/ Contents

................................................................................................... 9 Editorial ............................................................................................................ 10

: The Main Theme:Music Between The World Wars

, 1919. 1944. ................................................................................................ 13

Nadeda Mosusova, Ways of Serbian Music, 1919-1944, summary........ 24 , ........................................................................... 25

Katarina Tomaevi, Problems in Studying Serbian Music between the Two World Wars, summary...................................................................... 47

, : - ........................................................... 49

Biljana Milanovi, Studying Serbian Music between the Two World Wars: From Theoretical-Methodological Pluralism to Integral Music History, summary........................................................ 91

Melita Milin, Being a Modern Serbian Composer in the 1930s:

The Creative Position of Ljubica Mari................................................... 93 , 20. : , .......... 103

Clemansa Firca, Modernity and the Avantgarde in Romanian

Music, 1920-1940. .................................................................................... 105 , ,1920-1940, ..................................................................... 117

Jean-Yves Bosseur, La musique franaise dans lentre-deux

guerres ........................................................................................................ 119 - , , ........................................................................................................ 128

Varia

, ............................................................................................. 131

Jelena Jovanovi, About the Song Brojenica in Gornja Jasenica a Typology, summary............................................................................ 136

Melita Milin, General Histories of Music and the Place

of the European Periphery....................................................................... 141 , , ................................................................................. 148

/ Reviews

Sanja Gruji, The Works of the Composer Miloje Milojevi ................. 151 , , - .................................................. 153 Jelena Jovanovi, Ethno-camp Petani , ( ) ........................................................................ 156

Vesna Peno, Two International Conferences about Orthodox Chant (Jai and Moscow)

/ Dedicated to the Memory of Dragutin Gostuki

, ........... 161 Predrag Palavestra, The Acute Angle of Dragutin Gostuki , ............................................... 164 Mladen Srbinovi, The World about Gostuki , ................. 165 Vlastimir Trajkovi, Memories of Dragutin Gostuki , ................ 167 Katarina Tomaevi, Gostuki and Serbian Musicology Katarina Tomaevi, Dedicated to the Memory of Dragutin Gostuki,

summary..................................................................................................... 171 , ,

In memoriam

, (1927-2000) ............................. 172 Melita Milin, Vlastimir Perii , (1910-2000)............................... 174 Aleksandar Vasi, Stanojlo Rajii , (1911-2000) .................................. 178 Ana Matovi, Nikola Hercigonja

/ About the Authors .............................................................181

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