#ubrzaj2019#DecenijaVrijednihPrica

Crnogorski festival filma o ljudskim pravima UBRZAJ / FAST FORWARD Human Rights Film Festival Montenegro

Organizator / Organiser:Centar za građansko obrazovanje (CGO) / Centre for Civic Education (CCE)

Tim Festivala UBRZAJ 2019 / FAST FORWARD 2019 Team: Damir Nikočević Tamara Milaš Filip Đurišić Nikola Djonović Ana Puljiz Miloš Vukanović Maja Marinović Vasilije Radulović Željka Ćetković Vera Šćepanović Svetozar Šćekić Rialda Ramusović

Damir Suljević Milica Međedović Luka Asanović Milena Brajović Nikola Šćekić Stevo Kalanj Nebojša Babović Lidija Begović Mladen Vušurović Nataša Govedarica Nikola Ljuca Daliborka Uljarević

Dizajn i produkcija / Design and production:Centar za građansko obrazovanje (CGO) / Centre for Civic Education (CCE)

Kontakt / Contact:Centar za građansko obrazovanje (CGO)/ Centre for Civic Education (CCE) Bulevar Svetog Petra Cetinjskog 96, III/6, 81 000 PodgoricaCrna Gora / Montenegro Tel: + 382 20 228 479, Fax: + 382 20 228 499 E-mail: info@cgo-cce.orgwww.cgo-cce.org www.ubrzaj.me

decenija vrijednih priča

Uvodnik /Introduction

Dnevnik Diane Budisavljević / The Diary of Diana BNaše majke / Our MothersEdna / EdnaNoćna sesija / Night SessionKoja je ovo država! / What a Country! Hladni slučaj Hammarskjöld / Cold Case HammarskjöldMiler i sin / Miller & SonGender derby / Gender derbyI onda smo plesali / And Then We DancedGolda / GoldaRBG / RBGUdaljenost između nas i neba / The distance between

us and the sky

Dnevni otpust / Day releaseUpoznati Gorbačova / Meeting GorbachevAlis i gradonačelnik / Alice and the MayorKordiljeri snova / The Cordillera of Dreams

Sadržaj / Content:8

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Podgorica10 – 14. decembar 2019 / 10 – 14 December 2019Crnogorsko narodno pozorište / Montenegrin National Theatre

………………………………………….………………………………………….....

Berane11 – 12. decembar 2019 / 11 – 12 December 2019Centar za kulturu / Culture CentreJU Gimnazija „Panto Mališić“ / Gimnasium „Panto Mališić“

……………………………………….………………………………………….......

Kotor 13 – 14. decembar 2019 / 13 – 14 December 2019Kino “Boka” / Cinema “Boka”JU Gimnazija Kotor / Gimnasium Kotor

Ulaz je slobodan za sve projekcijeNo entrance fee for all screenings

Crnogorski festival filma o ljudskim pravima UBRZAJ počeo je prije deceniju u Podgorici, ali se odavno proširio sa izdanjima u Kotoru i Beranama osvajajući različite javne prostore. Već deceniju ostajemo jedinstveni po tematskom fokusu i crnogorskim premijerama filmova koji na umjetnički ubjedljiv, originalan, pronicljiv i provokativan način šire horizonte našeg poimanja modernog koncepta ljudskih prava, ali i naše uloge u zagovaranju ljudskih prava.

Borba za ljudska prava nije laka, niti će ikada biti okončana. Svjedoci smo mnogih, ne samo prekršenih, nego skršenih ljudskih prava, i to dominantno od strane onih koji su dužni da javni interes stave ispred bilo kakvog privatnog interesa.

Imperativ dobrog života u zajednici je osjećaj građana i građanki da se poštuju elementarni principi pravde i pravičnosti. Politička pravda koja znači korišćenje prava za ostvarivanje političkih ciljeva nas udaljava i od pravde i od pravičnosti. Kao što nas i nepoštovanje bazičnih ljudskih prava i sloboda udaljava od života dostojnog zajednice 21. vijeka.

Decenija vrijednih priča Festivala UBRZAJ dio je našeg doprinosa ukazivanju na značaj borbe za ljudsko dostojanstvo i univerzalnost ljudskih prava, kao i na brojne načine na koje su oni stalno ugroženi. Filmovi iz ovogodišnje selekcije nas nikad snažnije podstiču na izlazak iz individualnih parcijalnosti, ohrabruju na dosljednost u zalaganju za vrijednosti i principe i daju nam snagu za pogled na sopstvena ubjeđenja i akcije.

Svako od nas može kreirati svoju vrijednu priču. Samo ako vjerujemo u sebe. A ovi filmovi nam pomažu da vratimo vjeru u sebe, ljude, pravdu, ljepotu i ljubav. Sasvim dovoljno da idemo dalje uspravne glave i da stojimo za svoja i prava onih koji to ne mogu.

Uvodnik /Introduction

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FAST FORWARD Human Rights Film Festival Montenegro started a decade ago in Podgorica, but quickly spread with its editions to Kotor and Berane, taking over various public spaces. For a decade now we remain unique in our thematic focus, and in hosting the first Montenegrin screenings of films which contribute to the widening of our understanding of the contemporary notion of human rights – and our role in their promotion - in an artistically compelling, original, insightful and provocative manner.

The struggle for human rights is neither easy nor likely to ever be over. We are witnesses to many cases in which human rights have been not just violated, but smashed, often by those very people whose job is to place public interest above any individual interest.

The imperative of a good life in a community is when the citizens feel that the basic principles of rule of law and justice are in place. Politicized justice, or the use of law to pursue political gain, takes us further away from rule of law and justice. Just like the lack of respect for basic human rights and freedoms takes us further away from the life worthy of a 21st century community.

A decade of valuable stories of FAST FORWARD Festival is part of our contribution to the wider pointing to the importance of the struggle for human dignity and universality of human rights, and the many ways in which they are constantly being threatened. The films from this year’s selection give us a powerful incentive to step beyond our individual partial existences, encourage us to be consistent in fighting for our values and principles and give us strength to reflect on our own beliefs and actions.

Each one of us can create his/her own valuable story. Just if we believe into ourselves. And these films are helping us to recover faith into ourselves, people, justice, beauty and love. Quite enough to walk further proudly and to stand for our rights and for the rights of those who cannot do that.

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PODGORICA, Crnogorsko narodno pozorište / Montenegrin National Theatre

Utorak, 10. decembar / Tuesday 10 December Crnogorsko narodno pozorište, Velika Scena / Montenegrin National Theatre, Grand Scene

20:00 – DNEVNIK DIANE BUDISAVLJEVIĆ / THE DIARY OF DIANA B, Dana Budisavljević / Hrvatska, Srbija / Croatia, Serbia, 2019 / 80'

Srijeda, 11. decembar / Wednesday 11 December Crnogorsko narodno pozorište, Studio Scene / Montenegrin National Theatre, Studio Scene

17:00 – NAŠE MAJKE / OUR MOTHERS, Cesar Diaz / Gvatemala, Belgija, Francuska / Guatemala, Belgium, France, 2019 / 78'

18:30 – EDNA / EDNA, Vuk Mitevski / Sjeverna Makedonija / North Macedonia, 2019 / 11'

18:45 – NOĆNA SESIJA / NIGHT SESSION, Petre Tomadze / Gruzija / Georgia, 2019 / 5'

19:00 – KOJA JE OVO DRŽAVA! / WHAT A COUNTRY!, Vinko Brešan / Hrvatska/ Croatia, 2019 / 118'

21:30 – HLADNI SLUČAJ HAMMARSKJOLD / COLD CASE HAMMARSKJOLD, Mads Brügger / Danska, Norveška, Švedska, Belgija / Denmark, Norway, Sweden, Belgium, 2019 / 128'

Četvrtak, 12. decembar / Thursday 12 December Crnogorsko narodno pozorište, Studio Scene / Montenegrin National Theatre, Studio Scene

15:00 – MILER I SIN / MILLER & SON, Asher Jelinsky / SAD / USA, 2019 / 22'

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15:30 – GENDER DERBY / GENDER DERBY, Camille Ducellier / Francuska / France, 2019 / 11'

16:30 – I ONDA SMO PLESALI / AND THEN WE DANCED, Levan Akin / Švedska, Francuska, Gruzija / Sweeden, France, Georgia, 2019 / 113'

Petar, 13. decembar / Friday 13 DecemberCrnogorsko narodno pozorište, Studio Scene / Montenegrin National Theatre, Studio Scene

17:00 – GOLDA / GOLDA, Sagi Bornstein, Udi Nir, Shani Rozanes / Izrael, Njemačka / Israel, Germany, 2019, 88’

18:30 – RBG / RBG, Julie Cohen, Betsy West / SAD / USA, 2018, 98'

20:15 – UDALJENOST IZMEĐU NAS I NEBA / THE DISTANCE BETWEEN US AND THE SKY / Vasilis Kekatos / Grčka, Francuska / Greece, France, 2019 / 9'

20:25 – DNEVNI OTPUST / DAY RELEASE / Martin Winter / Njemačka / Germany, 2019 / 35'

21:15 – UPOZNATI GORBAČOVA / MEETING GORBACHEV / Werner Herzog / Velika Britanija, SAD, Njemačka / UK, USA, Germany, 2018 / 90'

Subota, 14. decembar / Saturday 14 DecemberCrnogorsko narodno pozorište, Studio Scene / Montenegrin National Theatre, Studio Scene

17:00 - ALIS I GRADONAČELNIK / ALICE AND THE MAYOR / Nicolas Pariser / Francuska / France, 2019 / 103'

20:00 – KORDILJERI SNOVA / THE CORDILLERA OF DREAMS / Patricio Guzman / Čile, Francuska / Chile, France, 2019 / 85'

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BERANE, Centar za kulture / Cultural Centre Gimnazija “Panto Mališić” / Gimnasium “Panto Mališić”

Srijeda, 11. decembar / Wednesday 11 December Gimnazija “Panto Mališić” / Gimnasium “Panto Mališić”

10h00 – DNEVNI OTPUST / DAY RELEASE / Martin Winter / Njemačka / Germany, 2019 / 35'

Centar za kulture / Cultural Centre

19h00 – DNEVNIK DIANE BUDISAVLJEVIĆ / THE DIARY OF DIANA B, Dana Budisavljević / Hrvatska, Srbija / Croatia, Serbia, 2019 / 80'

Četvrtak, 12. decembar / Thursday 12 December Gimnazija “Panto Mališić” / Gimnasium “Panto Mališić”

10h00 – NOĆNA SESIJA / NIGHT SESSION, Petre Tomadze / Gruzija / Georgia, 2019 / 5'

11h00 – EDNA / EDNA, Vuk Mitevski / Sjeverna Makedonija / North Macedonia, 2019 / 11'

Centar za kulture / Cultural Centre

19h00 – KOJA JE OVO DRŽAVA! / WHAT A COUNTRY!, Vinko Brešan / Hrvatska/ Croatia, 2019 / 118'

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KOTOR, KINO “BOKA” / CINEMA “BOKA”

Petar, 13. decembar / Friday 13 DecemberGimnazija Kotor / Gimnasium Kotor

12h00 – EDNA / EDNA, Vuk Mitevski / Sjeverna Makedonija / North Macedonia, 2019 / 11’

Kino “Boka” / Cinema “Boka”

19h00 – DNEVNIK DIANE BUDISAVLJEVIĆ / THE DIARY OF DIANA B, Dana Budisavljević / Hrvatska, Srbija / Croatia, Serbia, 2019 / 80'

Subota, 14. decembar / Saturday 14 DecemberKino “Boka” / Cinema “Boka”

18h00 – UPOZNATI GORBAČOVA / MEETING GORBACHEV / Werner Herzog / Velika Britanija, SAD, Njemačka / UK, USA, Germany, 2018 / 90'

19h40 - NOĆNA SESIJA / NIGHT SESSION, Petre Tomadze / Gruzija / Georgia, 2019 / 5'

20h00 - KOJA JE OVO DRŽAVA! / WHAT A COUNTRY!, Vinko Brešan / Hrvatska/ Croatia, 2019 / 118'

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Dnevnik Diane Budisavljević / The Diary of Diana B.Dana Budisavljević / Hrvatska, Srbija / 2019 / 89’

Režija / Director: Dana BudisavljevićScenario / Screenplay: Dana Budisavljević, Jelena Paljan Montaža / Editor: Marko FerkovićZvuk / Sound: Jakov MunižabaProdukcija / Production: Hulahop, December film, This and That ProductionsProducenti/ Producers: Miljenka Čogelja, Olinka Vištica, Vlado Bulajić, Lija Pogačnik, Snežana van HauwelingenUloge / Starring: Alma Prica, Igor Samobor, Ermin Bravo, Areta Ćurković, Mirjana Karanović, Vilim Matula, Krešimir Mikić, Jerko Marčić, Krunoslav Šarić, Biserka Ipša, Tihomir Stanić, ...

SINOPSISOvo je istinita priča o najboljim ljudima u najgorim vremenima. Diana Budisavljević sa suprugom ljekarom, kćerkama i tek rođenom unukom živi životom zagrebačke visoke građanske klase. U jesen 1941. saznaje da se Jevrejke i Srpkinje s djecom odvode u logore gdje umiru od gladi i bolesti. Jevrejska opština šalje pomoć Jevrejkama, ali za Srpkinje se niko ne brine. Ona inicira i vodi akciju kojom će do kraja rata od sigurne smrti u ustaškim logorima biti spašeno više od 10.000 djece. Svjesna da će i rat jednom proći, Diana je vodila detaljnu kartoteku dječjih sudbina. To joj je oduzela komunistička vlast 1945. kada su njeno njemačko i građansko porijeklo postali nepoželjni. Zahvaljujući Dianinom dnevniku, koji je nakon njene smrti pronašla unuka, rasvijetljena je herojska uloga žene uvjerene da njen život nije vrijedniji od života nedužno progonjenih. Među njima su i Živko, Milorad, Zorka i Nada koji se gotovo 80 godina kasnije vraćaju u logore svog djetinjstva i tek tada saznaju da život duguju nepokolebljivoj snazi jedne žene.

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O AUTORKIDana Budisavljević, rediteljka i producentkinja, rođena je u Zagrebu 1975. godine. Diplomirala je filmsku i televizijsku montažu na zagrebačkoj Akademiji dramskih umjetnosti. Radila je kao montažerka, rediteljka i producentkinja dokumentarnih filmova i TV-serija, ali i kao organizatorka filmskih festivala.

Pet godina je radila za produkcijsku kuću Factum, direktora Nenada Puhovskog, s kojim je 2005. pokrenula ZagrebDox. S poslovnom partnerkom Olinkom Višticom 2006. osniva filmsku i umjetničku produkciju Hulahop. Debitovala je dokumentarnim filmom Sve 5!, a širu popularnost stekla je porodičnim filmom Nije ti život pjesma Havaja. Kao producentkinja potpisuje dokumentarnu seriju Betonski spavači Saše Bana, filmove Lijepo mi je s tobom znaš Eve Kraljević, Onda vidim Tanju Juraja Lerotića i druge. Dnevnik Diane Budisavljević njen je prvi autorski dugometražni film na kojem je radila skoro deceniju.

SYNOPSISThis is a true story about the great people in the worst of times. Diana Budisavljevic and her husband, a doctor, daughters and newly born granddoughter live the life of a high-class in Zagreb. In the fall of 1941, she learned that Jewish and Serbian women were being taken to the detention camps where they were left to die from hunger and disease. The Jewish municipality sends aid to the Jews, but no one cares about the Serbian women. She initiates and leads an action that will save more than 10,000 children from certain death in the Ustasha camps by the end of the war. Aware that the war would be over one day, Diana kept a detailed record of these childhood destinies. This was taken away from her by the communist government in 1945 when her German and civic background became undesirable. Thanks to Diana’s diary, which was found by her descendant after her death, the heroic role of a woman who was convinced that her life is no more valuable than the life of the innocently persecuted was revealed. Amongst them are Zivko, Milorad, Zorka and Nada, who almost 80 years later return to the camps of their childhood and only then learn that they owe life to the abiding power of one woman.

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ABOUT THE AUThORDana Budisavljevic, director and producer, was born in Zagreb in 1975. She graduated film and television editing from the Academy of Dramatic Arts in Zagreb. She hasworked as editor, director and producer of documentaries and TV series, as well as organizer of film festivals. For five years, she worked for the production company Factum, led by Nenad Puhovski, with whom she started ZagrebDox in 2005. In 2006, she founded the Hulahop, film and art production company, with her business companion Olinka Vistica. She made her film debut with the documentary Everything’s Fine!, and became more popular with the family film Your Life is not as a Hawaii Song. As a producer, she signs documentary series Slumbering Concrete by Sasha Bana, films I like That Super Most the Best by Eve Kraljevic, Then I See Tanja by Juraj Lerotic and others. The Diary of Diana B. is her first feature-length film on which she has worked on almost a decade.

Festivali i nagrade / Festivals and awards• Free Zone 2019 (Srbija/Serbia) – Nagrada publike za najbolji

film/Audience Award for Best Film, Human Rights Award

• COTTBUS 2019 Film Festival (Njemačka / Germany) - Najbolji debitantski film / Best Debut Film

• Filmski festival glumca Vinkovci 2019 (Hrvatska/Croatia) - Zlatni Orion za najbolju žensku ulogu / Golden Orion for Best Actress

• Pula Film Festival 2019 (Hrvatska/Croatia) - Velika zlatna arena za najbolji film, Zlatna arena za režiju, Zlatna arena za montažu, Zlatna arena za muziku, nagrada publike Zlatna vrata Pule i Nagrada ocjenjivačkog žirija Federacije filmskih kritičara Evrope i Mediterana – FEDEORA za najbolji hrvatski dugometražni film /Grand Golden Arena for Best Film, Golden Directing Arena, Golden Editing Arena, Golden Arena for Music, Golden Gate of Pula Audience Award and the Federation of Europe and Mediterranean Film Critics Jury - FEDEORA for Best Croatian feature film

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Naše majke / Our MothersCesar Diaz / Gvatemala, Belgija, Francuska / Guatemala, Belgium, France, 2019 / 78’

Režija / Director: Cesar DiazScenario / Screenplay: Cesar DiazMontaža / Editor: Damien MaestraggiMuzika / Music: Rémi BoubalProdukcija / Production: Needs Productions, Perspective Films, Proximus, Cine ConcepcionProducenti / Producers: Géraldine Sprimont, Delphine Schmit, Joaquin Ruano, Pamela GuineaUloge / Starring: Armando Espitia, Emma Dib, Aurelia Caal, Julio Serrano Echeverría, Victor Moreira

SINOPSISOvogodišnji belgijski kandidat za Oskara bavi se posljedicama dugogodišnjeg građanskog rata u Gvatemali koji je rezultirao etničkim čišćenjem starosjedilačkog stanovništva. Godina je 2018. i cijela je zemlja fokusirana na suđenja bivšim komandantima u građanskom ratu, a izjave žrtava stižu sa svih strana. Ernesto je mladi forenzički antropolog čiji je posao da identifikuje tijela poginulih. Jednog dana, u priči jedne svjedokinje, on uočava trag koji bi ga mogao odvesti do oca gerilca koji je nestao u ratu.

O AUTORU

Cezar Diaz je montažer i reditelj rođen u Gvatemali. Po završetku studija u Meksiku i Belgiji, pohađao je scenarističku radionicu na Filmskoj školi La Fémis u Parizu. Autor je kratkometražnih dokumentarnih filmova Semillas de Cenizas i Territorio Liberado (2014), nagrađenih meksičkom filmskom nagradom IMCINE.

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SYNOPSISThis year’s Belgian Oscar nominee deals with the aftermath of a long-running civil war in Guatemala that resulted in the ethnic cleansing of indigenous peoples. The year is 2018 and the whole country is preoccupied with the trials of former Civil War commanders, with victim statements coming from all sides. Ernesto is a young forensic anthropologist whose job it is to identify the bodies of the dead. One day, in the story of an old witness, he notices a clue that might lead him to the father of a guerrilla who disappeared in the war.

ABOUT THE AUThORCezar Diaz is Guatemala-born editor and director. After completing his studies in Mexico and Belgium, he attended a screenwriting workshop at the La Fémis Film School in Paris. He is the author of short documentaries Semillas de Cenizas and Territorio Liberado (2014), awarded with the IMCINE Mexican Film Award.

Festivali i nagrade / Festivals and awards•Cannes Film Festival 2019 (Francuska/France) – Zlatna kamera

za za najbolji debitantski film i nagrada SACD za scenario / Goldern Camera and SACD Award at the Critics’ Week

•Chicago International Film Festival 2019 (SAD/USA) – Nagrada u kategoriji novih reditelja / Silver Hugo Award in New Directors Competition

• Film Festival Oostende 2019 (Belgija / Belgium) – Nagrada za najbolju fotografiju / Look Prize for Best Photography

•Hamburg Film Festival 2019 (Njemačka / Germany)

• Jerusalem Film Festival 2019 (Izrael/Israel)

• Lima Latin American Film Festival 2019 (Peru)

• Pingyao International Film Festival 2019 (Kina / China) – Nagrada publike za najbolji film i nagrada za najbolju režiju / People’s Choice Award for Best Film and Roberto Rossellini Award for Best Director

• San Sebastián International Film Festival 2019 (Španija / Spain)

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decenija vrijednih priča

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Edna / EdnaEDNA / EDNA, Vuk Mitevski / Sjeverna Makedonija / North Macedonia, 2019 / 11’

Režija/Director: Vuk MitevskiScenario/Screenplay: Teona Strugar Mitevska Montaža / Editor: Blagoja Nedlkovski, Vanco MirakovskiZvuk/ Sound: Emil KlotzschProdukcija / Production: Sisters and Brother Mitevski, Entre Chien et LoupProducenti / Producers: Labina Mitevska, Teona Mitevska, Sebastien DelloyeUloge / Starring: Teona Strugar Mitevska (glas Edne)

SINOPSISEdna je kratak animirani film inspirisan izbjegličkom krizom u kojoj je Sjeverna Makedonija imala nezahvalnu ulogu tranzicione zemlje. U osnovi, to je ljubavna priča smještena u veoma neobičan okvir i ispričana na vrlo apstraktan i poetičan način. Film je posvećen velikom broju ženskih aktivistkinja koje su se borile za osnovno ljudsko pravo – pravo ljudi da postoje.

O AUTORUVuk Mitevski je rođen u Skoplju, u Sjeveroj Makedoniji. Diplomirao je na Bennington koledžu, SAD, gdje se usavršavao u oblasti vajarstva, slikarstva i scenografije. Živio je u SAD, gdje je imao i samostalnu izložbu. Učestvovao je i na Bijenalu mladih umjetnika Evrope i Mediterana,

kada je nagrađen od strane Muzeja savremene umjetnosti iz Napulja, a jedan od njegovih radova je uključen u njihovu kolekciju. Samostalna izložba koju je imao 2009. u Makedonskoj nacionalnoj galeriji proglašena je jednom od najboljih izložbi tokom te godine, a

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makedonska štampa ga je označla kao jednog od najperspektivnijih mladih viuzelnih umjetnika. Režirao je nekoliko kratkih filmova Alerik (2013), Iyi Ki Dogdun (2013), Slowdancer (2012). Takođe, bio je umjetnički direktor filmova Beyond the horizon (2019) i How I Killed a Saint (2004), kao i u filmovima Bog postoji i ime mu je Petrunija (2019), Kada dan nema ime (2017), Žena koja je obrisala suze (2012), Ja sam iz Titovog Velesa (2007).

SYNOPSISEDNA is a short-animated film inspired by the refugee crisis, where Macedonia played the unfortunate role of a transit country. In its essence, it is a love story set in very unusual circumstances, told in a very abstract and poetic manner. The film is dedicated to great number of women activists who fought for basic human right – right to exist.

ABOUT THE AUThORVuk Mitevski was born is Skopje, in North Macedonia. He graduated from Bennington College, USA, specializing in sculpture, painting and set design. He lived in USA where he had solo exhibition. His participation at the Biennale of the Young artists from Europe and Mediterranean 2005 was awarded by the Museum of Contemporary Art in Napoli and one of his works is included in their collection. In 2009 he had his solo exhibition at the Macedonian National Gallery, which was marked as one of the best exhibitions in that year and he was picked by Macedonian press as one of the most exciting emerging young visual artists. He directed several short films Alerik (2013), Iyi Ki Dogdun (2013), Slowdancer (2012). Also, he was production designer of movies Beyond the horizon (2019) and How I Killed a Saint (2004), as well as in movies God Exists, Her Name Is Petrunija (2019), When the Day Had No Name (2017), The Women Who Brushed Off Her Tears (2012), I Am from Titov Velesa (2007).

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decenija vrijednih priča

Festivali i nagrade / Festivals and awards • International Short Film Festival Berlin 2019 (Njemačka/Germany)

• Kraków Film Festival 2019 (Poljska/Poland) – Nagrada žirija za najbolji kratki film / Award of the Jury for the Best Short Film

• Sarajevo Film Festival 2019 (Bosna i Hercegovina / Bosnia and Herzegovina)

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Noćna sesija / Night SessionPetre Tomadze / Gruzija / Georgia, 2019 / 5'

Režija/Director: Petre TomadzeScenario/Screenplay: Peter Tomadze Montaža/Editor: Petre Tomadze Zvuk/Sound: Petre TomadzeProdukcija/Production: Shota Rustaveli Theatre and Film Georgia University, Mifasi Animation Producent / Producer: Zurab Diasamidze

SINOPSISFilm istražuje na koje sve načine porodično nasilje istovremeno oblikuje i ostavlja ravnodušnim komšije koji dijele zajedničko dvorište.

O AUTORUPetre Tomadze je mladi gruzijski autor koji se svojim kratkim angažovanim filmom predstavio uspješno široj javnosti.

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SYNOPSISThis film explores how neighbours sharing a courtyard are both shaped by, and indifferent to, domestic violence.

ABOUT THE AUThORPetre Tomadze is a young Georgian author who introduced himself to the general public with his short engagement film.

Festivali i nagrade / Festivals and awards • Sarajevo Film Festival, 2019 (Bosna i Hercegovina / Bosnia and

Herzegovina)

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decenija vrijednih priča

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Koja je ovo država! / What a country!Vinko Brešan / Hrvatska/ Croatia, 2019 / 118'

Režija/Director: Vinko BrešanScenario/Screenplay: Mate MatišićMontaža/Editor: Sandra Botica BrešanZvuk/Sound: Bartosz Putkiewicz Produkcija/Production: Inter film, Orka Productions Studio, Zillion FilmProducent/Producer: Ivan MaločaUloge /Starring: Iva Mihalić, Alma Prica, Lazar Ristovski, Krešimir Mikić, Ksenija Marinković, Goran Bogdan, Sebastian Cavazza, Zdenko Jelčić, Luka Dragić, …

SINOPSISFilm se sastoji od tri priče čiju strukturu i međusobne veze otkrivamo tokom filma. Glavni likovi su general koji osjeća snažnu želju da izvrši samoubistvo razočaran u ono što je Hrvatska postala, ministar u Vladi Republike Hrvatske koji sam sebe, bez sudske presude, zatvara u zatvorsku ćeliju jer smatra da mu je tamo mjesto, kao i grupa roditelja različitih nacionalnosti (Hrvati, Srbi i Bošnjaci) koji iskopavanjem mrtvih predsjednika Republike Hrvatske i Republike Srbije žele da natjeraju vlade ovih zemalja da napokon pronađu njihovu decu nastalu u ratu.

O AUTORUVinko Brešan je rođen 1964. u Zagrebu. Studirao je komparativnu književnost i filozofiju na Filozofskom fakultetu i filmsku i TV režiju na Akademiji dramskih umjetnosti u Zagrebu. Njegov debitantski igrani film Kako je počeo rat na mom otoku je jedan od najgledanijih igranih filmova u hrvatskim bioskopima od 1990.

Filmovi Maršal i Svjedoci nagrađivani su na festivalima u Berlinu i Karlovim Varima. Komedija Svećenikova djeca (2013.) bila je nominovana za najbolju komediju Evropske filmske akademije i distribuirana u 30 zemalja širom svijeta. Jedan je od najpopularnih pozorišnih i filmskih reditelja u Hrvatskoj.

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SYNOPSISThe film consists of three stories whose structure and interconnections we discover throughout the film. The main characters are a general who feels a strong desire to commit suicide, disappointed in what Croatia has become, a minister in the Government of the Republic of Croatia who, without a court verdict, imprisons himself in a cell because assessing that his place is there, as well as a group of parents of different nationalities (Croats, Serbs and Bosniaks) who, by excavating dead presidents of the Republic of Croatia and the Republic of Serbia, want to force the governments of these countries to finally find their children who disappeared during the war.

ABOUT THE AUThORVinko Brešan was born in 1964 in Zagreb. He studied comparative literature and philosophy at the Faculty of Philosophy and Film and TV Directing at the Academy of Dramatic Arts in Zagreb. His feature film debut How the War Started on My Island is one of the most watched feature films in Croatian cinemas since 1990. The films Marshall and Witnesses have been awarded at the Berlin and Karlovy Vary festivals. The Priest's Children comedy from 2013 was nominated for Best Comedy by the European Film Academy and distributed in 30 countries worldwide. He is one of the most popular theatre and film directors in Croatia.

Festivali i nagrade / Festivals and awards • SOFEST Festival 2019 (Srbija / Serbia) - Gran Prix

• Thessaloniki International Film Festival 2019 (Grčka / Greece) – Public Award Thessaloniki 2019

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Hladni slučaj Hammarskjöld /Cold Case HammarskjöldMads Brügger / Danska, Norveška, Švedska, Belgija / Denmark, Norway, Sweden, Belgium, 2019 / 128'

Režija/ Director: Mads BrüggerScenario/ Screenplay: Mads BrüggerMontaža/ Editor: Nicolás Nørgaard StaffolaniZvuk/Sound: John Erik Kaada Producenti / Producers: Andreas Rocksén, Peter Engel, Bjarte Mørner Tveit,Uloge / Starring: Mads Brügger, Göran Björkdahl, Dag Hammarskjöld

SINOPSISGodine 1961. avion sekretara Ujedinjenih nacija, Daga Hammarskjölda, misteriozno se srušio, ubivši njega i većinu posade. Kroz slučaj koji je i pedesetak godina kasnije još uvijek neriješen, danski novinar, reditelj i provokator Mads Brügger vodi nas kroz istražnu zečju rupu kako bi otkrili istinu.

O AUTORUMads Brügger je danski novinar, televizijski voditelj, autor i filmski producent. Napisao je nekoliko knjiga, radio za brojne časopise i novine, producirao nagrađivane radio-programe, a vodio je i kritički zapaženu televizijsku emisiju 11. sat, kao i dnevnu informativnu emisiju Rok. Brugger je autor

i satiričnih dokumentarac Danci za Buša, igranih dokumentarnih filmova Crvena kapela (nagrada Svjetskog kinematografskog žirija za dokumentarni film, Sundance filmski festival 2010) i Ambasador (Sundance filmski festival 2012).

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SYNOPSISIn 1961, United Nations secretary-general Dag Hammarskjöld's plane mysteriously crashed, killing him and most of the crew. With the case still unsolved 50-plus years later, Danish journalist, filmmaker, and provocateur Mads Brügger leads us down an investigative rabbit hole to unearth the truth.

ABOUT THE AUThORMads Brügger is a Danish journalist, television host, author and filmmaker. He has written several books, worked for magazines and newspapers, produced award-winning radio programs, and hosted the critically acclaimed late-night television show The 11th Hour, as well as the daily news programme Deadline. Brügger also created satirical docuseries Danes for Bush and feature documentaries The Red Chapel (World Cinema Documentary Jury Prize, 2010 Sundance Film Festival) and The Ambassador (2012 Sundance Film Festival).

Festivali i nagrade / Festivals and awards • Cinetopia Film Festival 2019 (SAD/USA) – Nagrada publike za

najbolji dokumentarni film / Audience Award World documentary

• DocsBarcelona 2019, Španija

• Greenwich International Film Festival 2019 (SAD/USA) – Nagrada za najbolji dugometražni dokumentarni film / Winner Best Documentary Feature Film

• Göteborg Film Festival 2019 (Švedska/ Sweeden)

• It's All True – International Documentary Film Festival Brasil 2019 (Brazil / Brasil) – Nagrada za najbolji dugometražni film u međunarodnoj konkurenciji / Winner of International Competition: Best Feature or Medium-Length Documentary

• Lighthouse International Film Festival 2019 (SAD/USA) – Nagrada žirija za najbolji dokumentarni film / Jury Award for Best Documentary

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• Londonski Film Festival 2019 (UK)

• Millennium Docs Against Gravity 2019 (Poljska / Poland) – Nagrada Bydgoszcz ART.DOC / Bydgoszcz ART.DOC Award

• Munich Film Festival 2019 (Njemačka / Germany) – Nagrada ARRI/OSRAM / ARRI/OSRAM Award

• Nordic Docs 2019 (Norveška / Norway)

• One World International Human Rights Documentary Film Festival 2019 (Češka / Czech Republic) – Nagrada za najbolju režija u međunarodnom takmičarskom programu / Best Director Award in International Competition Program

• Oslo Pix 2019, Norveška

• Sundance Film Festival 2019 (SAD / USA) - Nagrada za najbolju režiju – svjetski dokumentarni film / Directing award World Cinema - Documentary

• The Hague Movies that Matter Festival 2019 (Holandija / Netherlands) – Nagrada Zlatni leptir u međunarodnom takmičarskom programu / Golden Butterfly Award in Camera Justitia International Competition Programme

• Zurich Film Festival 2019 (Švajcarska / Switzerland)

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Miler i sin / Miller & SonAsher Jelinsky / SAD / USA, 2019 / 22'https://www.imdb.com/title/tt7435124/videoplayer/vi399556377?ref_=tt_ov_vi

Režija/Director: Asher JelinskyScenario/Screenplay: Asher JelinskyMontaža/ Editor: Selinda Tian JZ ZhouZvuk / Sound: Kate ChamurisProducent/Producer: Kate ChamurisUloge/Starring: Alexandra Grey, Diana Toshiko, Travis Hammer, Ryan Cutrona, Jessie James Keitel, Stephen Moffatt, Randy Crowder, Carter Ray, itd.

SINOPSISTransrodna djevojka živi između vođenja auto prodavnice svoje porodice tokom dana i izražavanja svoje ženstvenosti noću, sve dok nepredviđeni događaj ne ugrozi ravnotežu njenog paralelnog života.

O AUTORkiAsher Jelinsky je rediteljka i scenaristkinja iz San Franciska, SAD. Poznata je po filmovima Miler i sin (2019) i Satelit (2018). Magistrirala je režiju na Američkom filmskom institutu (AFI).

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SYNOPSISA transwoman mechanic lives between running her family's auto shop during the day and expressing her femininity at night, until an unforeseen event threatens the balance of her compartmentalized life.

ABOUT THE AUTHORAsher Jelinsky is a director and screenwriter from San Francisco, USA. He is known for his films Miller and Son (2019) and Satellite (2018). He holds a master's degree in directing from the American Film Institute (AFI).

Festivali i nagrade / Festivals and awards •Ashland Independent Film Festival 2019 (SAD/USA) – Nagrada žirija za najbolji kratki film, Nagrada publike za najbolji kratki film / Award for Best Narrative Short, Audience Award for Best Narrative Short

•BAFTA/LA Student Film Awards 2019 (SAD/USA) – Nagrada za najbolju akciju u filmu / Best Live Action

•Cannes Lions International Festival of Creativity 2019 (Francuska / France) – Nagrada za najboljeg mladog reditelja / Young Director Award

•Clermont-Ferrand International Short Film Festival 2019 (Francuska / France)

•FilmOut San Diego 2019 (SAD / USA) – Nagrada za izuzetno umjetničko postignuće / Award for Outstanding Artistic Achievement

•Nevada City Film Festival 2019 (SAD/USA) – Nagrada za najbolju ulogu / Best Performance Award

•North Carolina Gay and Lesbian Film Festival 2019 (SAD/USA) – Nagrada žirija za najbolji film / Jury Award for Best-Long Form Dramatic Short

•St. Louis International Film Festival 2019 (SAD/USA) - Nagrada za najbolji film / Best Live Action Short

•Student Academy Awards 2019 (SAD/USA) – Zlatna medalja za scenario / Gold Medal for narrative

•Walla Walla Movie Crush 2019 (SAD/USA)

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Gender Derby / Gender DerbyCamille Ducellier / Francuska / France, 2019 / 11'

Režija / Director: Camille DucellierScenario / Screenplay: Camille Ducellier Montaža / Editor: Antoine Dubois Zvuk / Sound: Benoit PerraudProdukcija / Production: Flair ProductionProducenti/ Producers: Romain Bonnin, Christophe Février, Laurent Ramamonjiarisoa, Guillaume Roy

SINOPSISOvaj dokumentarni film nas suočava sa brojnim rodnim stereotipima koncentrišući se na putovanje Jasmin, transrodnog momka u rodnoj tranziciji koji je zaluđen roler derbijem. Roler derbi nije samo još jedan sport. To je timska igra koju su stvorile i igrale žene, a koju karakteriše promovisanje tjelesne raznolikosti i inkluzivnosti. Jedan intiman i nesvakidašnji portret, snimljen u vertikalnom formatu za stvaranje utiska da je publika licem u lice sa Jasmin u ovom jedinstvenom trenutku tranzicije.

O AUTORKICamille Ducellier je rođena 1985. godine. Konceptualna je umjetnica sa brojnim autorskim radovima u različitim formama. Tako se njeno stvaralaštvo kreće od serija do zvučnih komada, instalacija virtuelne stvarnosti, veb-arta i video zapisa. Ekspertkinja je i za rodna pitanja, ne

samo zbog svog ličnog iskustva kao queer feministkinja, već i na akademskom nivou. Tokom 2018. počela je produkciju webserije Gender Derby.

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SYNOPSISThis documentary confronts us with numerous gender stereotypes focusing on the journey of Jasmin, a transgender boy going through gender transition and being infatuated with roller derby. Roller derby is not just another sport. It is a team game created and played by women and characterized by promotion of physical diversity and inclusivity. An intimate and unusual portrait, taken in vertical video format to give the impression that the audience is face to face with Jasmine at this unique moment of transition.

ABOUT THE AUThORCamille Ducellier was born in 1985. She is a conceptual artist with numerous art works in various forms. Her creativity ranges from TV series to soundtracks, virtual reality installations, web art and videos. She is also an expert on gender issues, not only because of her personal experience as a queer feminist, but also at academic level. In 2018, she started the production of the Gender Derby webserial.

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I onda smo plesali / And Then We Danced Levan Akin / Švedska, Francuska, Gruzija / Sweeden, France, Georgia, 2019 / 113'

Režija / Director: Levan AkinScenario / Screenplay: Levan AkinMontaža / Editor: Levan Akin, Simon CarlgrenZvuk / Sound: Giorgi MurguliaProducenti /Producers: Ketie Danelia, Mathilde DedyeUloge /Starring: Levan Gelbakhiani, Ana Javakishvili, Anano Makharadze, Bachi Valishvili, Giorgi Tsereteli, itd.

SINOPSISMerab odmalena trenira u Nacionalnom gruzijskom ansamblu sa svojom plesnom partnerkom Marijom. Njegov svijet se okreće naopako kada se pojavi bezbrižni Irakli i postane istovremeno njegov najjači suparnik i najveći izvor požude.

O AUTORULevan Akin je rođen 1979. u Stokholmu, u Švedskoj u koju su njegovi roditelji došli kao imigranti ranih 70ih godina iz Gruzije. Karijeru je započeo kao stažista u Švedskoj radiodifuznoj mreži, a kasnije je radio u čuvenom "Studio 24" renomiranog reditelja Roja Andersona. Zatim je radio kao asistent režije

u nekoliko televizijskih i filmskih produkcija, istovremeno snimajući i svoje kratke filmove. Poznat je po filmovima I onda smo plesali (2019), Katinkas kalas (2011) i Krug (2015).

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SYNOPSISSince his childhood, Merab trains at the National Georgian Ensemble with her dance partner Maria. His world turns upside down when the carefree boy Irakli appears and at the same time becomes his strongest rival and greatest source of desire.

ABOUT THE AUTHORLevan Akin was born in 1979 in Stockholm, Sweden, where his parents came as immigrants in the early 1970s from Georgia. He began his career as an intern at the Swedish Broadcasting Network and later worked at the famous "Studio 24" of famous director Roy Anderson. Later on, he worked as an assistant director in several television and film productions, simultaneously making his own short films. He is known for his films And Then We Danced (2019), Katinkas kalas (2011) and The Circle (2015).

Festivali i nagrade / Festivals and awards

•Cannes Film Festival 2019 (Francuska/France)

•Chicago International Film Festival 2019 (SAD/USA) - Nagrada Gold Q-Hugo / Gold Q-Hugo Award

•Cork International Film Festival 2019 (Irska / Ireland)

• LesGaiCineMad, Madrid International LGBT Film Festival (Španija/ Spain) – Nagrada publike za najbolji igrani film, Nagrada žirija za najbolji film, Nagrada žirija za najbolju ulogu / Audience award for Best Feature Film, Jury Prize for Best Film, Jury Prize for Best Performer

•Melbourne International Film Festival 2019 (Australija / Australia)

•Minsk International Film Festival 2019 (Bjelorusija / Belarus ) – Nagrada za najboljeg glumca / Best Actor Award

•Montréal Festival of New Cinema 2019 (Kanada / Canada) – Mirovna nagrada / Peace award

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•NewFest: New York's LGBT Film Festival 2019 (SAD/ USA) – Nagrada publike za najbolji film / Audience award for Best Narrative Feature

•Odessa International Film Festival 2019 (Ukrajina / Ukraine ) – Grand Prix, Nagrada za najbolji film u međunarodnoj takmičarskoj kategoriji, Nagrada za najbolju glumu / Grand prix, Golden Duke in International Competition, Golden Duke for Best Acting

• Sarajevo Film Festival 2019 (Bosna i Hercegovina/Bosnia and Herzegovina) – Nagrada za najboljeg glumca / Best Actor Award

• Seville European Film Festival 2019 (Španija / Spain) – Velika nagrada publike, Nagrada Ocaña / Grand Audience Award, Ocaña Award

•Valladolid International Film Festival 2019 (Španija, Spain) – Nagrada za najboljeg glumca, Nagrada Rainbow Spike / Best Actor Award, Rainbow Spike Award

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Golda / GoldaSagi Bornstein, Udi Nir, Shani Rozanes / Izrael, Njemačka / Israel, Germany, 2019, 88’

Režija/ Director: Sagi Bornstein, Udi Nir, Shani RozanesScenario / Screenplay: Sagi Bornstein, Udi Nir, Shani RozanesMontaža / Editor: Sagi BornsteinProdukcija / Production: udiVsagi production, Gebrueder Beetz FilmproduktionProducenti / Producers: Christian Beetz, Sagi Bornstein, Udi Nir, Georg TschurtschenthalerUloge / Starring: Uri Avneri, Yossi Beilin, Meron Medzini, Meron Medzini, Golda Meir, Zvi Zamir

SINOPSISUzbudljiva priča o mandatu izraelske premijerke Golde Meir – od iznenađujućeg uspona na vlast i zadivljujućeg međunarodnog ugleda kao ‘kraljice jevrejskog naroda’ do tragičnog i usamljenog pada. Neposredno prije smrti, Golda Meir je intervjuisana za izraelsku televiziju. Po završetku snimanja, kamere su ostale uključene, snimajući prisan razgovor sa prvom i jedinom ženom koja je ikada vladala Izraelom. Dok je palila jednu cigaretu za drugom, Golda je otvoreno govorila, braneći svoj mandat premijerke - pet turbulentnih godina koje su joj obezbijedile mjesto u istoriji, ali uz visoku ličnu cijenu. Na osnovu tih nikada prikazanih materijala, svjedočenja pristalica i protivnika, ali i rijetkih arhivskih snimaka, film Golda donosi priču o dramatičnom periodu njene vladavine.

O AUTORIMASagi Bornstein ima 15 godina iskustva kao režiser, producent i montažer dokumentarnih filmova, TV programa i vijesti. Njegova djela obuhvataju #uploading holocaust (2016, DOK Lepizig, BR, RBB, ORG, Keshet)

i Kafkinu posljednju priču (2011, Arte, SWR, SVT, Kanal 2, DOK Leipzig, nagrade na brojnim evropskim i američkim filmskim

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festivalima). Studirao je fotografiju na Camera Obscure filmskoj školi i radio za vodeće izraelske emitere prije osnivanja sopstvene produkcijske kompanije.

Udi Nir je scenarista, režiser i producent. Njegov prvi angažman u dokumentarnom filmu bio je #uploading holocaust (2016, DOK Lepizig, BR, RBB, ORG, Keshet). Studirao je na Fakultetu za dramaturgiju u Tel Avivu, kreirao

i režirao pozorišne predstave, a radio je i kao producent u Clipa teatru. Prije nego se okrenuo filmu, Udi je radio i za Amnesty International i druge nevladine organizacije posvećene ljudskim pravima.

Shani Rozanes Sagi je izraelska novinarka, scenaristkinja i rediteljka koja živi u Berlinu. Ranije je bila urednica vijesti u vodećim izralskim medijima, a danas radi za njemački Deutsche Welle. Golda je njen rediteljski prvijenac.

SYNOPSISThe eventful story of Golda Meir’s term as Prime Minister of Israel - from the surprising rise to power and iconic international stature as 'queen of the Jewish people' to her tragic and lonely demise. Shortly before her death, Golda Meir was interviewed for Israeli television. At the end of the shooting, the cameras remained on, recording intimate conversation with the first and only woman to ever rule Israel. As she lit one cigarette after another, Golda spoke openly, defending her prime ministerial term - five turbulent years that have secured her place in history, but at high personal cost. Based on these never-before-seen materials, the testimonies of supporters and opponents, as well as rare archive footage, the film Golda bring the story of one dramatic period in her reign.

ABOUT THE AUTHORSSagi Bornstein has 15 years of experience as director, producer and editor of documentaries, TV programmes and news. His works include #uploading holocaust (2016, DOC Leipzig, BR, RBB, ORG, Keshet) and Kafka's last story (2011, Arte, SWR, SVT, Channel 2,

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DOK Leipzig; awards at numerous European and American film festivals). He studied photography at the Camera Obscure Film School and worked for leading Israeli broadcasters before founding his own production company.

Udi Nir is screenwriter, director and producer. His first involvement in documentary movies was #uploading holocaust (2016, DOC Leipzig, BR, RBB, ORG, Keshet). He studied at the Faculty of Dramaturgy in Tel Aviv. Furthermore, he created and directed theatre plays, and worked as producer at the Clipa Theatre. Before turning to film, Udi has also worked for Amnesty International and other human rights NGOs.

Shani Rozanes Sagi is Israeli journalist, screenwriter and director based in Berlin. Previously, she was news editor in the leading Israeli media, and today she works for the German Deutsche Welle. Golda is her directorial debut.

Festivali i nagrade / Festivals and awards•DOC NYC 2019 (SAD/USA)•DocAviv International Film Festival 2019 (Izrael / Israel)

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RBG / RBGJulie Cohen, Betsy West / SAD / USA, 2018, 98'

Režija / Director: Julie Cohen, Betsy WestMontaža / Editor: Carla GuiterezzKamera / Camera: Claudia RaschkeProducenti / Producers: Julie Cohen, Betsy WestUloge / Starring: Ruth Bader Ginsburg, Ann Kittner, Harryette Helsel, Nina Totenberg, Martin D. Ginsburg, Arthur R. Miller, itd.

SINOPSISU svojoj 86-oj godini, sutkinja Vrhovnog suda SAD-a, Ruth Bader Ginsburg, iza sebe je ostavila je obimno i vrijedno pravno nasljeđe i neočekivano postala ikona pop kulture. No, to jedinstveno osobno putovanje njenog uspona do najviših sudskih instanci u velikoj je mjeri bilo nepoznato javnosti, čak i nekim od njenih najvećih obožavatelja – sve do sada. RBG istražuje njen nevjerovatni život i karijeru.

O AUTORkaMAJulie Cohen je producentkinja dokumentarnih filmova i televizijskih vijesti. Prije nego što je osnovala sopstvenu produkcijsku kompaniju, Better Than Fiction, radila je kao producentkinja u Dateline NBC gdje je bila

nominovana za četiri nacionalne Emmy nagrade. Osvojila je i nagradu za najbolje lično postignuće kao ženska radijska i televizijska producentkinja (Gracie Award).

Betsy West je izvršna producentkinja dokumentarno-digitalnog projekta MAKERS (AOL & PBS, 2012), dugometražnog dokumentarnog filma Strah od lavande (2017) i kratkog dokumentarca 4%: Filmski

rodni problem. Sa svojim supru gom, Orenom Jacobyjem, ona je direktorka Storyville Films-a, u okviru kojeg je koproducirala film Konstantinov mač. Na Columbia univerzitetu predaje izvještavanje, video produkciju i dokumentarni film. Takođe, osmišljava i vodi

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program FilmFridays screening, kroz koji predstavlja premijerno dokumentarce i reditelje na Školi novinarstva.

SYNOPSISIn her 86th year, U.S. Supreme Court Judge Ruth Bader Ginsburg has left behind an extensive and valuable legal legacy and has unexpectedly become a pop culture icon. But that unique personal journey of her rise to the highest court instances has been largely unknown to the public, even to some of her biggest fans - until now. RBG explores her incredible life and career.

ABOUT THE AUTHORSJulie Cohen is documentary movie and television news producer. Before founding her own production company, Better Than Fiction, she worked as a producer on Dateline NBC where she was nominated for four National Emmy Awards. She has also won the Best Personal Achievement Award as a female radio and television producer (Gracie Award).

Betsy West is the executive producer of the documentary-digital project MAKERS (AOL & PBS, 2012), the feature-length documentary Fear of Lavender (2017), and the short documentary 4%: A Gender Film Problem. With her husband, Oren Jacoby, she is director of Storyville Films, which co-produced the movie Constantine's Sword. At the Columbia University, she teaches reporting, video production and documentary. She also designs and directs the FilmFridays Screening program, through which she presents premiere documentaries and directors at the School of Journalism.

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Festivali i nagrade / Festivals and awards

•Academy Awards 2019 (SAD/USA) - Nominacija za najbolji dokumentarni film, Nominacija za najbolju muziku / Nominee for best documentary feature, Nominee for best achievement in music written for motion pictures

•BELDOCS 2019 (Srbija / Serbia)

• Primetime Emmy Awards 2019 (SAD/USA) – Nagrada za izuzetan doprinos dokumentarnom filmskom stvaraštvu / Primetime Emmy for Exceptional Merit in Documentary Filmmaking

•BAFTA Awards 2019 (SAD/USA)

•Cinema Eye Honors Awards 2019 (SAD/USA) – Cinema Eye Honors nagrada / Cinema Eye Honors Award

• Satellite Awards 2019 (SAD/USA)

•Critics’ Choice Documentary Awards 2018 (SAD/USA) – Najbolji politički dokumentarni film, Najupečatljiviji dokumentarni film / Most Compelling Living Subject of a Documentary, Best Political Documentary

•Hollywood Music In Media Awards 2018 (SAD/USA) – Nagrada za najoriginalniju muziku u dokumentarnom filmu / Award for Best Original Song - Documentary

•Minneapolis St. Paul International Film Festival 2018 (SAD/USA) – Nagrada publike za najbolji dokumentarni film / Audience Choice Award for Documentary Feature

•National Board of Review 2018 (SAD/USA) – Nagrada za najbolji dokumentarni film / NBR Award for Best Documentary

• Philadelphia Film Critics Circle Awards 2018 (SAD/USA) – Nagrada Elaine May / Elaine May Award

• Sarasota Film Festival 2018 (SAD/USA) – Nagrada publike za najbolji dokumentarni film / Audience Award for Best Documentary

•Wisconsin Film Festival 2018 (SAD/USA) – Nagrada publike za najbolji dokumentarni film / Audience Award for Best Documentary Feature

• Edinburgh International Film Festival 2018 (UK)

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Udaljenost između nas i neba / The Distance Between Us and the SkyVasilis Kekatos / Grčka, Francuska / Greece, France, 2019 / 9'

Režija / Director: Vasilis KekatosScenario / Screenplay: Vasilis KekatosMontaža / Editor: Eleni KossyfidouZvuk / Sound: Persefoni MiliouProducenti / Producers: Eleni Kossyfidou, Guillaume Dreyfus, Delphine Schmit Uloge / Starring: Nikolakis Zegkinoglou, Ioko Ioannis Kotidis

SINOPSISNoć je na cesti. Dva stranca se susrijeću na staroj benzinskoj pumpi. Jedan je stao da naspe gorivo, drugi je zaglavio na tom mjestu. Nedostaje mu 22,5 eura kako bi se vratio kući pa će prvom pokušati da proda udaljenost koja ih razdvaja od neba.

O AUTORUVasilis Kekatos je rođen 1991. u Kefaloniji, u Grčkoj. Diplomirao je na Akademiji primijenjenih umjetnosti Branel u Londonu. Već 2014. je režirao svoj prvi film Retrogradan koji je premijerno prikazan na Festivalu kratkog filma u Drami. Dobio je 2016. godine prvu nagradu na Sundance

festivalu kratkog filma, kao i stipendiju od strane Instituta Sundance za film Hotel nulta zvijezda. Njegov naredni film Tišina umiruće ribe prikazan je na brojnim međunarodnim filmskim festivalima.

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SYNOPSISNight, national road. Two strangers meet for the first time at an old gas station. One has stopped to gas up his bike, while the other is just stranded. Lacking the 22.50 EUR he needs to get home, he will try to sell him the distance that separates them from the sky.

ABOUT THE AUTHORVasilis Kekatos was born in Kefalonia, in 1991. He studied Cinema at the Brunel Fine Arts School, in London. Already in 2014 he made his directorial debut with the short film Retrograde, which premiered at the Short Film Festival in Drama. In 2016, he won the first prize at the Sundance short film competition and received a scholarship by the Sundance Institute for his film Zero Star Hotel. His next film The Silence of the Dying Fish was screened at numerous international film festivals.

Festivali i nagrade / Festivals and awards•Athens International Film Festival 2019 (Grčka / Greece) -

Najbolji kratki grčki film / Best Short Film in Greek Short Stories in Competition

•Cannes Film Festival 2019 (Francuska / France) – Zlatna palma za najbolji kratki film, Queer nagrada za najbolji kratki film / Palme d’Or – Best Short Film, Queer Palm Short Film

•Drama Short Film Festival 2019 (Grčka / Greece) - Nagrada za najboljeg reditelja / Silver Dionysus Best Director

•Kaohsiung Film Festival 2019 (Tajvan / Taiwan) – Posebno priznanje / Formosa Vision Award Special Mention

•Melburn International Film Festival 2019 (Australija / Australia)

•Reykjavik International Film Festival 2019 (Island / Iceland)

• Sarajevo Film Festival 2019 (Bosna i Hercegovina / Bosnia and Herzegovina)

• São Paulo International Short Film Festival 2019 (Brazil / Brasil)

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Dnevni otpust / Day releaseMartin Winter / Njemačka / Germany, 2019 / 35'

Režija: Martin WinterScenario: Sebastian Schmidl Montaža: Sebastian Schmidl, Martin WinterMuzika: Valentin MartinsZvuk: Valentin Konigshofer Producenti: Victoria Herbig, Sebastian SchmidlUloge: Anna Suk, Christopher Legedza, Birgit Linauer, Patrick Schmidl, Daniela Zacherl

SINOPSISSamohrana majka Kathi dobija dnevni otpust iz zatvora i nalazi svog trogodišnjeg sina, koji živi sa njenom nestabilnom majkom, u veoma lošoj situaciji. Ona je prisiljena da mu obezbijedi bolju budućnost, ali se istovremeno bori sa vremenom koje ne radi u njenu korist jer mora da se vrati u zatvor do šest sati.

O AUTORUMartin Winter je rođen 1983. u Lajpcigu, u Njemačkoj. Do 2019. studirao je režiju na Filmcollege-u Beču, u Austriji. Upravo tu je realizovao veliki broj kratkometražnih filmova i dokumentaraca. Kratkometražni film Dnevni otpust je njegov diplomski rad.

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SYNOPSISSingle mother Kathi receives day release from prison and finds her three-year-old son, who is living with her unstable mother, in bad circumstances. She is forced to find a way to enable a better future for him, while time is against her, she has to be back in prison at 6 pm.

ABOUT THE AUTHORMartin Winter was born in Leipzig, Germany, in 1983. Until 2019 he studied Directing at Filmcollege Vienna in Austria. There, he made numerous shortfilms and documentaries. The medium length film Day Release is his graduation film.

Festivali i nagrade / Festivals and awards•Camerimage 2019 (Poljska/ Poland)

•Diagonale Festival of Austrian film 2019 (Austrija /Austria)

• Leeds International Film Festival 2019 (UK)

•Max Ophüls Festival 2019 (Njemačka / Germany)

• Trujillo International Independent Film Festival 2019 (Peru)

•Human Rights Festival RED CARPET 2019 (Palestina / Palestine)

•Orlando Film Festival 2019 (SAD / USA)

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Upoznati Gorbačova / Meeting GorbachevWerner Herzog / Velika Britanija, SAD, Njemačka / UK, USA, Germany, 2018 / 90'

Režija /Directors: Werner Herzog, André SingerScenario / Screenplay: Werner HerzogMontaža / Editor: Michael EllisProducenti / Producers: Svetlana Palmer, Lucki StipetićUloge / Starring: Yuri Andropov, James Baker, Leonid Brezhnev, Konstantin Chernenko, Mikhail Gorbachev, Raisa Maximovna Gorbacheva, Werner Herzog, Miklos Nemeth, Vladimir Putin...

SINOPSISUpoznati Gorbačova je biografski dokumentarni film o životu Mikhaila Gorbačova, osmog i posljednjeg lidera Sovjetskog Saveza. U filmu su prikazana i tri intervjua između Herzoga i Gorbačeva, koja su prikupljena u periodu od šest mjeseci.

O AUTORIMAWerner Herzog je njemački filmski režiser, scenarista, autor, glumac i operski dirigent. U njegovim filmovima se pojavljuju ambiciozni protogonisti sa nemogućim snovima, ljudi sa jedinstvenim talentima u mračnim ili nejasnim poljima, kao i pojedinci koje su u sukobu sa prirodom.

André Singer je britanski dokumentarista i antropolog. Trenutno je izvršni direktor kompanije Spring Films u Londonu, stručni saradnik u Londonskoj školi za orijentalne i afričke studije, a bio je i predsjednik Kraljevskog antropološkog instituta Velike Britanije i Irske u periodu od 2014-2018.

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SYNOPSISMeeting Gorbachev is a biographical documentary film about the life of Mikhail Gorbachev, the eighth and the last leader of the Soviet Union. The film features three interviews between Herzog and Gorbachev, conducted over the span of six months.

ABOUT THE AUTHORSWerner Herzog is German film director, screenwriter, author, actor and opera director. His films often feature ambitious protagonists with impossible dreams, people with unique talents in obscure fields, or individuals who are in conflict with nature.

André Singer is British documentary filmmaker and anthropologist. He is currently CEO of Spring Films Ltd of London, Research Associate at the London School of Oriental and African Studies. He used to be the President of the Royal Anthropological Institute of Great Britain and Ireland from 2014-2018.

Festivali i nagrade / Festivals and awards•Biografilm Festival 2019 (Italija / Italy) – Nagrada publike za

najbolji savremeni biografski film, Nagrada publike / Winner of Audience Award and Following Award

•Cleveland International Film Festival 2019 (SAD / USA)

• Sarajevo Film Festival 2019 (Bosna i Hercegovina / Bosnia and Herzegovina)

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Alis i gradonačelnik / Alice and the MayorNicolas Pariser / Francuska / France, 2019 / 103'

Režija/Director: Nicolas Pariser Scenario/Screenplay: Nicolas PariserMontaža/ Editor: Christel Dewynter Produkcija / Production: Bizibi ProductionsProducent/ Producer: Emmanuel AgnerayStarring: Fabrice Luchini, Anaïs Demoustier, Nora Hamzawi, Léonie Simaga, Antoine Reinartz, Maud Wyler,...

SINOPSISGradonačelnik Liona, Pol Terano, pati od egzistencijalne krize. Nakon 30 godina u politici, osjeća se potpuno prazno i lišen ideja. Kako bi to prevazišao, Pol angažuje mladu i pametnu filozofkinju, Alis Ajman, za neobičan posao predlaganja ideja gradskoj skupštini. Kroz njihov odnos reditelj na duhovit i dirljiv način preispituje savremeni život, kroz filter dvije generacije. Dijalog dvije dijametralno suprotne ličnosti koje preispituju sve ono u šta su do tada vjerovale.

O AUTORUNikolas Pariser je rođen 1974. godine u Parizu. Nakon studija prava, filozofije, istorije umjetnosti i filma, postaje filmski kritičar za magazin Sofa, a zatim ostvaruje četvorogodišnju saradnju sa rediteljem Pjerom Risintom. 2008. godine režira svoj kratkometražni film Dan kada je Segolen

pobijedila, koji prati aktivistkinju Socijalističke partije, na dan kada je Nikola Sarkozi izabran za predsjednika Francuske. Godinu dana kasnije režira srednjemetražni politički film Republika i osvaja nagradu Žan Vigo 2010. godine. Velika igra, njegov prvi dugometražni film se 2015. godine našao u selekciji Stvaraoci današnjice na Lokarno filmskom festivalu.

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SYNOPSISThe Mayor of Lyon, Paul Théraneau is suffering from an existential crisis. After 30 years in politics, he feels totally empty and devoid of ideas. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann for a nebulous job conjuring ideas at City Hall. Their interactions are our gateway into a lively, funny and touching exploration of the way we live now through the filter of two generations. A dialogue between two diametrically opposed personalities who will turn their certainties upside down.

ABOUT THE AUTHORNicolas Pariser was born in Paris in 1974. After studying law, philosophy, art history and film, he became a film critic for the magazine Sofa, then spent four years collaborating with director Pierre Rissient. In 2008, he directed his first short, The Day Segolene Won, which follows a Socialist Party activist, on the day French President Nicolas Sarkozy was elected. The following year, he directed his medium-length political film The Republic and won the Jean Vigo Award 2010. The Great Game, his first feature film, made the 2015 Locarno Film Festival in the «Filmmakers of the Present» selection.

Festivali i nagrade / Festivals and awards•Cannes Film Festival 2019 (Francuska / France) – Nagrada

Europa Cinemas Label / Europa Cinemas Label Award

•Haifa International Film Festival 2019 (Izrael / Israel)

•Hamburg Film Festival 2019 (Njemačka / Germany)

• Stockholm Film Festival 2019 (Švedska / Sweeden)

• Free Zone 2019 (Srbija / Serbia)

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Kordiljeri snova / The Cordillera of DreamsPatricio Guzman / Čile, Francuska / Chile, France, 2019 / 85'

Režija/ Director: Patricio GuzmánScenario/ Screenplay: Patricio GuzmánMontaža / Editor: Emmanuelle JolyZvuk / Sound: Claire CahuProdukcija / Production: ARTE, Atacama ProductionsProducent / Producer: Renate SachseUloge / Starring: Jorge Baradit, Vicente Gajardo, Francisco Gazitúa, Pablo Salas

SINOPSISPatricio Guzman napustio je Čile prije više od 40 godina, ali nikad nije prestao razmišljati o toj zemlji i kulturi. „U Čileu, tamo gdje Sunce izlazi, ono je moralo da dosegne brda, zidove i vrhove prije nego što je obasjalo posljednju stijenu Kordiljera. U mojoj zemlji, Kordiljeri su svuda. Međutim, za Čileance, to je nepoznata teritorija. Nakon što sam bio na sjeveru zbog Nostalgije za svjetlošću i jugu zbog Dugmeta od sedefa, osjećam se spremnim da snimim ovu beskrajnu kičmu Čilea ne bih li istražio njene tajne, moćne istine iz davne i savremene istorije Čilea“ (Patricio Guzman).

O AUTORUPatricio Guzman je 1941. u Santijagu u Čileu. Studirao je na Fakultetu filmske umjetnosti u Madridu. Čitavu karijeru posvetio je dokumentarnim filmovima koji su prikazani na brojnim festivalima uz veliki uspjeh i priznanja. Od 1972. do 1979. godine režirao je Bitku za Čile,

petosatnu trilogiju o vladi Salvadora Aljendea i njenom padu. Ovaj film se smatra temeljem njegovog rediteljskog rada. Američki časopis CINEASTE ga je uvrstio među deset najboljih političkih filmova na svijetu. Nakon Pinočeovog prevrata, Guzman je

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uhapšen. Proveo je dvije nedjelje na Nacionalnom stadionu gdje je više puta bio podvrgnut lažnom pogubljenju. Godine 1973. napušta Čile i seli se na Kubu, zatim u Španiju i Francusku, mada je i dalje ostao privržen svojoj domovini i njenoj istoriji. Na čelu je Međunarodnog festivala dokumentarnog filma u Santjagu (FIDOCS) koji je i osnovao 1997. godine. Film Kordiljeri snova, koji je prikazan u okviru zvanične selekcije Filmskog festivala u Kanu 2019. godine, posljednji je dio trilogije koju čine i Nostalgija za svjetlošću (Kan 2010) i Dugme od sedefa (Berlin 2019).

SYNOPSISPatricio Guzmán left Chile more than 40 years ago, but he never stopped thinking about that country and culture. ““In Chile, when the Sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nostalgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history.” (Patricio Guzmán)

ABOUT THE AUTHORPatricio Guzmán was born in 1941 in Santiago de Chile. He studied at the Official School of Film Art in Madrid. He has dedicated his career to documentary filmmaking that have been screened in many festivals with huge success. From 1972 to 1979, he directed The Battle of Chile, a five-hour-long trilogy on Salvador Allende’s government and its downfall. This film laid the foundation for his work as a director. The North American periodical CINEASTE described it as “one of the ten best political films in the world”. In 1973 he left Chile and moved to Cuba, then to Spain and France, although he remains deeply attached to his country and its history. He chairs the Santiago International Documentary Film Festival (FIDOCS), which he founded in 1997. The Cordillera of Dreams, which was screened in the official selection at the 2019 Cannes Film Festival, is the last part of a trilogy also composed of Nostalgia for the Light (Cannes 2010) and The Pearl Button (Berlin 2015).

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Festivali i nagrade / Festivals and awards

•Cannes Film Festival 2019 (Francuska / France) – Najbolji dokumentarni film / Golden Eye

•Chicago International Film Festival 2019 (SAD / USA)

• Film Festival Cologne 2019 (Njemačka / Germany)

• San Sebastián International Film Festival 2019 (Španija / Spain)

• Free Zone 2019 (Srbija / Serbia)

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