Copenhagen Photo Festival 2010

Stop op og se dig tilbage. Brug lidt energi på at undersøge, om du lever livet, som om du var et højhastighedstog koblet på en skinne uden mulighed for at styre selv. Vileverientid,hvordeflestekankommunikere med hinanden når som helst og hvor som helst. Netop fordi vi har mulighed for at rette fokus i alle mulige retninger samtidig, ender vi med slet ikke at fokusere overhovedet. Faren ved ikke at have tid til at være sig selv er, at man ikke skelner mellem det væsentlige og det uvæsentlige – og derfor lever mindre i nuet. Nogetafdet,somfotografietkan,erat fastholde øjeblikket, som det var, lige præcis da man oplevede det. Med foto-grafietihåndenblivermanistandtilattræde et skridt tilbage og anskue oplev-elsen mere nuanceret. Men det kræver nogetafen,forfotografiettagerikkesigselv. Man skal rammes på følelserne, så ensfotografiskeintuitionvækkes,ogsanserne skærpes. Man skal bestemme, i hvilken retning objektivet skal pege. Og man skal trykke på knappen, så kamer-aspejlet løfter sig og efterlader den karak-teristiske lyd, som fortæller, at endnu et fotografierfangetfortidogevighed. Tid er ikke uvæsentlig. For tiden går ualmindelig hurtigt, og det virker, som om den er accelereret. Måske skyldes det, at vi altid er på. På computeren, på mail, på sms, på fjernsynskanaler døgnet rundt. På Facebook, på Twitter, på farten – og mindre på os selv. Det er selvfølgelig etvalg,vitræffer,menstærktpressedeaf omgivelserne ender det ofte med, at vi

Stop and take a look back at yourself. Try to imagine that you've lived your life as a high-speed train, restricted to the track along which you hurtle. We live in an age where most peo-ple can communicate with each other anytime and anywhere. Because we try to focus in all possible directions simul-taneously, we end up, paradoxically, with no focus at all. The danger of having less time to be ourselves is the inability to distinguish between the essential and the unimportant and subsequently, life lived less in the here-and-now. One aspect of photography is the ability to capture the moment, as it hap-pened, and exactly as it was experienced. Looking at a photograph allows us to step back and take a more nuanced view of the experience. However, it demands some-thing of us, for the photograph doesn't take itself. One must strike the emotions, awakening photographic intuition and reinforcing the senses. One must decide where to point the lens. And one must press the shutter button, creating the characteristic sound that signals an image being captured forever. Timeisnotinsignificant.Itpassesbyremarkably fast, and seems as though it has accelerated. Perhaps it's because we are always on. On line, on the phone, on the road, on Facebook, on Twitter and lessonourselves.It'sachoiceofourownmaking, of course, but more often than not, the insistence of others determines our pace. My dream is that we recover slow-

ForordForeword

With this snapshot Culture Minister Per Stig MølleropensCopenhagenPhotoFestival2010.

ness in our age and in our lives. Slowness that allows us to not answer the mobile phone as it mercilessly pursues us – even in our best hiding places. The absence of haste required to sit on a bench for a whole morning and stare at people. People marching purposefully by, abagunderthearmandacoffee-to-goin the hand. Imaginehavingthetimetositonthebench and wait for something to possibly happen. Waiting for that little movement that slows down the high-speed train or causes the carriages to wobble. Enough timetoseizethemomentasthecoffeesplatters down the shirt of the passer-by. Sitting as a quiet observer of events requires that one is not locked into the accelerating pace of life. Try it, and you'll be rewarded with rich experiences – simply by being present in the situation. However, our way of life means that there are fewer places from which to observe life. The mental oasis from where you can sit in a bell jar and look at the world through the glass is being taken over by noise, visual pollution and time thieves. Take for example a trip on a train. Earlier one rumbled along at a steady pace,whilethemindcouldflyfreelybetween stations. Often it was your own reflectioncapturedinthedirtywindow.At other times, your focus switched as something on the horizon caught your at-tention. You could sit in peace and think of nothing and everything. Today, advertising and TV pervade the train carriage – an intrusion you can neitherturnoffnorshutout.Ifwewantpeace to think, the only solution is to lock ourselves in. Some use headphones and loud music which simply adds more noise for everyone else to contend with.

lader andre bestemme vores tempo. Min drøm er, at vi får langsomheden tilbage i vores tid og vores liv. Langsom-heden til ikke at svare mobilen, når den nådesløst jagter os på selv vores bedste gemmesteder. Langsomheden til at sidde på en bænk en hel formiddag og stirre på mennesker. Mennesker på vej med hurtige målrettede skridt, en taske under armenogencoffee-to-goihånden. Tænk at have tid til at sidde der på bænken og vente på, at der måske sker noget. Vente på den lille bevægelse, som sætter tempoet på højhastighedstoget ned eller får togvognen til at slingre. Tid til at fange det øjeblik, hvor overbalancen får kaffentilatskvulpeoverogmaleuheldigemønstre på den travle mands skjorte. Det kræver, at man ikke selv er låst af det høje tempo, men blot sidder som en rolig iagttager af begivenhedernes gang. Gør man det, vil man få oplevelser foræret alene ved at være til stede i situationen. Men vores måde at leve på gør, at der bliver færre steder at iagttage livet fra. De mentale oaser, hvor man kan sidde som i en osteklokke og kigge ud på verden på den anden side af glasset, er ved at blive overtaget af larm, visuel forurening og tidsrøvere. Tag for eksempel en tur med S-toget. Tidligere rumlede man af sted i jævnt tempo,menstankernekunneflyvefritmellem stationerne. Ofte var det ens eget spejlbillede, man fangede i den snavsede rude. Andre gange skiftede fokus til noget i horisonten, der fangede ens opmærk-somhed. Man kunne sidde i fred og tænke på ingenting – og alting. Nu kører der reklamer på tv-skærme, som man ikke kan slukke for eller lukke ude. Den eneste løsning, hvis man vil have ro til sine tanker, er derfor at lukke sig inde. Nogen gør det med høretelefoner

Foreword

Neitherreflectionsuponthepastnordreamsofthefuturefitinsuchauniverse.The brain occasionally needs a break, but when you are always on, no matter where you are, you deny yourself the room for recuperation. Imagineforcingoneselftositonabenchwithacameraandacoffee-to-stay–simplytowatchlifepassby.Imagineif we at least varied the pace of life to provide time for both acceleration and complete relaxation. With time to grasp the present, wewouldautomaticallyreflectuponthestamp of time. Such a scenario would allow us to better distinguish the impor-tant from the trivial. To begin with, one can spend several hours on a bench without a camera and just take pictures with the retina and its memory. Focusing practice can continue later with an actual camera between your hands. Photography is a sensual language without boundaries or ownership. Everyone can tell stories with all kinds of cameras. But it requires focus and time to avoid joining the general level of dissonance and turmoil. Later in life, sensual impressions will only be able to recall smells, sounds and experiences if those impressions are strong enough – either captured on photographic paper or residing in one's own mind. Stop, look at life around you, and reclaim slowness. Then you can tell us your story about what you saw, while you were sitting on the bench.

Thomas Borberg Photo Editor-in-Chief, Politiken

og høj musik. Det skaber blot endnu mere larm for alle andre. Eftertænksomheden kan ikke få plads i sådan et univers. Hverken til at tænke tilbage eller drømme sig frem. Hjernen har brug for en pause i ny og næ, men når man altid er 'på' alle steder, giver man ikke sig selv plads til at restituere. Tænk, hvis man tvang sig selv til at sidde på en bænk med et kamera og en 'coffee-to-stay'forbareatfølgelivetpas-sere forbi. Tænk, hvis man i det mindste varierede tempoet i dagligdagen, så der både var tid til at give den gas og til at koble helt fra. Når man giver sig tid til at fastholde nuet,vilmanautomatiskreflektereoverde indtryk, som tiden efterlader. På den måde vil man også i fremtiden være bedre stillet, når man skal adskille det vigtige fra det mindre vigtige. Til at begynde med kan man bruge nogle timer på en bænk uden kamera og kun tage billeder med nethinden og sin hukommelse. Fokuser-ingsøvelsen kan senere fortsætte med et kamera imellem hænderne. Fotografieteretsanseligtsprogudengrænser eller ejerskab. Alle kan fortælle historier med alle slags kameraer. Men det kræver fokus og tid, hvis det ikke skal endeimængdenafandenoverfladisklarm og uro. Sanseindtrykkene vil senere i livet kunne genskabe lugte, lyde og oplev-elser, hvis bare indtrykkene er stærke nok. Hvad enten de er fanget på foto-grafiskpapirelleriensegenbevidsthed. Stop op, betragt livet omkring dig, og få langsomheden tilbage. Derefter kan du fortælle os din historie om, hvad du oplevede, mens du sad på bænken.

Thomas Borberg Fotochef, Politiken

Copenhagen Photo Festival

Founders of Copenhagen Photo Festival:Julie Navne Klitbo, Rasmus RanumManagingDirectorofCopenhagenPhotoFestival2010:Charlotte SprogøeProject Coordinator of printed edition: Anders GasbjergCurators: Charlotte Sprogøe: Day, Jesper Elg: Night Design and editing: MegaIntro:ThomasBorberg,PhotoEditor-in-Chief,PolitikenPR & Press: Maria Wernberg

Set in Aktiv GroteskPrintedby:JTO/Elboa/s,Essen22,6000Kolding,www.jto.dkPublisher: Copenhagen Photo Festival, Denmarkwww.copenhagenphotofestival.comISBN:978-87-99422-20-3Printyear:2010

Thanks to all the galleries, collaborators, partners, sponsors, cultural institutions and volunteers. And a special thanks to the crew of Copenhagen PhotoFestival2010:KristinaValborgValberg,KamillaBornFrost, Ann-Kathrine Ungermand, Astrid Malmberg, Anders Gasbjerg, Mie Petri Lind, Annemarie Bargisen and Anna Vestergaard - without you it wouldn't have been possible to make it a success

Dag & NatDay & Night ...............................................................8 Peter Funch ............................................................10Nicolai Howalt ......................................................14Anne Hardy ..............................................................16Hanna Liden ..........................................................20Laurel Nakadate ...............................................22Tim Davis ..................................................................26Walead Beshty ...................................................28Jason Nocito ........................................................30Klaus Thymann ..................................................34Dash Snow ..............................................................40Todd Hido .................................................................58Kohei Yoshiyuki ..................................................74Peter Sutherland .............................................86Shizuka Yokomizo ........................................100Jacob Holdt ........................................................108Mark Hunter ........................................................120

FotobyenPhoto City ...........................................................130

SatellitudstillingerSatellite Exhibitions ...............................186

De uafhængigeThe Independent .......................................218

FotokonkurrencenThe Photo Competition ....................242

Højgravide svenske kvinder med dødningemasker i Nyhavn, New Yorks kreative natteliv i Ved Stranden og en forladt irakisk facade på Christiansborg Slotsplads.Fotografierimenneske-størrelse indtog centrale pladser, byg-ninger og skærme under Copenhagen Photo Festivals hovedudstilling Day & Night. 16internationalefotograferfyldte20centralepladseriindreKøbenhavnogfikmangenysgerrigeogopmærk-somme blikke rundt omkring i bybilledet. Mens værkerne fra Day udspillede sig i fuldt dagslys blandt forbipasserende, handlendeogtrafikanterpåpladseridetoffentligerum,blevværkernefraNightprojiceret op på husgavle, skærme og i metroens underjordiske stationer ved mørkets frembrud. Day & Night havde hver deres tone og stemning og spillede op mod hinanden som to sider af hverdagen. Det, der sker omdagen,ogdet,derfinderstedomnatten, eller i skyggelandet og det skjulte. Spektakulær samtidskunst erstattede kommercielle billeder på byens synlige, eksponerede reklamepladser og satte en anderledes agenda på plakaten.

Kuratorer for Day & Night: Day: Charlotte Sprogøe Night: Jesper Elg

Swedish women with pregnant belliesand skull masks in Nyhavn, New York’s creative nightlife at Ved Stranden and adesertedIraqihousefrontonChristiansborg Slotsplads. During Copen-hagen Photo Festival’s main exhibition, Day & Night, human-sized photographs appeared on central locations, buildings and screens in Copenhagen’s inner city. Theworksof16internationalphoto-graphersweredisplayedon20keyloca-tions in central Copenhagen, attracting the attention of the general public. While the works from the Day exhibit unfolded themselves in broad daylight amidst passers-by, shoppers and commuters on the move, the works from the Night exhibit were projected onto buildings, large screens and the walls of the underground Metro stations at nightfall. Day & Night each established their own tone and mood and complemented each other as two sides of everyday existence, portraying the human life that takes place in the daytime as well as exploring a hidden shadowland of nightly activities. Contemporary art and spec-tacular visions momentarily replaced the standardized icons normally seen in the city’s commercial space, setting a differentagendaforthedurationofthefestival.

Curators for Day & Night: Day: Charlotte Sprogøe Night: Jesper Elg

Dag & NatDay & Night

Peter FunchCare Taker, Babel Tales Addendum,2010CourtesyofV1Gallery,DK

Peter FunchEnforcing Forces, Babel Tales Addendum,2010CourtesyofV1Gallery,DK

Nicolai Howalt Interior #8, Car Crash Studies, 2009.Courtesy of Nicolai Howalt & Galleri Martin Asbæk, DK

Anne Hardy Coordinate, diasec mounted c-type print 124x159cm-487/8x625/8inches,2009Courtesy of Maureen Paley, London

Anne Hardy Unity, diasec mounted c-type print 143.5x177cm-561/2x695/8inches,2009Courtesy of Maureen Paley, London

Hanna LidenBathers,2002Courtesy of Hanna Liden

Laurel NakadateLucky Tiger #48, Copyright Laurel Nakadate Courtesy of Leslie Tonkonow Artworks + Projects, NY

Laurel NakadateLucky Tiger #103, Copyright Laurel Nakadate Courtesy of Leslie Tonkonow Artworks + Projects, NY

26Tim Davis Mailbox, courtesy of Tim Davis & Greenberg Van Doren Gallery, New York

27Tim Davis 711, courtesy of Greenberg Van Doren Gallery, New York

29Walead BeshtyDust, Courtesy of Walead Beshty Studio

30Jason NocitoCourtesy of Jason Nocito

32Jason NocitoCourtesy of Jason Nocito

Klaus ThymannHybrids,2007Courtesy of Klaus Thymann

40Dash SnowCourtesy of The Dash Snow Estate

Todd Hido©ToddHido,1996-2007Courtesy of Kaune Sudendorf Gallery

Kohei YoshiyukiFrom the series The Park GelatinSilverPrint,1971–1979,©KoheiYoshiyukiCourtesy of Yossi Milo Gallery, New York

86Peter Sutherland© Peter Sutherland

Shizuka YokomizoFrom the series All,2008© Shizuka Yokomizo

108Jacob Holdt© Jacob Holdt

121Mark Hunter© Mark Hunter

Kødbyen blev omdannet til én stor, levende fotoby med udstillinger, work-shops, fotocafé og artist talks i de rå slagtehaller, kringlede staldgader og etablerede gallerier. Et sandt buzz blev vækket til live i fotomiljøet efter idéen om Copenhagen Photo Festival blev offentliggjort.Ungefototalenterogmereetablerede mode- og kunstfotografer tilknyttede sig projektet og kuraterede egneudstillingeriden2000kvadratmeterstoreslagtehaliStaldgade38. Pressefotograferne indtog Øksnehal-len, og gallerierne inviterede anerkendte samtidsfotografer indenfor. Der var stor publikumstilstrømning til Kødbyens snørklede gader med dansk og uden-landskfotografiafvidtforskelligkarakter.

Kødbyen, Copenhagen’s old meat market, was transformed into one big photo city with exhibitions, workshops, a photo café and artist talks in the district’s former abattoirs, its narrow streets with old stables and established art galleries. Once publicized, the idea of launching a Copenhagen Photo Fes-tival had created a real buzz in the photo world. Talented young photographers as well as more established fashion and art photographers got involved in the project and organized their own exhibi-tions in the old slaughtering hall located onStaldgade38whichmeasuresanimpressive7,000squarefeet. The press photographers had their works displayed in the Øksnehallen, while the galleries exhibited pictures by renowned contemporary photographers. OfferingawiderangeofDanishandinternational photographic works, the winding streets in Kødbyen attracted a huge audience.

FotobyenPhoto City

Lene HaldFrom the series Here Happiness ResidesCourtesy of the artist

134Victor Bockris Bowie Knife

135Victor Bockris Warhol Polaroid

137Johan Willner Die Ordnung

138Johan WillnerForward

141Blaise ReuterswardCourtesy of Blaise Reutersward

142Peo OlssonRoadsigns

144 Marcia Resnick

145Marcia ResnickStars in Her Eyes

147Marcia ResnickBlue Glasses

Ellen JongFrom the series Getting To Know My Husband’s Cock,2009

152Mads NissenGOLD 006

153Mads NissenGOLD 008

154Henrik BülowMathias

155Henrik BülowIrina

156Casper BalslevFrom the series Indecisive Hollywood

158Kristian DjurhuusMoth

159Kristian DjurhuusPorn

160Mette BersangUntitled Interior #11,2009

161Mette BersangUntitled Interior #10,2009

162 Mette Juul

164 Mette Juul

165 Mette Juul

166René RiisRats

167René RiisBirds Eggs #3

168René RiisLeaves

171Sascha OdaFrom the series White Rabbit

172Valerio SpadaGomorrah Girls, © Valerio Spada

176Luca BertiThe White Leaves, No. 60

177Luca BertiThe White Leaves, No. 23

178Joachim LadefogedThe Egg

179Joachim LadefogedTangier

181Per Morten AbrahamsenSylfiden

182Lars Funch HansenDet røde vandtårn

183Pierre CouchouronBag ruden

184Jes HolmOutside In

Kultur- og kunstinstitutioner i København har bidraget til etableringen af en ny platformforsamtidsfotografiiDanmarkmed deres dybe engagement og brede deltagelse under festivalen. Satellitud-stillingerne var spredt ud over væsentlige udstillingssteder, museer og gallerier iKøbenhavnogudforskedefotografietsforskellige facetter med udstillinger, artist talks og teoretiske debatter.

Thanks to their high level of commitment and participation during the festival, the various cultural and art institutions in Copenhagen have contributed in estab-lishing a new platform for contemporary photography in Denmark. The satellite exhibitionswerehostedbysignificantvenues, museums and galleries all over Copenhagen, exploring the various facets of photography through exhibi-tions, artist talks and theoretical debates.

Photo: Trine Søndergaard

SatellitudstillingerSatellite Exhibitions

Galleri ErosCourtesy of Gallery Erosby Bettina Sinnet Fornitz

193 Emil Salto

Diana VelascoRed #1, from the series Red, Burlesque NYC,2009.Courtesy of the artist and Hans Alf Gallery

198Eve SussmanCows, 2010,courtesyofGalleryBoBjerggaardandtheartist

Eve Sussman Woman in Field, 2010Courtesy of Gallery Bo Bjerggaard and the artist

Eve SussmanPink Factory, 2010Courtesy of Gallery Bo Bjerggaard and the artist

Jeanette EhlersBlack Magic Pink From the series Black Magic at the White House, 2009

Jeanette EhlersBlack Magic GreenFrom the series Black Magic at the White House, 2009

Majken Rasmussen Blodspor, from the series Under the skinCourtesy of Hans Alf Gallery

Nikolaj ReckeFrom the series The 3 dots over the i's in the sentence I miss Sol LeWitt Courtesy of Rohde Contemporary and the artist

Nikolaj Recke From the series I miss Sol LeWittCourtesy of Rohde Contemporary and the artist

Nikolaj Recke From the series The 3 dots over the i's in the sentence I miss Sol LeWitt Courtesy of Rohde Contemporary and the artist

Søren DahlgaardDough Warrior Painting His Garden FalkenerProjectCopenhagen,2007

212Søren DahlgaardSøren, Dough Portraits

213Søren DahlgaardKarina, Dough Portraits

Søren DahlgaardKatrine, Dough Portraits

214Tina EnghoffSyv #1,courtesyofTinaEnghoffandDetNationaleFotomuseum

215Tina EnghoffSyv #2, courtesyofTinaEnghoffandDetNationaleFotomuseum

216Trine SøndergaardStrude #27, courtesy of Ny Carlsberg Glyptotek and the artist

217Trine SøndergaardStrude #16, courtesy of Ny Carlsberg Glyptotek and the artist

Danmark har en underskov af talentfulde fotografer. Mange deltog på eget initiativ under festivalens paraply og etablerede deres egne udstillinger mange forskel-lige steder i København – kontorhoteller, caféer, restauranter, kirker, klubber, barer, butikker og rejsebureauer. De uaf-hængige fotografer var således med til atgøresamtidsfotografietsynligtimangeafkroge af København, og beværtninger mm. blev rigere på visuelle oplevelser og et nysgerrigt publikum.

Denmark is full of up-and-coming talentsinthefieldofphotography.Manyof them participated on their own initia-tive and, within the framework of the fes-tival, set up their own exhibitions in many differenttypesofvenues–fromofficehotels, cafés and restaurants to churches, clubs, bars, shops and travel agencies. Thus the independent photographers contributed considerably to making contemporary photography visible all across Copenhagen, and the venues ben-efitedbygainingvisualexperiencesandattracting interested audiences.

De uafhængige The Independent

Martin Søby Bubbles

220Jean-Marie BabonneauThanatography 01

221Jean-Marie BabonneauThanatography 02

222Sacha MaricTrashers #09

223Sacha MaricTrashers #15

Martin SøbyFrom the series Twin PeaksSanFrancisco,2006

Kenneth ØksnebjergClockwise: Books 102, Books 104, Books 105, Books 110, from the series Books

227Kenneth ØksnebjergBooks 119, from the series Books

Sune CzajkowskiBeauty Black #133, from the series LipsCourtesy of the artist

Tina SøilandDevil’s Dandelion Courtesy of the artist

233 Roberto Boccaccino

234 Nina Jeilman

235 Nicoline Skotte

236 Kristina Thirstrup

239 Helle Sandager

240 Lasse Høgsted Thomassen

”Vis mig dit København!”, lød opfor-dringen fra Copenhagen Photo Festival og Københavns Museum til alle hver-dagens fotoentusiaster. Opfordringen blevhørtogmangehundredefotografierblev uploadet på Københavns Museums website, hvorefter de rullede hen overdentometerhøjeog12meterlangeinteraktive VÆG af lysende plasma-skærme, som Københavns Museum har opstillet på Kongens Nytorv. Temaet for konkurrencen var, ligesom ved festivalens hovedudstilling, de forskellige tilstande eller situationer, der udspiller sig i byen hhv. om dagen og om natten. Der kom mange kreative bud, og de tre bedste modtog præmier fra Canon og blev udstillet på Københavns Museum.

Dommerpanelet bestod af: Thomas Borberg, fotochef, Politiken Louise Holmgren, kunstfotograf Sacha Maric, modefotograf

”Show us your Copenhagen!” With these words the Copenhagen Photo Festival and the Museum of Copenhagen invited all amateur photo enthusiasts to partici-pate in the festival’s photo competition. As a result, several hundred photographs were uploaded to the museum’s website and subsequently displayed in a continuous slideshow on the huge inter-active wall, made up of plasma screens andmeasuring6feetby36,whichtheMuseum of Copenhagen has installed at Kongens Nytorv. Inkeepingwiththefestival’smainexhibition, the theme of the competition wasthedifferentstatesorsituationsthatthe city transpires during daytime and at night. There were many creative contribu-tions, and the three winning submissions received prizes from Canon and were subsequently exhibited at the Museum of Copenhagen.

In the panel of judges: Thomas Borberg Photo Editor-in-Chief, Politiken Louise Holmgren, Art Photographer Sacha Maric, Fashion Photographer

SpildAfTid,2010

FotokonkurrencenThe Photo Competition

244 Day and Night competition entries

245 Copenhagen Photo Festival

250 Nomis, Making a Living, Grand Prize

251Above: Filip, Der var noget i vejen på vejen, på vej til baren, 2ndPrize

Below: CeciliaPå trappen, 3rdPrize

Dash SnowPeter SutherlandTodd HidoTim DavisLaurel NakadatePeter FunchKlaus ThymannJason NocitoNicolai HowaltAnne HardyWalead BeshtyShizuka YokomizoJacob HoldtKohei YoshiyukiMark Hunter

+ more than 40 other artists

Copenhagen Photo Festival 2010

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