, creases to basepiece.

$300-350

210.José Clemente Orozco (Mexican, 1883-1949)

Hombre con Manos, Sobre la Cara, 1928, edition of 100(Orozco, 7). Signed “J.C. Orozco” in pencil l.r. Lithograph onpaper, image size 11 3/4 x 9 7/8 in. (29.9.x 25.1 cm), framed.Condition: Subtle toning, not examined out of frame.

$2,500-3,500

83

208 209

210

211.Victor Pasmore (British, 1908-1998)

Lot of Four Images: By What Geometry Must We Construct...from WORD AND IMAGE, 1974, edition of 60 (Pasmore, 39c);Am I the Object Which I See... from WORD AND IMAGE,1974, edition of 60 (Pasmore, 39d); When the Lute is Broken,1974, edition of 60 (Pasmore, 40); and Linear Motif in TwoMovements, 1974, edition of 60 (Pasmore, 46). Eachmonogrammed and dated “VP 74” in pencil l.r. Etchings withaquatint on paper, plate sizes approximately 15 x 15 in. (38.0 x38.0 cm), framed.Condition: Not examined out of frames.

$800-1,200

212.Margaret Jordan Patterson (American, 1867-1950)

Coast Cypress, edition of 100. Signed “Margaret Patterson” inpencil l.r. and in pencil within the image l.l., numbered “no29/100” in pencil l.l., titled in pencil l.c. Color woodcut onpaper, 7 1/4 x 10 3/8 in. (18.3 x 26.3 cm), unmatted,unframed.Condition: Margins 1/4 inch or more with deckled lower edge.

$2,000-3,000

213.Gerry Peirce (American, 1900-1969)

Arizona, edition of 100. Signed “Gerry Peirce” in pencil l.r.,titled and numbered “...81/100” l.l. Drypoint and aquatint onpaper, plate size 6 x 8 in. (15.2 x 20.3 cm), matted, unframed.Condition: Margins 3/4 inches or more.

$300-350

84

211 212

213

214.Joseph Pennell (American, 1860-1926)

View to San Giorgio Maggiore, 1883. Signed, dated andinscribed “...Venice 6 9 1883 Saturday 7 pm” in the plate.Etching on paper, plate size 4 x 8 3/8 in. (10.0 x 21.2 cm),framed.Condition: Subtle toning and rippling, not examined out offrame.

$300-500


Lot of Two Views: Leadenhall Market, II, 1903, edition ofabout 50 (Wuerth, 254); and The Woolworth Building, 1915,edition of about 100 (Wuerth, 675). Both signed and inscribed“JoPennell imp” in pencil along the lower edge. Etchings onpaper, plate sizes to 11 x 8 1/2 in. (27.8 x 21.5 cm), matted,unframed.Condition: Both with unobtrusive toning and staining, formerwith mat burn, the latter with masking tape residue to edges.

$300-500


Great Cranes, South Kensington, 1903, edition of about 50(Wuerth, 288). Signed and inscribed “JoPennell imp” in pencill.c. Etching in sepia on laid paper, plate size 8 3/4 x 11 in. (22.2x 27.9 cm), unmatted, unframed.Condition: Deckled left edge, soiling, subtle toning.

$300-500

85

214

215 216


Bridge of Alcantara, Toledo, 1904, possibly from the 1909edition (Wuerth, 322). Signed or inscribed “J.Pennell” in pencill.c. Etching on paper, plate size 10 x 8 in. (25.4 x 20.0 cm),unmatted, unframed.Condition: Margins about 1/2 inch, toning.

$300-350


St. Paul’s Pavement, London, 1905, from the 1910 edition(Wuerth, 366). Unsigned. Etching on paper, plate size 8 1/2 x11 in. (21.5 x 27.9 cm), framed.Condition: Toning, mat burn, gentle rippling, not examined outof frame.

$300-400


New York, From Brooklyn Bridge, 1908, edition of about 150(Wuerth, 490). Signed and inscribed “JoPennell imp” in pencill.c. Etching on paper, plate size 11 x 8 3/8 in. (27.8 x 21.3 cm),framed.Condition: Subtle toning, not examined out of frame.

$300-500

86

217 218

219


Song of the Search Light, published 1920 (Wuerth, 687). Signedand inscribed “JoPennell imp” in pencil l.c., identified on a labelfrom Rose B. Lee Fine Prints, Los Angeles, on the reverse.Aquatint on paper, plate size 4 x 7 in. (10.0 x 17.7 cm), framed.Condition: Subtle toning, not examined out of frame.

$400-600221.Joseph Pennell (American, 1860-1926)

Standard Oil Building, 1923, edition of about 50 (Wuerth,817). Signed and inscribed “JoPennell imp” in pencil l.c.Etching on paper, plate size 12 1/4 x 9 1/4 in. (31.0 x 23.6 cm),unmatted, unframed.Condition: Margins 3/8 inches or more with minor nicks tosome edges, gently light struck.

$300-500

222.Joseph Pennell (American, 1860-1926) and Elizabeth RobinsPennell (American, 1855-1936)

Lithography & Lithographers; Some Chapters in the History ofArt, published by The Century Co., New York, 1897, includingoriginal lithographs by John McLure Hamilton (American, 1853-1936), Alphonse Legros (French, 1837-1911), Alexandre Lunois(French, 1863-1916), Charles Haslewood Shannon (British,1863-1937), William Strang (British, 1859-1921), ThomasRobert Way (British, 1862-1913), and James Abbott McNeillWhistler (American, 1834-1903). Identified on the title page, 14x 11 in. (35.5 x 27.8 cm), cloth cover.Condition: Unobtrusive wear and toning.

$1,000-2,000

87

220

221

222

223.Gabor F. Peterdi (American, 1915-2001)

Lot of Three Images: La Grande Bataille, 1939, artist’s proof,etching and engraving; The Hunter Hunted, 1948, edition of 35,engraving; and Murdered in the Cathedral, 1964, edition of 25,etching and aquatint in blue/black ink. Signed and dated“Peterdi...” in pencil l.r. and inscribed in pencil l.l., two titled inpencil l.c. Plate sizes to 35 1/2 x 21 3/4 in. (90.0 x 55.2 cm),framed.Condition: Not examined out of frames.

$1,000-1,500

224.Lot of Two Prints:

Gabor F. Peterdi (American, 1915-2001), Untitled, 1953,edition of 35, color etching and aquatint; and Walter Spies(German, 1895-1942), Hymenoptesa, 1925, woodcut. Bothsigned and dated in pencil l.r. Image sizes to 15 3/4 x 11 3/4in. (39.9 x 29.8 cm), framed.Condition: Latter with staining and losses to margins, notexamined out of frames.

$300-500


Lot of Two Images: Stormy Sea, 1962, edition of 50; andUnder the Reef, 1969, edition of 130. Both signed and dated“Peterdi...” in pencil l.r., titled in pencil l.c. and numbered inpencil l.l. Etchings with aquatint, each printed in a differentblue/green ink, on paper, plate sizes approximately 18 1/2 x 233/4 in. (46.9 x 60.2 cm), both matted, the former framed.Condition: Margins over 1/2 inch, several pale fox marks toReef, Sea not examined out of frame.

$800-1,200

88

223

224225


Blooming..., 1965, edition of 25. Signed and dated “Peterdi ‘65Imp” in pencil l.r., numbered “14 - 25” in pencil l.l., titled inpencil l.c. Color etching and aquatint on heavy cream paper,plate size 19 3/4 x 31 1/2 in. (50.2 x 80.0 cm), unmatted,unframed.Condition: Margins 2 inches or more, several gently pressedvertical creases, subtle soiling, hinges on verso near upper corners,annotations l.r.

$400-600227.Pablo Picasso (Spanish, 1881-1973)

Céphale tue par mégarde sa femme Procris from LESMETAMORPHOSES D’OVIDE, 1931 (Geiser, 156; Cramer,19). Signed “Picasso” in pencil l.r. Etching on laid paper, platesize 12 1/2 x 9 5/8 in. (31.5 x 24.2 cm), unmatted, unframed.Condition: Mat burn and other staining, foxing, deckled rightand lower edges, edges reinforced, annotation to lower edge(recto and verso).

Provenance: From the estate of Mary Gershinowitz, sold for thebenefit of the Harvard Art Museum.

$1,500-2,500

227A.Pablo Picasso (Spanish, 1881-1973)

A la ville de Cordoue from VINGT POEMES, by Luis deGongora y Argote, 1948, total edition of 275 (Cramer, 51).Unsigned, numbered “II/XXV” in pencil l.l. Aquatint on paperwith crest watermark, image size 11 7/8 x 9 1/8 in. (30.1 x 23.2cm), unmatted, unframed.Condition: Toning, mat burn, annotation to lower edge.

$300-500

89

226

227

227A

228.Pablo Picasso (Spanish, 1881-1973)

Le Vieux Roi, 1959, edition of 1,000 (Bloch, 869). Stampedsignature in red l.r., signed or inscribed “Bon a Tirer Picasso” inblue pencil l.l. Lithograph on Arches paper with partialwatermark plus Mourlot watermark, image size 25 3/4 x 19 3/4in. (65.4 x 50.0 cm), unmatted, unframed.Condition: Narrow margins with deckled right and lower edges,several minor nicks to edges, creases to corner l.l. (slightly intoimage) plus minor handling creases.

$2,000-4,000

229.After Pablo Picasso (Spanish, 1881-1973)

Image from PORTRAITS IMAGINAIRE, c. 1969. Signed anddated in the matrix, numbered “319/375” in pencil l.l. Colorlithograph on paper, image/sheet size 26 1/4 x 20 in. (66.5 x50.7 cm), framed.Condition: Soiling to edges, not examined out of frame.

$1,500-2,500


Vase with Two High Handles, 1952, edition of 400 (Ramie,141). Inscribed “EDITION PICASSO” on base and stamped“EDITION PICASSO” on base. Turned earthenware vase withengobe and knife decoration with glazes in black, white, and gray,height 15 in. (38.0 cm).Condition: Surface grime.

$3,000-5,000

90

228

229

230


Tête de chevre de profil, 1952, edition of 250 (Ramie, 145).Stamped “EMPREINTE ORIGINALE DE PICASSO” and“MADOURA PLEIN FEU” on the base. Oblong earthenwaredish with engobe decoration with glazes in black, white, green,and blue, 12 1/4 x 20 in. (31.4 x 50.7 cm).Condition: Surface grime.

$8,000-12,000


Dishevelled Woman, 1963, edition of 100 (Ramie, 509).Inscribed “51/100” on the base, incised “T.103” on the base,stamped “EMPREINTE ORIGINALE DE PICASSO” and“MADOURA PLEIN FEU” on the base. Earthenware plate withengobe decoration with glazes in black, white, green, and blue,diameter 10 1/2 in. (26.4 cm).Condition: Surface grime.

$1,500-2,500

233.Giovanni Battista Piranesi (Italian, 1720-1778)

Veduta del Palazzo Farnese, plate 113 from LE VEDUTEPITTORESCHE DI ROMA, 1773, probably an edition beforethe Paris edition. Signed and identified within the plate. Etchingwith engraving on paper, plate size 16 1/2 x 26 1/4 in. (41.8 x66.5 cm), framed.Condition: Subtle rippling, probably cleaned, not examined outof frame.

$700-900

91

231

232

233

234.Andre Racz (American, b. 1916)

MOTHER AND CHILD/A Portfolio of Twenty Works, Plusa Title Page and Cover Image, 1949, edition of 50 plus proofs.Each numbered, signed and dated “2/50 Andre Racz 49” inbrown ink beneath images, and on the colophon page. Etchingsand engravings with plate tone (some with aquatint and/orprinted in blue inks) on paper, sheet sizes 20 1/4 x 15 3/4 in.(51.4 x 40.0 cm), presented in the original portfolio.Condition: Minor handling marks and creases, unobtrusive wearto cover.

$4,000-6,000

235.Odilon Redon (French, 1840-1916)

Christ, 1887, edition of 25 (Mellerio, 71). Unsigned.Lithograph on tissue paper, image size 13 1/8 x 10 3/4 in. (33.3x 27.0 cm), framed.Condition: Margins 1 1/2 inches or more with deckled left edge,glued to facing mat along upper margin, subtle rippling.

Provenance: The estate of Sir Edwin A.G. Manton.$700-900


Je me suis enfoncé dans la solitude, j’habitais l’arbre derrieremoi, plate IX from TENTATION DE SAINT-ANTOINE, 1896,edition of 50 (Mellerio, 142). Unsigned. Lithograph on chinecollé, image size 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm), framed.Condition: Not examined out of frame.

$400-600

92

234

235

236


Untitled (Femme coiffee d’une toque et rejetant le buste enarriere), 1900 (Mellerio, 188). Unsigned. Lithograph on paper,image size 9 x 8 in. (22.8 x 20.3 cm), framed.Condition: Subtle rippling and toning, not examined out offrame.


238.Ad Reinhardt (American, 1913-1967)

Untitled from TEN WORKS + TEN PAINTERS, 1964, editionof 500 plus proofs, published by the Wadsworth Atheneum,Hartford. Unsigned, Ives-Sillman, New Haven dry stamp l.r.,Fogg Art Museum duplicate stamp on the reverse. Colorscreenprint on paper, image size 12 x 12 in. (30.4 x 30.4 cm),unmatted and with original folder, unframed.Condition: Margins 4 inches or more, hinge residue andannotations to the reverse.

Provenance: Property of the Fogg Art Museum, Harvard ArtMuseum, sold to benefit the acquisition fund.

$500-700

239.Rembrandt Harmensz van Rijn (Dutch, 1606-1669)

Self Portrait in a Velvet Cap and Plume, 1638, an 18th centuryor later impression (Hind, 156; Bartsch/White & Boon, 20).Signed and dated in the plate. Etching on paper, plate size 5 1/2x 4 1/8 in. (14.0 x 10.4 cm), framed.Condition: Margins over 1/4 inch, not examined out of frame.

$4,000-6,000

93

237 238

239


Self Portrait Drawing at a Window, 1648, probably a late 18thcentury impression (Hind, 229; Bartsch/White & Boon, 22 v/v).Signed and dated in the plate, identified on a label from OttoLambert, New York, on the reverse. Etching on paper, image size6 1/4 x 5 1/8 in. (16.0 x 13.0 cm), framed.Condition: Margins trimmed to or within the plate mark,staining, not examined out of frame.

$800-1,200


Woman Bathing Her Feet at a Brook, 1658, probably an 18thcentury impression (Hind, 298; Bartsch/White & Boon, 200).Unsigned. Etching on paper, plate size 6 3/8 x 3 1/8 in. (16.0 x7.9 cm), framed.Condition: Margins 1/8 inch or more, not examined out offrame.

$700-900

242.After Frederic Remington (American, 1861-1909)

An Arizona Cowboy from A BUNCH OF BUCKSKINS, 1901,published by Robert Howard Russell. Signed and withpublication information within the matrix. Color lithograph onpaper, image size 15 3/4 x 13 3/4 in. (40.0 x 35.0 cm), framed.Condition: Laid down, subtle toning, several pale fox marks orstains, not examined out of frame.

$1,000-1,500

94

240241

242

243.After Frederic Remington (American, 1861-1909)

A Breed from A BUNCH OF BUCKSKINS, 1901, published byRobert Howard Russell. Signed and with publication informationwithin the matrix. Color lithograph on paper, image size 16 3/4x 13 1/2 in. (42.5 x 34.3 cm), framed.Condition: Laid down, subtle toning, several pale fox marks orstains, not examined out of frame.

$1,000-1,500

244.Pierre-Auguste Renoir (French, 1841-1919)

Femme nue couchée, tournée à droite (2e planche), 1906,probably a later impression (Stella, 14). Unsigned. Etching onpaper, plate size 5 3/8 x 7 5/8 in. (13.5 x 19.3 cm), framed.Condition: Unobtrusive toning, rippling, and mat burn, notexamined out of frame.

$500-700

245.Grant Tyson Reynard (American, 1887-1967)

Art Dealers Window. Signed “Grant Reynard” in pencil l.l.,signed in the plate. Etching on paper, plate size 8 x 6 7/8 in.(20.3 x 17.4 cm), matted, unframed.Condition: Margins 1 inch or more, subtle toning.

$300-500

95

243 244

245

246.Aiden Lassell Ripley (American, 1896-1969)

Grouse and Grapes. Signed “A. Lassell Ripley” in pencil l.r.Etching on paper, plate size 6 1/2 x 8 3/8 in. (16.4 x 21.2 cm),unmatted, unframed.Condition: Margins 1 inch or more.

$400-600

247.Manuel Robbe (French, 1872-1936)

Lot of Two Images of Paris: Le Jardin des Tuileries, 1904, andAux Tuileries, 1906. The former signed in the plate. Coloretching with aquatint on paper, image sizes 13 x 19 1/4 in. (32.9x 48.8 cm), framed.Condition: Toning, not examined out of frames.

$300-500

248.Manuel Robbe (French, 1872-1936)

Booksellers Along the Seine. Signed “Manuel Robbe” in pencill.r. Color aquatint on paper, plate size 9 3/8 x 11 3/4 in. (23.8x 29.8 cm), framed.Condition: Unobtrusive toning and staining, not examined outof frame.

$300-500

96

246

247

248

249.Georges Rouault (French, 1871-1958)

Le condamné s’en est allé..., 1922, from MISERERE, publishedin 1948, total edition of 450 (Wofsy, 125). Dated and initialed(twice) in the plate. Etching and aquatint on paper, plate size 193/4 x 13 1/2 in. (50.0 x 34.3 cm), framed.Condition: Toning, subtle rippling, not examined out of frame.

$300-500


Lot of Two Images from MISERERE: Celui qui croit en moi,fut-il mort, vivra and Mon doux pays ou etes-vous?, published1948, edition of 425 plus proofs (Wofsy, 135 & 151). Bothsigned and dated in the plate. Etching with aquatint on Archespaper with “Arches” and “Ambroise Vollard” watermarks, platesizes approximately 16 1/2 x 23 in. (41.5 x 58.5 cm), unmatted,unframed, presented in their original folders.Condition: Deckled edges, subtle handling marks.

$500-700


Homme Conduisant Un Autre, 1936, from PASSION, published1939, total edition of 270 (Wofsy, 340). Initialed and dated inthe plate. Color aquatint on paper, plate size 12 7/8 x 9 1/8 in.(32.6 x 23.0 cm), framed.Condition: Unobtrusive toning, not examined out of frame.

Provenance: From the estate of Mary Ann and Frederick Lippitt,Providence, Rhode Island.

$1,000-1,500

97

249

250

251

252.Jan Pietersz Saenredam (Dutch, 1565-1607), After HendrikGoltzius (Dutch, 1558-1617)

Minerva Leaning on Her Shield. Identified in the plate, JohnWitt Randall Collection and Fogg Art Museum duplicate stampson the reverse. Engraving on laid paper with armorial watermark,plate size 13 1/2 x 10 in. (34.2 x 25.5 cm), hinged to backingmat, unframed.Condition: Margins trimmed to just outside the plate mark,subtle toning and fox marks, thin spots to some corners,annotations on verso.

Provenance: Property of the Fogg Art Museum, Harvard ArtMuseum, sold to benefit the acquisition fund.

$400-600

253.Fritz Scholder (Native American, 1937-2005)

War Cry, edition of 100. Signed “Scholder” in pencil l.r.,numbered “76.100” in pencil l.l. Color lithograph on paper,image/sheet size 34 x 22 1/4 in. (86.3 x 56.4 cm), shrink-wrapped.Condition: Not examined out of wrap.

$300-500

254.Georges Schreiber (American, 1904-1977)

Southern Siesta, c. 1945, edition probably of 250, published byAssociated American Artists. Signed “Georges Schreiber” inpencil l.r., titled in pencil l.l., identified on an AAA label on thereverse. Lithograph on paper, image size 8 3/4 x 11 7/8 in.(22.0 x 30.0 cm), framed.Condition: Not examined out of frame.

$300-500

98

252253

254

255.Emil Schumacher (German, 1912-1999)

Untitled, c. 1961. Signed “Schumacher” in pencil l.r. Etchingand aquatint on paper, plate size 9 x 8 3/4 in. (22.8 x 22.0 cm),framed.Condition: Not examined out of frame.

$300-500

256.Ronald Searle (British, b. 1920)

Image from HOMMAGE A TOULOUSE-LAUTREC, 1969,edition of 200. Signed and dated “Ronald Searle 1969” in pencill.r., numbered “154/200” in pencil l.l. Lithograph on paper,sight size 9 7/8 x 9 1/4 in. (25.0 x 23.4 cm), framed.Condition: Not examined out of frame.


257.Kurt Seligmann (Swiss/American, 1900-1962)

Image from THE MYTH OF OEDIPUS, 1944, edition of 50.Signed and dated “K Seligman 1944” in pencil l.r. Etching onpaper, plate size 17 3/4 x 11 3/4 in. (45.0 x 29.8 cm),unmatted, unframed.Condition: Margins 2 inches or more with deckled edges, subtlesoiling and rippling.

$600-800

99

255 256

257

258.Paul Signac (French, 1863-1935)

Le Pont des Arts avec remorqueurs, c. 1927, edition of 250(Kornfeld & Wick, 24). Signed within the plate. Etching andaquatint on paper, plate size 5 x 7 1/2 in. (12.6 x 19.0 cm),framed.Condition: Subtle toning and rippling, not examined out offrame.

$600-800

259.Tavik Frantisek Simon (Czech, 1877-1942)

Lot of Two Views: Park in Winter and The Market Place.Both signed “T.F. Simon” in pencil l.r. and monogrammed in theplate, the former with the artist’s chop l.l. Color etchings withaquatint on paper, plate sizes approximately 13 x 13 in. (33.0 x33.0 cm), framed.Condition: Subtle toning, former with breaks to sheet alongplate mark and gentle rippling, not examined out of frames.

$1,000-1,500

260.Richard Smith (British, b. 1931)

Horizon I, 1970, edition of 75. Numbered, signed and dated“48/75 R. Smith 70” in pencil l.l. Color lithograph with collageon paper, image size 9 1/4 x 22 1/4 in. (23.4 x 56.4 cm),framed.Condition: Staining near edges, not examined out of frame.

$300-500

100

258

259

260

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