CriticalPlay

Embed Size (px)

Citation preview

  • 8/11/2019 CriticalPlay

    1/6

    First published as: Flanagan, Mary. Creating Critical PlayArtists Re:Thinking Games. Eds Ruth Catlow, Marc Garrett, and CorradoMorgana. Liverpool: Liverpool University Press, 2010, 49-53.

    "#$%&'()

    "#'&'*%+ ,+%-.%#- /+%(%)%(

    "# $%& '(#)*(+, -&&(. /01*- 2(+()13-& %# 4$- 5-6%#%4%1# 16 2'(.78 9&.:$1'1;%&4 (#) & ;(*- C1(+)E+-'(4-) (+4=1+,& %# 4$- JTUV& 41 W1,1 X#1>& (''E

    =$%4- :$-&&C1(+)7 !"#$ &' ($ )*+,'7 %# 4$- JTYV&7 (+4%&4& $(D- &--# ;(*-& (& 6+(*-=1+,& 61+ 4$%#,%#; (C1G4

    :G'4G+-M Z$- [-= S(*-& ?1D-*-#4 )G+%#; 4$- '(4- JT\V& (#) -(+'. JTYV& +-(66%+*-) ( +-9-(4-) $G*(# C-'%-6

    4$(4 9'(. %& ;11) 61+ ())+-&&%#; &1:%(' %&&G-& 4$+1G;$ %4& '(+;- &:('-7 9GC'%:(''. '(G#:$-) 9'(. -D-#4& %# @('%61+#%(M

    Z$-&- 4+-#)& =-+- +-6'-:4-) %# 4$-1+%-& 16 :1#4-*91+(+. 9$%'1&19$-+& (#) =+%4-+&MZ1)(.7 ;(*- )-&%;#-+& (#) #-= *-)%( (+4%&4& 4+(#&'(4- &G:$ +-&4+G:4G+-) (99+1(:$-& 41 +-('%4. %#41

    9('9(C'- =1+')&7 (#) +-#)-+ 4$-&- (& *(+D-'1G&7 ())%:4%D-7 &9-''C%#)%#; -39-+%-#:-&M 2'(.-+& 9G&$ (4 4$- -);-&

    16 4$-&- D(+%-) 9'(.&9(:-&7 )%&:1D-+%#; 4$-%+ %#$-+-#4 9+%#:%9'-&7 91&&%C%'%4%-&7 (#) '%*%4(4%1#&M B-+-7 " =%&$ 41C+%-6'. &G+D-. 4=1 ;(*- =1+,& ] ( &4+--4 ;(*- (#) (# 1#'%#- ;(*-EE 41 41G:$ 1# $1= ( :+%4%:(' 9+(3%& 6G#:4%1#&

    %# 4$- )-D-'19*-#4 16 *-:$(#%:& (#) ;(*-9'(.M S(*-&7 C14$ )%;%4(' (#) (#('1;7 166-+ ( &9(:- 41 -39'1+-

    :+-(4%D%4.7 (;-#:.7 +-9+-&-#4(4%1#7 (#) -*-+;-#4 C-$(D%1G+ =%4$ +G'-&M Z$-. ('&1 FG%4- '%4-+(''. 6(&$%1# +G'-E

    &9(:- (& ( +-('%4.E&9(:-M B1= )1 )-&%;#-+& G&- ;(*-& 41 -39+-&& %)-(& (C1G4 :+%&%&7 91=-+7 (#) %)-#4%6%:(4%1#H

  • 8/11/2019 CriticalPlay

    2/6

    First published as: Flanagan, Mary. Creating Critical PlayArtists Re:Thinking Games. Eds Ruth Catlow, Marc Garrett, and CorradoMorgana. Liverpool: Liverpool University Press, 2010, 49-53.

    -./+*0 12 3#,,.40"$ 3+"'.5"#$0* 678#9 :0"; .< =+000? @7*A

    "# N('' 16 ^VV_7 4$- Z%'46(:41+ '(C1+(41+. (4 5(+4*1G4$ @1''-;- :+-(4-) ( '(+;- &:('- :1''(C1+(4%D- G+C(#;(*-7 ?(&&%D-'. ?G'4%9'(.-+ 01C(M 0X`R>& 6%+&4 '(G#:$ =(& (& (# G+C(#7 '1:(4%1#EC(&-) ;(*- 4$(4 411, 9'(:- %#

    4$- aG--#& (+-( 16 [-= W1+, @%4.M Z$- ;(*- '(G#:$-) %# [-= W1+, (4 4$- @1#6'G3 9&.:$1;-1;+(9$. 6-&4%D('M

    0X`R %#D%4-) 9'(.-+& 41 b;+(C &1*- 6+%-#)& (#) 4+(D-+&- +-*(+,(C'- #-%;$C1+$11)& %# [-= W1+, @%4.MMMM Z(', 41

    &4+(#;-+&7 6%#) :'G-&7 (#) 6-4:$ %#;+-)%-#4& 61+ ( ;%(#4 :1''-:4%D- #11)'- 9(+4.cb 5-&%;#-) 41 C- ( 4-(*EC(&-)G+C(# ;(*- 61:G&-) 1# :G'4G+-7 611) (#) '(#;G(;-7 4$- ;(*-E-D-#4 -#4%:-) 9'(.-+& 41 4$- #1#E41G+%&4

    #-%;$C1+$11)& 16 [-= W1+,7 :1*C%#%#; 9'(. =%4$ 1991+4G#%4%-& 41 *%3 =%4$ #-= 9'(:-& %# 4$- :%4.7 (#)

    G'4%*(4-'. 4(,- ( *-(' %# ( :1''-:4%D- )%##-+ =%4$ '1:(' 9-19'-7 %#4-#4%1#(''. *%3%#; 9'(.-+& =%4$ #1# 9'(.-+&M

    Z$%& )-&%;# :+-(4-) G#-39-:4-) -#:1G#4-+& =%4$ +-&%)-#4& =$%'- :$(''-#;%#; :1#:-94& 16 :G'4G+- (#) '(#;G(;-4$+1G;$ &41+.4-''%#; (#) )%&:1D-+.M

    -./+*0 B2 3#,,.40"$ 3+"'.5"#$0* 678#9 :0"; .< =+000? @7*A

    Z$- %#4-#4 16 01C( =(& 41 -*C1). 4$- $G*(# D('G-& 16 41'-+(#:- (#) )%D-+&%4. EE #14 1#'. %# 4$- 4$-*-16 4$- ;(*- CG4 %# 4$- ;(*- *-:$(#%:& 4$-*&-'D-&M N1+ -3(*9'-7 4$- 4-(*& 16 9'(.-+& :(++%-) :'G-& %# *G'4%9'-

    '(#;G(;-& =$%:$ =-+- )-&%;#-) 41 61&4-+ 9'(.-+ %#4-+(:4%1# =%4$ #1#E9'(.-+& %# 4$- :1**G#%4.M 21%#4& =-+-

    (=(+)-) 9+%*(+%'. C(&-) 1# 4$- :1*9'-3%4. (#) )-94$ 16 4$- %#4-+(:4%1#7 +(4$-+ 4$(# 4$- b&:(D-#;-+ $G#4b &4.'-

  • 8/11/2019 CriticalPlay

    3/6

    First published as: Flanagan, Mary. Creating Critical PlayArtists Re:Thinking Games. Eds Ruth Catlow, Marc Garrett, and CorradoMorgana. Liverpool: Liverpool University Press, 2010, 49-53.

    :'(%*%#; 16 6(:4&7 1CO-:4&7 1+ 4-++%41+%-&M Z$- )-&%;# (''1=-) 61+ ( D(+%-4. 16 9'(. &4+(4-;%-&d :1''(C1+(4%1# 61+

    4$1&- =$1 *(. #14 C- :1*9-4%4%D-7 1+ &9-:%('%&(4%1# 61+ 4$1&- =$1 -3:-' (4 9(+4%:G'(+ ,%#)& 16 :$(''-#;-&M 2'(.

    =(& :1*C%#-) =%4$ 4$- 1991+4G#%4%-& 61+ -#;(;-*-#4 41 (''1= 61+ ;(*- 9'(.-+& 41 *%3 (#) %#4-+(:4 =%4$+-&%)-#4& %# *-(#%#;6G' =(.&7 =$%'- :$(''-#;%#; 9+-:1#:-94%1#& 16 +(:- (#) '(#;G(;-M e(4$-+ 4$(# &%*9'. G&%#;

    4$-&- #-%;$C1+$11)& (& $1&4 &%4-& %# =$%:$ 4$- ;(*- 4(,-& 9'(:-7 =- $(D- *()- 4$-&- :1**G#%4%-& :-#4+(' 41

    4$- 61:G& 16 0X`R7 =%4$ '1#;-+ %#4-+(:4%1#& (#) &41+.4-''%#; -3:$(#;-& =%4$ :1**G#%4. *-*C-+& (& 4$- :-#4+(';1(' 16 4$- 9+1O-:4M 0%#:-7 14$-+ %4-+(4%1#& 16 0X`R $(D- 1::G++-) %# #-= #-%;$C1+$11)& (#) =%4$ #-= *-#G&7

    &G:$ (& 0X`R 0$(#;$(% (#) ?(&&%D-'. ?G'4%9'(.-+ ?G0$G %# B-''>& f%4:$-# I^VVTLM

    -./+*0 C2 3#,,.40"$ 3+"'.5"#$0* 3+6:+9 :0"; .< D0""E, F.'G:0< >0? @7*A2 HI7#G:.J 60*40, -.*,' 3+,:+K BLLMN5:7'7/*#5: 8$ )*#G. O#?,7