Cataloghi.outdoor.collection.2010

7/28/2019 Cataloghi.outdoor.collection.2010

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OUT

O u t d o o r c o l l e c t i o nM o r o s o


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O u t d o o r c o l l e c t i o nM o r o s o

OUT


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0 0 2 / 0 0 3

Vorrei ringraziare tutte le personeche hanno collaborato allarealizzazione di questo bellissimolavoro per la dedizione e lamore chehanno messo nel farlo.

Marco per lideazione del comee per la cura certosina nella ricercadel dove.

Alessandro per la forza liberadelle sue immagini, per la passione

sincera e la felicit nei nostrigiorni di shooting.

I g r a fi c i , Ar t e mi o e C h i ar a , p erla consueta disponibilit ed eleganzacon cui hanno impaginato il lavoro.

Elena, scrittrice specialissimae visionaria, nellilluminanteinterpretazione delle immagini.

Amanda, per la sensibilitlessicale delle traduzioni.

Kim, per la delicata interferenzavegetale del suo lavoro di artista;Kim Beck stata con noi alliniziodel primo progetto (Grass is greener)e in una stupefacente installazioneal nostro showroom newyorkese.Ritorna ora con alcune pagine sparse,come un virus, e con la copertina.

I would like to thank all thosewho worked together to produce thisbeautiful piece of work, particularlyfor the energy and love they putinto it

Marco, for devising theblueprint and for his meticulouscare in researching the locations.

Alessandro for the expressivepower of his images, for hisheartfelt passion and for thehappiness he brought to our days ofshooting.

The graphic designers, Artemioand Chiara, for their customaryenthusiasm and refined layout.

Elena, a truly special andvisionary writer, for her inspiredinterpretation of the images.

Amanda, for her lexical flairin the translation of the texts.

Kim, for her delicate foliagedesigns. Kim Beck was with usat the beginning of our first project(Grass is Greener) and also produceda truly stunning installation for ourNew York showroom. She returns herewith the cover design and a seriesof illustrations that appear,like a friendly virus, throughoutthe book.

u n l ib r o ch e u n c at a l og o m a anche molto di pi. il risultato

di un insieme di diversi pensieririguardanti il design, la fotografia,la grafica, larte, la letteratura,applicati allipotesi di fare diun catalogo uno spazio dincontro eun racconto, a proposito dei luoghi,

della natura e del fare umano.Per un esterno non banale, esoticoo gi visto, abbiamo guardato ad unluogo vicino, che conosciamo bene,

che amiamo, che la nostra terra,il Friuli, e abbiamo giocato adimmaginarlo come il qui e laltrove,dove il qui sottolineato dai datie dalle immagini di Google-Earth, elaltrove affidato alle suggestioni

fotografiche ed ai testi. Gli oggettistessi della collezione OUT, che sonoparte fondante di questa storia, sono

progettati in libert per essere indialogo intrigante e giocoso con lanatura, lout-door, il fuori casa.Vivranno in giardini come fioriin mezzo al verde e sotto il cielo,

si diceva con i vari designers.A me piaceva lidea di vederli suun prato, come sbucati per caso, comesbucano i fiori. O, alcuni di loro,muoversi fra lerba secca di unasavana come serpenti,o come scorpioni velenosi.

T h i s is b o t h a b o o k an d a c a t al o g ue ,but also much more. The finished work

- a c o m bi n a ti o n o f p h o to g r ap h y ,graphic design, artwork and literary

t e x ts - i s t h e r es u l t o f acollaborative undertaking dedicated tobringing the fruits of human endeavourand nature together in one place.At the same time, we wanted to tell a

story about the chosen locations.Eschewing the exotic, but also thefamiliar and ordinary, we set oursights on a place we know and love,our homeland Friuli.We played make-believe, imaginingourselves both here and yet alsoelsewhere, where the hereis evidenced by the data and images

provided by Google-Earth, and theelsewhere is evoked by thephotographic images and theaccompanying texts. The objectsfeatured in the OUT collection,which form the basis for the storiesrecounted here, were placed as if theywere engaged in a conspiratorial andplayful conversation with nature.Theyll be planted in gardens likeflowers, surrounded by greenery andlive beneath the sky, we told thedesigners involved. I really liked the

idea of seeing them on a lawn ormeadow, as if they had sprung up fromnowhere, just as flowers do, orimagining them slithering or crawlingthrough the dry grass of a savannah,like snakes or poisonous scorpions.

Patrizia Moroso


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0 0 6 / 0 0 7

S v i z z e r a

V e

l a g o d i G a r d a

M i l a n o

G e n o v a

S c a l e

0 k m 2 4 4 k m

# 0 2 U d i n e

# 0 6 S a n t a M a r i z z a

# 0 1 C a r s o I s o n t i n o

# 0 5 C a m p o d i B o n i s# 0 3 A r c a n o

# 0 4 A l t a V a l l e d e l T o r r e

# 0 7 i s o l a d iS a n t A n d r e a

A u s t r i a

S l o v e n i a

n e z i a

m a r e A d r i a t i c o

C r o a z i a

location #00

F VG / I ta li a

North


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0 0 8 / 0 0 9

What we were eager to convey was theidea of travel. We imagined we werein Friuli Venezia Giulia, our nativeland, and that were out playing withthe rest of the world. We went aroundplanting objects as if we wereplanting flowers in spring andwatched them grow as they dancedbeneath the branches; we hid them,still fragile yet full-grown, beneaththe snow. We had a French afternoon

tea with our table friends, as wefled from screaming armchairs racing

to catch the moon. We found calm andpeace of mind as we stood before thesea. We were a bunch of friends; men,women and objects, and for almost ayear we played on natures floor.

We had a wonderful time, we even didsome magic. What we were eager toconvey was the aura of these places.We were enchanted by the imageevoked; the land transformed beforeour eyes: another world, but ourworld, our native home.And this is what is still surprisingto us, the joy we had inventingfairytales. We were a bunch offriends; men, women and objects, andfor almost a year we played onnatures floor. We sat and listenedto the world, the world here aroundus, but it could be anywhereand in the eyes of each and everyone of us.

lidea del viaggio che ci piaceraccontare. Abbiamo sognato di esserein Friuli Venezia Giulia, la nostraterra, e di giocare con tutto ilmondo. Siamo andati a piantareoggetti come fiori in primavera, liabbiamo visti crescere mentre

volavano sotto le fronde, li abbiamonascosti, ancora fragili ma adulti,dentro la neve. Abbiamo fatto merendacon tavoli amici in un pomeriggiofrancese, in fuga da poltrone urlantie in corsa dietro alla luna.Ci siamo messi in pace davanti almare. Siamo stati un gruppo di amici,uomini e oggetti, seduti sulla naturaper quasi un anno a giocare.Ci siamo divertiti, abbiamo fatto

delle magie. lidea dei luoghi che ci piacesuggerire. Locchio incantatod a v an t i a c i c he i m m a gi n a e c o n te n t odel fiuto quando si tratta di casa. la sorpresa che ci tiene ancoraattaccati allidea di inventarefiabe. Siamo stati un gruppo diamici, uomini e oggetti, seduti sullanatura per quasi un anno a giocare.Ci siamo messi in ascolto di un mondoche qui, ma pu essere altrove edentro gli occhi di ognuno di noi.


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4 5 5 2 2 3 . 4 5 N1 3 2 9 5 1 . 9 9 E

1 1 3 m s l m

S a g r a d o / G o

f i u m e I s o n z o

S l o v e n i a

location #01

October, 26th 2008

C a r s o I so n t i n o , a l t o p i a n odi Doberd

highway A4 VE/TSexit Redipuglia/Monfalcone westdirection MonfalconeSS305 direction Sagradofrom Sagrado toSan Martino del Carso1,4km

arrival 10.40 am

T r i e s t e

North

S c a l e

0 k m 1 , 5 0 0 k m


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shadowydesign Tord Boontje2008

armchair SW001range: supercolor

Se ne sta muto il guerriero Masaiad aspettare la notte.S c e n d e r a v e n d e r e c o l l a n ein qualche metro quadro di spiaggia.E s o t t o u n bu i o n u o v o r i s a l e ,

con le parole da ventiquattroore attaccate al collo.

The Masai warrior silently waits forthe night to pass.At dawn he will go down to sell

n e c k l a c es a l o n g a f e w s q u a r e m et r e sof beach.And when darkness falls once morehe will go back up, with the wordso f a d a y s t r u n g a r o u n d h is n e c k .


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Leonesse stanche dimoranoa c i gl i a s ol l ev a te .Vestono ancora da regine,le ragazze vanitose.

Weary lionesses reclinewith lifted brow.They still dress like queens,these proud, vain girls.

shadowy

range:

supercolor

SW173


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0 1 6 / 0 1 7


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0 1 8 / 0 1 9

sunnychair SW050

range: multired


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0 2 0 / 0 2 1

Lo sciacallo dorato sonnecchia nascostotra il sommaco rubizzo del Carso

e i l p i e tr a m e d a g u e r r a .S o l e n n e s i e r ge a s e n t i n e l la i l p a r e n t ea f r i c a n o , ne l g i a l l o , c o n i c o l o r idel mare, laggi.

The golden jackal dozes hidden amongstthe burning red smoke bushes ofthe Carso and the stone ruins of war.Solemnly, his African relative stands

on guard amongst the yellow bushes,dressed resplendent in the colours of

the sea below.

sunny

chair

SW050

range:

m

ultigreen


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0 2 2 / 0 2 3

range:

multired

Shadow

y

armchair

SW001

range:

multired

sunny

chair

SW050


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0 2 4 / 0 2 5

s h i t

a k e

design

Marcel

Wanders

2007

ST020

fluo

green

/

lacquered

red


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0 2 6 / 0 2 7

s h i t a k e S T 0 2 0c a r b o n b l a c k / l a c q u e r e d r e d


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0 2 8 / 0 2 9

shitake

ST020

choco

brown

/

carbon

black

/

off

white

/

fluo

green

/

spring

green

/

lacq

uered

red


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0 3 0 / 0 3 1


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s u p e r n a t u r a ld e s i g n R o s s L o v e g r o v e

2 0 0 5

0 3 2 / 0 3 3

S U 1 5 6

torquoise


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0 3 4 / 0 3 5

s u p e r n a t u r a lS U 0 5 0 + S U 1 5 6

t o r q u o i s e / c a r a m e l / b l a c k /o r a n g e


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0 3 6 / 0 3 7

s u p e r n a t u r a lS U 0 5 0 + S U 1 5 6

fluo green / white / black


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0 3 8 / 0 3 9


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0 4 0 / 0 4 1

s u p e r n a t u r a lS U 0 6 1

f l u o g r e e n / t o r q u o i s e / o r a n g e / b l a c k/ w h i t e / c a r a m e l

Come teschi obbediscono alla lunai b u c hi d e l m o nd o .Zurbarn, Velzquez, Chardin:piacevoli punte del trapano


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s u p e r n a t u r a l

p p psentimentale.

Like skulls heeding the callof the moon, these worldly holes emergefrom the darkness, recalling the stilllifes of Zurbarn, Velzquez andChardin: pleasant fissures drilledupon the mind.

S U 0 6 1c a r a m e l / w h i t e / b l a c k/ t o r q u o i s e


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0 4 4 / 0 4 5

s u p e r n a t u r a lS U 0 6 1

c a r a m e l / t o r q u o i s e / f l u o g r e e n / b l a c k /o r a n g e / w h i t e /


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t h e f o o l o n t h e h i l l

d e s i g n L u c a N i c h e t t o

& M a s s i m o G a r d o n e2 0 0 8

T F 1 9 1


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the

fool

on

the

hill

TF189

+

TF191


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0 5 0 / 0 5 1

t h e f o o l o n t h e h i l l

T F 1 9 1 T F 1 9 1 + T F 1 8 9


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location #02

November, 28th 2008

c i t y p ar k A r d i to D e s i o ,

N o r t h


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4 6 0 4 4 6 . 9 2 N1 3 1 2 2 0 . 8 3 E

1 1 4 m s l m

Udine

highway A23 Alpe Adriaexit Udine southSS13 directions toSS13/freeway west/Udineexit Stadio Friulidirection via F. Candonioand via Lombardiago on for 0,3 km

arrival 11.05 am

0 k m 1 k m

S c a l e


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Let's get moving Into Action citt umanah i p h o p r a p p as s i p a l li d i e v e l o c i g ro v i g lirap-Ripple-rap, intrecci rasta, nodi di foglie127 etnie senton graffiti doveran bargigli.


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Lets get moving Into Action, human city,hip hop rap, nimble steps and racing labyrinthsrap-Ripple-rap, rasta weaves and knotted leaves,127 races and graffiti where cockerels once roamed.

r i p p l e

c h a

i r

des

ign

Ron

Arad

200

4

artwork

:

Dado

RC050

cadmium

yellow

/

malachite

gr

een

/

carbon

black


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r i p p l e c h a i r

R C 0 5 0 c a d m i u m y e l l o w / m a l a c h i t e g r e e n

/ c a r b o n b l a c k

0 6 0 / 0 6 1

c h a i r

R C 0 5 0


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0 6 2 / 0 6 3

r i p p l e

white

/

carbon

black

/

cho

co

brown

/

cadmium

yellow

/

malachite

green

/

magenta

red


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If your life's too slow, no satisfactionc o r r i c o r ri a p i e d i n u d i n el p a r c odear Little Albert,caro rullo morbido tinta cemento.

If your life's too slow, no satisfactionrun, run, run, dear Little Albert,barefoot through the park,painting the town concrete grey.


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l i t t l e

a l b e r

t

desi

gn

Ron

Arad

2000

VA042

r

ed

/

fuchsia

/

black

/

fluo

g

reen

/

green

painting the town concrete grey.


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l i t t l e a l b e r t a n d v i c t o r i a t a b l eV A 0 4 2 + V A 0 3 V

C a m p a g n e s o t t a c q ua e r i e m e r g o no i g r i g i-Like Toy Soldiers promesse di amici-(Udine) colore nascosto dai cuori pi ligi.

From rain-sodden countryside emerges concrete grey,the promises of friends, Like Toy Soldiers, fall beside the way,the colours of the city hidden from closed hearts still today

f l u o g r e e n / g r e e n /r e d

location #03

October 28th 2008

A r c an o I n f e r io r e

highway A23 Alpe Adriaexit Udine southSS13 directions to SS13/freeway

North


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4 6 0 8 3 5 . 1 5 N1 3 0 2 1 0 . 6 6 E

2 0 4 m s l m

4 6 0 8 3 4 . 6 0 N1 3 0 2 2 9 . 1 1 E

2 1 6 m s l m

A r c a n o I n f e r i o r e

SS13 directions to SS13/freewaywest/Udineexit Udine via Martignaccodirection SpilimbergoSS14 direction FagagnaSP116 direction San Danieleg o o n f o r 4 k m t o C a s te l l o d iArcano Inferiore

arrival 04.32 pm

S c a l e

0 k m 1 , 5 0 0 k m


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0 7 2 / 0 7 3

Si tace ad Arcano la tristesorte di Todeschina di Prampero,nobile ragazza di razza infedele.P u n t ut a e f r i z za n t e tr i l l a t r ai m e r l i la g i o va n e a n im a , s p os aallArcano assassino, Francesco,

orange


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e s e r p e gg i a r i d e n do i n to r n oal Castello dei Signori lass.A l l a s u a g io v e n t d a t o i lturgore delle piante l intorno,il gonfio arancione dei cachi,c h e l ei i n v is c h i a e r a s s od a c o n

la parte pi lieve del cuore,quella devota allamore.

A h u s h st i l l f a l l s o n A rc a n oabout the sad fate of Todeschinad i P ra m p e r o, a n o b l e g i r l o funfaithful heart. Lithe andlively is the young soul, wifeof the Arcano murderer,Francesco, as it flutters throughthe battlements and laughinggaily wends and winds its wayaround the Nobles castle uponthe hill up yonder. Her youthbestows the land around its lushvegetation and succulent fruit,such as the plump orange khakithat she clasps to her breastand nourishes with the mostdelicate part of her hearth,that devoted to love.

SU050

+

SU061

+

SU156

supernatural


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0 7 6 / 0 7 7


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0 7 8 / 0 7 9


d e s i g n R o s s L o v e g r o v e2 0 0 5

S U 0 6 1 + S U 1 5 6 c a r a m e l

Il soffio autunnale si abbarbicaal tronco. Todeschina si affloscia coni l b u s t o a l l e n t at o , e s t a z i o n a p e ns o s asu una seduta di legno di gelso.Morus Alba, morte altrove.Ci sono 66 bozzoli di bachi da setaincastrati nei tempi che non ha potutovivere la sua discendenza.Filande, filandin e, in friulano bigatis.O d o r a n o d i c al d o e d i c i c l i c o n ti n u i ;sono donne infilate come perle nellef a b b r i c he a c o n s u m a re l a v i t a d e i b a c hida seta. Evviva il progresso.Sono le sete doriente, che vellutatev i a g g i a no n e l s e c o l o d e i lu m i e d e l l arivoluzione, partendo da qui, solidoFriuli medievale dei Signori dArcano,e r i t o r n a n o po r t a n d o c a ch i e g e l s o ,piante cinesi, ad adombrar gli ardori.


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0 8 0 / 0 8 1


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0 8 2 / 0 8 3


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0 8 6 / 0 8 7

o s o r o m

O S 0 1 7


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0 8 8 / 0 8 9


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t

r o p i c a l i acocoon

design

Patricia

Urquiola

2008

TR128

0 9 0 / 0 9 1


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0 9 2 / 0 9 3


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1 0 4 /1070 9 4 / 0 9 5

tropicalia

cocoon

TR128


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0 9 6 / 0 9 7

Il cerchio ha relazioni divine:sa di eternit non avendo n principion fine. Si chiamano alberi mammaquesti rosoni gotici di basilichescolpite dal vento. Sono culle comeuova di Faberg per gli amori proibiti.V o l a n o e d a n z a n o l e gg e r e c o m e l e c o lp egioiose di Todeschina di Prampero,nobile ragazza di razza infedele.

The circle has divine associations:having neither beginning nor end,it knows eternity. They are reminiscentof Faberg eggs, of gothic basilicarose windows sculpted by the wind, but

ll h h f h


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0 9 8 / 0 9 9

t r o p i c a l i a c o c o o nT R 1 2 8

we call them mother trees for theyare like cradles, like cocoons, happyto offer shelter to illicit amours.Here, beneath the tress, they dance andflutter gaily, like the joyfultransgressions of Todeschina ofPrampero, noble girl of unfaithful

heart.

t r o p i c a l i a c o c o o n

T R 1 2 8


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1 0 0 / 1 0 1


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1 0 2 / 1 0 3

4 6 1 8 3 8 . 6 5 N1 3 1 6 2 4 . 4 2 E

5 9 0 m s l m

i M u s i

f i u m e T a g l i a m e n t o( s o r g e n t i )

location #04November, 2nd 2008

North


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4 6 1 6 5 9 . 3 5 N1 3 1 5 5 9 . 1 2 E

3 7 5 m s l m

P r a d i e l i s

A l t a V al l e d el T o r r e

highway A23 Alpe Adriaexit Udine north

SS13 direction north toTricesimoSP9 to TarcentoSS646 direction Alta Valledel Torre to PradielisP r a d i e l is - l o c a l i t M u s i4 k m

arrival 7.42 am

S c a l e

0 k m 2 k m


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1 0 6 / 1 0 7

t h e f o o l o n t h e h i l lT F 1 8 7 + T F 1 8 9 + T F 1 9 1

7


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1 0 8 / 1 0 9

Stanno nei boschi dellAlto Friuli,l e f a t e c o n i p i e d i a c c a rt o c c i a t ie l a m a t i t a d i m u s c h io i n m a n o ,ma potrebbero stare distese sullacorteccia degli alberi in qualunquezona liquida del pianeta.

These fairies, who have curled feeta n d c a r r y a m u s k w o o d p en c i l i n t h e i rhand, live in the highland forests

of Alto Friuli, but can be found lyingon the barks of trees in just aboutevery wet area of the planet.

the

fool

on

the

hill

TF18

t h e f o o l o n t h e h i l l T F 1 8 7


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1 1 0 / 1 1 1

Sono le cugine delle Krivapete,l e d o nn e c o n i p i e d i a l c o n tr a r i o,t a l l on e d a v a nt i e d i t a i nd i e t r o, c h evivono nelle valli vicine delN at is on e e a rr iv an o d al la S lo ve ni a.Spesso le cugine stanno insieme ef a n n o co n v e r sa z i o ne . H a n n o i c a p e l liv e rd i e v e st o no di b ia n co . A v o lt escendono in paese e, se costrette,confidano agli uomini qualchesegreto. Ma tutto tutto non lo


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1 1 2 / 1 1 3

segreto. Ma tutto tutto non losvelano mai.

They are cousins of the Krivapete,the women with the inverted feet heels at the front and toes at theback, who live in the valleysbordering the Natisone River andcome from Slovenia. The cousins areoften to be found in each otherscompany, chatting away. They havegreen hair and are dressed in white.Sometimes they come down into thevillages and, if pushed, willconfide some of their secrets to themen folk. But they will never giveall their secrets away.

o - n e s t

d e s i g n T o r d B o o n t j e2006


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1 1 4 / 1 1 5

N N 0 4 2l i c h e n / c e d r u s / m a r y g o l d/ c a t t l e y a / m a g n o l i a / b l a c k i v y/ r e d d a l h i a / a m a r a n t o


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1 1 6 / 1 1 7

N N 0

4 2

lichen

/

cedrus

/

mary

gol

d

/

cattleya

/

magnolia

/

bl

ack

ivy

/

red

dalhia

/

amaranto

o - n e s t

S a n n o d i c u c i n a e d i e c o n o m i a d o m e st i c a .C u c i o n o p a nt o f o l e e c o n o s c o n o l e r i ce t t ed e i d o l c i . Ma l a c o s a c h e a l o r o r i e s c em e g l i o d i s e g n a r e. H a n n o e r e d i t a toil cerchio magico per fare loro,e d p e r q u e s t o c he g l i u o m i n i l e c er c a n ospesso. Ma loro usano la polvere magica

solo per divertirsi. Cos, ogni tantobrilla sul tappeto di foglie qualche lorocreazione, che scintilla al sole eluccica nella notte, anche senza luna.

They know about cooking and homeeconomics. They sew slippers and knowthe recipes for sweets and cakes.But what they most excel at is drawing.They inherited the magical circle formaking gold, and this is why men oftenseek them out. But they use their magicd t l t th l


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1 1 8 / 1 1 9

dust merely to amuse themselves.Every so often then, some of theircreations can be found shimmering ona c a r p e t o f l e av e s , s h i m m er i n g i n t h e s u nand sparkling during the night, evenon moonless nights.

o-nest

N N 0 4 2c e d r u s


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1 2 0 / 1 2 1

o - n e s t

N N 0 4 2b l a c k i v y

w a v y

d e s i g n R o n A r a d2 0 0 7


63/147

1 2 2 / 1 2 3

W V 0 7 0 b l a c k

S c a l e

0 k m 5 2 8 m


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1 2 4 / 1 2 5

WV070

red

wavy

Le fate dellAlto Friuli, quandosono contente, inventano sediedisegnate con lacqua.Sono sedute gassose per uominid i sp o st i a s o rr i de r e.O p e r d on n e in c e r ca d am o r e ,quando le loro anime si fannop i t i m i d e e p e s a n o m e n o .

When they are happy, the fairiesof the Friulian highlands designchairs, which they draw with

t Th ff t t


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1 2 6 / 1 2 7

water. These effervescent seats

a r e ma d e f or m e n w i t h a r e a d ysmile, or for women in search oflove, when their souls areunburdened and at their mosttimid.

W V 0 7 0 t r a n s p a r e n tw a v y

W V 0 7 0t r a n s p a r e n t

wavy


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1 2 8 / 1 2 9

Ogni tanto compare The fool on the hill,il matto sulla collina che c in ogni zonadombra con le radici convulse.S e n e s t a i n s u p e rf i c i e e i n v e n t a l e gg e r os t o r i e s p a ss o s e . A v o l t e g l i p i om b a p e rcaso il sole dorato sul cranio, quando lefronde si diradano. Il matto si spaventa.A l l o r a e m e tt e u n u r l o e l e f a t e d a i p i ed i

accartocciati gli legano la pioggiaa i p i e d i e w a v y w a v y l o p or t a n o v i a .

Every so often The fool on the hillappears, the madman who resides in areas

immersed in the shadows of trees withsprawling, knotted roots. He lives in atwilight world and invents amusing, light-hearted stories. Sometimes, when the leavesare sparse on the trees and the warm,golden sun suddenly bears down upon hishead, the madman becomes alarmed andafraid, and cries out. Hearing his cries,the fairies with the curled up feet bindt h e r a i n t o h i s f ee t a n d w i t h a W a v yflutter of their wings, carry him away.

location #05

January, 26th 2009

C a mp o d i Bo n i s

highway A23 Alpe Adriaexit Udine northSS13 direction northto TricesimoSP38 Strada Provincialedel Cornappo directionN i m i sSP38 direction Taipanafor 10 kmg o o n fo r 4 k m t oCampo di Bonis

arrival 9.56 am

N o r t h


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4 6 1 5 3 3 . 0 2 N1 3 2 1 0 7 . 5 3 E

7 5 5 m s l m

4 6 1 4 1 9 . 6 7 N1 3 2 1 4 6 . 6 0 E

6 9 1 m s l m

T a i p a n a

C a m p o d i B o n i s

S c a l e

0 k m 4 k m

rainR A 05 0 + R A 01 6


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1 3 2 / 1 3 3

I miei parenti nellOttocento sonoarrivati da Tolmino, disse Mile,scendendo la scala, cos per rompere ilghiaccio, lui che era pi abituato a

p a r l a re . S t ai a t t e n to , p e r i c ol o s o e s c l a m L u i g i, e g l i f e ce r o e c o al c u n icristalli di neve. Un tonfo educato,schizzato poi tra gli alberi. Cera ilsole in quella fredda giornata dinvernoe i d u e s i e ra n o r i tr o va t i lo r o m a lg r ad oa p a s s e gg i a r e ne l l a v a ll e l a r ga c h e Campo di Bonis.


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My relatives, back in the nineteenthcentury, came from Tolmino, Mile saidin an effort to break the ice, as hecame down the steps; he being more usedto making conversation. Be careful,its dangerous exclaimed Luigi, and asi f h e e d in g h i s w or d s , a f e w s n ow f l a k esf e l l , f ol l o w ed b y a m o d e s t th u d a m on g s tthe trees. The sun was out on that coldwinters day, and the two of them,despite themselves, had ended up goingf o r a w a l k t o ge t h e r in t h e w i de v a l l e ythat is Campo di Bonis.

1 3 4 / 1 3 5

rain

design Tord Boontje2008

R A 05 0 + R A 01 6


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1 3 6 / 1 3 7

rain R A 05 0 + R A 01 6

Era successo in fretta. Tatiana inpochi mesi li aveva salutati, figli e

marito compresi. Quella mattina aT a r c e n t o, M i l e e L u i g i , s i e ra n o s e d u t isullo stesso banco, dalla parte degliamici di lei, come nei matrimoni,ma non si erano rivolti la parola.In realt non si parlavano da oltrecinquantanni ed ora, eccoli l, tuttie d u e c o n l o s t e s s o p en s i e r o .Ricordare Tatiana nel luogo dellamore,evidentemente di entrambi.

It had all happened so quickly.I n t h e s p a c e o f a f e w m o n t h s , Ta t i a n ahad bed her children and husband

farewell. That morning in Tarcento,Mile and Luigi had found themselvesseated in the same pew, on the sidereserved for her friends, just likeat weddings, but neither had uttered aword. In truth, they hadnt spoken forover fifty years, and now here they


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1 3 8 / 1 3 9were, the two of them, thinking thesame thoughts. Both were clearlyrecalling their love for Tatiana.

RC050 ripplecarbon black


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1 4 0 / 1 4 1


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1 4 2 / 1 4 3

RC050

ripple

white


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1 4 4 / 1 4 5


75/147

1 4 8 / 1 4 9


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CP017

design Rajiv Saini2009

capitello

w hi t e / r e d


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VA042

little alberttranslucid white

1 5 2 / 1 5 3


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1 5 4 / 1 5 5 design Ross Lovegrove2005


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Erano grossi di stazza, eppure camminavanocon passo di velluto sulla neve lucida.Cera una luce come brillantina, quasi blu.Da piccoli avevano giocato insieme, eranodiventati amici, poi si erano persi divista, odiandosi, intorno ai ventanni.La Regina delle Nevi li aveva consumati egettati luno contro laltro per sceglierneu n t e r z o , i l m a ri t o . C h i s s s e g l i s t a t afedele, dissero allunisono. Gi, chisss e g l i s t a t a f e d e le , c o n t in u a r o n o u npo sorpresi, seguendo le tracce di una n i m a l e . S i gi r a r o n o , s i f is s a r o n o , e s im i s e r o a r i d e r e d a v a n t i a u n t a v ol o c o lo rprimavera, sbucato allimprovviso.

They continued in silence, and despitetheir heavy build, walked with soft velvetysteps on the shimmering snow, whichr a d i a t e d a d a z z l i n g, a l m o s t b l u e l i g h t .

They had played together from when theywere small and had later become goodfriends, then at around the age of twenty,they had gone their separate ways, eachhating the other. The Snow Queen had usedthem, playing one off against the other,o n l y t o t a k e o f f wi t h a t h i r d o n e , t hehusband. Who knows if she was faithful tohim, they suddenly said in unison. Yes,who knows if she was faithful to him.Somewhat taken aback, they continued alongthe path, following some animal tracks.Suddenly they turned to face one other,stared at each other, and then burst outl a u g h i n g i n fr o n t o f a s p r i n g c o l ou r e dtable that had suddenly appeared from outof the blue.

SU156white

S U 06 1 + S U 0S 1

supernatural

c a r a m e l / f l u o g r e e n

1 5 6 / 1 5 7


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design Luca Nichetto& M a ss i mo G a r d on e2008blackstone

BL283

1 5 8 / 1 5 9


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blackstone

BL283

1 6 0 / 1 6 1


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1 6 2 / 1 6 3


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4 5 5 4 0 4 5 7 U d i n e

location #06

June, 10th 2009

S a n t a Ma r i z z a , V a r m o

highway A4 VE/TSexit LatisanaSP7 direction Codroipo/UdineSP39 direction Varmo1 k m S a n t a M a r i z z a b y v i aVilla Canciani

arrival 8.05 am

North


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4 5 5 4 0 4 . 5 7 N1 2 5 8 3 8 . 9 3 E

2 1 m s l m

C o d r o i p o

U d i n e

S c a l e

0 k m 1 k m

1 6 6 / 1 6 7


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r a i n

design

Tord

Boontje

2008

RA050

1 6 8 / 1 6 9

r a i nR A 0 5 0 + R A 0 1 6


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1 7 0 / 1 7 1


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r a i nR A 0 5 0 + R A 0 1 6

T B 5 0 4h a l l o l o v e l y - m i r r o r

1 7 2 / 1 7 3

R e g n o d i Ru g g e r o e Y o s h i ko .Sono 10000 metri quadri,l e q u iv a l e nt e d i 3 c a m p i f ri u l a n i.Una griglia di linee li isolaintorno. La chiamano Terra diMezzo questa terra di prospettiveo r i z z on t a l i e d i p a es i c o n il n o m eslavo. Campi gialli di mais,p i o p p et i e p e n s i er i c u ci n a t i da l l an e b b i a. L I t a l i a n e p i e n a .Ma qui, nei giardini inventati daR u g g e ro e l a s p os a g ia p p o n es e ,locchio si grazia di curve.

The Reign of Ruggero and Yoshiko.Covering an area of 10,000 squaremetres, the park is the size ofthree Friulian fields, and is


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,enclosed by lines of fields andtrees. The land, with its sweepinghorizons and villages with Slavicnames, is known as the Terra diMezzo. Yellow cornfields, poplarsand mind-numbing fog. There aremany such landscapes in Italy, buthere, in the gardens invented byRuggero and his Japanese bride,the eye is blessed with soft,

undulating contours.

r a i nR A 1 3 7

1 7 4 / 1 7 5


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Sono gentilezze cresciute in trentanni.E c o s si a m o q ui e a l tr o v e. S i a mo i nToscana, tra felci, glicine viola,Olea Fragrans. Abbiamo affittato unac a m e r a c o n v is t a s u i B o b o li , a F i r e n z e .Ci piace pensare che stiamo leggendoMary McCarthy, nel suo omaggioallItalia.

They have spent the last thirty yearscreating this marvellous garden.

So here we are in Friuli, yet we couldb e e l s e w h er e - i n T u s c a n y , fo r e x a m p l e ,amongst ferns, purple wisteria, andOsmanthus Fragrans. Yes, we have renteda r o o m w it h a v i e w of B o b ol i g a r de n s i nFlorence, and happily imagine ourselvesreading Mary McCarthys homage toItaly.

s h a d o w yde s i g n T o r d B o o n t j e

2008

S W 0 1 7 + S W 0 0 1m u l t i r e d

S W 0 0 1p l a i n g r e e n

1 7 6 / 1 7 7


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SW036

multigreen

/

plain

greens

hadowy

1 7 8 / 1 7 9

Una torre di carpini comematrioska in un orto

mediterraneo. Erba convallarialiscia come il velluto.Ortensie giapponesi dai fioril i ll a e n o i, d i s te s i,c o n i c o l o ri d e l B r a s il e .

Un pappagallo che arriva,e s u ll o s c he r mo s c o r ro n ofigure floreali. (Haiku di Natsume Soseki)

Here, immersed in

a M e di t er r an e an g a rd e n,with Hornbeams towering likeBabushka dolls, Lily of thevalley, as smooth as velvet,and Japanese hydrangeas

- SW036

multigreen

/

plain

gre

en

shadowy


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and Japanese hydrangeaswith lilac flowers, we recline,surrounded by the coloursof Brazil.

A parrot arrives,and across the screenrun floral figures. (Haiku di Natsume Soseki)-

1 8 0 / 1 8 1


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SW017

multired

/

multigreen

/

supercol

or

/

black

&

white

/

plain

green

shadowy

S W 0 3 6

m u l t i r e d / m u l t i g r e e n / s u p e r c o l o r / b l a c k &w h i t e / p l a i n g r e e ns h a d o w y

1 8 2 / 1 8 3


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S W 0 0 1m u l t i r e d

s h a d o w y

1 8 4 / 1 8 5


94/147

S W 0 0 1 m u l t i g r e e n / b l a c k & w h i t es h a d o w y


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1 8 8 / 1 8 9

sunny

chair

SW050

supercolor

S W 0 5 0

m u l t i r e d / m u l t i g r e e n /s u p e r c o l o r / b l a c k & w h i t e/ l i

s u n n y


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p r e s s

f l o w e r

t a b l e

design

Tord

Boontje

2009

PF01

6

C la Rosa Iceberg, la pi popolared e l l e F l o ri b u n d e . u n g i a r d i n o c on i lmare di Francia davanti. Porquerolle,perch no. Poco prima, con la fantasia,alla Fondazione Maeght, per visitare lesignorine sottintese di Giacometti.

N o w w e a r e i n a g a r d e n b l o om i n g w i t hRosa Iceberg, the most popularFloribunda rose, overlooking the Frenchsea; Porquerolle, perhaps? Yes, whyn o t . A l i t t l e e a r l i e r , w i t h a f l i g h t o fimagination, we had visited theFoundation Maeght, to see the young

ladies perceived by Giacometti.

/ p l a i n g r e e n

1 9 0 / 1 9 1


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sunny

chair

+

press

flower

table

S

W050

supercolor

/

black

&

white

P

F016

1 9 2 / 1 9 3

SW017

+

SW

173

supercolor


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SW017

+

SW001

shadowy

1 9 4 / 1 9 5

t r o p i c a l i a c o l l e c t i o nd e s i g n P a t r i c i a U r q u i o l a2 0 0 8

Infiniti giorni di pace come

a u g u r i o . u n p a e sa g g i od e l i c a t o d i m e l o g ra n o e r o s e ,

che vola verso Baghdad edHamman in tempi reali- diguerra.

A d e l i c a t e l a n d s c a pe o fpomegranate and rose blows itswishes for lasting peacetowards war-torn Baghdad andHamman.


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d a y b e d T R 0 6 0m u l t i c o l o r

1 9 6 / 1 9 7

t r o p i c a l i a l o u n g e


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T R 4 6 1j u n g l e

1 9 8 / 1 9 9

lounge


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tropicalia

l

TR458

black

quartz

2 0 0 / 2 0 1

t r o p i c a l i a c h a i s e l o n g u eT R 4 7 0

c a r n i v a l


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2 0 2 / 2 0 3

t r o p i c a l i a


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Q u i n e s s u no s i s e p a r a , i p i c c o l i d e ll epiante madri stanno in vivaio.Solo nei nostri sogni si viaggia.

Velocemente. Con lo Pteridium Aquilinums i g i o c a t r a l Am a z z o n i a e l a C i n a ,per arrivare tra qualche pagina,al fico dellisola di Cherso.

All are here in the nursery, not oneof the plantlets separated fromthe mother plant. Seeing the PteridiumAquilinum, we soon imagine ourselvessomewhere in the Amazon and thenin China, and then later eating figson the island of Cherso.

T R 4 7 0 p i n kT R 4 5 8 c a r n i v a l

daybed

TR060

multicolor

2 0 4 / 2 0 5


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2 0 6 / 2 0 7


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t r o p i c a l i a l o u n g eT R 4 5 8

c a r n i v a l

Lanima giapponese migravolentieri- nei poeti pi grandi.

Edoardo Sanguineti. Ezra Pound:Petali cadono nella vasca,petali di rosa color arancio,locra che si stringe alla pietra.

The Japanese soul happily migratesto inspire the greatest poets -Ezra Pound:The petals fall in the fountain,the orange-coloured rose leaves.Their ochre clings to the stone.

2 0 8 / 2 0 9


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tropicalia

chair

TR467

white

quartz


107/147

2 1 2 / 2 1 3

el

&

Bibi

Seck


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b a y e k o u

+

t o o g o u

BA036

+

TU050

design

Ayse

Birse

2009

black/brown

2 1 4 / 2 1 5


109/147

bayekou

+

toogou

black/

brown

BA036

+

TU050

2 1 6 / 2 1 7

blue/brown


110/147

N P 0 5 0 + T U 0 5 0n o p o l o u + t o o g o uy e l l o w / o r a n g e

NP050

+

BA036

+

TU050

nopolou

+

bayekou

+

toogou

2 1 8 / 2 1 9

blue/brown


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NP050

+

BA036

+

TU050

nopolou

+

bayekou

+

toogou

2 2 0 / 2 2 1

Lortensia francese Annabelle aristocratica. La Cleome Spinosas u l p r a t o s e l v a g g ia . S o t t olacero sorride con moderazionel H y d r a n ge a Q u e r c i fo l i a e i lmondo della costa del Sud Italia,Positano compreso.

Annabelle, the French hydrangeais of noble breed, while theCleome Spinosa bordering the lawnis wild and thorny. Beneath themaple tree, the oak-leavedhydrangea smiles sweetly and thesouthern coast of Italy, Positanoincluded, smiles with it.

m a d a m e d a k a rA y s e B i r s e l & B i b i S e c k

2009


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2 2 2 / 2 2 3

r i p p l e c h a i r + n o - w a s t e t a b l ed e s i g n R o n A r a d2 0 0 4 2 0 0 5

R C 0 5 0

N W 0 1 6

m a l a c h i t e g r e e n


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2 2 4 / 2 2 5

F e s t uc a o v in a i n f e st a s o tt o

labete. Compare lalbero diCatalpa. Benvenuto paesaggiocontinentale, abitudine di questo

m o n d o a N o r d d e l M ed i t e rr a n e oe a o v es t d e ll Es t , d o ve l o li oe i l bu r r o s i in c o n tr a n o .

Sheeps Festuca, in party mood,is celebrating beneath the sprucet r e e . S u d d e nl y , a C a t a lp a t r eea p p e a rs w e r e ba c k h om e i n o urcontinental climate, which shapesthe land here to the Northof the Mediterranean and to the

west of Eastern Europe,where the cooking traditionsof oil and butter meet.

aste


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ripple

chair

RC050

malachite

green

NW016

no-wa

2 2 6 / 2 2 7


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SU156

+

SU0S1c

aramel

/

fluo

green

/

white

/

torquoise

/

black

t u r a l

design

Ross

Lov

egrove

2005

2 2 8 / 2 2 9


116/147

s u p e r n a

2 3 0 / 2 3 1


117/147

supernatural

SU156

+

SU0S1c

aramel

/

fluo

gre

en

2 3 2 / 2 3 3


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supernatural

SU061

caramel

2 3 4 / 2 3 5

Il Reverendo Pemberton cominci acreare rose da giardino superati i

sessantanni. Ecco Penelope, Francesca,Felicia, Cornelia. Ballerina, ideatada Ann Bentall, moglie del suo

giardiniere. C anche la Ghislaine DeF e l i g o n d e q u i, t i n t a p e s c a e a l b i c o c c a,quasi senza spine, maestosa in un party

d e s t a t e. E v o l a n t e c o me i l c u o r e d iR u g g e r o e Y o s h i k o .

The Reverend Pemberton was over sixtywhen he began to breed garden roses.Here we find many of his creations:Penelope, Francesca, Felicia, Cornelia,as well as the Ballerina rose, bred byhis gardener wife Anna Bentall.There is also the Ghislaine DeFeligonde, or Barefoot rose; almostthornless, its peach and apricotflowers bloom majestically in this riotof summer party colours, in the gardenwhere Ruggero and Yoshiko have puttheir heart and soul.


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s u p e r n a t u r a l S U 0 6 1t o r q u o i s e

S U 1 5 6f l u o g r e e n

2 3 6 / 2 3 7


S U 0 6 1 + S U 1 5 6t o r q u o i s e

rdone


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b l a c k s t o n e

BL281

design

Luca

Nichetto

&

Massimo

Gar

2008

2 3 8 / 2 3 9


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M a r a n o L a g u n a r e

S a n G i o r g i o d i N o g a r o

location #07

i s o l a d i S a n t A n d r e a ,laguna di Marano

highway A4 VE/TSexit Porpetto/San Giorgiodi NogaroSP80 direction San Giorgio

North

September, 11th 2009


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4 5 4 2 5 4 . 7 0 N1 3 1 2 4 8 . 1 0 E

0 m s l m

i s o l a d i S a n t A n d r e a( o d e i C o n i g l i )

L i g n a n o

G r a d o

m a r A d r i a t i c o

SP93 direction MaranoLagunare

arrival 10.42 am

S c a l e

0 k m 1 0 k m

2 4 2 / 2 4 3

Maria ci ricevette allimbarcadero,

fasciata da una tunica color alga.Sembrava lHera di Samo, solo pimorbida. Ci avvicin presto il marito,chiamato Il Console, vestito di unfestoso Kikoi. Due camerieri in livreaci offrirono sardele, sardine ing r a d es e , e v i n o T oc a i , f re s c h i ss i m o .Che accoglienza. Il pensiero ands u b i to a u n a lt r a M a r ia , l a C a ll a s ,che incontra per la prima volta PierPaolo Pasolini. Era il 1969, la Divinaf u M e d ea e c o m i n ci l i l l or o v i a gg i odaffetto, diviso solo da insistentizanzare.

Maria met us at the jetty, wrappedi n a s e a w e ed - g r e en ro b e .She looked like Hera of Samos, onlysofter. Her husband, known as theThe Consul, came towards us dressedi n a b r i g h tl y c ol o u r e d K i k o i.Two waiters in livery offered ussardele, the Gradese name forsardines, and chilled Tocai wine. W h a t a w e l c o me . M y th o u g ht s w e n ti i i i


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immediately to another Maria, MariaCallas, when she met Pier PaoloPasolini for the first time.It was 1969, when La Divina playedMedea and the two began their journeyof friendship and affection, sharedonly by the pesky mosquitoes.


d e s i g n R o n A r a d2 0 0 4

R C 0 5 0 c h o c o b r o w n / m a l a c h i t e g r e e n /c a r b o n b l a c k

0 0 4 /0052 4 4 / 2 4 5

shadowy

SW066

capitello

CP017

black

supercolor

ripple

chair

RC050

white


124/147

2 4 6 / 2 4 7

Lidea che ci eravamo fatti era che tuttofosse fermo sullisola di SantAndrea, e

c h e i p a r t e c i pa n t i , g l i o s pi t i d i M a r i a eIl Console, fossero l da tempo, immobili,come salificati, in mezzo allarsura.L a c q u a b a s s a d e ll e v e l m e , i c i u f f i a z z u r ridei fiori de tapo, cos li definivano glia u t o c t o n i qu e i f i o r i r a r i e p r o i b i t i, i l

giallo rinverdito dal falasco di palude, letamerici salmastre, tutto ci che avevamostudiato per lo still life della nostral o c a t i o n, e r a a n c o r a p i m u t o a g u a r d a r lodal vero.

It seemed that was that everything hadstopped still on the island of Sant Andrea,and that the participants, our hosts Maria

and the Consul, had been stuck thereimmobile for some time, as if salified inthe burning heat. The shallow water shoals,the blue tufts of what locals call fioride tapo, the rare and endangered sealavender, the yellow landscape tinted greenby the marsh rushes, the sea tamarisk all the elements we had studied andimagined in our minds eye for the still

life of our chosen location, seemed morestill, more silent when observed for real.


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R C 0 5 0 c a d m i u m y e l l o w / c h o c o b r o w n / m a l a c h i t eg r e e n / c a r b o n b l a c k / m a g e n t a r e d /w h i t e

2 4 8 / 2 4 9

r i p p l e c h a i rR C 0 5 0

c a d m i u m y e l l o w / m a l a c h i t e g r e e n /c a r b o n b l a c k / w h i t e

r e i i + t o u t i

d e s i g n P a t r i c i a U r q u i o l a2009

R E 0 6 NT V 0 1 7


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2 5 0 / 2 5 1

Gli intoccabili hanno dato una festa ierisera, gracid una ragazza vestita da

governante Black and White, mentre recuperavai b i c c h i e ri s p a r s i s u l l a s a b b ia , f a n n o s e m p r ec o s . E p o i , a g g i un s e a l m i o o r e c ch i o ,daltra parte si sa che Il Console ama leb e l l e d o n n e e l a l c o o l. E r a n o v e r a m e nt e i ntanti in quel lembo di terra, fuori dallerotte. Stavano distesi, in un dormivegliat o r b i d o , e s e m b r a v a no d a v v e r o c o n t e nt i .S u l l a c a r t i na g e o g r a f i c a, a s i n i s t r a d el l u o g os t a v a n o V en e z i a e l a c o s t o l a l un g adellAdriatico, subito dopo, Trieste,la Dalmazia, le meraviglie vivaci piantated i l a v a n da e c h i e s e v e ne z i a n e .

T h e U n t o u c ha b l e s t h r e w a p a r t y l a s t n i g h t ,s c r e e c h ed a g i r l d r e s s e d i n h o u se k e e p e r b l a c kand white, as she picked up the glassesscattered on the sand. Theyre always havingparties. Then whispering in my ear, sheadded, but then, everyone knows that theConsul has an eye for beautiful women and israther fond of his drink. There were loadsof them along that isolated stretch of beach.T h e y l a y o u t s t re t c h e d i n a d r o w s y d a z e a n dseemed blissfully happy. On the geographic

map, to their left lay Venice and the AdriaticR i d g e , t h e n T r ie s t e a n d D a l m a t ia , a v i v i dscenic wonder planted with lavender andVenetian churches.

t o u t i + t o u t iT V 0 1 7

r i p p l e c h a i r R C 0 5 0w h i t e / o f f w h i t e


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T V 0 1 7

s h a d o w y S W 0 6 6 / S W 0 3 6c a p i t e l l o C P 0 1 7

b l a c k

s u p e r c o l o r / b l a c k & w h i t e

2 5 2 / 2 5 3

ow

/

choco

brown

/

malachite

on

black

/

magenta

red

/


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ripple

chair

RC050

cadm

ium

yell

gree

n

/

carb

whit

e

2 5 4 / 2 5 5

S T 0 2 0s h i t a k e + s u n n y

s p r i n g g r e e n / l a c q u e r e d r e d / c h o c o b r o w n/ o f f w h i t e

s u n n y S W 1 7 3

m u l t i r e d / m u l t i g r e e n / s u p e r c o l o r / b l a c k& w h i t e / p l a i n g r e e n


129/147

2 5 6 / 2 5 7


R C 0 5 0 c h o c o b r o w n / c a r b o n b l a c k/ w h i t e


130/147

2 5 8 / 2 5 9

s u n n y S W 1 7 3 + s h a d o w y S W 0 3 6S T 0 2 0s h i t a k e + s u n n y + b e n t+ o s o r o m

b l a c k & w h i t e

B N 0 0 1 + B N 0 1 6w h i t e / a s p h a l t g r e y

o f f w h i t e

O S 0 1 7


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2 6 0 / 2 6 1


132/147

o s o r o mO S 0 1 7

B N 0 0 1 + B N 0 1 6

w h i t e

2 6 2 / 2 6 3


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2 6 4 / 2 6 5

E i n c e n t r o , c hi u s o c o m e u n g o mi t o l o ,c e r a q u e st o s p a z i o l a L a g u n a .N t ll fi d ll b tti i f lt

g a a l

d e s i g n A y s e B i r s e l & B i b i S e c k2 0 0 9

G A 1 7 7


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Notammo alla fine della battigia un foltogruppo di signore, pallide, emaciate,

con labbra esangui. Elegantissime nel lorovestire, da zittire anche la pi crudeleElsa Maxwell, ascoltavano una coppiadisquisire animatamente- di birdwatching.Una biondona, rossetto albicocca,s e n e s t a v a d i s t e s a a r i d e r e i n s o l i ta r i a .

And in the middle of it all, tightly boundb y t h e c o a s t , wa s t h i s s p a c e t h e L a g o o n .W e n o t i c e d a t th e w a t e r s e dg e a l a r g egroup of women, pale, emaciated and withbloodless lips. The group, so elegantlydressed they would have stopped eventhe ruthless Elsa Maxwell in her tracks,w e r e l i s t en i n g t o a c o u p l e h a v in g a nanimated discussion about bird watching.A b l o n d e , w i t h a p ri c o t c o l o u r ed l i p s t i c k ,lay close by, laughing to herself.

I c a m e r ie r i gi r a v a no t r a g l iospiti, con enormi vassoi carichid i V o dk a T on i c e T o ca i ,lasciando il bicchiere colmoanche ai dormienti. Ci venne ildubbio che la ritualit delgesto fosse davvero un ordinedegli Intoccabili. Voi servite,prima poi si risvegliano edavranno sete.

The waiters circulated among theguests, holding enormous traysloaded with Vodka Tonic andTocai wine, filling glasses tothe brim, even those of the

sleeping. As glass after glasswas proffered, it occurred to usthat this ritual refilling mightactually have been an orderissued by the Untouchablesthemselves. Serve them, sooneror later theyll wake up andtheyll be thirsty.

2 6 6 / 2 6 7


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s h a d o w y S W 0 3 6s u p e r c o l o r / b l a c k & w h i t e

2 6 8 / 2 6 9

shadowy

SW036

/

SW066


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2 7 0 / 2 7 1

s h a d o w y S W 0 3 6 / S W 0 6 6

m u l t i r e d / m u l t i g r e e n / s u p e r c o l o r / b l a c k& w h i t e / p l a i n g r e e n


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2 7 2 / 2 7 3

E i n e f f et t i c o s a v v e n n e .Tutti quegli abiti, leggeri, di chiffon,lini, organze, di canape orientali, di

tessuti trasparenti come una velina, simossero in controluce, passeggiandomolli sul bagnasciuga con il bicchierei n m a n o . U m a n i e o g g e t t i , se n z ad i f f e r e nz a . E c e r a p e r l o r o u n p e n s ie r ot o n d o t o n do s o t t o l a c h i o ma a r i m a n e r eshadowy fino al tramonto.

And in fact thats exactly whathappened. All those light garments ofchiffon, linen, organza, Eastern hempcloth, of fabric as transparent astissue paper, moved around in thebacklight, getting their feet wet asthey walked along the shoreline, glassesin hand. Humans and objects, withoutdistinction. And in their light, dreamystate they wandered along the beachuntil the shadowy twilight fell.


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s h a d o w y S W 0 3 6 / S W 0 6 6m u l t i r e d / s u p e r c o l o r / p l a i n g r e e n

2 7 4 / 2 7 5


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2 7 6 / 2 7 7

T e c h n i c a l i n f o

BayekouBentBlackstoneCapitelloGaalLittle Albert

Madame DakarNo-wasteNopolouO-nestOsoromPress flower tableRainReii+ToutiRipple chairShadowyShitakeSunnySupernaturalThe fool on the hillToogouTropicaliaWavy


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90 105

31 61

160

138

41 6

1

160

8815070150

2 7 8 / 2 7 9

Shadowydesign Tord Boontje

2008

range:

b l ac k & w h i tesupercolormultiredmultigreenplain green

Sunnydesign Tord Boontje

2008

range:b l ac k & w h i tesupercolormultiredmultigreenplain green

S W 03 6 / S W 0 66

S W 00 1 / S W 1 39

41

46

108

42 120

4351

35 60

4752

135 58

63

31

R e ii + T o ut idesign Patricia Urquiola

2009

range:

white/black/green/yellowwhite/black/red/green/yellow

RE06 N T V017

B a ye k ou + T o og o udesign Ayse Birsel

& B i b i S e c k2009

range:blue/brownblack/brownorange/brownpink/red

BA036

40

91


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30 50

70235

SW017

cod SW173

SW050 68 68 6193

94 46

63

41

Nopoloudesign Ayse Birsel

& B i b i S e c k2009

range:yellow/orangepink/redblue/violetgrey/black

NP050

86 50TU050

Madame Dakardesign Ayse Birsel& B i b i S e c k2009

Gaaldesign Ayse Birsel

& B i b i S e c k2009

120 179

38

90

59180

40

2 8 0 / 2 8 1

MA001

GA177

Tropicaliadesign Patricia Urquiola

2008

new color:mlange

37

77

157

122 90

87

56 89

37

78

87

58 94

4581

56

44 54

45

81

56

44 59

Tropicaliadesign Patricia Urquiola2008

colors:

white quartzblack quartzcarnival (7 colors)jungle (green+red+turquoise)mlange

TR46 4 T R467

TR45 8 TR46 1

TR470


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TR458

101

10684

157

Tropicalia

TR470

Cocoon TR128Daybed TR060

30

137

122

186

186

40

89

69

89

70

43

7462

Victoria tabledesign Ron Arad

2000

pag 001

Little Albertdesign Ron Arad

2000

colors:

greenfluo greenoranger e dfuchsiablacktranslucid white

2 8 2 / 2 8 3

V A 0 4 2

V A03 V V A03 W

6859

44

80

Ripple chairdesign Ron Arad

2004

colors:magenta redmalachite greencadmium yellowchocolate brownwhiteoff whitecarbon black

RC050

47

84

38

57

51

47 65

45

61

51

84

76

62

Raindesign Tord Boontje

2008

73

73

73 73

52

71

RA137RA 050 RA 016

56 64

45

64

79

Supernaturaldesign Ross Lovegrove

2005

colors:

whitetorquoiseorangefluo greencaramelblack

Supernatural

SU 156 SU 050 S U06 1 51 47

46

81

SU 06P SU0 S1

47


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6466

68

45 65 8698

Wavydesign Ron Arad

2007

colors:transparentr e dgreyblack

WV070

RC050 RA137RA 050 RA 016

42 6

777

66

69

43

O-nestdesign Tord Boontje

2006

colors:magnolialichenblack ivycedrusmary goldred dahliacattleyaamaranto

NN042


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2 8 6 / 2 8 7


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Moroso spa

via Nazionale, 60

3 3 0 10 C av a l i cc o / U d i n e

Italy

T + 3 9 0 4 32 5 77 1 11

F + 3 9 0 4 32 5 70 7 61

[email protected]

www.moroso.it

Moroso showroom in Milan

via Pontaccio 8/10

2 0 12 1 M il a no / I t al y

T + 3 9 0 2 72 0 16 3 36

F + 3 9 0 2 72 0 06 6 8 4

Moroso USA

and showroom in New York

146 Greene street

N ew Yo rk / N Y 1 00 12 / U SA

T + 1 80 0 70 5 68 6 3

[email protected]

www.morosousa.com

Moroso ltd

and showroom in London

7-15 Rosebery Avenue


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London EC1R 4SP

T + 4 4 0 2 0 3 3 28 3 56 0

F + 4 4 0 2 0 7 2 78 2 94 4

[email protected]

www.moroso.co.uk

Moroso showroom in Kln

Design Post

Deutz-Mlheimer-Strae 22A

D - 5 06 7 9 K l n / G e r ma n y

T 4 9 2 2 1 6 9 0 6 5 0

F + 4 9 2 2 1 6 9 0 6 5 10 [email protected]

www.designpostkoeln.de

Moroso showroom in Amsterdam

Cruquiusweg, 109 R

1019 AG Amsterdam

The Netherlands

T + 3 1 ( 0 )2 5 2 6 2 2 72 2

[email protected]

Moroso Asia pte ltd

and showroom in Singapore51A Tras street, #02-02

Singapore 078990

T + 65 6 22 6 22 09

F + 65 6 73 5 87 83

[email protected]

www.moroso.asia

art direction: Patrizia Moroso

set coordinator: Marco Violaphotography: Alessandro Paderni

[studio Eye]

cover and artwork by Kim Beck

[www.idealcities.com]

novels by Elena Commessatti

graphic design: Designwork

layout: Chiara Caucig

[Designwork]

translations: Amanda Hunter

color separation: Lucegroup.it

printed in Italy by: GFP.it


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Documents

Cataloghi.outdoor.collection.2010