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DIE WINTERKOLLEKTION VON BMW.BMW xDRIVE – DAS INTELLIGENTE ALLRADSYSTEM.
BMW 6er Reihe mit xDrive: von 230 kW (313 PS) bis 330 kW (450 PS), Kraftstoffverbrauch gesamt von 5,7 l/100 km bis 9,3 l/100 km, CO2-Emission von 149 g/km bis 217 g/km.
BMW xDrive
bmw-mountains.com Freude am Fahren
DIE WINTERKOLLEKTION VON BMW.
Königstraße 141 · D-90762 Fürth
Telefon: 0911-740 74 0
www.kuhnle.de
ENTDECKEN SIE SICH NEU
Die Rendez-Vous Night & Day ist eine perfekte Verbindung von stilvoller Eleganz mit traditioneller Uhrmacherkunst. Sie begleitet ihre Trägerin durch die verschiedenen Phasen ihres Lebens, in denen sich jede Frau fortwährend wandelt und sich dabei immer wieder neu entdeckt. Dieser Zeitmesser ist das Ergebnis der unerschöpfl ichen Kreativität der Manufaktur Jaeger-LeCoultre, deren Savoir-faire
seit ihrer Gründung im Jahr 1833 kontinuierlich weiterentwickelt wird.
RENDEZ-VOUS NIGHT & DAY. Kaliber Jaeger-LeCoultre 967A.
SIE VERDIENEN EINE RICHTIGE UHR
ladies.jaeger-lecoultre.com
Location: Aux Gazelles
dp
i.at
Wien, Am Graben 22+43 1 532 08 88www.vonkoeck.at
ICH HABE MICH ENTSCHIEDEN!...FÜR JUWELEN VON KÖCK
Birgit Lauda
6
07
H
ow can one approach a particular place, how can one describe a place and,
at the same time, inscribe oneself into it; how can one bring out the pecu-
liarities of the place whilst still focusing on and comprehending one’s own existence
as an artist?
These are the questions explored by the visual artist Ida-Marie Corell in her A.I.R.
project THE ARTIST IS RESIDENT, that has now been published as a book and that
Florian Werner takes to derive the theme for the year, INSIDE, providing an insight
into the hotel structure and its specific conditions. Ida-Marie Corell’s approach is
divided into several different phases, informed, to begin with, by a circumspection
which, manifested in the term “Resident”, also bears hints of “Resistant”. The question
of total abandonment and the necessary resistance permeates the entire publication,
explored by the artist in three topic areas. LOST IN LOCATION marks the start and the
tentative approach to the hotel as a place, DREAM AND ISOLATION the deceptive
state of having arrived, and FOUND IN CAMOUFLAGE subtle infiltration as a form of
closeness to the place coupled with a resistant stance. Parallel to this, as a subtext
to the book, the artist negotiates questions concerning the mechanisms of self-dis-
covery, answering them with different forms of self-presentation.
Ida-Marie Corell’s presence in the hotel represents nothing but the attempt at
appropriation with the aid of the devices of irony and actionism. But much more so,
and indeed foremost, the book is an in-depth and wonderful portrait of the place itself.
Ida-Marie Corell’s project fits seamlessly into a series of artworks – site-specific
interventions – which meanwhile run through the entire hotel like a red thread, being
readable as a comment on the significance and function of the place and, slowly but
surely, beginning to change the hotel’s identity.
section.a, editor and constant companion
Inside
08 Kunst der Begegnung
09
KUNSTqUARTIER HOSPIz 10
MISSION STATEMENT 11
DATES 2013/14 12-13
ANNUAL THEME 2013/14 14-15
ART COLLECTION 16-19
IN SITU 20-29
WINTER ExHIBITIONS 2013/14 30-35
OLD ORIGINAL SKI POSTERS 36-39
ARTISTS IN RESIDENCE 2013/14 40-73
IMPRESSUM 74
Contents
10 Kunstquartier Hospiz introduces itself
IT IS DIvIDED INTO THE FOLLOWING SUB-AREAS:
// HOSPIz GALERIE ST. CHRISTOPH
// HOSPIz ARTIST IN RESIDENCE ON SITE
// HOSPIz ART PRIzE
// ART COLLECTION FLORIAN & URSULA WERNER
// HOSPIz ART PRIzE © NATIONAL ART SCHOOL , SyDNEy
11Mission Statement
In its approach the KUNSTqUARTIER HOSPIz corresponds with to that of the
Arlberg Hospiz Hotel as a traditional, exclusive hotel with a focus on the guests
and their well-being. In the KUNSTqUARTIER HOSPIz, the focus is on the
artist instead of the guest. Accordingly, all activities at the Kunstquartier Hospiz
are based on fair and open principles of community.
In accordance with the tradition of the Brotherhood of St. Christoph, the
KUNSTqUARTIER HOSPIz serves the purpose of promoting and making visible
a younger generation of artists
at the start of their creative lives. The KUNSTqUARTIER HOSPIz provides
access to all artistic directions, from traditional artistic formats to New Media
Art.
The multi-layered programme at the KUNSTqUARTIER HOSPIz is as dedi-
cated to hotel guests as it is to lovers of art. The KUNSTqUARTIER HOSPIz is
dedicated to its regional location, with which it is closely integrated and carries
out an active exchange, without losing sight of the international focus.
The KUNSTqUARTIER HOSPIz is another exclusive trademark of the Arlberg
Hospiz Hotel.
12 Dates 2013/14 December 2013-April 2014
Winter Exhibitions 2013/14 IDA-MARIE CORELL // DE|PASSAGE
KAy WALKOWIAK // AT|MEDIA ROOM
“FREEDOM” // CH|OLD SAUNA
“ART POSTER ExHIBITION” // OLD ORIGINAL SKI
POSTERS “FROM AUSTRIA AND SWITzERLAND”|PASSAGE
A.I.R. 2012/13 GROUP ExHIBITION
In situ & Sculpture 2013/14
FRANzISKUS WENDELS // DE
ALFREDO BARSUGLIA // AT
ISABEL HAASE & KIRSTEN HELFRICH // AT|DE
CHRISTIAN HUTzINGER // AT
FEDERICO vIvARELLI // AU
LENA LAPSCHINA // RU
13
Artists in Residence 2013/1430/11/2013–17/12/2013 JOHANNA BRAUN // AT
08/12/2013–22/12/2013 zORA vOLANTES // DE
05/01/2014–19/01/2014 ANDREAS DUSCHA // DE
10/01/2014–23/01/2014 ALDO GIANOTTI // IT
20/01/2014–02/02/2014 SIGURD LARSEN // DK
24/01/2014–09/02/2014 JIAJIA zHANG // CN
07/02/2014–22/02/2014 LEA TITz // AT
16/02/2014–02/03/2014 HILDE FUCHS // AT
23/02/2014–08/03/2014 EvA KEES // AT
01/03/2014–16/03/2014 CATHERINE GFELLER // CH
09/03/2014–23/03/2014 DANIEL FRANz RAPPITSCH // AT
16/03/2014–30/03/2014 SAMUEL SCHAAB // DE
29/03/2014–13/04/2014 HANS PANSCHAR // DE
13/04/2014–27/04/2014 BRIGITTA REUTER & HUBERT HASLER // AT
13/04/2014–27/04/2014 CHRISTIAN RUPP // AT
01/09/2014–21/09/2014 ROSWITHA SCHULLER & MARKUS HANAKAM // AT|DE
08/09/2014–30/09/2014 FRANz RIEDL // AT
Dates 2013/14December 2013-april 2014
Florian Werner has opened his 70 m2 studio and made it available to 19 national and international artists. The artists paint and relax on site in the Hospiz
for one week each. Each day from 5:00 p.m. to 7:00 p.m., the artists provide guests of the Hospiz studio insights into their work and look forward to in-
teresting discussions and an invigorating exchange of opinions.
14 Annual Theme 2013/14 Inside
ART IN THE PASSAGE IDA-MARIE CORELL // DE
“ART POSTER ExHIBITION”
ART IN THE BASEMENT FRANzISKUS WENDELS // DE
ART IN THE STAIRCASE LENA LAPSCHINA // RU
ART IN THE COLLECTION ROOM PETER NIKOLAUS HEIKENWäLDER // DE
KATE TERRy // UK
ART IN THE OLD SAUNA FREEDOM // CH
ART IN THE GARAGE FLORIAN WERNER // AT
ART IN THE SPORT & SPA A.I.R. 2012/13 GROUP ExHIBITION
ART IN THE POOL KIRSTEN HELFRICH // DE
ISABEL HAASE // DE
ART IN THE MEDIA ROOM KAy WALKOWIAK // AT
ART IN THE NEW SAUNA OTTMAR HöRL // DE
CHRISTIAN HUTzINGER // AT
ART IN THE FOYER ALFREDO BARSUGLIA // AT
ART IN THE SkICLUB STUBE LIzzy FIDLER // AT
ART AT THE BAR ROLAND ADLASSNIG // AT
ART IN THE PARkING LOT FLORIAN SENN // AT
AMARyLLIS BATAILLE // F
15aNNUal tHeme 2012/13iNsiDe
HOSPIZ ART PRIZEIs awarded annually in November by the kUNSTqUARTIER HOSPIZ.
2009 PETER NIKOLAUS HEIKENWäLDER // DE
2010 ANNA LEHMANN-BRAUNS // DE
2011 ALFREDO BARSUGLIA // AT
2012 MARIA ANWANDER // AT
2013 IDA-MARIE CORELL // DE
HOSPIZ NAS RESIDENCY AWARDIs awarded annually in December by the National Art School in Sydney, Australia.
2008 JANICE HEBERLING // AU
2009 GABRIELLA MAKOvINA // AU
2010 SOPHIE CAPE // AU
ANNAMARIE DzENDROWSKyJ // AU
2011 FEDERICO vIvARELLI // AU
2012 SOPHIE HOPMEIER // AU
16 Art CollectionFlorian & Ursula Werner
A ADLASSNIG ROLAND // AT
ANWANDER MARIA // AT
ANzINGER SIEGFRIED // AT
AMANN BERNHARD // AT
B BARSUGLIA ALFREDO // AT
BECHTOLD GOTTFRIED // AT
BESA // DE
BRODNER LINDE // AT
C CHyTILEK EvA // AT
CORELL IDA-MARIE // DE
D DIEM GERHARD // AT
E EvA & ADELE // DE
F FIDLER LIzzy // AT
FILL HANNES // AT
FIORENzA CRISTINA // AT
FLORIAN WALTER // DE
17art collectioNfloriaN & UrsUla werNer
G GORMLEy ANTONy // UK
GRISS ILONA // AT
H HAASE ISABEL // DE
HANAKAM MARKUS // DE & SCHULLER ROSWITHA // AT
HAUSEGGER MARLENE // AT
vON HASSEL MICHAEL // DE
HEIKE HERDA // AT
HEIKENWäLDER PETER N. // DE
HEINzLE REGINE // AT
HEISS LUISE // AT
HELFRICH KIRSTEN // DE
HUBER USCHI // AT
HOFFMANN JULIAN // DE
HUTzINGER CHRISTIAN // AT
k KAUFMAN STEvE // USA
KASIMIR JAKOB // AT
KRABICHLER LISA // AT
L LASSER INGE // AT
LEHMANN-BRAUNS ANNA // DE
LEISSING EDGAR // AT
18
M MAASS DIERK // DE
MACULAN LIES // AT
MAIR HANNES // AT
MAJO MAxIMILIAN // AT
MALL ISOLDE // AT
MARSILIUS // DE
MäRzENDORFER CLAUDIA // AT
MELLE CHRISTL // DE
MIJATOvIC SvETLANA // AT
MOLL LUKAS // AT
MURAKAMI TAKASHI // JP
N NACHTWEy BENJAMIN // DE
NAGEL HELGA // AT
NORTON LARRy // SA
NOvELLO PATRICIA // IT
P PASqUALINI ANDREAS // AT
POHL RICARDA MARIA // DE
R RÜTzLER KLARA // AT
art collectioNfloriaN & UrsUla werNer
19
S SANDHOLzER LUCIA // AT
SCHAPIRO STEvE // USA
SCHIMPFöSSL LORENz // AT
SPISS PEPPI // AT
STRAFANSTALT SAxERRIET –
GRUPPENARBEIT MIT THOMAS PITSCH // CH
T TERRy KATE // UK
THIES DENNIS // DE
U UIBERREITHER vOLKER // AT
v vIvARELLI FEDERICO // AU
vORWAGNER SyLvIA // AT
4 GRAzIEN // AT
W WALTNER PETER // AT
WERNER FLORIAN // AT
WINKLER GEBHARD // AT
Z zIMMERMANN RUDOLF // AT
art collectioNfloriaN & UrsUla werNer
20 In situ
KIRSTEN HELFRICH /
ISABEL HAASE // AT|DE
21 iN sitU
KIRSTEN HELFRICH /
ISABEL HAASE // AT|DE
22 iN sitU
LENA LAPSCHINA // RU
23
ALFREDO BARSUGLIA // AT
iN sitU
24 iN sitU
ALFREDO BARSUGLIA // AT
25 iN sitU
ALFREDO BARSUGLIA // AT
26
FEDERICO vIvARELLI // AU
iN sitU
27 iN sitU
CHRISTIAN HUTzINGER // AT
28 iN sitU
KIRSTEN HELFRICH
“CHRISTOPHORUS ExPLODED” // DE
29 iN sitU
FRANzISKUS WENDELS // AT
Ida-Marie Corell’s artistic practice is characterised by an
interrogation of consumer culture and its objects. The focus
of attention in recent years was the plastic bag object in its
range of different cultural manifestations and as a distinctive
expression and synonym of a globalised world. With her
current A.I.R. project THE ARTIST IS RESIDENT, the artist
takes an in-depth look behind the scenes of the hotel work-
ings, thereby creating a profound and subtly differentiated
picture of the place itself.
Born 1984 in Munich / Germany
Course of study University of Applied Arts vienna / Austria
Lives and worksin vienna / Austria and Berlin / Germany
www.lleroc.com
30
Ida-Marie Corell
wiNter exHibitioN // passageDecember 2013–april 2014
Kay Walkowiak’s artistic work revolves around the real
world of objects, while at the same time distancing itself
markedly from the same thanks to its model-like nature.
The cultural empirical knowledge of their viewer always re-
mains inscribed in the objects, a knowledge which charges
them with individual meaning. In the media room, the artist
presents the result of his A.I.R. stay, during which, with the
aid of the film medium, Kay Walkowiak explores the relation-
ship of art and nature based on a minimalist object.
Born 1980 in Salzburg / Austria
Course of study vienna / Austria and Tokyo / Japan
Lives and worksin vienna / Austria
www.walkowiak.at
32
Kay Walkowiak
wiNter exHibitioN // meDia roomDecember 2013–april 2014
The exhibition in the old sauna area features works created
by the inmates of the Saxerriet prison (canton of St. Gallen)
on the topic of “Freedom”. The more than sixty works are
showcased in hanging acrylic glass cubes which create
the impression of a connected installation. The form of the
acrylic glass cubes both protects and makes visible freedom
as a valuable asset.
34
“Freedom”
wiNter exHibitioN // olD saUNaDecember 2013–april 2014
36 “olD origiNal ski posters from aUstria aND switzerlaND” // passageDecember 2013–april 2014
As alpine sports holidays began to entice the wealthy to the European Alps in the Nineteen
Twenties, so the first ski resorts began commissioning the finest artists of the day to cre-
ate advertising posters to display in travel agencies, railway stations and hotels. Such
early posters allow us a glimpse of a golden age of unspoilt Alpine slopes, wooden skis
and tweed coats.
As time passed and interest in skiing became the global phenomenon it is today, so ski
advertising adapted to suit. In capturing this changing zeitgeist from art deco through to
Sixties psychedelia (‘skidelic’) to the present day, ski posters
offer an affordable art form from our recent past which is
filled with nostalgia. Demand has never been higher, as the
booming auction market shows. Interested buyers are not
just skiers fondly remembering a special run but art collectors,
hoteliers, chalet owners, investors and even modern resorts
themselves.
The man behind OriginalSkiPosters.com, Russell Johnston,
said: “Original ski posters have become increasingly sought
after, not only because being so rare many continue to esca-
late in value, but also because it’s a great way for skiers to
remember a special holiday or re-live those fabulous experi-
ences on the slopes. Most customers, however, choose to
buy simply because they love a particular poster, image or
ski resort.”
Background
38
New Release of Archival Original Ski Posters
Russell Johnston went on: “Amazing as it sounds, the Robert W. Johnston
ski poster archive of over a thousand original posters was an attic find.
Originally built by my father, an RAF navigator stationed in post-war Europe,
the collection passed to me in 2004. But I didn’t know about his collection;
he never mentioned it! Nor, to my knowledge, did he ever ski! you can
imagine my somewhat pleasant surprise when I discovered hundreds and
hundreds of these dusty old mailing tubes stacked in the family attic. Since
then I have spent time carefully cataloguing and conserving the archive (a
process which continues to this day), first going online in 2005.”
Because of the painstaking conservation and photographic procedure
required of a paper archive, OriginalSkiPosters.com only release further
posters every other year or so. The general feeling though from those who
have glimpsed it, is that the 2013-2014 vintage is another exceptional one,
featuring rarely seen large scale images of Chamonix, zermatt and Cortina.
amongst others.
OriginalSkiPosters.com respectfully draw your attention to a sneak
preview of the following examples from the new release attached to this
email release.
The entire poster archive can be viewed at www.originalskiposters.com.
Originals cost from £400 to £20,000 ($600-$30,000). Bespoke fine art
prints cost £125 ($195) for a full size replica. Each original is guaranteed
to be an original vintage poster and a certificate of Further Information or
Image Enquiries please contact Russell Johnston in the UK at info@origi-
nalskiposters.com or on (00)-(44)-(0)7973 256042; or for publicity contact
Gordon Boreland at [email protected]
Further images or images in higher resolution or alternative formats pro-
vided upon request.
“olD origiNal ski posters from aUstria aND switzerlaND” // passageDecember 2013–april 2014
Johanna Braun’s painterly works are expansive and serve as stage settings in which the
artist performs. In her paintings, frequently based on historical sources, Johanna Braun
herself is regularly the motif. Her action here is in firmly keeping with a feminist tradition
(valie Export, Friederike Pezold) which negotiates woman’s role in society and the instru-
mentalisation of the female body as a projection surface.
Born 1987 in vienna / Austria
Course of study Academy of Fine Arts vienna / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 30/11–17/12/2013
www.johannabraun.com
40 Johanna Braun
42 Zora Volantes
zora volantes’ work is situated in the realm between paint-
ing, object and performance, with numerous intersections.
The interplay of the effect in herent in the picture and the
outward effect of colours and materials and the influence
on the spatial setting are key themes in the work of zora
volantes. Her works of painting are informed by the interplay
of abstraction and figuration.
Born 1971 in Berlin / Germany
Course of study Berlin University of the Arts and Academy of Fine Arts vienna / Austria
Lives and worksin Berlin / Germany
Artist in Residencefrom 08/12–22/12/2013
www.zora-volantes.com
44 Andreas Duscha
Andreas Duscha’s artistic work could be referred to as a continuous teasing
out of a range of socio-political concerns. He approaches his topics in
intensive research, filtering out the underlying mechanisms of construction
and transforming them by means of sophisticated conceptual strategies
into complex artworks invested with smug commentary. Photography and
various print techniques, some quite intricate, are his customary media
vehicles.
With H.a.i.r. oN site, Florian Werner expands his residency programme,
inviting one artist every year to create a photographic portrait of the hotel,
its interior, its exterior, its stories and peculiarities. The aim is to create an
ongoing artistic documentation of this extraordinary place.
Born 1976 in Heidenheim, Brenz / Germany
Course of study Academy of Fine Arts vienna / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 05/01–19/01/2014
www.andreasduscha.com
Aldo Gianotti’s works very often consist of a performance-based approach
to conditions of society. An incessant interrogation of the subject’s
position in societal structures is the starting point of Gianotti’s – always
humorous – examinations, in which he prefers to use public space as a field
for experimental set-ups, with the final presentation taking the form of a
photoseries, video and/or object.
Born 1977 in Genua / Italy
Course of study Carrara Academy of Fine Arts and Academy of Fine Arts vienna / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 10/01–23/01/2014
www.aldogiannotti.com
46 Aldo Gianotti
48 Sigurd Larsen
Sigurd Larsen is an architect, designer and visual artist and
lives in Berlin. His artwork is inseparable from his other
activities. Indeed, the various spheres intermingle and serve
as mutual references. His sculptural works can be inter-
preted as architectural models and furniture-style designs
in equal measure, with the boundaries between applied and
autonomous art production apparently annulled.
Born 1981 in Odense / Denmark
Course of study Royal Academy of Fine Arts and School of Architecture in Copenhagen / Denmark
Lives and worksin Berlin / Germany
Artist in Residencefrom 20/01–02/02/2014
www.sigurdlarsen.eu
50 Jiajia Zhang
Jiajia zhang explores the phenomenon of everyday life. Her photographic gaze is trained
on details and side-shows of cathedrals of consumption. Her photographs, often in the
style of details, of cleared-out shop windows create the impression of having caught a
glimpse behind the scenes, of having seen the underlying structure, while they also form
the surface of the image. The photographs raise questions as to cultural mechanisms of
representation.
Born 1981 in Hefei / China
Course of study Architecture at ETH Zürich / CH and General Studies program at ICP (International Center of Photography) in New York / USA
Lives and worksin St. Gallen / CH and in New York / USA
Artist in Residencefrom 24/01–09/02/2014
www.jiajiazhang.com
52 Lea Titz
Lea Titz’s conceptual work, dominated by the photography
medium, constitutes an incessant examination of the con-
cept of reality. Different levels of experiencing reality and
the associated degree of authenticity are exchanged by the
artist in her manipulation of various photographs (including
found footage), thus subtly changing valences of (lived)
experience.
Born 1981 in Graz / Austria
Course of study University of Applied Arts vienna / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 07/02–22/02/2014
www.leatitz.com
54 Hilde Fuchs
Hilde Fuchs’s artwork is situated at the intersection of theatre work, per-
formance and visual art. Her interventions make selective use of forms of
everyday life and are embedded in social spaces, negotiating issues of
marginalised social groups (among others, she has worked with punks and
homeless people). The term “social sculpture” in the best sense sums up
the essence of Hilde Fuchs’s works.
Born 1964 in Orth an der Donau / Austria
Course of study Academy of Applied Arts vienna / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 16/02–02/03/2014
56 Eva Kees
Artist Eva Kees’s preferred medium is photography. Her
works range from classical still life to object photography
and documentary social photography. The central motif,
however, is her own image. The artist uses staged images,
in which she incorporates a wide variety of different objects,
to create certain atmospheres and focus consciously on
conventional forms of representation.
Born 1982 in Bregenz / Austria
Course of study Fashion Design in Düsseldorf / Germany, degree in Artistic Photography, vienna / Austria
Lives and worksin vienna / Austria and New York / USA
Artist in Residencefrom 23/02–08/03/2014
www.evakees.com
58 Catherine Gfeller
In her works, Catherine Gfeller examines and visualises states of being in various
manifestations. Her photographic and video works, in which she focuses on scenes of
everyday life in details and fragments, serve atmospherically to condense urban and
human bodies. The wealth of views of private and public scenes amounts to a surgical
dissection of the situations under scrutiny, revealing information about the underlying
structures constituting the image.
Born 1966 in Neuchâtel / Switzerland
Course of study Universities of Neuchâtel and Lausanne / Switzerland
Lives and worksin Paris and the south of France / France
Artist in Residencefrom 01/03–16/03/2014
www.catherinegfeller.com
60 Daniel Franz Rappitsch
In terms of both style and material, art student Daniel Franz
Rappitsch combines different layers of time and visual worlds
in his paintings and collages. In some cases, the motifs in
his works of painting have a far more expressive gesture,
broken by constructivist elements so as to create composi-
tional tension. He blends these different styles and forms
of expression to create astonishing languages of form which
join together in the motifs to form statements on social
conditions or individual visions of the future, that, often
drawing on found footage, give rise to a retro aesthetic.
Born 1984 in Wolfsberg / Austria
Course of study University of Art and Design Linz / Austria
Lives and worksin Linz / Austria
Artist in Residencefrom 09/03–23/03 /2014
www.danielfranzrappitsch.com
62 Samuel Schaab
The starting point of Samuel Schaab’s sculptural works and spatial interven-
tions is the material itself, that provides information about the possibilities
of artistic formation. The artist puts this into new functional contexts and
combinations in search of the appropriate expression in each particular
case. Sound frequently plays a key role, embodying aspects of change and
temporality.
Born 1981 in Starnberg / Germany
Course of study University of Applied Arts vienna (Bernhard Leitner, Erwin Wurm) / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 16/03–30/03/2014
www.samuelschaabfrequenz.com
64 Hans Panschar
Hans Panschar’s artistic trademark is arguably most likely
that of a duality which joins together to form a whole. The
trained boat-builder and carpenter has taken the wood me-
dium as his artistic material, searching for the essence of
this organic raw material, exploring how he can approach
and build on it in his art, and thus where the cultural inter-
vention begins. However, he also combines wood with other
materials, for example contrasting it with concrete, neverthe-
less creating aesthetically uniform and complementary
objects. For all its reduction, the language of forms is ex-
tremely narrative, with positive and negative forms
combining to create a new, poetic unity.
Born 1962 in Munich / Germany
Course of study Munich College of Design / Germany
Lives and worksin Berg am Starnberger See / Germany
Artist in Residencefrom 29/03–13/04/2014
www.hanspanschar.de
66 hb-lankowitz
For hb-lankowitz (Hubert Hasler and Brigitta
Reuter) the complex exploration of photog-
raphy is based on an extremely broad use of
the medium. Alongside more documentary-
style photographs, which assume a mystic
aspect due to perspectives or exposure, they
often enact still lifes and landscapes, fre-
quently appearing themselves in their scen-
eries. The motifs are often of an absurd, sur-
realist nature, detaching the photographic
image from its everyday use and turning it
into an individualised artistic tool.
Born 1955 in Maria Lankowitz / Austria
Course of study Graz Academy of Photography / Austria
Lives and worksMunich / Germany
Born 1975 in Bruck an der Mur / Austria
Course of study School of Artistic Photography vienna /Austria, master florist, Straubing / Germany
Lives and worksMunich / Germany
Artist in Residencefrom 13/04–27/04/2014
www.hblankowitz.de
68 Christian Rupp
Christian Rupp’s artwork is based upon
mechanisms of appropriation and alienation
of everyday objects of advertising and daily
use. As an example, he took established lo-
gos to create a complete alphabet, using this
as work material for a variety of artistic proj-
ects. By stringing them together, he circum-
scribes the intended meaning of the indi-
vidual symbols, thus questioning the
mechanisms of consumer culture.
Born 1970 in vienna / Austria
Course of study University of Applied Arts vienna and vienna University of Technology / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 13/04–27/04/2014
www.christian-rupp.com
70 Roswitha Schuller &Markus Hanakam
The two vienna-based artists work on the boundary of a
wide range of media. They make use of the video medium
as easily as they create sculptural works with incredible
naturalness. Sculptural objects feature recurrently in their
mysterious – narrative – filmic video works (road movies),
be it in the film setting itself as real objects or be it as ani-
mated objects often laid over and thwarting the film. In so
doing, they lend to these objects, formally reminiscent of
everyday objects, character traits – as well as names and
stories.
Born 1984 Friesach / Austria
Course of study University of Applied Arts vienna / Austria
Lives and worksin vienna / Austria
Born 1979 Essen / Germany
Course of study University of Applied Arts vienna / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 01/09–21/09/2014
www.hanakam-schuller.com
72 Franz Riedl
The transition between or the dynamic context of surface and space plays
a central role in Franz Riedl’s artwork. Be it spatial installation, paper works
or graphical interventions in photographs, his examination revolves
recurrently around confounding the boundary between the second and
third dimension and thus repositioning our conception of it. Street plans,
architectural drawings, the grids, positional markers and structuring
mechanisms used in them, are just some of the parameters relevant to the
artist’s examination.
Born 1976 in Bad Ischl / Austria
Course of study University of Art and Design Linz and Academy of Fine Arts vienna / Austria
Lives and worksin vienna / Austria
Artist in Residencefrom 08/09–30/09/2014
www.franzriedl.com
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74 Impressum
„Kunst erhält nur Bedeutung,wenn man sie teilt.“
Beatrix Ruf, Direktorin Kunsthalle Zürich
Der zweite BMW Art Guide by Independent Collectors präsentiert 217 private, doch öffentlich zugängliche Sammlungen zeitgenössischer Kunst. Die prägnanten Sammlungsporträts entführen Sie in 41 Länder, dabei häufi g in Regionen oder Stadtviertel abseits des Gewohnten. Weder im Internet noch in Buchform existierte bislang eine vergleichbare Liste von internationalen Privatsammlungen – darunter einige, die ihre Türen für Kunstinteres-sierte und Kenner erstmalig öffnen. Die überarbeitete und erweiterte Aufl age mit 49 neuen Sammlungen ist ab sofort online und im Buchhandel erhältlich.
Erfahren Sie mehr darüber, was Beatrix Ruf und andere Vertreter der Kunstwelt über das Buch, das Sammeln und die Leidenschaft zur Kunst erzählen: www.bmw-art-guide.com
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