Nasionale Kunstebestuursimposium National Arts · PDF fileHy beklee hierdie posisie totdat hy sy eie onderneming ... he studied piano at Ithaca College for the Performing Arts in Ithaca,

NasionaleKunstebestuursimposium

NationalArts Management Symposium

2006

ons ondersteun die kunste

Dryfkrag vir die kunsteDit is met ’n warm hart in die winter van 2006 wat ons jou verwelkom by dieeerste Nasionale Kunstebestuursimposium op die walle van die Mooirivier in dieNoordwes-Provinsie. Hierdie is ’n opwindende en unieke gebeurtenis binne diekunstebestuursomgewing en word vir jou met passie aangebied deur Artéma,die Instituut vir Kunstebestuur en Ontwikkeling op die Potchefstroomkampus vandie Noordwes-Universiteit.

Ons gaan in hierdie twee dae baie leer, dinamiese gesprekke voer, geselligkuier en miskien so ’n stukkie van die kunstebestuursomgewing in Suid-Afrikaontrafel. Ons gaan nie noodwendig antwoorde op al ons vrae kry of oplossingsvir al die vraagstukke in die kunsteomgewing formuleer nie, maar ons gaan ’nbegin maak. ’n Begin om die kunstebestuursomgewing op ’n koers kry of tenminste in ’n rigting te laat kyk. En dis die belangrikste!

Ons wil die hoop uitspreek dat hierdie simposium vir jou ’n verrykendeleerervaring gaan wees waarin jy nie net insiggewende dinge sal beleef nie,maar ook ’n belangrike netwerk sal bou en met nuwe moed na jou spesifiekekunste-omgewing sal teruggaan om daar terug te ploeg wat jy hier kon leer.

Mag jy met opgewondenheid en goeie herinneringe hier weggaan, opnuutgemotiveer om jou kunsteomgewing met meer ywer te gaan dien. Ons bestewense vergesel jou en ons hoop om jou volgende keer weer hier te sien.

Chris de BruynBestuurder: Artéma)Instituut vir Kunstebestuur en Ontwikkeling (

Steering the artsIt is with a warm heart in the winter of 2006 that we welcome you at the firstNational Arts Management Symposium on the banks of the Mooi River in theNorth West Province. This is an exciting and unique event within the artsmanagement environment and is passionately presented to you by Artéma,the Institute for Arts Management and Development on the PotchefstroomCampus of the North-West University.

During these two days we will learn a lot, have dynamic discussions, socialise,network and maybe, unravel a small part of the South African arts manage-ment environment. All our answers will not necessarily be answered, nor all ourissues addressed, but we will make a start. A small start to get the artsmanagement environment into some kind of direction or to at least focustowards something bigger. And that is what’s important!

We trust that this will be a learning curve for you, in which you will not only havean illuminating experience, but also build a strong network and return to yourspecific arts environment to boldly apply what you have learned.

May you leave here with excitement and good memories, freshly motivated toserve your arts environment with passion and courage. Our best wishesaccompany you and we hope to see you here again next year.

Chris de BruynManager: Institute for Arts Management and Development (Artéma)

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Mike van Graan verwerf sy BA Honneurs in drama en ’n Hoër Onderwysdiploma aan dieUniversiteit van Kaapstad. Hy dien in leierskapsrolle in verskeie kulturele nie-regeringsorganisasiesinsluitend as direkteur van die Gemeenskapskunsteprojek in Kaapstad, nasionale projek-bestuurder vir die kongres van Suid-Afrikaanse skrywers in Johannesburg, direkteur van die BartelKunste Trust sentrum in Durban, algemene sekretaris van die Nasionale Kunste Koalisie en meeronlangs as die algemene sekretaris van PANSA.

In Junie 1994 is hy aangestel as spesiale adviseur vir kuns en kultuur vir die destydse Minister vanKuns, Kultuur, Wetenskap en Tegnologie. Hy beklee hierdie posisie totdat hy sy eie ondernemingArticle 27 Arts and Culture Consultants in Januarie 1996 begin.

As dramaturg wen van Graan die Fleur du Cap-toekenning vir Beste Nuwe Teks vir sy trilogie“Dinner Talk” in 1998 en in 2003 verower “Green Man Flashing” ’n toekenning tydens diePANSA/UCT Dramaskool Fees vir nuwe stukke. Hierdie drama was ook genomineer in die kategorieBeste Teks in beide die Naledi Teatertoekennings in 2005 en in die Kaapstad Fleur duCaptoekennings.

Hy werk tans as teaterskrywer, vervaardiger en bemarker van sy eie werk.

Mike van Graan graduated from UCT with a BA Honours degree in Drama and a Higher Diploma inEducation. He has served in leadership capacities in various cultural non-governmentorganizations including director of the Community Arts Project in Cape Town, national projectsofficer for the congress of South African writers in Johannesburg, director of the Bartel Arts Trust (BAT)Center in Durban, general secretary of the National Arts Coalition and most recently as thegeneral secretary of the Performing Arts Network of South Africa (PANSA).

In June 1994, he was appointed as Special Adviser on Arts and Culture to the new Minister of Arts,Culture, Science and Technology. He held this position until he launched his own micro-enterprise, Article 27 Arts and Culture Consultants in January 1996. Article 27 takes its name fromArticle 27 of the Universal Declaration of Human Rights which states that “everyone shall have theright to participate freely in the cultural life of the community and to enjoy the arts…”.

As a playwriter, Van Graan won the Fleur du Cap award for Best New Script for his trilogy, “DinnerTalk”, in 1998 and in 2003, “Green Man Flashing” won the Jury Award for Best Script at thePANSA/UCT Drama School Festival of Reading of New Writing. It was nominated for Best Script inboth the 2005 Johannesburg Naledi Theatre Awards and the Cape Town Fleur du Cap TheatreAwards.

Michael is sedert 1997 die hoof uitvoerende beampte van ArtsCape, voorheen bekend as KRUIK.Onder sy leiding kon ArtsCape groei en ontwikkel tot 'n sterk en redelik onafhankliketeaterkompleks wat die breë kunstegemeenskap dien. Die kennis en begronding wat sy MBL-graad vir hom gebring het, het 'n sterk bydrae gelewer om ArtsCape ook op 'n gesonde finansiëlegrondslag te plaas.

Mihael is ook 'n befaamde musikant met 'n meestersgraad in musiek. In 1985 en 1986 studeer hyklavier aan Ithaca College for the Performing Arts in Ithaca, New York. Hy sluit aan by dieUniversiteit van Port Elizabeth in 1982 as dosent en word later die direkteur van UPE Cultura waar hydie Nasionale Jeugmusiekkompetisie vestig. Hy tree ook gereeld op nasionale en streeksvlak opas beoordelaar vir verkeie groot musiekkompetisies.

Sy visie is om ArtsCape te transformeer tot 'n internasionaal en nasionaal erkende bate vir diekunste, wat gereken word vir uitnemendheid, integriteit, verskeidenheid en finansiëel gesond as 'nsentrum vir kuns- en kultuurlewe in Suid-Afrika.

From the time Michael Maas became Chief Executive of ArtsCape, previously CAPAB (CapePerforming Arts Board) in 1997, he proceeded to reform the arts council from a statutorycontrolled body to an increasingly independent playhouse serving the artists and art forms of allSouth African communities. The new artistic environment provides a greater diversity of artsprogrammes together with extensive audience development and education programmes. HisMasters’ degree in Business Leadership has been invaluable in putting ArtsCape on a soundfinancial footing.

Michael Maas is an accomplished musician with a Master’s degree in Music. In 1985 and 1986he studied piano at Ithaca College for the Performing Arts in Ithaca, New York. He joined the staffof the University of Port Elizabeth in 1982 as lecturer in piano and progressed to Head and laterDirector of UPE Cultura establishing the National Youth Music Competition. He regularly serves onnational and regional adjudicating panels for music and the arts, such as the SASOL Music Prize,the SABC Music Prize, the ABSA National Youth Music Competition and the ATKV Forté and PreludeCompetitions (now known as AKTV Muziq Competition).

His vision is to transform the ArtsCape Theatre Centre into an arts company internationally andnationally renowned for its excellence, integrity, diversity and financially stable, at the centre ofcultural and artistic life in South Africa.

ike van Graan Michael aas

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Steve is ’n gebore Pretorianer wat in 1982 aan Grey Kollege in Bloemfontein matrikuleer. Hy voltooisy 2 jaar militêre diensplig en studeer vir twee en 'n half jaar aan die Pretoria Technikon sedramaskool.

Sy verhoogproduksies sluit in “Summer Holiday”, “Joseph”, “Sound of Music” en “Die Soen”. Hy hetook in vier rolprente as hoofspeler opgetree (”Kampus”, “Agter elke man”, “No Hero”, “Case ofmurder”en in drie televisie sepies:”

Wanneer dié akteur 'n ruskansie vat, neem die skrywer oor. Steve het al 13 oorspronklike CD'suitgegee en een digbundel, “Valkuns”.

Hoogtepunte in sy loopbaan sluit in sy toneelspel teenoor Joan Collins, uitverkoopte salemaande vooruit by die Sun City Superbowl en ses keer in een jaar by Carnival City. Hy het alopgetree en opgeneem in Los Angeles, Nederland, Kanada, Brittanje, Dubai, Kenia, Namibië ennog vele meer. In twee verskillende meningspeilings is Steve al onderskeidelik as die 32ste en13de mees gewilde Suid-Afrikaner van alle tye benoem.

Steve is ’n SAMA-wenner (beste CD-verkope in 2004).

Steve was born in Pretoria on the same day as Michael Jackson, but 4 years later, 29 August 1964.He matriculated from Grey College in 1982, did his army and border duty for 2 years and studiedfor two and a half years at Pretoria Tech Drama School.

His stage productions include “ Hislead roles in movies include and threeTV soaps: “ and “ and when the actor's taking a breakthen the writer takes over, composing songs (13 original cd's, 150 of his songs are beingperformed locally and internationally) and writing poetry (3 anthologies, one published:

. "But I'm not a great poet. They're pretty much economic songs or lazy thoughtscondensed!"

Steve singles out highlights as acting opposite Joan Collins, Sun City Superbowl sell-out months inadvance, Carnival City (6 times in one year) and his international performances and recordings(Los Angeles, Holland, Canada, Britain, Dubai, Kenya, Namibia, Mauritius, Seychelles, Comores,Egypt, Zimbabwe, Australia, New Zealand).

In two different polls, Steve was nominated as 32nd and 13th most popular South African of alltime.

Steve is a SAMA winner (best CD seller 2004).

Guilliam Woudberg”, “Agter Elke Man” en “Egoli”.

Summer Holiday”, “Joseph”, “Sound of Music” and “Die Soen”.,“

Guilliam Woudberg”, “Agter Elke Man” Egoli”

“Valkuns”)

Kampus” “Agter elke man”, “No Hero”, “Case of murder”

Dawn completed her BA Fine Arts degree, HDE and Bachelor of Education at the University ofNatal. She is currently busy with her master’s degree in Educational Resource Development.

Dawn taught history and arts at different schools in the 1980’s. From the school environment shemoved to senior lecturer at Bechet College of Education in Durban and to the University of NatalEducation Faculty. In June 1999 Dawn was appointed head of Arts Education at DAC.

As programme director of Create SA (2003 - 2005) she headed up the dynamic teamresponsible for this R118 million Creative Industries National Skills Development Initiative. Throughresearch, the development of 15 qualifications and the training of assessors and moderators, thisproject have empowered 5 488 learners in three years.

Dawn is an independent consultant in the Creative Industries and director of Gillian BickellCeramics. She has attended many international conferences on arts and culture matters andhas more than 24 years of lecturing and management experience in the arts and cultureenvironment.

Dawn has recently been appointed chief curator at Museum Africa in Johannesburg.

Dawn voltooi haar BA Beeldende Kunste, HOD en BEd aan die Universiteit van Natal. Sy is tansbesig met haar meestersgraad in Opvoedkundige Hulpbronontwikkeling. Sy gee klas ingeskiedenis en kuns by verskeie skole in die 1980’s en skuif vandaar as senior lektor eers na dieBechet College of Education in Durban en toe na die Universiteit van Natal se DepartementOpvoedkunde.

As programdirekteur van Create SA (2003 - 2005) lei Dawn ’n dinamiese span verantwoordelik virhierdie R118 miljoen opleidingsprojek. Vyftien kwalifikasies is ontwikkel en 5 488 leerders is in diedrie jaar deur hierdie opleidingsprojek bemagtig.

Dawn is ook ’n onafhanklike konsultant in die Kreatiewe Industrie en direkteur van Gillian BickellCeramics. Sy het verskeie internasionale konferensies oor kuns- en kultuuraangeleenthedebygewoon en het meer as 24 jaar se ervaring in opleiding en bestuur binne die kunste-omgewing.

Dawn is onlangs aangestel as hoofkurator van Museum Africa in Johannesburg.

Dawn obertsonteve ofmeyr

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TUESDAY 20 JUNE 2006

08:30 - 09:00 Arrival and RegistrationTea/coffee/refreshments

09:00 - 09:20 Official OpeningProgramme arrangementsOfficial welcome by the Campus Rector, prof Annette Combrink

09:20 - 09:45 Opening speaker(MD Art 27 Consulting) (25 min)

Arts Management in SA today: to be proud of or to cry about?

09:45 - 10:15 Group discussion on topic 1 (30 min)

10:15 - 10:45 Tea/coffee/refreshments

10:45 - 11:10 (MD Arts Cape) (25 min)The Arts in SA today: poor beggar or growing entrepreneur?

11:10 - 11:40 Group discussion on topic 2 (30 min)

11:40 - 12:45 Feedback from the groups on topics 1 and 2Questions and answers (guest speakers answer individual questions)

12:45 - 14:00 Lunch

14:00 - 14:25 (Artist) (25 min)

14:25 - 14:55 Group discussion on topic 3


15:20 - 15:45 (Chief Curator Museum Africa) (25 min)

15:45 - 16:15 4


/ Adjurned

19:00 until late… Social Function / Networking opportunity

Mike van Graan

(1)

Michael Maas

(2)

Steve Hofmeyr

Dawn Robertson

(3) The arts and the media in SA today: flirting friends, partners or enemies?

(4) Education in the arts in SA: today are we getting somewhere or not?

Group discussion on topic

Programme arrangements

DINSDAG 20 JUNIE 2006

08:30 - 09:00 Aankoms en RegistrasieTee/koffie/verversings

09:00 - 09:20 Amptelike OpeningOrdereëlingsAmptelike verwelkoming deur Prof Annette Combrink (kampusrektor)

09:20 - 09:45 Openingspreker(BD Art 27 Consulting) (25 min)

“Arts Management in SA today: to be proud of or to cry about?”

09:45 - 10:15 Bespreking van onderwerp 1 in groepsverband (30 min)

10:15 - 10:45 Tee/koffie/verversings

10:45 - 11:10 (BD ArtsCape) (25 min)Die kunste in SA vandag: bakhand-bedelaar of groeiende

entrepreneur?

11:10 - 11:40 Bespreking onderwerp 2 in groepsverband (30 min)

11:40 - 12:45 Terugvoer van die groepe oor onderwerpe 1 en 2Vraetyd (sprekers beantwoord vrae van individue)

12:45 - 14:00 Middagete

14:00 - 14:25 (Kunstenaar) (25 min)Die kunste en die media in SA vandag: flirterende vriende,

vennote of vyande?

14:25 - 14:55 Bespreking van onderwerp 3 in groepsverband


15:20 - 15:45 (Hoofkurantor Museum Africa) (25 min)


16:15 - 17:00 Terugvoer van die groepe oor onderwerpe 3 en 4Vraetyd (sprekers beantwoord vrae van individue)Ordereëlings / Verdaag

19:00 tot laat... Kuierfunksie / Netwerkgeleentheid

Mike van Graan

(1)

Michael Maas

(2)

Steve Hofmeyr

(3)

Dawn Robertson(4) Education in the arts in SA today: are we getting somewhere or not?

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WEDNESDAY 21 JUNE 2006

08:15 - 08:20 Continuation of symposiumProgramme arrangements

08:20 - 09:40 (MD Tanstaafl) (80 min)

09:40 - 10:00 Group discussion of topic 5 (20 min)


10:15 - 10:25 (former MD ABSA-KKNK) (25 min)Arts festivals in SA: “lekker” party or pillar of strength for the arts?

10:25 - 10:55 Group discussion of topic 6


12:00 - 13:00 Lunch

13:00 14:45 Panel discussion: Issues in the arts in South Africa

14:45 - 15:00 ClosingProgramme arrangementsGoodbye and departure

Deon Opperman

Karen Meiring

(6)

(5) Risk management in the arts in SA today: business tool or consultant talk?

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WOENSDAG 21 JUNIE 2006

08:15 - 08:20 Voortsetting van SimposiumOrdereëlings

08:20 - 09:40 (BD Tanstaafl) (80 min)Risikobestuur in die kunste in SA vandag: bestuursgereedskap of

konsultante-brabbeltaal?

09:40 - 10:00 Bespreking van onderwerp 5 in groepsverband (20 min)


10:15 - 10:25 (voormalige BD ABSA-KKNK) (25 min)Kunstefeeste in SA: lekker partytjie of steunpilaar vir die kunste?


10:55 - 12:00 Terugvoer van groepe oor onderwerpe 5 en 6Vraetyd (sprekers beantwoord vrae van individue)

12:00 - 13:00 Middagete

13:00 - 14:45 Paneelbespreking: Vraagstukke in die kunste in Suid-Afrika

14:45 - 15:00 AfsluitingOrdereëlingsGroet en vertrek

Deon Opperman

(5)

Karen Meiring

(6)

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Deon Opperman se loopbaan as dramaturg, regisseur en vervaardiger van teater, film entelevisie begin in 1984. Sedertdien het hy meer as 50 teaterproduksies geskryf, geregisseer envervaardig in Engels en Afrikaans in elke groot teater en by die vernaamste kunstefeeste in Suid-Afrika. Hy het ook op groot skaal reeds vir televisie vervaardig, geregisseer en geskryf.

Deon is ’n Fulbright-beurshouer en verwerf sy BA-graad aan die Rhodes Universiteit, sy honneurs(cum laude) aan die Universiteit van Kaapstad en sy MA-graad aan die Northwestern University inChicago. Hy voltooi ook onlangs sy MBA by die WITS Besigheidskool. In 1996 is hy een van diestigterdirekteure van AFDA, The South African School of Motion Picture Medium and LivePerformance. Dit is ’n privaat tersiêre instelling waar hy vir agt jaar dien.

Deon bedank uit sy uitvoerende pos by AFDA met behoud van sy aandele om die hoofuitvoerende beampte en beherende aandeelhouer van Tanstaafl Holdings (Pty) Ltd te word.Hierdie maatskappy het die beherende aandeel in drie ander maatskappye: eQ2 CorporateServices (Pty) Ltd - ’n korporatiewe konsultasiemaatskappy; Bottom Line Entertainment (Pty) Ltd- ’ntelevisie- produksiehuis en Packed House Productions (Pty) Ltd, wat fokus op grootskaalseproduksies.

Deon is 44. Hy het grootgeword in Oos-Londen waar hy aan Selborne College gematrikuleer het.Hy is veelbekroon met ’n groot aantal toekennings en pryse waaronder sewe Vita's.

Deon Opperman's career as a playwright, director and producer of theatre, film and televisionbegan in 1984. Since then he has written, directed and produced over fifty theatre productions inboth Afrikaans and English in every major theatre and at every major festival in South Africa. Hehas also produced, directed and written extensively for television.

Deon is a Fulbright Scholar, and has a Bachelor of Arts Degree from Rhodes University; a BAHonnours Degree from UCT. (cum laude); a Master of Arts Degree from Northwestern University inChicago, and recently completed a Master of Business Administration Degree at WITS BusinessSchool. In 1996 he served as a founding director of AFDA: The South African School of MotionPicture Medium and Live Performance, a private tertiary institution for training in Motion Pictureand Live Performance, where he served for eight years.

He resigned his executive position at AFDA, while still holding his share of the business, to becomethe CEO and majority shareholder of Tanstaafl Holdings (Pty) Ltd, which holds a controlling share inthree companies: eQ2 Corporate Services (Pty) Ltd - a corporate consultancy; Bottom LineEntertainment (Pty) Ltd - a television production house and Packed House Productions (Pty) Ltdwhich produces large scale live entertainment.

Deon is 44. He grew up in East London, where he matriculated at Selborne College. He lives inJohannesburg with his wife, Hanli. Deon received numerous professional awards including sevenVita's.

Karen voltooi haar BA honneursgraad in Drama in 1985 aan die PUK en begin haarkunsteloopbaan in Bloemfontein, waar sy eers verhoogbestuurder en daarna lid van SukovsSangers was. Met die ontbinding van dié ensemble het Karen ’n vryskutloopbaan inJohannesburg aangepak, terwyl sy teater- en kunstenaarsbestuur studeer onder die legen-dariese Ute Hasse. Na Ute se dood in 1992 het Karen haar eie maatskappy, Giggs Galaxy, virbestuursdienste aan kunstenaars en die reël van optredes, gestig.

Karen se betrokkenheid en ervaring by die Nasionale Kunstefees op Grahamstad het gewisselvan kunstenaar tot verhoogbestuurder, venuebestuurder, produksiebestuurder en projek-bestuurder. Een van haar hoogtepunte was die sukses wat sy as projekbestuurder behaal het metThe Crossing, ’n eerste werklike kruiskulturele venue by die 1994- en 1995-feeste.

Karen is aan die einde van 1994 by die Klein Karoo Nasionale Kunstefees as feesorganiseerderaangestel, ’n posisie wat sy beklee het tot sy aan die einde van 1999 bevorder is tot besturendedirekteur. Onder haar leiding het die fees van krag tot krag gegaan.

Karen is ’n stigterlid van Cutt Glas, Suid-Afrika se eerste vroue a cappella groep. Die groep is albekroon met ’n Radio Artes en ’n Geraas Musiektoekenning. Cutt Glas het in 1995 die vokaleensemble-afdeling van die Concours Panafricain Musique et des Arts kompetisie gewen en in1999 ’n spesiale toekenning by die gerekende Tampere Internasionale Koorfees in Finlandontvang.

Karen Meiring is in Junie 2005 bekroon as een van die tien top vroue wat Rapport en City Pressjaarliks aankondig. Haar toekenning is op die gebied van kuns en kultuur. Sy is onlangs aangestelas direkteur van die Oude Libertas Amfiteater in Stellenbosch.

Karen completes her BA Drama (Honns) in 1985 at the former Potchefstroom University forChristian Higher Education. She begins her career in the arts in Bloemfontein were she was stagemanager and later member of the Sukovs Singers. Karen then pursued a freelance career inJohannesburg under the legendary Ute Hasse until his death in 1992. She then started her owncompany, Giggs Galaxy, focusing on delivering artist management services to artists.

At the end of 1994 Karen was appointed as festival organizer for the KKNK and was promoted tomanaging director of this festival in 1999. Under her leadership this festival grew from strength tostrength.

Karen is a founder member of Cutt Glas, South Africa’s first female a capella group. They won thevocal ensemble category of the Concours Panafricain de Musique et des Arts competition in1995 and received a special award in 1999 at the Tampere International Choir Festival in Finland.

Karen was honoured as one of the top 10 Women in South Africa in June 2005 by Rapport andCity Press in the category of arts and culture.

eon pperman aren eiring

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Artéma is die Instituut vir Kunstebestuur en Ontwikkeling op die Potchefstroomkampus vandie Noordwes-Universiteit. Hierdie instituut het op 1 Desember 2003 tot stand gekom metdie doel om opleiding te gee op die gebied van kunstebestuur en alle aanverwante

dissiplines.

Die Instituut fokus op die bemagtiging en opleiding van mense betrokke aan die bestuurs- oforganisatoriese kant van die kunsteomgewing. Die instituut hou homself dus nie besig metopleiding in die verskillende kunsvorme nie, maar met opleiding in die bestuur daarvan.

Artéma is die eerste instituut van sy soort in die land wat in vennootskap met soveel moontlikrolspelers in die kunste, die kunste-omgewing wil dien, oplei en bemagtig.

Artéma het oor die afgelope twee en ’n half jaar jaar onder andere:- V

o Kuns en Kultuurbestuur op gemeenskapsvlak;

- Meer as 25 kortkursusse aangebied. Hierdie kursusse is deur meer as 440 mense bygewoon.- Twee Leerderskapprogramme in kunsteadministrasie aangebied waarvan die tweede programtans in proses is.

ier verskillende kursusse ontwikel:

o Projekbestuur in die kunste;o Entrepreneurskap in die kunste; eno Inleiding tot teatertegnologie.

Artéma is the Institute for Arts Management and Development on the PotchefstroomCampus of the North-West University. This institute came to life on the 1st of December 2003with the main aim of presenting training in arts management and all relevant disciplines.

The institute focuses on the empowerment and training of people involved on the managementand organisational side of the arts environment.

Artéma is the first institute of its kind in South Africa that aims to serve the arts in collaboration withas many role players as possible by training managers and administrators in the arts.

Artéma has over the past two and a half years:- Developed four different courses:

o Arts and culture management on community level;o Project management in the arts;o Entrepreneurship in the arts; ando Introduction to theatre technology.

- Presented more than 25 short courses which were attended by more than 440 people.- Presented two Learnership Programmes in arts administration.

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’n Geleentheid soos hierdie sou nie kon plaasvind sonder die kollektiewe insettevan baie mense nie.

Baie dankie aan:

Deon Opperman wat die saadjie geplant het vir die aanbied van hierdiesimposium en vir sy deurlopende advies en klankbord in die aanloophiertoe;Al die sprekers vir julle opofferinge, moeite en bereidwilligheid om jullekennis en ervaring te kom deel;Dr Theuns Eloff, Visekanselier van die Noordwes-Universiteit vir advies enleiding;Prof Annette Combrink, Rektor van die Pukkampus vir die amptelikeverwelkoming en deurlopende morele ondersteuning;Mnr Theo Venter wat as voorsitter van die simposium opgetree het;Die Boulevard Harmoniste en MTM wat as gaskunstenaars by die funksieopgetree het;Personeel van die Departement Kultuur op die Pukkampus van dieNoordwes-Universiteit, vir ondersteuning in terme van hulp, advies, diensteen infrastruktuur;’n Toegewyde projekspan wat baie ure se harde werk agter die skermsingesit het om hierdie geleentheid realiteit te kon maak:Horst Bütow, Peet Ryke, Glenn Cunniff, Mpho Modupe, Paul Khumalo, LizeTerblanche, Bennie Botha, Christine Lourens en Vincent Eastes;Alle borge en adverteerders;Ernst en Irma van Berglau Spyseniering;Looch Scholtz vir die AV; enLeslie Kok van Maclez Studios vir die foto’s.

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An event of this kind cannot be presented successfully without the collectiveefforts of many people.

Thank you very much to:

Deon Opperman for planting the idea of presenting this symposium and hisadvice during the process of putting this event together;Our guest speakers for their time, effort and willingness to share theirknowledge and experience;Dr Theuns Eloff, Vice-Chancellor of the North-West University for advice;

Personnel of the Department of Culture on the Potchefstroom Campus ofthe North-West University for support in terms of assistance, advice, servicesand infrastructure.A committed project team who have put in many hard working hours tomake this event reality:

Ernst and Irma of Berglau Catering;Looch Scholtz of Scholtz Video Productions for the AV; andLeslie Kok of Maclez Studios for the photos.

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Prof Annette Combrink, Rector of the Potchefstroom Campus for the word ofwelcome and continuous moral support;Mr Theo Venter for acting as chairperson of this symposium;The Boulevard Harmonists and MTM for performing as guest artists at thefunction;

Horst Bütow, Peet Ryke, Glenn Cunniff, Mpho Modupe, Paul Khumalo, LizeTerblanche, Bennie Botha, Christine Lourens and Vincent Eastes;All sponsors and advertisers;

rkennings cknowledgements

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Documents

Nasionale Kunstebestuursimposium National Arts · PDF fileHy beklee hierdie posisie totdat hy sy eie onderneming ... he studied piano at Ithaca College for the Performing Arts in Ithaca,