Jean BaptisteCamille

CorotLjósmynd tekin 1873

Farnese garðurinn í Róm1826

Turner

Sólsetur við vatn

1840

Litur1819

Hríðmáluð 1842

91.5 x 122 sm

Edvard Manet1832 - 1883

Morgunverðurinn í skóginum

máluð 1863214 x 269 sm

Olympia1863

olíumálverk130.5 x 190 sm

Emil Zolaolíumálverk

1868146 x 114

Nadarfranskur ljósmyndari

Sjálfsmynd

BaudelaireLjóðskáld

"Monet later explained that he had selected for the exhibition a painting done in Le Havre from his window: the sun appearing in damp vapors, in the foreground a few shipmasts pointing. "I was asked to give a title for the catalogue; I couldn't very well call it a view of Le Havre. So I said: 'Put Impression.' Indeed, the painting was catalogued as Impression, Sunrise."Rewald, "The History of Impressionism"

Þinghúsið íLondon

Heysáturnar

sem hann málar á árunum1890-91

Þjóðvegsbrúin tilArgenteuil

máluð 187460 x 79.7 sm

Fiskibátar láta úr höfn í Le Havre

máluð 187460 x 101 sm

"The poor man rambled on this way quite peacefully, and nothing led me to anticipate the unfortunate accident which was to be the result of his visit to this hair-raising exhibition. He even sustained, without major injury, viewing the Fishing Boats Leaving the Harbor by M. Claude Monet, perhaps because I tore him away from dangerous contemplation of this work before the small, noxious figures in the foreground could produce their effect."Louis Leroy, Charivari, 25 April 1874

Pierre August

Renoir1841-1919

Ballerínan

máluð 1874olíumálverk

142.5 x 94.5 sm.

Renoir's Danseuses [sic] and the Parisienne are both sketches and nothing more. The figure should not be systematically treated in this loose way. Despite this reservation, the overall tone is attractive; the heads recall both English painting and Goya, and the fabrics are only thinly painted and have no depth or projection. It is an attractive approximation, but, at the most, it is a mere promise. Nature finds deeper expression than in such imperceptible appearances. There is something worse than taking reality for a shadow, and that is taking the shadow for reality. Despite these criticisms, one would search our official school in vain for a head whose distinction, quality, and reality of tone matched those of the Danseuse."

"Upon entering the first room, Joseph Vincent received an initial shock in front of the Dancer by Renoir. 'What a pity,' he said to me, 'that the painter, who has a certain understanding of color, doesn't draw better: his dancer's legs are as cottony as the gauze of her skirts.

Armand Silvestre

gagrýnandi L Opinion Nationale22. apríl 1874

Leikhússtúkanmáluð1874

80 x63.5 sm.

"Renoir found himself unable to obtain 500 francs for his Loge, exhibited at Nadar's, for which his brother and a new model, Nini, had posed. The painter eventually pressured grumbling pere Martin into paying 425 for it, the amount he desperately needed for his rent."Rewald, "The History of Impressionism"

Bertha Morisot

Feluleikur 1873

olíumálverk45 x 55 sm

Móðir og barn1872

olíumálverk56 x46 sm

"Morisot sometimes leaves the fields and shores, and nothing is both more true and tender than the young mother - admittedly rather badly dressed - who leans over the cradle where a rosy child falls asleep, just visible through the pale cloud of muslin."Jean Prouvaire [Pierre Toloza], Le Rappel, 20 April 1874

Höfnin í Lorient1869

Paul CézanneNútíma Olympía

1873-74

46 x 55.5 sm

Olympía og nútíma Olympía

Paul CézanneHús hengda mannsins

187355 x 66 sm

Edgard Degas1834-1917

Veðreiðar í sveitinni1872

36.5 x 55.9 sm

Ásgrímur Jónsson1876-1958

Sólsetur í Reykjavíkvatnslitamynd

1909-1910

Svarvaðardalurvatnslitamynd

1951

Vetur í Reykjavík

Arnarfell1927

Sjálfsmynd1947

Tvær sjálfsmyndir