FOURTH INTERNATIONAL PRINTMAKING BIENNIAL

2020.

ČETVRTOMEĐUNARODNOBIJENALEGRAFIKE

PLATFORMA ZA PROMOCIJUUMETNOSTI MULTIORIGINALA

SEPTEMBER, 2020.

Četvrto Međunarodno Bijenale Grafike, 2020Fourth International PrintMaking Biennial

UvodGrafički medij, ili umetnost multioriginala, od svog nastanka pa sve do danas nezamisliv je bez umnožavanja otisaka i ostavljanja utisaka. Stvaran u mukotrpnoj i često veoma kompleksnoj seriji priprema, otisak na listu pokazao se otpornim na sve mene, prilagodljivim neprekidnoj smeni tehnoloških inovacija i podatnim poput jezika kojim opisujemo procese u kojima nastaje. Sagledamo li, stoga, i u ovom slučaju stvari na onom često pojednostavljujućem ali neizbežnom terenu – terenu etimologije, zapanjićemo se u kojoj meri je to dvojstvo tehnike i kulture, i kreacije i recepcije u mediju grafike neodvojivo. Pravljenje grafike, operativni postupak u kojem nastaje otisak, kao svoju neophodnost zahteva pritisak koji vršimo rukom ili presom. Kada iz tog sudbinskog susreta matrice i podloge iskrsne nova mogućnost – čudo života nanovo vaspostavljeno saradnjom tehnike i likovnosti – analogija rada prese i (im)presije, tiska i (u)tiska i pečata i (u)pečatka postaje još većma jasnija. Zbog tih mogućnosti, da na najfinije načine izražava i umnožava slutnje, vaspostavlja neponovljive perspektive viđenog, ali i nagoveštava burne preobražaje u tkivu vremena, grafika se tokom istorije nalazila u najrazličitijim oblicima upotrebe i zloupotrebe. Kao oblik izražavanja, koji se bazira na striktnim operativnim postupcima iz kojih crpi svoje medijske i manirističke osobenosti, i kao estetski artefakt u kojem se posvećeno i znalački uživa, ovaj medij često je bio povlastica i komoditet viših slojeva društva. Sa druge strane, njegov rano uočeni medijski potencijal, da sa lakoćom širi i umnožava informacije, poučava i poziva na delovanje, činio ga je slugom društva, religije i ideologije, pomagalom pedagogije i pratećim sadržajem teksta, dok ga u eri digitalnih tehnologija sve više sagledavamo kao prethodnicu medija bez čijeg rada je celokupna naša egzistencija nezamisliva. Odgovarajući na sve te izazove, bilo tehničke, komunikacijske, estetske, ili društveno - istorijske, snaga kojom se grafika utisnula u sveukupnu pojavnost naše civilizacije upečatljivija je tim više što je često i neprimetna. Kako će u ovom, metežnom i nimalo obećavajućem veku odgovoriti na te iste zahteve – da li će biti neznatni estetski kuriozitet, tržišni medijum ponude i potražnje ili podzemni i nepokolebljivi agens kritičkog mišljenja – ostaje nam da vidimo. Pouzdan putokaz da o svemu tome donekle stvorimo sigurniji utisak je izložba pred nama, izložba koja prerasta u tradiciju sa globalnom pozornošću i internacionalnim renomeom – četvrta izložba Bijenala grafike u Čačku.

IntroductionThe printmaking medium, or multi-original art, since its beginning up to nowadays, has been impossible without copying prints and leaving imprints. Having been created in a hard-labouring and often highly complex series of preparations, the printmaking copy has proved itself to be resistant to all the phases, adaptable to endless changes of technological innovations and it has been tender like a language that is used to describe the processes in which it is created. Therefore, if we view, in this case as well, the things in that frequently simplified, but inevitable field – the field of etymology, we’ll be astonished how much that duality of technique and culture, as well as creation and reception in the printmaking medium is overwhelming. The execution of a print, the operating procedure in which the print is created, as its necessity, demands a pressure we apply with our hand or a press. When from that fatal encounter of the matrix and the base, a new possibility appears – a miracle of life is established again owing to the collaboration of a technique and visual art – the analogy of the work of the press and (im)pression, the print and (im)print and the impress and (im)pressibility becomes much clearer. Owing to these possibilities of expressing and multiplying premonitions in the finest ways, of establishing unrepeatable perspectives of the seen, but also of hinting violent changes in the tissue of time, printmaking has existed in the most different forms of use and abuse in the course of history. As a form of expression, which is based on the strict operating procedures from which it draws its media and mannerism features, and as an aesthetic artefact that one can devotedly and knowingly enjoy, this medium has often been a privilege and commodity of higher social classes. On the other hand, its early noticed media potential to have the facility in spreading and multiplying pieces of information, to teach and call for action, has made it to be a servant of a society, religion and ideology, a helper of pedagogy and the accompanying content of a text, whereas in the era of digital technologies, it is much more seen as a predecessor of media without which our whole existence is unimaginable. Responding to all these challenges, being either technical or communicative, either aesthetic or socio-historical, the power by which printmaking is imprinted in the universal phenomenon of our civilization is more impressive because it is often even imperceptible. How will printmaking respond to all these same demands in this busy and not at all promising century? Will it be an insignificant aesthetic curiosity, a market medium of supply and demand or an underground and firm agent of critical thinking? A reliable marker, which helps us to make a bit safer impression about all this, is the exhibition before us, the exhibition that has been becoming a tradition with global attention and international reputation – the Fourth Biennial of Printmaking in Čačak.

Miodrag Danilović - Art Historan / Istoričar umetnosti

Organizacioni odbor Bijenala / Organising Committee of the BiennialMiloš Đorđević

Miodrag DanilovićDragan Dobrosavljević

Žiri za izbor radova / Selecting JuryMiloš Đorđević

Dragan Dobrosavljević

Žiri za nagrade / Jury for AwardsVlado Goreski / Chairman of the Jury / Predsednik žirija

Božidar Zrinski / Jury member / Član žirija Venceslav Antonov / Jury member / Član žirija

Miodrag Danilović / Jury member / Član žirija

Grafički melanž

Četvrto grafičko bijenale u Čačku, Srbiji, sve se više definiše i pozicionira u širim međunarodnim prostorima sa svojim specifičnim organizacijskim i idejnim konceptom. Izgrađeno je i realizovano sa čistim entuzijazmom i ljubavlju prema grafici. Uspešno je izbegnut sterilni elitizam. Svi oblici i pozicije stvaranja grafičkog multipliciranja su odabrani i predstavljeni: grafički list realizovan tradicionalnom grafičkom tehnikom, minijaturama, ex libris, studentskom grafikom, digitalnim istraživanjima i video-zapisima kao odrazom grafičke refleksije. Ovo bijenale primarno - ispituje vizuelni govor, simboliku i raznoliku estetiku, koje ujedinjuju arhetip i vizija budućnosti novog pogleda na svet, sveta bez apokaliptičkih stresova i "stvarnosti", koji ubijaju stvaralački duh. Ta želja za novim perspektivama je u stvari specifični naglasak i prezentacija različitih horizonta, ljudskog habitusa, kroz mnoštvo grafičkih testamenata. U vreme ozbiljnih i teških promena ljudskog opstanka, koje najviše imaju za cilj uništavanje istinskog ljudskog postojanja - stvaranjem, kreativnošću, duhovnom komunikacijom, spiritizmom ... pojava i opstanak ovakvih manifestacija, kao što je bijenal u Čačku, svojevrsni je odgovor ili ostrvo na kojem je čak i duboko ljudsko duhovno postojanje zaštićeno, negovano, sačuvano. Bez ovih svetionika, postoji ozbiljna opasnost da čovečanstvo bude preparirano u neosetljivom, gotovo mrtvom, robotskom, istorijskom eksponatu. Srbija kroz ove grafičke međunarodne manifestacije - na čelu je duhovnog pohoda za spas ljudske ljubavi. Bijenale u Čačku, sa svojom melanžnom antologijom, trenutno je deo te duboke, značajne i jedine moguće humanističke orkestracije, koja, kroz grafički univerzum, otkriva suštinu iz koje je izgrađena ljudska misao, ljubav, san - zvezdana svetlost kosmičkog doma čitavog čovečanstva. Kroz sva vremena.

Printmaking melange

The Fourth Biennial of Printmaking in Čačak, Serbia, has increasingly been defined and positioned in broader international areas with its specific organizing and notional concept. It is created and realized with pure enthusiasm and love for printmaking.A sterile elitism is successfully avoided. All the forms and positions of the creation of printmaking multiplication are selected and performed: a printmaking copy executed with a traditional printmaking technique, miniatures, ex libris, student printmaking, digital researches and video records as a vision of printmaking reflection. This Biennial primarily examines visual speech, symbolism and various aesthetics, which are united by an archetype and vision of the future of a new view on the world, the world without apocalyptic stresses and “reality” which kill a creative spirit. The wish for new perspectives is, in fact, a specific emphasis and presentation of various horizons, human habitus, through numerous printmaking testaments. In the period of serious and hard changes of human survival, whose main goal has been a destruction of true human existence – with executing, creativity, spiritual communication, spiritualism … appearance and survival of such manifestations like the Biennial in Čačak, is a peculiar response or an island on which even a deep human spiritual existence is protected, cherished, saved. Without these lighthouses, there is a real danger for mankind to be stuffed in an insensitive, almost dead, robotic, historical exhibit. Through these printmaking international manifestations, Serbia is ahead of a spiritual march for the salvation of human love. The Biennial in Čačak, with its melange anthology, is now a part of that deep and only possible humanistic orchestration, which, through the printmaking universe, discovers the essence from which a human thought, love, dream – starry light of a cosmic home of the whole mankind have been created. Throughout all time.

Vlado Goreski Chairman Of The Jury - Predsednik žirija

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Víctor M. Hernández Castillo MEXICO

Esbirros y Carroňeros - Podanici i čistačiLinocut - Linorez80 × 100cm2019.

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Blue my Sky 8 - Plavo moje neboLinocut - Linorez69,4 × 99,5cm 2018.

Drift - ZanošenjeMezzotint - Mecotinta

5 × 5cm2020.

Cleo Wilkoinson AUSTRALIA

Olesya Dzhurayeva UKRAJNA

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Source de rêve - Izvor snaMezzotinte - Mecotinta30 × 26cm2020.

Deborah Chapman CANADA

Eva Hnatová SLOVAKIA

Alicia McKim USA

Marking Time - Vreme obeležavanjaRelief Printing - Reljefna štampa14 × 7cm up to 600 cm2020.

Hair Reading - Čitanje koseinstallation, 20 pieces author´s prints on carbon paperInstalacija 20 automatskih otisaka na indigo papiru82 × cca 120-130 cm2020.

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Planning Point - Tačka planiranjaWoodcut - Drvorez99 × 72cm2019.

Paradox - ParadoksColagraphy - Kolagrafija70 × 70cm2019.

Deepak Yadav INDIA

Lidija Krnjajić SERBIA

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Vladimir Milanović SERBIA

Conversation - KonverzacijaDigital print - Digitalna štampa70 × 100cm2018

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WORKS

MAIN SELECTIONJia Xindong CHINA / Slavko Luković SERBIA / Kamil Zaleski POLAND / Jovana Djordjević SERBIA / Piotr Czyż POLAND / Mirjana Tomašević SERBIA / Capitana F. AUSTRIA / Anna Trojanowska POLAND / Adam Hogarth UK / Helga Chibidziura GERMANY / Deborah Chapman CANADA / Ilija Trajkovski NORTH MACEDONIA / Tatjana Ratković Bosnić BIH / Eva Hnatová SLOVAKIA / AliciaMcKim USA / Vladimir Milanović SERBIA / Olesya Dzhurayeva UKRAJNA / Valeria Bertesina ITALY / Gergana Ivanova BULGARIA / Lidija Anatasijević SERBIA / Bojan Otašević SERBIA / Rossen Stanoev BULGARIA / Petra Kallio FINLAND / Lorenzo Davitti UK / Agustin Rolando Rojas CANADA / Adrian Aja Mendez MEXICO / Evgenij Pantev NORTH MACEDONIA / Monika Palka POLAND / Oksana Budna-Kaczor POLAND / Xie Chong CHINA / Vladimir Ranković SERBIA / Jose Adair Garsia Sanchez MEXICO / Juko Tahara JAPAN / Nenad Zeljić SERBIA / Sanja Žigić SERBIA / Alvydas Goštautas LITHUANIA / Maja M Dokudowicz POLAND / Pavle Golijanin SERBIA / Predrag Porobić SERBIA / Justin Diggle USA / Kyle Chaput USA / Alicja Habisiak - Matczak POLAND / Pranjit Sarma INDIA / Marko Trentin ITALY / Sanjay Kumar INDIA / Dragan Vićentić SERBIA / Aleksandra Stevanović SERBIA / Anton Pavlov RUSSIA / Sun Yue CHINA / Nikola Pavlović SERBIA / Miriana Pino ITALY / Jasna Gulan Ružić SERBIA / Jelena Petrović Luković SERBIA / Jelena Cvetković SERBIA / Zhang Hui CHINA / Upneet Kaur Mair USA / Azarnoosh Mobasser IRAN / Jyotirmay Dalapati INDIA / Royalkriss Thangjam INDIA / Fabio Riaudo ITALY / Merrill Shatzman USA / Lihie Talmor IZRAEL / Marija Sibinović SERBIA / Suzana Vučković SERBIA / Milena Cvetković SERBIA / Vladimir Stanković SERBIA / Milan Hnat SLOVAKIA / Natalia Pawlus POLAND / Vesna Bošković MONTENEGRO / Jaco Putker NETHERLANDS / Nikola Radosavljević SERBIA / Adam Czech POLAND / Ann-kristin källström SWEDEN / Albert Pema FRANCE / Briar Craig CANADA / Agnes Wolkowicz GERMANY / Dajana Radoš CROATIA / Guanchu Zhu CHINA / Svetlana Jakimovska Rodić NORTH MACEDONIA / Viktor Lipkon IZRAEL / Tamara Pešić SERBIA / Ivana Flegar SERBIA / Irena Keckes USA / Maja Zemunik CROATIA / Isao Kobayashi JAPAN / Julia Feliksa Wojciechowska POLAND / Purnima Ngangom INDIA / Shivam Pawar USA / Jovan Jović SERBIA / Jason Reittom FRANCE / Ioannis Anastasiou GREECE / Ana Trifunović SERBIA / Ryan Farley USA / Barbara Fallini ITALY / Nikola Velicki SERBIA / Manuel Alberto Solis Mendoza MEXICO / Tatjana Marticki SERBIA / Ilija Trajkovski NORTH MACEDONIA

MINIATURE AND EX-LIBRIS SELECTION

STUDENT WORK SELECTION

Ann-kristin källström SWEDEN / Caroline Koenders CANADA / Hana Mele SLOVENIA / Kwon Hye Jeong SOUTH COREA / Maja M Dokudowicz POLAND / Thamrongsak Nimanussornkul ТHAILAND / Dai Songyang CHINA / Sjoerd Tegelaers NETHERLADS / Agustin Rolando Rojas CANADA / Muntsa Molina IRELAND / Jayne Reid Jackson USA / Ivana Flegar SERBIA / Derek Michael Besant CANADA / Ioannis Anastasiou GRECCE / Katarzyna Zimna POLAND / Sun Yue CHINA / Cleo Wilkoinson AUSTRALIA / Pang Haizhui CHINA / Alberto Balletti ITALY / Deborah Chapman CANADA / Colin Gillespie UK / Darya Hancharova POLAND / Zhang Yaqun CHINA / Cui Xiaohua CHINA / Hiro-omi Takeuchi JAPAN / Alvaro Herrera Zárate COLUMBIA / Adriana Lucacia ROMANIA / Alexandra Haeseker CANADA / Anna Trojanowska POLAND / Jason Reittom FRANCE / Nastazja Ciupa POLAND / Nikola Radosavljević SERBIA / Wu Shengjiao CHINA / Li Jian CHINA / Cristina Sandor MEXICO / Janne Laine FINLAND / Liu Fu CHINA / Ma Jiaxing CHINA / Tina Wohlfarth GERMANY / XU Suixin CHINA / Zhang Liang CHINA / Wang Mumu CHINA / Paul Harvey Scull England, UK

Mila Đajić SERBIA / Mina Živić SERBIA / Aleksandar Škavić BIH / Minja Radašinović SERBIA / Jelena Simić SERBIA / Aleksandra Ristić SERBIA / Teodora Micić SERBIA / Lidija Krnjajić SERBIA / Deepak Yadav INDIA / Stefana Jovanović SERBIA / Đorđe Radović SERBIA / Kristina Lazarević BIH / Eleonora Del Giudice ITALY / Jelena Bursać SERBIA / Jenkins Marcie USA / David Mladjović SERBIA / Srđan Simović SERBIASELEKCIJA STUDENTSKE GRAFIKE SELECTION OF STUDENT GRAPHICS Academy of Arts, Novi SadLuka Žurovski / Božo Ivanović / Marina Stojšić / Kristina BožovićSELECTION OF STUDENT GRAPHICS SELEKCIJA STUDENTSKE GRAFIKE Faculty of Fine Arts BelgradeAndrea Moračanin / Marija Šešlia / Tina Stanetić / Jovan Turčinović / Jovana Radić / Jovana Subašić / Sonja Ludin / Sara Lazarević / Bojana Pavlović / Goran Toforović / Sanja Brezničanin / Nevena OstojićSELECTION OF STUDENT GRAPHICS SELEKCIJA STUDENTSKE GRAFIKE Faculty of Applied Arts, BelgradeAleksandar Simonović / Aleksandar Spasić / Andreja Lepir / Anka Arsenić / Bojana Rakić / Isidora Vulić / Jana Stankovski / Miloš Živković / Sofija Pašalić / Jovana Ćubović / Katarina Mihajlović / Miljana Miljković / Miloš Živković / Nataša Mihailović / Nemanja Jojić / Olivera Lazović / Sara Fuks / Lidija Zeljić / Majda Perišić / Maša Erdeljanović / Vanja Bajović / Verica PAetrović / Anđela Janković / Anja DoskovićSELECTION OF STUDENT GRAPHICS SELEKCIJA STUDENTSKE GRAFIKE Faculty of Arts FILUM from KragujevacIvana Janković / Marija Janićijević / Milena Đuričić / Nikola Milošević / Minja RadašinovićSELEKCIJA STUDENTSKE GRAFIKE SELECTION OF STUDENT GRAPHICS Faculty of Arts, Zvecan-PristinaAna Ciglar / Djordje Stanković / Haris Ličina / Ilija Radojičić / Tijana RodićFACULTY PROMOTION PROMOCIJA FAKULTETA SELECTION OF STUDENT GRAPHICS Faculty of Arts, Niš Bodnar Aleksa / Stanković Jelica / Anđelković Saša / Nedeljković Ljubica / Stefanović Darko / Milanov Nikola / Stamenković Natalija / Milanović Minja / Stojanović Aleksandra / Jug Ana / Radojičić Vanja / Ilić Bogdana / Stanimirović Andrijana / Đurić Jovana / Radovanović Dušan / Stanimirović Andrijana / Jovanović Stefana / Golubović Mihailo / Đorđević Natalija / Paunović Danilo / Simić Jelena / Kocić Anastasija / Stanojević Dušan / Dunjić Ivana / Đorđević Sanja / Đukanović Jelena / Kocić Nikola / Todorović Mihailo / Ilić Zorica / Vučinić Milica / Đurić Ljiljana

W O R K S

E X I B I T O NM A I N

Capitana F. AUSTRIACMYK masked blue chips Elaine Sturtevant: Warhol Gold, Marilyn, 2004CMIK maskirani plavi čips Elaine Sturtevant: Varhol Gold, Marilin, 200Acrylic and screen print - Akril i sito štampa / 4-part work, 100 × 70cm × 4 kom2019.

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Anna Trojanowska POLANDThe order of entropy 07 - Redosled entropije 07Lithogrphy - Litografija51 × 74cm2020.

Kamil Zaleski POLANDĆwiczenia 35 - Bežba 35Digital print - Digitalna štampa70 × 100cm2020.

Piotr Czyż POLANDFluo Bull 1 - Fluorescentni bik 1Serigraphy - Serigrafija30 × 30cm2020.

Jovana Đorđević SERBIATeeth of time - Zubi vremenaAquatint and Etching - Akvatinta i duboka štampa60 × 80cm2019.

Mirjana Tomašević SERBIAHourglass - Peščani satCombined printing - Kombinovana štampa60 × 80cm2020

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Jia Xindong CHINAUrban Traveler II - Gradski putnik II Woodcut - Drvorez18 × 38cm2020.

Slavko Luković SERBIAThe blue sky - Plavo nebo rudiDigital print - Digitalna štampa30 × 100cm2020.

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Vladimir Ranković SERBIAGrandma Sloba's and Grandpa Zarko's house ... ( part ) Kuća baba Slobe i deda Zarka... (DEO)Letterpress and intaglio - Visoka i duboka štampa156 × 156cm2014-2019.

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Jose Adair Garsia Sanchez MEXICOCuerpo fragmentado - Frgmenti telaAquatint and etching - Akvatinta i bakropis76 × 56cm2019.

Tatjana Ratković Bosnić BIHUnreachable - NedostupnoAquatint and etching - Akvatinta i duboka štampa63 × 49,50cm2019.

Valeria Bertesina ITALYUntitled - Bez naslovaLinocut, monoprint drawing - Linorez, monoprint i crtež78,5 × 60cm2020.

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Rossen Stanoev BULGARIASwan Lake - Labudovo jezeroMixed media and digital print - Kombinovana i digitalna štampa100 × 45cm2020.

Petra Kallio FINLANDOn the edge of a sandbox - Na ivici peskaraWoodcut on cherrywood - Drvorez ( drvo višnje )15 × 36cm2020.

2 2

Yuko Tahara JAPANA drop of water - Kap vodeEtching, aquatint, drypointDuboka štapma, suva igla i akvatinta36,3 × 40cm2020.

Nenad Zeljić SERBIAEden - RajAquatint - Akvatinta50 × 50cm2020.

Sanja Žigić SERBIAFrom the series “Barriers” - Iz serije “Pregrade”Digital print - Digitalna štampa47.5 × 34cm2019 .

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Lorenzo Davitti UKThe longest days - Najduži danLinocut - Linorez 52 × 43cm2019.

Agustin Rolando Rojas CANADAFragilidad - KrhkostDry point and chine colle - Suva igla i šinkole50 × 38cm2020.

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Adrian Aja Mendez MEXICOL fiesta del AsaoDry point - Suva igla88 × 68cm2019.

Evgenij Pantev NORTH MACEDONIASign XVI - Znak XVI Mixed media - Kombinovana tehnika50 × 70cm2018.

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Monika Palka POLANDLabyrynht - LavirintDigital print - Digitalna štampa100 × 100cm2019

Oksana Budna-Kaczor POLANDTitiIntaglio and serigraphy - Duboka štampa i serigrafija15 × 12cm2020.

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Xie Chong CHINEStrive - NastojanjeWoodcut - Drvorez29.5 × 19cm2020.

Gergana Ivanova BULGARIAInfinity cube, map 1 - Kocka beskonačnosti, mapa 1Etching - Duboka štampa30 × 30cm2019.

Lidija Anatasijević SERBIATreatment - TestmentVideo 31 min2019.

Bojan Otašević SERBIAHoliday - Odmor Algraphy - Algrafija140 × 100cm2019

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Deborah Chapman CANADAL'instant du jeu - Trenutak igreMezzotint - Mecotinta30 × 45 cm2019.

Ilija Trajkovski NORTH MACEDONIAIt - ToScreenprint - Sito štampa28,5 × 50,3cm2020.

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Adam Hogarth UKFor king and Country - Za kralja i otadžbinuScreenprint - Sito štampa68 × 48cm2018.

Helga Chibidziura GERMANYEarthquake - ZemljotresScreenprint on canvas - Sito štampa na platnu94 × 74cm2020.

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Alicja Habisiak-Matczak POLANDUrbino- Prospettive decarliane IIIUrbino, prespektivni dekarlian IIIAquatint and etching - Akvatinta i duboka štampa35 × 50cm2020.

Fabio Riaudo ITALIAIntimità - IntimnostAcquatinta and dry point - Akvatinta i suva igla40 × 100cm2019.

Pranjit Sarma / INDIAUntitled - Bez nazivaEtching and aquatint - Duboka štampa i akvatinta24 × 36cm2019.

Merrill Shatzman USALand Escape #1.1 - Pejsaž #1.1Relief Print - Reljefna štampa19,5 × 48,26cm2020.

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Maja M Dokudowicz POLANDInfinite Fragments (V) - Beskonačni fragment (V) Serigraphy on plant fiber, chine colle - Serigrafija50 × 23cm2020.

Pavle Golijanin SERBIAAssange - AsanžDigital print - Digitalna štampa100 × 70cm2018.

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Anton Pavlov RUSSIABolthead. Lenticular 2 - Glava za šraf lentikular 2Lenticular digital print - Lentikular digital print 100 × 88cm2020.

Sun Yue CHINATitle Peace 14 - Mir 14Digital print - Digitalna štampa45 × 60cm2016 .

Nikola Pavlović SERBIAComposition - KompozicijaArtistic thread etching procedure Likovni postupak nagrizanja koncem34,5 × 48,8cm2020.

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Alvydas Goštautas LITHUANIAA Piligrim of eternity - Poligrim večnostiWoodcut - Drvorez70 × 45cm2020.

Vladimir Stanković SERBIAArtpartner II - Umetnički partner II Linocut - Linorez70 × 100cm2019.

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Milan Hnat SLOVAKIAGravity 1 - Gravitacija 1Digital print and inkjet print - Digitalna i Inkdžet štampa40 × 60cm2020.

Miriana Pino ITALYHypothesis (Dyptich) - Hipnoza (Diptih)Etching - Duboka štampa100 × 100cm2019.

3 4

Upneet Kaur Mair USA Screen 1 - Displej 1Woodcut - Drvorez66 × 30 cm2019.

Dragan Vićentić SERBIADepressio I - Depresija IEtching - Duboka štampa106x75cm2019.

3 5

Lihie Talmor IZRAELForbidden photos - Zabranjene fotografijeMixed media - Kombinovana tehnika100 × 80cm2018.

Marija Sibinović SERBIAReflections, No.1 - Refleksije, No.1 Letterpress on foils - Visoka štampa na folijama70 × 50cm2019.

3 6

Suzana Vučković SERBIANo name - Bez nazivaMixed media - Kombinovana tehnika110 × 80cm2019.

Milena Cvetković SERBIAMorphogenetic fields 2 - Morfogenetska polja 2Monotype and collagraphy - Monotipija i kolografija100 × 70cm2017.

3 7

Jyotirmay Dalapati INDIAAwaling - StravaEtching - Duboka štampa5 × 7cm2019.

Royalkriss Thangjam INDIAEstasy withim - Unitrašnja estazaLithography - Litografija50 × 30cm2018.

3 8

Natalia Pawlus POLANDFragile - KrhakLinocut - LInorez100 × 70cm2019.

Vesna Bošković MONTENEGRO26.02.2020. 21hLinogravure - Linogravura30 × 23cm2020.

3 9

Jaco Putker NETHERLANDSExterior 14b The Boy in The RocketSpoljašnost 14b dečak u reketuPhotopolymer - Fotopolimer 28 × 38cm2019.

Nikola Radosavljević SERBIAPromises - ObećanjeLinocut - Linorez100 × 70cm2020.

Justin Diggle USARuinous Consequences - Posledice ruševinaEtching and photo Etching - Duboka štampa i fotogravura23,5 × 35cm2018.

Zhang Hui CHINASacrifice - Ancestor recovery planPlan oporavka žrtava predakaC-print100 × 66cm2019.Kyle Chaput USA

Rio Bravo IILithography - Litografija23 × 33cm2019.

4 0

Jelena Cvetković SERBIANo name - Bez nazivaEtching - Duboka štampa22,5 × 16cm2019.

Azarnoosh Mobasser IRANNo name - Bez nazivaLinocut - Linorez42 × 30cm2020.

Aleksandra Stevanović SERBIARoots - KoreniMixed media - Kombinovana tehnika60 × 80cm2018.

Predrag Porobić SERBIAChinese farmer - Kineski zemljoradnikDigital print - Digitalna štampa19 × 19cm2020.

4 1

Jasna Gulan Ružić SERBIAObject 1 - Objekat 1Linocut - Linorez94,5 × 70cm2018.

Jelena Petrović Luković SERBIALaurel - LovorLithography - Litografija70 × 50cm2019.

4 2

Marko Trentin ITALYTurnover frendly - Kula prijateljstvaWoodcut - Drvorez100 × 70cm2019.

Sanjay Kumar INDIAPlayful Mood II - Razigrano raspoloženje IIWoodcut - Drvorez99 × 72cm2019.

4 3

Guanchu Zhu CHINAChinese Sign Language Symbol Conversion - 个 Konverzija simbola kineskog - 个 Screenprint - Sito štampa50 × 50cm2019.

Maja Zemunik CROATIANo name - Bez nazivaPhotogravure and aquatinta - Fotogravura i akvatinta70 × 100cm2020.

4 4

Nikola Velicki SERBIAAeroplane - AvionCombined technique - Kombinovana tehnika100 × 70cm2019.

Jason Reittom FRANCEBabylon - VavilonMezzotint - Mecotinta40 × 50cm2020.

Manuel Alberto Solis Mendoza MEXICO19.458394-99.034909Aquatint - Akvatinta76 × 56cm2019.

Tatjana Marticki SERBIAStubble - StrništeDrypoint - Suva igla70 × 100cm2019.

4 5

Ann-kristin källström SWEDENIn The Trees I - U drveću IIntaglio and photopolymer - Duboka štampa i fotopolimer50 × 45cm2019.

Dajana Radoš CROATIAThe essence of the frame - artist's book - Suština okvira, knjiga umetnikaSugar lift - Rezervaž23 × 35 × 1cm2019.

Tamara Pešić SERBIAConnection - KonekcijaExperimental installationEksperimentalna instalacija33 × 25cm2019.

4 6

Svetlana Jakimovska Rodić NORTH MACEDONIAIf a tree falls in a forest 1 - Ako drvo padne u šumiMonotype - Monotipija80 × 70cm2020.

Viktor Lipkon IZRAELPagan altar 2 - Paganski oltar 2Linocut - Linorez37 × 27cm2019.

4 7

Briar Craig CANADAStart to stop - Početi stajatiUltra violet screen print - Sito štampa73,5 × 53cm2020.

Agnes Wolkowicz GERMANYResurrected the silence and youhave no visionVratila je tišinu i nemate vizijuMixed media - Kombinovana tehnika60 × 45cm2020.

Barbara Fallini ITALYMegaptera 6-10 - Megaptera 6-10Etching and Soft-groundDuboka štampa i meka prevlaka50 × 35cm2019.

4 8

Julia Feliksa Wojciechowska POLANDKroki - KrokiLinocut - Linorez20 × 25cm2019.

Shivam Pawar USAPortrait of a Porter - Porterov portretEtching - Duboka štampa30 × 72 cm2020.

Jovan Jović SERBIANo name - Bez nazivaAlgraphy - Algrafija38 × 45cm2017.

Ioannis Anastasiou GREECEXXIc Trichotomy V - XXIc Trihotomija V Etching, aquatint, serigraphy - Duboka štampa, akvatinta i serigrafija70 × 100cm2020.

4 9

Albert Pema FRANCEUntitled No. 92 - Bez naslova No. 92Etching and aquatint and chine colleDuboka, akvatinta i šinkole38 × 28cm2019

Ana Trifunović SERBIAFragments - FragmentiEtching - Duboka štampa45 × 30cm2020.

Ryan Farley USARunning Through the Mind - Trčanje kroz umArchival inkjet, skreenprint, copper leafKombinovana tehnika60.9 × 45.7cm2018.

5 0

Ivana Flegar SERBIABat’LethObject and colagraphy - Kolagrafija45 × 26 × 3,5cm2020.

Irena Keckes USAConvergence - SastajanjeWoodblock printmaking - Drvorez28 × 100cm2020.

Isao Kobayashi JAPANThe proof of the existence No. 91Dokaz postojanja No. 91 Digital print - Digitalna štampa80 × 100cm2020.

5 1

Adam Czech POLANDENCOUNTER 2Lithography and allgraphy - Litografija i algrafija80 × 60cm2019.

Purnima Ngangom INDIATranquil I - Spokojni ILithography - Litografija50 × 30cm2019.

5 2

W O R K SEX LIBRIS AND MINIATURE SELECTION

Hana Mele SLOVENIACoffe Maker - Aparat za kafuEtching - Duboka štampa15 × 20cm2019.

Agustin Rolando Rojas CANADAInterior - EnterijerChine colle - Šinkole20,5 × 7,5cm2020.

Ioannis Anastasiou GRECCEEx Libris Anastasiou GSerigaphy - Serigrafija14 × 14cm2020.

Darya Hancharova POLANDSelves 5Mezzotint - Mecotinta13,5 × 16,5cm2019.

5 4

5 5

XU Suixin CHINA The leapfrog - SkakavacScreen print - Sito štampa25 × 25cm2019.

Zhang Liang CHINAI 'm like a series of stone non – stone Ja sam poput niza kamenjaWoodcut - Drvorez30 × 30cm2017.

Wang Mumu CHINA2020 cure - Lek 2020Mixed media - Kombinovana tehnika30 × 30cm2020.

Paul Harvey Scull, England, UKReturn - PovratakEtching - Duboka štampa14,8 × 13,8cm 2020.

Hiro-omi Takeuchi JAPANSight of meditation 20-10 - Pogled meditacije 20-10Digital print - Digitalna štampa25 × 25cm2020

Alvaro Herrera Zárate COLUMBIAMetropoliten Habana - Metropoliten havanaAquatint and digital print sewing - Akvatintadigitalna štampa i prošivanje17,5 × 25cm2020.

Adriana Lucacia ROMANIACircumstance 1 - Okolnost 1CGD22 × 22cm2020.

Alexandra Haeseker CANADAFlight Plan #1 - Plan letaUV latex ink on Mazfair - UV štampa10 × 12cm2020.

5 6

Ann-kristin källström SWEDENUnpredictable I - Nepredvidivi 1Photopolymer - Fotopolimer30 × 30cm2019.

Dai Songyang CHINASnowy Evening - Večernji smoviIntaglio - Duboka štampa15 × 15cm2018.

Derek Michael Besant CANADAFolds #17 - Sklop #17Engraving - Graviranje11 × 9cm2019.

Anna Trojanowska POLANDFranz HokeLithography - Litografija9 × 9cm2020.

5 7

Maja M Dokudowicz POLANDEx libris I.ALinocut - Linorez15 × 13cm2018.

Thamrongsak Nimanussornkul ТHAILANDEclipse-Gleam of Light - PomračenjeSkreenprint - Sito štampa29.9 × 29.9cm2019.

5 8

Cristina Sandor MEXICOCollage Fragments b - Fragmenti kolažaXylography - Ksilografija29 × 29 cm2020.

Janne Laine FINLANDThe Gaze of Axolotl - Pogled akoloti Polimer gravure - Polimerna gravura23 × 23cm2020.

Sun Yue CHINASeek - TražitiIntaglio - Duboka štampa20 × 15cm2017.

Alberto Balletti ITALYRation ChiaraEtching and ink-jet - Duboka štampa i inkdžet30 × 30xm2020.

Zhang Yaqun CHINADormancy-33 - Pospanost - 33Intaglio - Duboka štampa15 × 20cm2020.

5 9

Liu Fu CHINAAntinomy -AntinomijaLithography - Litografija21 × 25cm2018.

Ma Jiaxing CHINASach - SaksofonIntaglio - Duboka štampa15 × 20cm2018.

Tina Wohlfarth GERMANYBandana 6Mezzotint and papercut - Mecotinta i sečeni papir6,7 × 3,6 cm2019.

Caroline Koenders CANADABlueprint 3 - Nacrt 3Mezzotint - Mecotinta25 × 25cm2017

Ivana Flegar SERBIALittle red circle - Mali crveni krugMixed technique - Kombinovana tehnika13 × 13cm2019.

Wu Shengjiao CHINATeacher's perspective in class - Perspektiva nastavnika u razreduWoodcut - Drvorez18 × 18cm2019.

Li Jian CHINACastle - ZamakSkreenprint - Sito štampa23 × 16cm2019.

6 0

Kwon Hye Jeong SOUTH COREAMonologue 1 - Monolog qEtching, and aquatint - Akvatinta i duboka štampa17.5 × 25cm2020.

Sjoerd Tegelaers NETHERLANDSCold war - Hladni ratMezzotint - Mecotinta20 × 20cm2019

Muntsa Molina IRELANDJellyfishes - MeduzeJapanese woodblock - Japanski drvorez21 × 15cm2019.

Colin Gillespie UKWaiting - ČekanjeCollage and relief - Kolaž i reljef 18 × 15cm2019.

6 1

Jayne Reid Jackson USATangled We - ZamršeniMezzotint - Mecotinta15.24 × 22.86cm2018.

Katarzyna Zimna POLANDSoft walls 3 - Mekani zidovi 3Collagraph and linocut - Kolagrafija i linorez30 × 30cm2020.

Pang Haizhui CHINAPeaceful death - Mirna smrtIntaglio - Duboka štampa15 × 15cm2018.

Cui Xiaohua CHINAHi Beauty - Zdravo lepotoWoodcut - Drvorez18 × 18cm2018-2019.

6 2

Jason Reittom FRANCESteiner Aristote Mezzotint - Mecotinta9,5 × 14,5cm2020.

Nastazja Ciupa POLANDNo Hell below us - Nema pakla ispred nasLithography - Litografija30 × 16cm2020.

Nikola Radosavljević SERBIASafe from harm - Bezbedno od šteteLinocut - Linorez10 × 15 cm2019.

6 3

STUDENTWORK

SELECTIONMila Đajić SERBIA / Mina Živić SERBIA / Aleksandar Škavić BIH / Minja Radašinović SERBIA / Jelena Simić SERBIA / Aleksandra Ristić SERBIA / Teodora Micić SERBIA / Stefana Jovanović SERBIA / Đorđe Radović SERBIA / Kristina Lazarević BIH / Eleonora Del Giudice ITALY / Jelena Bursać SERBIA / Jenkins Marcie USA / David Mladjović SERBIA / Srđan Simović SERBIASELEKCIJA STUDENTSKE GRAFIKE SELECTION OF STUDENT GRAPHICS Academy of Arts, Novi SadLuka Žurovski / Božo Ivanović / Marina Stojšić / Kristina BožovićSELECTION OF STUDENT GRAPHICS SELEKCIJA STUDENTSKE GRAFIKE Faculty of Fine Arts BelgradeAndrea Moračanin / Marija Šešlia / Tina Stanetić / Jovan Turčinović / Jovana Radić / Jovana Subašić / Sonja Ludin / Sara Lazarević / Bojana Pavlović / Goran Toforović / Sanja Brezničanin / Nevena OstojićSELECTION OF STUDENT GRAPHICS SELEKCIJA STUDENTSKE GRAFIKE Faculty of Applied Arts, BelgradeAleksandar Simonović / Aleksandar Spasić / Andreja Lepir / Anka Arsenić / Bojana Rakić / Isidora Vulić / Jana Stankovski / Miloš Živković / Sofija Pašalić / Jovana Ćubović / Katarina Mihajlović / Miljana Miljković / Miloš Živkov-ić / Nataša Mihailović / Nemanja Jojić / Olivera Lazović / Sara Fuks / Lidija Zeljić / Majda Perišić / Maša Erdel-janović / Vanja Bajović / Verica PAetrović / Anđela Janković / Anja DoskovićSELECTION OF STUDENT GRAPHICS SELEKCIJA STUDENTSKE GRAFIKE Faculty of Arts FILUM from KragujevacIvana Janković / Marija Janićijević / Milena Đuričić / Nikola Milošević / Minja RadašinovićSELEKCIJA STUDENTSKE GRAFIKE SELECTION OF STUDENT GRAPHICS Faculty of Arts, Zvecan-PristinaAna Ciglar / Djordje Stanković / Haris Ličina / Ilija Radojičić / Tijana Rodić

FACULTY PROMOTION PROMOCIJA FAKULTETA SELECTION OF STUDENT GRAPHICSFaculty of Arts, Niš Departman za primenjene umetnosti Predmetni profesor mr Bojan ŽivićPRVA GODINA Stanković Ksenija / Novaković Jana / Samac Ilija / Milosavljević Marija / Teokarević Mila / Sara Stojanović DRUGA GODINA Stojanović Sara / Ristić Nadežda / Pejčić Marta / Nikolić Teodora / Milošević Helena TREĆA GODINA ( izbor-ni ) Nikolić Teodora / Jovana Đorđević / Đorđević Natalija / Živić Mina / Milošević Aleksa ČETVRTA GODINA ( Izborni ) / Đorđević Jovana / Živić Mina / Denić Stevan

Departman za likovnne umetnosti Predmetni profesor dr Slobodan RadojkovićPRVA GODINA / Bodnar Aleksa / Stanković Jelica / Anđelković Saša / Nedeljković Ljubica DRUGA GODINA / Stefanović Darko / Milanov Nikola / Stamenković Natalija / Milanović Minja / Stojanović Aleksandra TREĆA GODINA / Jug Ana / Rado-jičić Vanja / Ilić Bogdana / Stanimirović Andrijana / Đurić Jovana ČETVRTA GODINA( Izborni ) Radovanović Dušan / Stanimirović Andrijana / Jovanović Stefana / Golubović Mihailo / Đorđević Natalija / Paunović Danilo / Simić Jelena / Kocić Anastasija MASTER STUDIJE / Stanojević Dušan / Dunjić Ivana / Đorđević Sanja / Đukanović Jelena / Kocić Nikola / Todorović Mihailo / Ilić Zorica / Vučinić Milica / Đurić Ljiljana

Mina Živić SERBIAWall - TalasScreen printing - Sitoštmpa70 × 70cm2019.

Jelena Bursać SERBIAStratification - SatisfakcijaDrypoint - Suva igla29.7 × 33.3cm2019.

Jenkins Marcie USAPlaces i want to travel #2 - Mesta u koja želim putovati #2 Woodcut - Drvorez40,6 × 50,8cm2017

David Mlađović SERBIA Web - MrežaDry point - Suva igla100 × 70cm2019.

6 5

Minja Radašinović SERBIAThe same always melting shadow lands in my dreamIste talasne sjene koje se uvek tope u snuAquatint - Akvatinta24 × 34cm2020.

Jelena Simić SERBIAInfinity - BeskonačnostAlgraphy - Algrafija100 × 70cm2019.

Kristina Lazarević BIHFunnel - LevakColagraphy - Kolagrafija70 × 70cm2019.

Eleonora Del Giudice ITALYFàsmaEtching on zync - Duboka štampa na cinku47,2 × 40cm2018.

6 6

Mila Đajić SERBIAHallway - OdmorLinocut - Linorez23 × 20cm2020.

Stefana Jovanović SERBIAPhase 2 - Faza 2Etching and AquatintDuboka štampa i akvatinta50 × 69cm2019.

Đorđe Radović SERBIAIn front of the house - Ispred kućeLinocut - Linorez42 × 29,7cm2019.

Srđan Simović SERBIAConcrete - BetonAquatint - Kombinovana tehnika25 × 18cm2020.

6 7

Aleksandar Škavić BIHFossil of the Night - Fosil noćiEtching - Duboka štampa100 × 70cm2020.

Aleksandra Ristić SERBIAElephant - SlonScreen print - Sito štampa 38 × 43cm2019.

Teodora Micić SERBIABure newspaper - Bure novinaWoodcut - Drvorez100 × 70cm2020.

6 8

Luka ŽurovskiBožo IvanovićMarina StojšićKristina Božović

Academy of Arts, Novi SadAkademija umetnosti u Novom Sadu

6 9

Marina StojšićKristina Božović

Božo IvanovićLuka Žurovski

Sara Lazarević Sanja BrezičaninGoran TodorovićJovana Radić

Sonja Lundin Bojana Pavlović

Andrea Moračanin, Marija Šešlia, Tina Stanetić, Jovan Turčinović, Jovana Radić, Jovana Subašić, Sonja Lundin, Sara Lazarević, Bojana Pavlović, Goran Todorović, Sanja Brezičanin, Nevena Ostojić

Faculty of Fine Arts BelgradeFakultet likovnih umetnosti u Beogradu

Jovan Turčinović

Jovana Subašić

7 0

Aleksandar SimonovićAleksandar SpasićAndreja LepirAnka ArsenićBojana RakićIsidora VulićJana StankovskiMiloš ŽivkovićSofija PašalićJovana ĆubovićKatarina MihajlovićMiljana Miljković

Faculty of Applied Arts, BelgradeFakultet primenjenih umetnosti u Beogradu

Miloš ŽivkovićNataša MihailovićNemanja Jojićlivera LazovićSara FuksLidija Zeljićajda PerišićMaša ErdeljanovićVanja BajovićVerica PetrovićAnđela JankovićAnja Dosković

Jana StankovskiVerica PetrovićBojana Rakić Aleksandar Simonović

Vanja BajovićMiloš ŽivkovićIsidora Vulić Andreja Lepir

7 1

Faculty of Philology and Arts in KragujevacFilološko-umetnički fakultet u Kragujevcu

Milena Đuričić

Ivana JankovićMarija Janićijević

Milena ĐuričićNikola Milošević

Minja Radašinović

Minja Radašinović

Nikola MiloševićMarija JanićijevićIvana Janković

7 2

Ana CiglarDjordje StankovićHaris LičinaIlija RadojičićTijana Rodić

Faculty of Arts, Zvečan-PrištinaFakultet umetnosti uZvečanu-Priština

Ana Ciglar Haris Ličina

7 3

Ilija Radojičić Tijana Rodić Djordje Stanković

Departman za primenjene umetnosti Predmetni profesor mr Bojan Živić

PRVA GODINAStanković KsenijaNovaković JanaSamac IlijaMilosavljević MarijaTeokarević MilaSara Stojanović

DRUGA GODINAStojanović SaraRistić NadeždaPejčić MartaNikolić TeodoraMilošević Helena

TREĆA GODINA( izborni ) Nikolić TeodoraJovana ĐorđevićĐorđević NatalijaŽivić MinaMilošević Aleksa

ČETVRTA GODINA( Izborni )Đorđević JovanaŽivić MinaDenić Stevan

Departman za likovnne umetnosti Predmetni profesor dr Slobodan Radojković

PRVA GODINABodnar AleksaStanković JelicaAnđelković SašaNedeljković Ljubica

DRUGA GODINAStefanović DarkoMilanov NikolaStamenković NatalijaMilanović MinjaStojanović Aleksandra

TREĆA GODINAJug AnaRadojičić VanjaIlić BogdanaStanimirović AndrijanaĐurić Jovana

ČETVRTA GODINA( Izborni )Radovanović DušanStanimirović AndrijanaJovanović StefanaGolubović MihailoĐorđević NatalijaPaunović DaniloSimić JelenaKocić Anastasija

Jug Ana

7 4

Mila TeokarevićVanja RadojičićNatalija ĐorđevićDušan Radovanović

Andrijana Stanimirović

Nikola Milanov

PRESENTATION OFTHE FACULITYPROMOCIJAFAKULTETA

Faculty of Arts, NišFakultet umetnosti uNišu

MASTER STUDIJEStanojević DušanDunjić IvanaĐorđević SanjaĐukanović JelenaKocić NikolaTodorović MihailoIlić ZoricaVučinić MilicaĐurić Ljiljana

Mina ŽivićStevan Denić Jovana Đorđević

7 5

Saša Anđelković Zorica Ilić Nikola Kocić Nadežda Ristić

Natalija Đorđević Dušan StanojevićLjiljana Đurić

Ilija Samac

Aleksandra Stojanović

ACCOMPANYING PROGRAMOF THE BIENNIAL

PRATEĆI PROGRAM BIJENALA

SOLO EXHIBITION OF PRINTS GRAND PRIX WINNER AT THE BIENNIAL 2018.SAMOSTALNA IZLOŽBA GRAFIKA DOBITNIKA GRAND PRIX NAGRADE NA BIJENALU 2018.

Art book 9 - Knjiga umetnika 9Mixed media - Kombinovana tehnika7 × 10cm2017.

7 7

.Diplomirala na Fakultetu primenjenih umetnosti i dizajna u Beogradu, 1998. godine, a postdiplomske studije završila 2000. godine. Član je ULUS-a od 1998. godine. Radi na Fakultetu primenjenih umetnosti od 2013. godine kao docent.

Graduated from the Faculty of Applied Arts in Belgrade, department of Graphics, 1988. Postgraduate studies at the Faculty of Applied Arts in Belgrade, 2002. In 2013 she became an Assistant Professor at the Department of Graphics, main subject: Printmaking.

Art book 4 - Knjiga umetnika 4Mixed media - Kombinovana tehnika

20 × 20cm2017.

Art book 5- Knjiga umetnika 5Mixed media - Kombinovana tehnika

20 × 20cm2017.

GABRIJELA BULATOVIĆ

.Diplomirala na Fakultetu primenjenih umetnosti i dizajna u Beogradu, 1998. godine, a postdiplomske studije završila 2000. godine. Član je ULUS-a od 1998. godine. Radi na Fakultetu primenjenih umetnosti od 2013. godine kao docent.

Graduated from the Faculty of Applied Arts in Belgrade, department of Graphics, 1988. Postgraduate studies at the Faculty of Applied Arts in Belgrade, 2002. In 2013 she became an Assistant Professor at the Department of Graphics, main subject: Printmaking.

Art book 4 - Knjiga umetnika 4Mixed media - Kombinovana tehnika

20 × 20cm2017.

Art book 5- Knjiga umetnika 5Mixed media - Kombinovana tehnika

20 × 20cm2017.

GABRIJELA BULATOVIĆ

Izložba je realizovana uz podršku Skupštine opštine grada Čačka i partnera i donatora.

The exhibition was organized with the support of the MunicipalAssembly of Cacak and partners and donors.

Sponsors

Partners:

Media sponsors:

4th INTERNATIONAL PRINTMAKINGBIENNIAL, CACAK

Publisher:The Multi-Original Art Platform Cacak

For Publisher:Dragan Dobrosavljevic

Editor:Dragan Dobrosavljevic

Graphic design:Zoran Dobrosavljevic

Translation and transcription:Svetlana Simeunovic

Photography:Milanko Rogovic

The Conception of the Layout:Vlado Goreski

Miloš Djordjevic Dragan Dobrosavljevic

Technical Realisation of Layout:Dobrosav Dobrosavljevic, Dragan Dobrosavljevic,

Ivana Flegar, Garbijela BulatovicSnežana Dobrosavljevic

Biennial logo:Dragan Dobrosavljević

Printing and Binding:„Intranet“ Belgrade

Circulation:300

ČETVRTO MEĐUNARODNO BIJENALEGRAFIKE U ČAČKU

Izdavač:Platforma za promociju umetnosti multioriginala

Izdavač:Dragan Dobrosavljević

Urednik:Dragan Dobrosavljević

Likovno-grafičko oblikovanje:Zoran Dobrosavljević

Prevod i transkripcija:Svetlana Simeunović

Fotografije:Milanko Rogović

Koncepcija postavke:Vlado GoreskiMiloš ĐorđevićDragan Dobrosavljević

Tehnička realizacija postavke:Dobrosav Dobrosavljević, Dragan Dobrosavljević, Ivana Flegar, Gabrijela BulatovićSnežana Dobrosavljević

Znak Bijenala:Dragan Dobrosavljević

Štampa i povez:„Intranet” Beograd

Tiraž: 300

Čačak, 2020.

CIP - Каталогизација у публикацијиНародна библиотека Србије, Београд

76(100)"20"(083.824)76:069.9(497.11)"2020"(083.824)

МЕЂУНАРОДНО бијенале графике (4 ; 2020 ; Чачак)

Četvrto međunarodno bijenale grafike 2020., [Čačak] / [urednik Dragan Dobrosavljević ; prevod Svetlana Simeunović ; fotografije Milanko Rogović] = Fourth International PrintMaking Biennial / [editor Dragan Dobrosavljevic ; translation Svetlana Simeunovic ; photography Milanko Rogovic]. - Čačak : Platforma za promociju umetnosti multioriginala = Cacak : The Multi-Original Art Platform, 2020 (Beograd = Belgrade : Intranet). - 74 str. : reprodukcije ; 21 x 21 cm

Uporedo srp. tekst i engl. prevod. - Tiraž 300. - Str. 3: Uvod / Miodrag Danilović.

ISBN 978-86-900635-2-9

a) Међународно бијенале графике (4 ; 2020 ; Чачак) - Изложбени каталози

COBISS.SR-ID 19219977

Ilustracija na naslovnoj strani kataloga: Reprodukcija dela “Titi” Oksana Budna - Kaczor iz PoljskeIllustration on front page of the catalog: Reproduction of the work “Titi” Oksana Budna - Kaczor from Poland

SEPTEMBER, 2020.

Dom kulture, Međuopštinski istrijski arhiv grada, StartUp centar Čačak

StartUp centar Čačak