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9 at Leo CasteLLi

CasteLLi Warehouse103 West 108th street,NeW York NY 10025DeCember 428, 1968

GiovaNNi aNseLmoJoseph beuYsWiLLiam boLLiNGerrafaeL ferrereva hesse

stepheN kaLteNbaChbruCe NaumaNaLaN saretriCharD serrakeith soNNierGiLberto Zorio

orGaNiZeD bY robert morris

Mario Garca Torres


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conTenTs

as i Found iT: a PreFace 4M G T

an inTerview wiTh raFael Ferrer 7M G T

an inTerview wiTh JosePh Beuys 33w g b s p

lisT oF works 46


3/25

as i Found iT: a PreFaceM G T

i m t t x b t9 at Leo Castelli . T t t t t t pp

t n y , p b b l c tG t g . o g z b t t t r b t M , t

p j t 15 t t 1968, tm p p t xp t.1 n t , t p t

m t p t tt t t m t t t .2 9 at Leo Castelli g z t a t -F m t t tM p b t t g b .3 T x b t t

t t p , t t m t , t x b t t . Tt t t t t t G a m , w m B g ,

e h , st p k t b , B n m , a s t, rs , k t s , G b t Z . T pt , t tb , p m t .

T g m, t t m t , t t g . it t m m , M , m t b t t

m t m t g t t m t b j t m t t m b m . e t g t x b t g g g mp t t m t p t -g p x t b p b , t tt t

t t m t t t t g g t t g , , t M b t pt . T t t

b p t t t p b t , t bg t t t t t t (a m Z ) t

t m t p g.4

M m t m b t p t p t,t g m t t t. a t t t t t tM t t t g m m t b t t

t .ot t t g t t t , t , t b

m t t g t p t t . it tt t t t pp b t t p g. it

t t M t t g z g t . s m t t t t m t t; t m t ,

J p B , t p t p t . i t p b ,

B xp t t p t, g t t t p , xp t t t

p t am t t t t . a t t F p b , t t t t t m

g g q t g p t p t . e tt t p b t t F

,5 t mp t t t p b mp z b mt , t m t b t b t p b .

i t t t t b t tb p t g p t p t x b t

m t t t xt, t t . P p t b t g- t -t - t 9 at Leo Castelli.

G t t t m g t m t , t x b t p b b m p

T b tt mpt t g t g p b m, t t t gg t .

n t

1. T p d mb 428, T t g s t , 15 p.m.2. T / t b t g: P p l ,The New York Times, d mb

22, 1968; M x k z , Art orum, F b 1969; G g M , Arts Magazine, F b 1969;c m t M m , Arts Magazine, F b 1969; J P t,The Village Voice, d mb 19,1968.

3. M , t t a t -F m, pp t ap 1968 Art orum.4. M f m t p t p t 1996 tt t v g G z ,

p t t g B c g c t c t st . i t , G z tNew York Times Art orum t m t p b m g t t

. G z 9 at Leo Castelli t m t mp t i m t g t t t t g t . h t t m t p t t t gt . T b t Nine at Castelli, 9 at Castelli, Nine in a Warehouse,Warehouse Show, The Castelli Warehouse Show, Nine at Leo Castelli. T t t t t p t

t g t t , t t t t b .

5. ib . i t t m tt t G z , M m , i t r F x - f t . i gg t m.


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Mario Garca Torres i m t t t g b t a t -F m, p t p t p t 9 at Leo Castelli, t t t

t r b t M P t r . B g pt t m t t t t t t t

t a t -F m, t b t t g t t t t , b t . i g m

p b t t t t . F t t t m t m t ,

t t tt g t , m tt .1 i pt t b tt t . F m t p

t , m mb t t m m t?Rafael Ferrer F t , t t n y t 1960

m . T g t texp m. M m m P p b t t g t

t b g g m m t. it p x t m pp t t t t t p t t t m t. w

t p b m t mp p ; t m . T pp t

i m mb r b t M g, c t t b t t b t t mp t t

an inTerview wiTh raFael FerrerM G T


5/25

M m g m g t t t t- u t st t , p f t b b P p . T

t p t t m g t t . T b t , g, b t t g t m g t t t . M

t t t m . T p b t . T , d mb , t p . a , t m

m g . h g b b t p , t t g , m t pp t m t t t t t .

M t t t mp p t . l t p t , 10 t g, 12 , - g t t . T t t t t 36 g t. T mb -

t g t t p t g t t t .T t t t t t p p t t m t .d g t t p , i g g. i b g t -

t- z t m t , t b t t g m t pm . o , g t , i p . i t b z

p t t ; t t t t m . T t g t bg g t p, i t t t t m t mp t t

m t m t t t q t f t m x t gt t t g .

w M T t m t p t p t t 1969 w tM m x b t Anti-Illusion: Procedures/Materials, i B bM t m b t. i pp t t t 16- t b

p m g m m g t m t p t b tt m.i p t t p , t g b , t t t

t t t t t. i f t m tm t m g b i b g t t p j t. F m

t p , t b t t , i 300 p b , t m p t t m m t t p b P p .T t t t t p p b m t t t f m m m . F m t b g g, i

t t t b f t t ; t t p b t .c g t . T t g t mp g t m

f . w t t bt, t mp t t t tm t, b t t t t t g.

MGT i t t t t p p g m t t , f t m t, t t t m t f t

h t m t m t t , xt p t? y xp g t t t q t t

t b t t t t ? it m t mp t t tt t t p p . o m

t t t p t t w t m p t ti m g t t t t t g t l c tp t, t t t d Gt t c t 9 at Leo Castelli. i i t

t , t x b t t t t . w t mp t t t m t b p m

m t, m t t t f m?

RF i t g t t m t b m ti t 1950 i b g t p t m t s u t

i t t t u t P t r . i p t g G g c , P . T p t g b g g , t , t , t t . i t 1960 , m xp m

t mb g t pt . i 1966 i p m tt P p g t m t t . i t

pt i mm t t n y t t gm m . i t t J m w p tm t g t p

t t . at t t m , i t i k p m l ci pp t m . T g i , i m t a

i 1967 i g t t g j b t P p c g a t. a t b b M m m, m b m mp .

g t t m mp t . T t i m t r b t

t p g t l c t G . a m t - m . i g t , t t m t t i m t z t b t t p t . g p t m, b t t g g t t .

r b t M g z t x b t9 at Leo Castelli g t 108t st t, c mb a . T b g

b l c t G t g , t t t f t t t t p . it t t m t p t

f , t g , M t m tP p , b t i t t f pp t t p

Mario Garca TorresAn Interview with Rafael Ferrer


6/25

i t m t t t t m . w t 87 b g p t b g t n y .

M t t The Three Lea Pieces : a m t p t m . i t b t , m t p t:

P p l . P t t t t b m g p b tt t t c F m F t , p b t t!

#157t st t, d G , F b , T b n g . o p

t j t m b g t t t p d G . i t b g t p b t t t t p

. T i m t t t t t , g m t t b g .i p t p t b g , t f g t m m j t

m p t m . T t b g t g t pp . a t p , t p p t g t t tt t p g t. T t . T q p tt t . F i t g . r M , t t

, t p t g p . T j t pp : h , , t g? i m t g t t b p p t m t

t t r M .

#2w t 4 e t 77t st t t l c t G . T m t -

t t p t b g . r tg . i t t t t t t m . r t p t m

t t pp g p t b g m g m b b t c T mb p t g . r t g t

g, o m , t t p t t g p , t

g pt .#3

w t 108t st t p t f t t c t pt p t t m g .

M T t t t p t p t Anti-Illusion: Procedures/ Materials m b t t t t . T t t q -t , m m t , , , g t

t t xp t p p t b t g .

T p m t p t, t , r M g tt . i t t t

m . M -b t , J F , t . i t t t . P m t f . i

p t . T t t i g t m g The ThreeLea Pieces t t t t m p .

t , t . i m d h mm mt m t g t m g : h b

MGT i t g t t t h mm b . t g g t t m t t bt . c mm t

t Anti-Illusion , t p t g p t tw t ?

RF T t p t t m m t t t b p t p t . M tft t t g. i t b m

t m b m t m l t am . i t 1960 t m t t-g

n y , j , t b t p t t t t t t t m , b t t Anti-Illusion p g i

p - m . T p t t g , T G st . T t-g t

t b . i t t t t t t t t-g t t , m t t t wasP b .

r m m g t t t t-g n t am t t p . T , t t t t. i m

Drawing i t p G a t t t b t t t t p j

g t g . T b 80 p t g m t c , n y . i ph t 1930 40 , p t

t t m t p b m t t .

MGT i m mb t b r b t M t t p t p b t . it m t g , i t t t

p t t t , p g . i m g mp t m .

11 Mario Garca Torres10 An Interview with Rafael Ferrer


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RF o t , r b t M t t m t P t r . T t t M g z, J e q a , m t

b n y t t t. d g f t t p, t t m tp p t m . w t t M p t m

t g t t t p p t . F t p, p p t b t p t p t .i t x b t p t t t t t gm t mp m t . i t b gg p t g ,i g z t ( t t p ),b t , , g , g t b b ( t t ),

bj t , bb t g t b x t t - g t t m t . M p t

t t p t t mp . T t g g , m g t t t t t ,

t m t t p t. a t g t v t mw , g f m t t t .

#1w m mb b p g t m , t p t tt p m t t t m t t .

#2M j mm t t t t t t m t

t t t t .

#3T t t t p t t. w t tt p f , t t t g t p. T t g t

m t xp g t mm t x t m g tt t . T t t t g t g t t g. w t t p , t p t t t xp t t p b

t t t . M t t m , b t i t t t mt g p . M g p p

t p j t t t z . T t p g t m t t pp t t xp p j t. i

p m t , t m t t t t b t g t t q m t .

M t t , P p , M t m t t t t t n y c t . h m t t t t t t g t t P t r . it t t t t. y t m t

t . i t t g g b i t g t m g b . e , t g t t , i t t m

. i m t a g -s x t t gi fg t t t P t t t t t t T t p t g t t t . M

t m tm t t t t t t m . h p pt t p tt t .

a , i m t t t i t p m t t t. i g

t t M m c t mp a t c g , t p t b l s m . s m G , m M

t t t t t . w t ; t pt , m t gg

i m, d b p g ? h p , wt ? T g t p g , i m, w t t

? h , P t m P t r t t.

MGT B t t m t Anti-Illusion , M p b t xt a t -F m. w t tt t t t? w

b t p f , t t t t b t t pt ?

RF M tt t g t t t . i m mb g t p t, T p b m t t t , t

t, . B t t i m t t t t m t pt t xp t t t t ptF x mp , p p g bb tt m t t t p t bb t b t gt p p t , t tt t b b t t . w g t p ,

t t f , b , p b p , g t t t b t t t t . o g t p p , g g p t t . T ,

t t p j t t , Tp t .



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T t t t pp t g . T t m , m t , m t t p m t t . a mt b t mp t t t t t p b t xp t t : m, , t

p f . i t f t m. i t. i m g t t t b m , t t

t mp t t.

MGT s m x t t p t p t 9 at Leo Castelli. M t g t t t

t t t t p p t t . h tt ?

RF T . i t z t mp t t tThe Three Lea Pieces . it tVillage Voice b J P t.M T t t t t w t b t t t

x b t e p When Attitudes Become FormOp Losse Schroeven. 2 P p l tNew York Times

t g z m p t p t . T t t m t bc t r t t t g m x b tDESEO.

i M T t t b g p , A Short Li e o Trouble:Forty Years in the New York Art World, m t t m tt w t . i t t xt t f t b m g

t t m P t r . i t m t , i b t t t i xt b t t

t tt t t mp b t t t 1,2,3,4,5 r F . h t m im t, t t m t g t g t p t, m -

t p b m t m .T m . o t, p t, t p t . i t t , t mp -

t . d g m t i p t t . o tt , m , m xp t g g t t t

mb. G g t t t g t mp x t tt t g p . w i m t 1950 , m

t m t b , t , m tt , c b , n t am , t .

MGT y t l c t G 1970, g t?

RF y , l c t m t t 108t st t h mm t t b t m t T mb

t t m t t t t . a t tp t p t x b t e p , g t t

t t t . T t st t . ag , i m p g t

t t . r t , i m t t i j t t m g f t . F m , i F B

a t g m , b t t mp t t.

MGT w t t c t ?

RF i t g p t t m , t t . o g p g t g z t

g t g t . a m gt t m, t p t m . o t p t t

x- t- g t t b g t gt t mg t g t. a t t g t t t b

b t t . T t p p t g at t t t p mp t m ttt t b g t p g m m m t .

t p t m m t t T t p g t t m g z t . i t m g,

m t b t 16 t 20 g, g Art orum. o t x 300-p tt g t

xp t p . c m m r m P t rp g g z t b t . a b

P t r t p g, t t g t .This interview was conducted between October 2008 and February 2009. It wastranslated rom the Spanish by Maria Elena Ortiz.

n t

1. i t t st p k p , 1971.2. Op Losse Schroeven: Situaties en Cryptostructuren t t st j M m, am t m,

Live In Your Head: When Attitudes Become Form t k t B , s tz .B t x b t t p 1969.



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Willoughby Sharp M t t g b g p t t t t b k , b t t b k , t

Joseph Beuys i b p t k , b t t t pt . M m t m g t t t k

b t m t. B t t m t i p t t t . i t p t k , m p t t p ,

t p t k . T t m p t i g p.

WS h g k ? JB u t 1961, i t t b p t t da t a m .

WS T tt k ?

JB y , m g.

WS i t t m k ?

an inTerview wiTh JosePh Beuys w g b s p

32 33


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JB n , i t t d . B t i t t g k ti b m . at t 1947 i t t t d a t a -

m t t t 1951. T , t g t d , i t t k .

WS y t ?

JB y , i t m t b i t .

WS w t t t t d a t a m ?

JB e g M t . e g m . M t b tt .M t gm t , b t t t t b -

. h t g t t t pt b m t t . T t b t t g t g m t . i

t j t b t t t m t tt m. T t t t t, m

t t t t t g.

WS T t p m t b q t z . i 1951 m d t bb q t . w t t t ?

JB T t .

WS w t b t l mb ?

JB o , l mb . h fg g t i t t b t m . i m l mb

k j t b t t g m m f t g pt . B t t t pt i t t t m .i g p m g g t h t p m t.

WS w t b t m r pt ?

JB y i p t g p t t g . B t i t t .i g t t k .

WS y m t t .

JB y , i t p t t , m 1941 t 1946. i r .

WS w t t ?

JB c t t t! [l g ] w t i ? i fg t p tt t b t t . T p p g

.

WS w st g ?

JB n , i m t t t , t u , t c , tB s .

WS a t ?

JB d g t t t i t t w tT m p , m . w p i b m B t p .

WS d t t b m t t?

JB y . B t i t t b g m t m tt mp t t m . y t m tb t x m t t b g t

WS T m m b t t t 1950 .

JB w i t p m t h t, b b d t t p t a m r l . a i t 1961, i t b t k .

WS w b m M d mp ?

JB i 1955, i t .

WS i t p d mp t Untitled, 1954. d t ?

3 An Interview with Joseph Beuys 3 Willoughby Sharp


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JB n , i t t d mp t t . it b. T p m b ,

t .

WS s t t t . w t t t t p mb ?

JB it t g t t p t .

WS n b ?

JB B t m , i t m . T x m t p t g t p. T t f. J t t i f m f t fg , i m t m m t

b b t t b m m . it t t t i g-z t b mp t t m t, p p t m t mp t t

m t. T m pt t t t t g b t b .

WS o t b t The Needles o a Christmas Tree 1962.

JB T t t . it c tm t t t t t. e t t t t t t.

WS y m t t d p tz t M 1961, t t f t c tm . d t t pt ?

JB y , i t b t . B t t t b t , t g .

y m c tm t t b t t t g . n . i t t t, , g t m ,t t m t t.

WS o . . .

JB T g i t p t p t m .

WS d t m t p t ?

JB it t g t p t t .

WS a t ?

JB i m t .

WS y z . [l g t ]

JB a t i m m g t m . M g t t n x . [g t ]

WS B t t t .

JB i t t .

WS T t m .

JB i t m .

WS w t t m ? T tt t t t p t ?

JB T t t m, t p t m t g m. [l g t ] Tt g , t m g t t t m t gThe Art Pill (1963) v a t:

T t st g p g t t t t m t t, , t

y , m p m g m t g t b h t p t f t p g

m p , p t p . o t

g t m t t t t The Art Pill. n t , m tb p t t m t t , m t t b bt g t m , t t m g ,

t .

WS i m , t , t t t t m , t b The Chie 196364, p m

p t g t t t t m.



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JB y , i p t t t t p t m .

WS w t b m g t t mp f tm t t t.

JB T m p b t t g t g .

WS i m mb t t m t r b t M b Schmella 1964.

JB M t m . i m m . i t t TheChie t m. w g t t m t . w tt t t t t m t , m B ,

n y .

WS d t?

JB y , i t B . B t t t.

WS w t?

JB i t , b t t t. h t d t .i t t g m. i t t t m ,g m t t t t g t p t m t

.

WS T m t b m m t b t b tThe Chie m M t t , b t i t m g t

t t t t. [B tt t t m p t Fettecke, t p , Aktione ] T m t b t t t . y mFetteckes p t The

Chie , t ?

JB y . [P t t t p t The Chie ] h . it t m tt , i m t m tt . B t pt m t . T t

mp t t pt m . i i p m t g, i t m t m g tm . T g t m t m t m m t-

t , b t m tI, m . h t b b t p m t p . T t t t m b t t t pt .

T g m m t t . i t m t p t pm t t

m b g. B t t i m t t m t m t tm b t t p t t t g t t p

i t t t t t m t t t m

WS y Iron Co er Containing 100 Kg o Fat and 100 Dismantled Air Pumps (1968) p t tFettecke .

JB it t f t g t t , t t p t pt . T t m -

t t . it p pt t t t p mp . T t mb m , t p t p p

p mp p t m, g t p p . a t pb . a tt t t b x t g t t

t, 100 p mp . [B p t b pt t t p t gSet III mp q m t m b t g p t pp t m z . T

p t t m t t t f . T f t p . i m t t t p p t f g. i t t t b

g t , t m t t . it t m p p : . T t m t t m tt ,

t t z t . T p t t b m t p g m. T p t tt b t t, q t p g m. a t f t t . a t t m t , t t,

m g t t t t t m t p t g t , m p m t , t

t t . T m t t t, t t t t m . B

t m t f t t i t g z f t bt t t m t t t.

WS T m m m t , pSet III Felt Corner (1963).

JB y , t minimal xp t , b t t t M m t. it t. it p . it m m tm t g . B t t t t

t M m m.



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WS h t g t t d a t a m t t g t b mp t t t ?

JB it m m t mp t t t . T b t m g t t t. T t t t p t, m t t . i t t x-

p m t p t m t g t g b . B t t t t t t m t. obj t t mp -

t t m m . i t t g t t t g m tt , t t t g tb t. T g t, p , mm t t t t

t xp t m b g.

WS w t t t g t m m t m -t m t t m ?

JB y , i m t t m t t b t p m bt g. M t t p p t t m m t -

g. B t t t t p p t t m t b t tp , b t b xp t t . i experience b t t q t tthinking ; t g t m mp x. it b g m b . T t ,y , im t t , t t g t m

t. i t i i m t m t. i t p p , t mp t t. i t m , t g b m p t t t t

p p pp t t b t b , t b, t t . T q t t t g b

t t p tt m t t . B m t p p t m t t t m t t t m . T

i t t p t m t g m t m bj t .

B g t t p p m b g t t t t m t t b g.

WS w t pt t t t ?

JB s pt m t b t t q t t b p m tp g t . T t t t, t t g t pp . B t t mp b t pp t. n , p t -

b m g t t. a t t pt , , t g p t g t t t g t t .

s p p b g g t z t t t t pb b .

WS T t t t p t ?

JB P t , t t t x t . T p m t B m g pt m t p i m

g t t g t t m t t g , t t t t x t t , i t t

l r mb t. i m t m t , t t t m m . e m m t t t m m

m t m. e m p t t p t .

WS h t mp ?

JB a t m p b t i m t t. i t t t t t, m b

p g t m . T t m t t tt t p t m t t b m j

g p m m g b m i m t t m p

m t p . T p t m t t t . M t

t , t t b g. i m t t m . at t m m t t t g t p f t t m

p t m t t m t , i t t m t m , m m , m

g , m p m t t . e t t

p t t b t. it t.WS w t t t ?

JB J c g . T pt t t m.

WS w t b t t it pt M M z, am pt r s ?

JB y , i t t m, b t t mp .



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t t , b i g t t t t g b. P p t i J c g n m J P m

b t t t p t g . T g t .B t t t g t . F m t t p t m t t t B [ t tWhen Attitudes Become Form x b t ]

t . i b g t t g g t m , im q t g t .

WS w t t t M h z , dopp m, r b t sm t , k t s ?

JB i t t t t , b t i p t B n mt B .

WS n m m b t .

JB y , b t i f t t f b i t t -t . i p g t mp t t t . i t t g

b t n m t g t p , b t i t t t m t t t .

WS T t t m t t t t t t t t ?

JB i g t x b t , i t j . i ipp t , i t t, b t m t t t g t t t i

t t g . i m m t t t pm t t g t .i m t t t t t p p m t m .

WS d t m b t r b t M ? JB y , b t i b t p M t t g t t.B t i t m . l t M t m t p t p t

x b t g g. i t t.

WS T c t x b t n y ?

JB y .

WS w t p t p t ?

JB i t t t .

WS d t ?

JB n , i t t g t t t m t t i g k st j t b g t m [ b t 300 p ], b t i m m t g t. i j t t t. lp p t m t g t g i t p t p t , bb t t t t g .

WS T t t t . it t b t t .

JB a g t. T t m t t t i t t g, bt t g.

WS i g t t t x b t .

JB y , i xt m t t, b m x m t g t t . it m t g i

t b t . i x b t t t.

WS T t xp t t t m 10- t t a s m .

JB y , i p g t x b t t m s mm t t t b t t .

WS i t t g t m t m g tt t t m m t t t 19

JB B t . P p b m g m m g. T g tti g st t t g . T g t bp , i t t t m t g . i

b t.

WS y b g 20 , t t t b g t pp t t mp .



23/25

JB T t pm t. F 10 15 p p mm B z .

WS y , i m mb i f t t d 1957, x pt t t t . T g g . w t

t b t p t t t t t t xt t?

JB i t t x t m tt t t m p m t tt g t t t g t t t f pm t t b t

t f pt . y , t b g t i t t b t t.B t i t t t t t t t t t tP t t m , i t t m t g b t

t. i t t b t . s pt i t t b tpt t. i t t i b t t t .

a t t p b m p pt .

WS P pt ?

JB [l g t t ] i t mp t t m , i m t g t f m tpt t t t t M x t t . T s t

m m t e p t t t g pp t b t gt t p t q t . T f m x

b g. i t p b t pm t, t t p t t t G m b t am . M

t m p t , b t t g, tp t g pt . F m t m t t t g t

pt . T t g t pt . o , g g pt . im m x, i m m m t , t m t m

pt . M t t g t m t b t pt . w, w t pt ? p , s pt . T t t t pt mp x t b g t . w t t t m t

t t t pt pp f t m .

WS i t t t b t t?

JB M t p t t t t m b g t t.i t t m , t g. o ,t g b t t p tt g t. B t t pt t g,

g, t g t pt . T g t b m. F g b m t t m. w b t . t g p p mFettecke. F t q m t b t

t t t t m pt t t p t t m t , t t b

WS i t f t t t x t ?

JB hmm. T q t t mp t t t m pt q t t t g t. T m i t pm i t t t t t g t t i t mt t t t t t m mp t . i tp t . i m t t m g t m t p p g t m. it g tt g mt m t g . B t t t t t g t t t

t t bj t. T p t t b t t t b t p t g . B t t t

t b m , t g b t m . h t t t tt , t t t bj t. i m t t t

t t t t . i , t; m t g. i t t m . it t m , m

b , m g pt , i t . a t g i pt t t d a t a m , i pt

t t .

WS h t t t j g t bt t?

JB i m t t t t b g p : g r mb t, g r b G . a t i m p p t , B t t t

t t t . i p t g t t .

This interview was frst published in Art orum, December 1969, pages 4047.

An Interview with Joseph Beuys Willoughby Sharp


24/25

G a mUntitled, 1968st , tt , td m b

w m B gUntitled, 196840- t d m b

r FStaircase3 LandingsLeaves,196836 b t t t c t w ,t t d G , l c t Gd m b

e h Aught, 1968d b t t x t tp t4 t , 78 x 40 .

e h Augment, 1968l t x

19 t , 78 x 4 .st p k t bFelt Floor Piece, 1968F td m b

B n m John Coltrane Piece, 1968a m m t m b tt md m b

B n mUntitled, 1968st b m t p d m b

a s tUntitled, 1968P t bd m b

a s tUntitled, 1968P t d m b

r sUntitled (Prop), 1968l t p pd m b

r sSplashing, 1968M t

d m br sUntitled, 1968M t d m b

k t sRat-Tail Exercise, 1968F b t gd m b

k t sMuste, 1968l t x, , t gd m b

k t sWall Piece with Fluorescent Light,1968F b d m b

G b t ZUntitled, 1968l , t , td m b

lisT oF works


25/25

acknowledGMenTs

M G T t t sh z c g-c F Mc t t p t t b .

coloPhon

T p b t p t t t bp b t t2da TrienalPoli/Grfca de San Juan: Amrica Latina y elCaribe, ap 18J 28, 2009, g z bi t t t c t P t q .

M G T / 9 at Leo CastelliP t 750

e t t : J h mP t g p : M G Tc p t : l w tbd g : st p / J sP t b o P t g s F

2 T P /G f s J :am l t c b a t t t : a Pc t : J t G z z, J h mG t t : B t z s t g M z

ex t d t i t t t c tP t q : J l v ga t g d t F a t P g m:a b r m r m

2009 b i t t t c t P t q ,s J , P t r , 00902-4184. a

g t . n p t t p b t mb p m , p , m

t t p m . e t b mt t p g t . i b

t t , t p b bp t m g m t

t t f t pp t t .

i t t t c t P t q a t g a M e p l P t , v j s JPo B x 9024184s J , P t r 00902-4184T: 787-725-8320; 787-724-1877

. p.g b .pt j @ p.g b .p

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