RenacimientoQuattrocentoMartín Mateos Gámez 2ºA

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Gothic cathedral had  huge space left  the cruise.

There is a double game perspective: Interior dome: an empty space, nerveless and abroad dome: full volumes

Merger of conceptionGothic and dynamic architectural static viewthe classical world

About eight octagonal drum frame  brick castles on the edges of the octagon  and two more in each cloth between edges. TOcertain heights reinforced the horizontal sections  skeleton. The more spherical and low inside (with a tendency double dome  to open outward by lateral pressures) and the outer more stilted that served Buttress, by tending to open at the top and closed at the base. At the base  the two hulls joined with thick stones.

The dome risesmajestically over town and merges with the hilly landscape of Tuscany

Dome of the Florence Cathedral.Brunelleschi

Two-color tiles  orange and white marble.

The flashlight can illuminate  inside

Modillions served basis scaffolding .

Octagonal drum plates  green and white marble  and with small windows circulare.

Brunelleschi.Iglesia de San Lorenzo.Florencia

Cubierta de navel central adintelada con casetones que potencian líneas de fuerza de eje longitudinal

Bicromía: “pietra serena” gris para elementos estructurales(representa primer término) y paramentos blancos(simboliza profundidad infinito)

Classic architectural elements: arches half a point, coffered, barrel vaults in chapels, Corinthian fluted pilasters on ships side walls, small windows, etc

Transverse axis: Arches medium  cubic point give way to stretches of  aisle whose walls  open chapels with arches. The arches central nave and the Chapel have relationship 5 to 3. They are developed in perspectival. proportion.

Structured respect to different orthogonal axes

Longitudinal and axial shaft  (Symmetry) .It is the principal,  various structural elements  direct their lines of force  toward the vanishing point  at the bottom of the ship

Axis height:Corinthian columns  plain shaft in arcades  piece of entablature and  arches boot  lead to lintel structure

Uniform light, provided  especially large  nave windows  and oculi side

Aisles and head to  separate different height  staircase

Latin cross, with threenaves with chapels

Rational organization,harmonious and balanced  based on module  and perspective

Cover aisles Baudi operated by arches

General characteristics:  proportion, symmetry, relationship  entirely harmonious with the parties andincluding mathematical proportions  using the human scale, etc.

Very remodeled  in s. XVI Bays with arches

I dovelado

Elimination of towers  defensive and battlements

Tendency to  accentuated horizontality  by lines of impost  outgoing

More wrought in  upper.

Large blocks  shortly carved (Style  Rustic) Ground floor

Pitti PalaceBrunelleschi

Brunelleschi. Pazzi Chapel. Florence

General characteristics:  Proportion, symmetry, completely harmonious relationship with the parties and including mathematical proportions on a human scale, etc

Portico serves separation  outer space (cloister) with plenty of natural light.

Columned porticoCorinthian smooth shaft.

Central arc  semicircular

Axis symmetry

In the inner room is passed  rectangular centralized plant  by creating on the sides  two narrow rectangular spaces  covered with a barrel vault andthe central space created, for  square dome is placed  on scallops topped with  flashlight which enhances the  vanishing point toward vertical

Two-color indoor game: elementsStructural gray stone walls  whites

Interior gantry  barrel vault with  coffered and domed  central

Brunelleschi. Pazzi Chapel.Inside

Very salient cornice supported by corbels replaced Gothic roofs

Proportion between the parties and all from one based on the rectangle is between two pilasters module. All elements bear a mathematical relationship to this module

Originally the building was made up of five sections, the axis of symmetry being the gateway. Added three new modules to the ideal composition broke

Proportion between the parties and all from one based on the rectangle is between two pilasters module.All elements bear a mathematical relationship to this module

Downstairs windows  small, square  in upper

Horizontal entablature  balanced vertical rhythms  pilasters

Façade distributed on three floors. Overlap  Order: I first body Doric and Corinthian in the following

Main floor windows  Rectangular vertical  with subtle play of forms  pure geometric lines(Jambs, lintels)  and curves (Arcos half  point circles)

Obsession proportion made fascia lines do not match the level of the floors inside

Bank Run For customers waiting