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台灣社會研究季刊│第八十一期│2011 3 月│頁443-461 怎樣「反叛」,如何「抗議」? 試論「搖滾樂改變世界」的政治想像 張世倫 * e Political Imagination of “Can Rock & Roll Change the World?” by Shih-Lun CHANG * 服務單位:英國倫敦大學Goldsmiths 學院文化研究中心博士候選人 通訊地址:106 台北市大安區仁愛路三段24 1 2-5 2 E-mail: [email protected]

台社完整版|怎樣「反叛」,如何「抗議」? 試論「搖滾樂改變世界」的政治想像

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作家張鐵志於去年推出新作《時代的噪音:從狄倫到U2的抗議之聲》(以下簡稱《時代的噪音》),探究搖滾樂、行動主義(activism),與激進政治的可能連結。在台灣的出版脈絡裡,該書可謂意義非凡——它是第一本聚焦於西方(主要是美國)音樂人政治參與的中文專書。本文旨在分析《時代的噪音》的內容要旨、事實陳述與寫作特徵,並試圖商榷「搖滾樂能否改變世界」論述的適切性。

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2011 3 443-461

*

The Political Imagination of “Can Rock & Roll Change the World?”

by Shih-Lun CHANG

* Goldsmiths 106 24 1 2-5 2 E-mail: [email protected]

2011 3444

2004

2007

U2

activism

介入 參與 發聲

改變

definitive

guide

politics of music

真正改變世界

19

445

1

2

3

been there, done that

在回顧音樂人「完整」的傳記生平,而是聚焦在他們「政治化」的創作時

期與作品解讀 Joe

Hill Woody Guthrie

Bob Dylan 1966

1 Joe Hill Woody Guthrie Pete Seeger Bob Dylan Joan Baez Patti SmithBruce Springsteen John Lennon The Clash Billy Bragg

U22 Victor Jara

Charlie Haden The Ballad of the Fallen (1983) Frederic Rzewski The People United Will Never Be Defeated!

(1975) Joan Baez The Clash U2

3

2011 3446

John Lennon

1969 73

icon

「歌詞」文本的深入解讀

justify

本書較無涉獵、甚至可說忽略的,則是

(各種)音樂/聲音的本體性質,以及它們被聽眾經驗(experienced)的

方式

music as it is

誤讀 4 Street,

4

447

2005

聲音與身體

愉悅 pleasure Street, 2006: 55

究竟音樂人的政治,是怎麼操演(performing)出來的?

John Street

Street

音樂人身處的網絡(network)機

visible

DIY

opportunity structure

Street, 2006

Joe Hill Woody Guthrie

Depeche Mode 80

20Jeremy Deller The Posters Came from the Walls, or How Basildon

Ended the Cold War, and Other Stories

2011 3448

John Lennon

Bono event

19

214

215

19

genre 5

moral capital Street, 2006:60

visible 6

5 formation

recognizableembedded

self-determination 1964Jazz Composers Guild

6 5

Bob Dylan George Michael

449

fetishise

authenticity

較為古典的「政治」想

微政治

(micro-politics)鬥爭

171 Dave Laing One

Chord Wonders: Power and Meaning in Punk Rock 1976 77

Laing, 1985

7

George Michael 80

Bob and Roberta SmithGeorge Michael Has Done more 4 Human Rights

The Jam The Clash Bob Geldof Bono Sting

http://bit.ly/georgepolitics7

Craig O’HaraThe Philosophy of Punk: More Than Noise

2011 3450

DIY community

participant

post-punk

90 Riot

Grrrl 8

9

The Clash

171

召喚 只停留在

結合 182

vanguard representative

60

8 Siouxsie and the Banshees The SlitsThe Raincoats 6

Andrea Juno Angry Women In Rock

9 Gang of Four Entertainment!

Simon Reynolds Rip It Up and Start Again: Postpunk 1978-1984

451

Modern Jazz

10 將黑權運動與音樂的連結侷

限在60年代 70

140

Funk 7011

Afrobeat Fela Kuti

80

118 131

John Lennon 69

73

Mick Jagger

Lennon

10 Max Roach 1960We Insist! Freedom Now

John Coltrane KAlabama Miles Davis

free jazz11 Funk George Clinton Parliament-Funkadelic

George Clinton afro-futurism

Sun Ra Afrika Bambaataa

2011 3452

Primal Therapy 12

68 Beatles

107

Lennon Revolution

1968 108

13

Lennon

Imagine

legacy

2000 John Lennon

12 Lennon Pete Shotton John Lennon: In My Life

13 Beatles 60Ian MacDonald Revolution in the Head: The Beatles' Records and the Sixties

6060

453

Museum 14 Imagine Peace Tower 15 Lennon 2002 Liverpool John

Lennon Airport 16 regeneration

John Lennon

17

無私產

Imagine

branding articulation

Lennon 神化

U2 Bono 政治家

/政客 politician Street, 2006

14 会

Lennon Lennon CynthiaJulian Lennon

2010

15 Imagine Peace Tower 200724

Lennon 2008Frieze Art Fair

Imagine Peace Tower

16 Above Us Only Sky Imagine

17 Lennon CynthiaCynthia Lennon

John

2011 3454

U2

214

U2 80

201

Bono

214 pop star as politician

Bono

U2

2006

Bono

Make Poverty History Bono

Make Bono Pay Tax 2010

U2 6 747 130

55 U2

carbon footprint

Bono

One 2008

One

Bono 2005

455

Edun

Edun

Bono

Bono

Bono

210 這種「歌星政客化」

的社會過程裡,究竟有何「民主」(democracy)、「問責」(accountability)

和「透明」(transparency)可言?而激進批判的政治路徑,真的能穩當

建立在這種凸顯「個人英雄」的政治想像上嗎?

18

18 Bono2004

war criminal Tony Blair Gordon Brown Lennon McCartney Lennon

Blair Bono2009 Bono

2010 David Cameronstatesman Bono U2

Larry Mullen Bono Blair George W. BushU2

2011 3456

fandom

citizenship Street, 2006: 58

represent

representative democracy

215

音樂能否改變世界

cause and effect

35

457

representation participation intervention

音樂(或「藝術」)做為一種「代表/再現」

re-present

presentation

音樂做為一種「介入」

音樂做為一種「參與」

participatory art

19

20

19 Claire Bishop Artificial Hells: Participatory Art and the Politics of Spectatorship Participation (Documents of

Contemporary Art) ACT

45 2011 120

2011 3458

政治/抗議音樂

無形間畫出一條「政治/非政治」的界線

the personal is political

cultural rights

everything is political

Jean-Luc Godard

political films 政治地

459

making film politically 21

「音樂政治」的分析重點不再是想像中的「政治音樂

租界」,而是我們如何「政治地」跨界、接合並挖掘各種音樂實踐的激

進潛力。

Jacques Ranciere The Politics of Aesthetics

distribution of the sensible

Ranciere, 2006

21 Godard 1981

Godard To Alter the Image

http://bit.ly/godardchange

2011 3460

Fisher, 2010 Alain Badiou

militant art

artistic vision present

represent

Badiou, 2010

artistic

autonomy

critical distance

representation representative

presentation

art for art’s

sake

461

3

全靠我們自

參考書目:

Badiou, Alain (2010), “Does the Notion of Activist Art Still Have a Meaning?” A Lecture presented at the Miguel Abreu Gallery, New York City, October 13, 2010.

Fisher, Mark (2010), “Party for Your Right to Fight,” New Statesman, 29 March 2010, pp. 40-42.

Laing, Dave (1985), One Chord Wonders: Power and Meaning in Punk Rock, London: Open University Press.

Ranciere, Jacques (2006), The Politics of Aesthetics: The Distribution of the Sensible, tr. by Gabriel Rockhill, London: Continuum.

Street, John (2005) Rock, Pop and PoliticsThe Cambridge Companion to Pop and Rock194-202

Street, John (2006), “The Pop Star as Politician: From Belafonte to Bono, from Creativity to Conscience,” in: Ian Peddie, ed., The Resisting Muse: Popular Music and Social Protest, Aldershot: Ashgate Publishing, pp.49-64.