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DOI 10.5937/kultura1340272A 316.723(497.11)199/...
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SlobodanAntoniUniversityofBelgrade,FacultyofPhilosophy
SociologyDepartment,Belgrade
PINKTRANSITIONINSERBIA:SIXTHESESCONCERNINGOURCULTURALSITUATION
Abstract
During transition, Serbia and other (semi) peripheral countries
havebecome economical, political and cultural colonies of
transnationalcapitalistclass(TNCC)whosecenter(metropolis)isfoundinthemainsocietiesoftheworldcapitalistsystemtheUSandtheEU.ThishasinfluencedtheformationoftheSerbiansystemofmassculturethatischaracterizedbythecultureofforgetting,theideologyofconsumeristliberationofsinandshame,fetishismofsexandviolence,aswellasnormalization(relaxation)ofpathologyandamorality.ThesefeaturesdominatealsointhehighcultureproducedandconsumedbyTNCCmembers(andcandidatesforit).MostofthehighcultureisnowunderTNCCcontrol,whichessentiallydictatesthedominanttastes.Membersofthebourgeoisie,whosuccessfullyproduceordemonstratetherighttaste
on the (semi) periphery, are incorporated into the
idiocraticfractionofTNCC.HencealmostallhighcultureinSerbiaismarkedwithcompradorcontentandstyle,andalsomarkedbyconceptualart.And
since it is impossible, in the current sociohistorical
conditions,to reject themaincultural functionof themassmedia
inSerbiaasacollectorofconsumerhypnosis,itisalsoimpossible,inthecurrentsociohistorical
constellation, to change the colonial compradorcharacter of the
institutions of high culture inSerbia.They are onlyan institutional
expression of the dominant, financially and
sociallyhegemonicclassesinSerbiansocietythecompradorbourgeoisie.
Keywords:transnationalcapitalistclass,compradorbourgeoisie,theworldsystem,culturalcapital,taste
.,,,,
