The Cleveland Orchestra - Miami

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C L E V E L A N D O R C H E S T R A

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� 2012-13 Cleveland Orchestra Miami

Honoring the Founders of Cleveland Orchestra Miami

We pay special tribute to the inspired leadership of these families and organizations, with special appreciation to Cleveland Orchestra Miami’s

Founding Chairman, Dan Lewis, and his wife Jan.

Daniel R. Lewis, Founding ChairmanMichael and Judy AdlerCesar AlvarezFlorence and Sheldon AndersonJ. Ricky ArriolaJayusia and Alan BernsteinMarsha and Brian BilzinIrma and Norman BramanMartha and Bruce ClintonThe Miami Foundation, from a fund established by the John S. and James L. Knight FoundationColleen and Richard FainHector D. FortunFrancie and David HorvitzTati and Ezra KatzShulamit and Chaim KatzmanJanet and Gerald KelferPamela Garrison and R. Kirk LandonShirley and William LehmanJan R. and Daniel R. LewisSusan MillerMuriel Rosen*Northern TrustKaryn and Dr. James SchwadeJudy and Sherwood* WeiserJody WolfeJanet and Richard Yulman

Beginning in 2004, a remarkable group of leaders came together to support the concept of an annual program of concerts and education activities by The Cleve-land Orchestra in Miami. Following two years of planning, Cleveland Orchestra Miami was launched in August 2006 with the Orchestra taking the central role in acoustic testing of the state-of-the-art John S. and James L. Knight Concert Hall at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County. Public performances by The Cleveland Orchestra in Miami were launched in January 2007, including subscription series, family and education concerts, and a growing variety of musical presentations and collaborations throughout the community. We salute the visionary leadership of these Founding Donors.

*deceased

�Cleveland Orchestra Miami 2012-13

November 2012

Since 2007, Miami has been privileged to claim part-time stewardship of the world-renowned Cleveland Orchestra. Through the extraordinary generosity and dedication of our twenty-six Founding Donors, Miami-Dade County has been able to enjoy the great musical artistry of this acclaimed ensemble.

Today, I am proud to say that gifts from contributors beyond the Founding Donors are approaching 40% of funds raised each year. We know Miami as one of the best, most culturally outstanding cities in the world. And by aligning ourselves with The Cleveland Orchestra — and its world-class music-making — we are moving Greater Miami forward. With continued support from our donors, we can continue to grow this partnership.

This week, we send a special thank you to the musicians of The Cleve-land Orchestra, who donated their services to perform two education concerts for students here in Knight Concert Hall. We can all be profoundly grateful for the collaborative spirit and sense of dedication this represents.

Cleveland Orchestra Miami is truly a one-of-a-kind organization. With your support, we can count on a vibrant future for The Cleveland Orchestra in Miami and for the artistic and cultural growth of our great community.

Sincerely,

Sheldon T. Anderson President Miami Music Association

From the President

C l e v e l a n d O r c h e s t r a

Franz Welser-Möst Giancarlo Guerrero MusicDirector PrincipalGuestConductor



MiaMi MusiC assOCiatiOn The Miami Music Association (MMA) is governed by its Board of Direc-tors, comprised of leading Miamians motivated by the idea that as a world-class city Miami’s cultural life should always include orchestral performanc-es at the very highest international level. No orchestra in America — indeed, perhaps no other orchestra in the world — is more ideally suited to partner with MMA in achieving these goals than The Cleveland Orchestra. Securing and building support for Cleveland Orchestra Miami will ensure that MMA succeeds in creating a culture of passionate and dedicated concert-going in Miami among the broadest constituency.

Officers and Board of Directors Daniel R. Lewis, Chair and Treasurer Sheldon T. Anderson, President Norman Braman, Vice Chair Hector D. Fortun, Vice Chair Marsha Bilzin, Secretary

Brian Bilzin Alicia CelorioBruce Clinton Martha ClintonMike S. EidsonJeffrey FeldmanSusan FeldmanFrancisco A. GarciaDavid Horvitz

Francie HorvitzEzra KatzTati KatzGerald KelferTina KislakR. Kirk LandonShirley LehmanWilliam LehmanJan R. Lewis

Peter B. LewisSue MillerJanet RoselKaryn SchwadeRichard P. TonkinsonGary L. WassermanE. Richard Yulman

Miami Music Association


The Miami Music Association gratefully acknowledges these donors for their contributions to Cleveland Orchestra Miami in the past year. As of October 31, 2012.

Founders Council$50,000 and more

Sheldon and Florence AndersonIrma and Norman BramanHector D. FortunDavid and Francie Horvitz Family

Foundation, Inc.R. Kirk Landon and Pamela GarrisonDaniel R. and Jan R. LewisPeter B. Lewis and Janet RoselThe Miami Foundation, from a fund established by the John S. and James L. Knight FoundationSusan MillerJanet and Richard Yulman Chairman’s Council$15,000 to $49,999

Daniel and Trish BellDo Unto Others TrustColleen and Richard FainTati and Ezra KatzJonathan and Tina KislakJohn D. and Giuliana C. KochMiami-Dade County Department of Cultural AffairsNational Endowment for the ArtsNorthern Trust Bank of FloridaPeacock Foundation, Inc.Mary M. SpencerRick, Margarita and Steven TonkinsonGary L. Wasserman and Charles A. Kashner Patrons Council$2,500 to $14,999

Mr. and Mrs. Stanley H. ArkinKerrin and Peter BermontJayusia and Alan BernsteinMarsha and Brian BilzinCarmen BishopricMartha and Bruce ClintonBruce Coppock and Lucia P. MayPeter D. and Julie Fisher Cummings Family FoundationJames Deering Danielson FoundationCharles and Fanny DascalMs. Nancy J. DavisMr. Mike S. Eidson, Esq and Dr. Margaret EidsonFeldman Gale, P.A.Jeffrey and Susan FeldmanChristopher FindlaterMonte FriedkinMarvin Ross Friedman and Adrienne bon HaesFunding Arts Network

Francisco A. Garcia and Elizabeth PearsonJoan GetzNancy GreenGary Hanson and Barbara KlanteMary and Jon HeiderRichard Horvitz and Erica Hartman-Horvitz FoundationHouck Anderson P.A.Mark and Ruth HouckBob and Edith HudsonHunton & Williams, LLPElizabeth B. JulianoJanet and Gerald KelferAngela Kelsey and Michael ZealyVictor Kendall, Friends of WLRNMr. and Mrs. Dennis W. LaBarreShirley and William LehmanMarianne LuedekingMeredith T. MarshallRoger and Helen MichelsonRobert MossMort and Milly NymanRosanne and Gary OateyNedra and Mark OrenJames P. OstryniecClaudia and Steven PerlesAlfonso Conrado ReyBarbara S. RobinsonDr. and Mrs. Michael RosenbergCharles E. SeitzMs. Linda M. SmithHoward Stark M.D. and Rene RodriguezMrs. Barbara StiefelCharles B. and Rosalyn StuzinThe Batchelor Foundation, Inc.Parker D. Thomson Esq.United Automobile Insurance CompanyVer Ploeg & Lumpkin, P.A.Brenton Ver PloegTeresa Galang-Viñas and Joaquin ViñasBill Appert and Chris WallaceRicky and Sarit Warman – Papa John’s PizzaMs. Ginger Warner

Leadership Council$1,000 to $2,499

Anonymous (3) Ana L. ArellanoMs. Ruby M. BacardiRobert and Ana BarlickJohn M. Barrow and Salvador F. RobletoKalman and Irma BassMr. and Mrs. Donald BercuHelene BergerJaime A. BianchiJulia and David BianchiIrving and Joan M. BolotinIn dedication to Donald Carlin

Michael and Lorena ClarkStanley and Gala CohenTerence and Julie ConnorDouglas S. Cramer / Hubert S. Bush IIIMaria-Cristina Del-ValleAndrew dePass and William JurbergAndrea and Chuck EdelsteinSusan Fawcett and Richard DonovanFrancisco J. and Clara B. FernandezJoseph Z. and Betty FlemingGail and Alan FranklinMorris and Miriam FuternickSue GallagherRobert and Adrienne GangMario G. and María E. GarcíaLenore GaynorDr. and Mrs. Edward C. GelberNiety and Gary R. GersonIrving and Yetta GeszelJaime GilinskiRose Ellen and Gerald GreeneJack and Beth GreenmanNancy Gross and Michael BoberschmidtAlfredo and Luz Maria GutierrezDouglas M. and Amy HalseyRobert D. and Jill HertzbergMr. and Mrs. Barry HesserRoberto and Betty HorwitzRichard and Judy JacobsDr. and Mrs. Norman JaffeDr. Michael and Gail KaplanGerald and Jane KatcherKevin KellyCynthia KnightDr. and Mrs. Frederick KnollJeff and Terri KrasnoffDr. and Mrs. Stephen KulvinMr. and Mrs. Israel LapciucRonald and Harriet LassinMr. and Mrs. Marvin H. LeibowitzIvonete LeiteBarbara C. LevinMr. and Mrs. Carlos Lopez-CanteraAna and Raul MarmolDr. Isidoro MorjaimSelma and Jeff NewmanMrs. Patricia M. PapperRobert PinkertMaribel A. PizaGuillermo and Maggie RetchkimanCharles and Linda SandsPhilip ScaturroRaquel and Michael ScheckHenrietta and Robert Schwartz M.D.Mr. and Mrs. David ServianskyDonna E. ShalalaSteven and Ruth ShereVictoria and Robert L. SimonsMichalis and Alejandra StavrinidesWilliam and Sheila SteinerMr. and Mrs. Stanley G. TateKathy and Sidney Taurel

Annual Fund Contributors

listing continues



Judith Rood Traum and Sydney S. TraumMr. and Mrs. Robert H. TraurigLisa TreisterFlorence and Robert WernerThe Israel, Rose, Henry, and Robert Wiener

Charitable Foundation, Inc.Allan and Norma WilsonBetty and Michael WohlMs. Henrietta ZabnerJerry and Catherine ZankLoly and Isaac Zelcer

Partners $500 to $999

AnonymousDr. Kip and Mrs. Barbara AmazonDenise AndersonLinda Angell Benjamin and Dr. Rodney BenjaminMontserrat BalseiroAmparo Bellon-ChampRhoda and Henri BertuchTerry BlechmanMr. and Mrs. Eric BuermannEtain Elisabeth ConnorGary and Lilly DixShahnaz and Ranjan DuaraBernard EcksteinMr. and Mrs. Steven EliasFirestone Family FoundationIris FisherMr. Marcus Flanagan and Mr. William FlanaganJill and Harold GaffinPerla GilinskiRafael and Mar GosalbezJohn F. HamiltonDeborah HarrisJorge HineWilliam and Frankie HippCarin KahganDr. Gerard and Mrs. Joyce KaiserHideko and Harold KlebanoffRichard L.* and Wendy LapidusNorman and Nancy LipoffDerek and Mary LythRobert and Judith MaynesJudith and Robert MezeySylvia MinchewPaulette MintzHarve and Alesia MogulRobert and Wilhelmina MyerburgDr. Michael D. Norenberg and Dr. Carol K. PetitoMelody Sawyer RichardsonAndrew RohlflingAlec and Silvia RosenElizabeth RothfieldDavid Schaecter and Sydney CarpelDr. Robin SchafferRonald E. Schrager and Wendy HartRobert I. ShapiroDr. Jon ShawLois H. SiegelMr. and Mrs. Jose R. TarajanoVCN CorporationMr. and Mrs. Charles B. WheelerHaim WienerDr. Jack and Mrs. Barbara WolfsdorfSora and Cary Yelin

Friends up to $499

Anonymous (4)Juan Acosta and Hiram ColasMarjorie H. AdlerEleanor AibelRicardo AlsinaRosalie Altmark and Herbert KornreichJohn and Sarah AndersonDr. Simon and Mrs. Isabella AngeliMargarita AnthoineDr. Jorge and Gigi Antuñez de MayoloJose-Eloy AnzolaMarc and Brigid ArelAdrian ArkinArthur AronsteinWilliam V. Ashley and Diane de Vries AshleyEvelyn K. AxlerDaniel Ayers and Tony SeguinoSusan BannonZilney T. BarbosaKarla M. BarnesDr. Earl Barron and Ms. Donna BarronStephen Barrow and Janis ManleySanra and Arturo BelkindDr. and Mrs. Samuel BerkowitzBrian BermanNeil Bernstein and Julie SchwartzbardRobert BerrinDr. Louis W. BloiseMr. Mario BosiCarolina BotelloArdis BourlandMichael T. Brazda and Lourdes M. RamonMarleen BrodyAlfred BrooksChris Brown and Stephanie Demos-BrownDavid BucknerMr. and Mrs. Alfred A. BungeGene BungeBrent BurdickDr. María BustilloRita ButtermanJames and Christina CarpenterPhilip and Kathryn CarrollMaria I. CastroHarold ChambersDaphne CharbonneauThe Chen FamilyCarole J. CholastaMathew and Lisa CiceroLeonard and Barbara CohanJoan CohenPhyllis CohenLane H. ConveyNathan CountsWilliam R. CranshawMarcella CruzMercedes CubasGabino CuevasWesley DallasSergio da SilvaJennie DautermannAlberto DeCardenasTeresa Del MoralBerta Del PinoLisa DetournayMr. and Mrs. Maximo J. DiazLuis DikesM. Donald Drescher and Marilynn DrescherMichael A. and Lori B. DribinDr. Melvyn Drucker

Robert DurhamDr. Edward Gross and Karla EbenbachDorothy M. EvansDr. Carl FabianMartha FalgoutJose Luciano FalladJosefina FariasKlara FarkasMrs. Carol FassMurray H. FeigenbaumBennett FeldmanDr. Robert P. and Mrs. Sylvia FeltmanSuzanne FergusonJ. FieldIngrid FilsRana FineIsaac FisherDr. and Mrs. Lawrence M. FishmanRonaldo FlankMary FrancisDr. and Mrs. Rudolph J. FreiDr. and Mrs. Semyon FriedmanMichael and Carolyn FriedmanMalcolm and Doree FrombergVictor and Sandra FullerAllen and Gayle GieseMargaret GerloffJohnny GhibrilEmily GibsonJudy M. Gilbert-Gould and Gerald GouldCarlos Felix GimbernardMr. Salomon GoldBarbara GoldinSue and Howard GoldmanBarbara R. GoldsteinElizabeth Fenjves and Donald GoodsteinBarry GordonJason GordonPatti GordonGalina GorokhovskyDr. Pepi GranatStephen B. GrundsteinChristian GutierrezSusan GuzmanSky HackettGeorge and Vicki HalliwellDr. Juliet HananianVincent Handal, Jr. and Michael WilcoxDavid HarrisonClaus and Barbara HauboldDr. and Mrs. Mark J. HauserDr. Gail A. HawksShirley HelemsBenjamin HerreraDavid HeviaBarbara L. HobbsGreg HoltzBernard and Kara HorowitzDr. Michael C. HughesLawrence R. Hyer Fund at The Miami FoundationTimothy IszlerMelanie JacobsonJustin JimenezJoan and Milton Baxt Foundation Inc.Lester and Susan JohnsonDr. Bruce and Mrs. Joyce JulienShirley and Jack KaplanMichele KarsentiClarita KassinJames KaufmanSeymour Keith


C L E V E L A N D O R C H E S T R A M I A M I

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William KelleyOlga KhamzinaIsaac and Lily KislevichAnita KonigLisa Kornse and August WasserscheidElane KosteckiErnesto Jorge and Laura KupermanSteven C. KurtzCarolyn C. LamplMr. and Mrs. Robert LandonAnton LeeRebecca and Elliot LemelmanSandra and Vance LemmonJudge Barbara LevensonDr. and Mrs. Stanley LevickDr. and Mrs. Melvin LevinsonMark LevyLauren LicataMonica LinkRaul and Juanita LopezArthur A. LorchWilliam and Carmen LordEdward and Kay LoresRuy MacIelRichard MahfoodLewis and Dodie MahoneyLuisa MaichelMarisol ManitoLeon ManneCharistine MarinAnthony MarinelliSherrill Rigot MarksLoretta J. MarshallMariana MartinasevicHector MartinezLaureano J. MartinezPatricia MartinezCarlos Martinez-ChristensenOscar MasTamara MasferrerMr. and Mrs. Stephen MassonEdward MastBudd and Nanette MayerAlan E. MaynardCarter and Laura McDowellDr. Gwenn E. McLaughlinAlina MeledinaAlice and Oded MeltzerDr. and Mrs. Jorge MendiaEvelyn MilledgeDaniel MintzOscar MitnikPierre and Mary MoffroidEdgardo MonterrosaMarisol MoralesDr. Michele Morris and Dr. Joel FishmanJudith MoscuMrs. Hope MyersNarea FamilyMr. and Mrs. D. Allan NicholsAra and Violet NisanianTove NordRobert Nuzzo and Neilus ScannellStephen NygardJohn and Sarah NyitrayDr. Jules OaklanderLarry OusleyDr. and Mrs. Larry K. PageLarry and Marnie PaikinRuth M. ParryMaria PatinoStephen F. Patterson

George PaxtonBeatriz PerezMarcos and Rose PerezJason PerlineRichard PettigrewMichael and Mary Ellen PeytonFerdinand and Barbara PhillipsNelson PiluduTeresa PollakSuzan and Ronald PonzoliJonah and Judith S. PruittRegina D. RabinLaura L. Rampey and Ronald W. CoxRobert ReardenAugustin and Isis RecioMr. and Mrs. Burt RedlusErika RichterPedro A. RiosLillian RobinsonAngela RodriguezHoracio RodriguezLeslie RogowskyJuan RondonDavid and Susan RosenBarbara and Eugene RostovStephen and Heidi RowlandKaren RumbergLawrence H. RustinAlex RyshawyMr. Michael and Dr. Tamah SadickPilar SanchezHank Sanchez-ResnikMary and Saul SandersDr. Diane SardJanet SchiffDr. Markus SchmidmeierLouis Schneider and Rosalie EhrenbergKrystyna SchnierMr. Peter and Mrs. Ortrud SchumannAlex SchwanerJohn and Zelda SchwebelMargaret SearcyMike and Ronna SegalAnthony and Carol-Ann SeguraMargaret SeroppianHumberto SevillaNorman and Arlene ShabelDr. and Mrs. Vincent ShankeyBrenda Shapiro and Javier BrayMichael ShermanDr. John and Gerri ShookAnica and David ShpilbergErnest SieselRafael and Sulamita SimkoviciusRobert SmithDr. Gordon D. SokoloffIlene and Jay SosenkoMary Ann FloresShirley SpectorLucie and Jay SpielerStanley and Betty SpielerIssac SredniNick St. CavishPatty and Harold StanleyMs. Holly StrawbridgeEdwin L. and Elsa StringerCaroline SullivanFrancis SwitzerMichael Tannhauser and Lily NochesStephen TatomRichard TaylorMr. Gabriel Teran

Daniel and Cristin ThorogoodCharlotte TomicAlicia M. TremolsMiguel TriayDr. and Mrs. Michael B. TronerDale UnderwoodYarima UpshawSteven A. VajdaDaniel Vander WoudeVideo FameHerbert W. and Peggy F. VogelsangBarbara B. VoightRoberto Von SohstenFrank VoyekDr. Mario WerbinJeanne WestphalJill S. WhitePeter J. White, Jr.Robert and Ronni WhitebookMr. and Mrs. Arthur WhittakerBrant WiggerJennifer WilliamsSid and Ethel WinokoorLaura A. WoodsideChristian WunschAllan YudacufskiDr. Sheldon and Elaine ZaneEloina D. Zayas-BazanChidong ZhangAmy ZimmermanMarlene Zuckerman

* deceased



Cleveland Orchestra Miami relies on the generosity of its patrons for our continued success. Ticket purchases cover less than half of expenses, and your philanthropic support is essential to cover the difference. Your contribution en-ables the Miami Music Association to present Cleveland Orchestra concerts, education programs, and community activities here in Miami-Dade County. Please consider a gift today by calling 305-372-7747 or visit online at clevelandorchestramiami.com.

FiRst ViOLinsWilliam Preucilconcertmaster

Blossom-Lee ChairYoko Mooreassistant concertmaster

Clara G. and George P. Bickford Chair

Peter OttoFirst associate concertmaster

Jung-Min amy leeassociate concertmaster

Gretchen D. and Ward Smith Chair

Takako MasamePaul and Lucille Jones Chair

Wei-Fang GuDrs. Paul M. and Renate H. Duchesneau Chair

Kim GomezElizabeth and Leslie Kondorossy Chair

Chul-In ParkHarriet T. and David L.Simon Chair

Miho HashizumeTheodore Rautenberg Chair

Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair

alicia KoelzOswald and Phyllis Lerner Gilroy Chair

Yu YuanPatty and John Collinson Chair

Isabel TrautweinTrevor and Jennie Jones Chair

Mark dummGladys B. Goetz Chair

alexandra PreucilKatherine BormannYing Fu

sECOnD ViOLinsStephen Rose*

Alfred M. and Clara T. Rankin Chair

emilio llinas 2

James and Donna Reid Chaireli Matthews 1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

elayna duitmanIoana MissitsCarolyn Gadiel WarnerStephen WarnerSae Shiragamivladimir deninzonSonja Braaten MolloyScott WeberKathleen CollinsBeth Woodsideemma ShookJeffrey Zehngut

ViOLasRobert vernon*

Chaillé H. and Richard B. Tullis Chair

lynne Ramsey1

Charles M. and Janet G. Kimball Chair

Stanley Konopka 2

Mark JackobsJean Wall Bennett Chair

arthur KlimaRichard Waughlisa Boykolembi veskimetseliesha nelsonJoanna Patterson ZakanyPatrick Connolly

CELLOsMark Kosower*

Louis D. Beaumont ChairRichard Weiss1

The GAR Foundation ChairCharles Bernard2

Helen Weil Ross ChairBryan dumm

Muriel and Noah Butkin ChairTanya ellRalph CurryBrian Thorntondavid alan HarrellPaul KushiousMartha BaldwinThomas Mansbacher

BassEsMaximilian dimoff *

Clarence T. Reinberger ChairKevin Switalski 2

Scott Haigh1

Mary E. and F. Joseph Callahan Chair

Mark athertonThomas SperlHenry Peyrebrune

Charles Barr Memorial ChairCharles CarletonScott dixonderek Zadinsky

HaRPTrina Struble*

Alice Chalifoux Chair

F r a n z W e l s e r - M ö s t M u s i c D i r e c tO r Kelvin Smith Family Chair

t h e C l e v e l a n d O r c h e s t r a

� 2012-13 Cleveland Orchestra MiamiThe Orchestra

GIanCaRlO GueRReRO PrinciPal guest conductor C leve l an d OrC h estr a M iaM i

JaMeS FeddeCK assistant conductor Elizabeth Ring and William Gwinn Mather Chair

*Principal § Associate Principal 1 First Assistant Principal 2 Assistant Principal

FLutEsJoshua Smith*

Elizabeth M. andWilliam C. Treuhaft Chair

Saeran St. ChristopherMarisela Sager 2

Austin B. and Ellen W. Chinn ChairMary Kay Fink

PiCCOLOMary Kay Fink

Anne M. and M. Roger Clapp Chair

OBOEsFrank Rosenwein*

Edith S. Taplin ChairMary lynchJeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters

EngLisH HORnRobert Walters

Samuel C. and Bernette K. Jaffe Chair

CLaRinEtsFranklin Cohen*

Robert Marcellus ChairRobert Woolfreydaniel McKelway 2

Robert R. and Vilma L. Kohn Chairlinnea nereim

E-FLat CLaRinEtdaniel McKelway

Stanley L. and Eloise M. Morgan Chair

Bass CLaRinEtlinnea nereim

BassOOnsJohn Clouser *

Louise Harkness Ingalls ChairBarrick Stees2

Sandra L. Haslinger ChairJonathan Sherwin

COntRaBassOOnJonathan Sherwin

HORnsRichard King *

George Szell Memorial ChairMichael Mayhew §

Knight Foundation ChairJesse McCormickHans ClebschRichard Solisalan deMattia

tRuMPEtsMichael Sachs*

Robert and Eunice Podis Weiskopf Chair

Jack Suttelyle Steelman2

James P. and Dolores D. Storer Chair

Michael Miller

CORnEtsMichael Sachs*

Mary Elizabeth and G. Robert Klein Chair

Michael Miller

tROMBOnEsMassimo la Rosa*

Gilbert W. and Louise I. Humphrey Chair

Richard StoutAlexander andMarianna C. McAfee Chair

Shachar Israel2

Bass tROMBOnEThomas Klaber

EuPHOniuM anD Bass tRuMPEtRichard Stout

tuBaYasuhito Sugiyama*

Nathalie C. Spence and Nathalie S. Boswell Chair

tiMPaniPaul Yancich*

Otto G. and Corinne T. Voss ChairTom Freer 2

PERCussiOnJacob nissly*

Margaret Allen Ireland Chairdonald MillerTom FreerMarc damoulakis

kEyBOaRD instRuMEntsJoela Jones*

Rudolf Serkin ChairCarolyn Gadiel Warner

Marjory and Marc L. Swartzbaugh Chair

LiBRaRiansRobert O’Briendonald Miller

ORCHEstRa PERsOnnELCarol lee Iottdirector

Karyn Garvinmanager

EnDOwED CHaiRs CuRREntLy unOCCuPiEDassistant concertmaster

Dr. Jeanette Grasselli Brownand Dr. Glenn R. Brown Chair

assistant principal harp

Sunshine Chair

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seasont h e C l e v e l a n d O r c h e s t r a

�Cleveland Orchestra Miami 2012-13 The Orchestra

10 2012-13 Cleveland Orchestra MiamiMusic Director

Franz welser-Möst music director Kelvin smith Family endowed chair the cleveland orchestra

The 2012-13 season marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s cen-

tennial in 2018. He holds the Orchestra’s Kelvin Smith Family En-dowed Chair. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is presented in a series of ongoing residencies in the United States and Europe, continues its champi-onship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Con-currently with his Cleveland post, Mr. Welser-Möst is general mu-sic director of the Vienna State Opera. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has launched a series of residencies in important cultural locations around the world. These include residencies at Vienna’s Musikv-erein and Switzerland’s Lucerne Festival, as well as programs at the Lincoln Center Festival and Indiana University’s Jacobs School of Music. The Orchestra’s annual residency in Miami, under the

name Cleveland Orchestra Miami, features multiple weeks of concerts coupled with an extended variety of community activities and educational programs. Mr. Welser-Möst has led a series of opera performances during his tenure in Cleveland. Following six opera-in-concert presentations, he brought fully staged op-era back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. In May 2012, he led the Orchestra and an international cast of singers in acclaimed concert performances of Strauss’s Salome. In addition to serving as general music director of the Vienna State Opera, Mr. Welser-Möst maintains an ongoing relationship with the Vienna Philharmonic Orch-estra. Recent concert performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and at La Scala, as well as lead-ing the Philharmonic’s 2011 New Year’s concert, telecast worldwide; he will conduct the New Year’s Day concert again in 2013. Mr. Welser-Möst’s recordings and videos have won international awards and two Grammy nominations. He has led The Cleveland Orchestra in video recordings of live performances of Bruckner’s symphonies nos. 4, 5, 7, 8, and 9, and also released albums featuring Beethoven’s Ninth Symphony and music by Wagner. Franz Welser-Möst has been recognized by the Western Law Center for Disabil-ity Rights, honorary membership in the Vienna Singverein, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

11Cleveland Orchestra Miami 2012-13

the Cleveland OrchestraUnder the leadership of Music Director Franz Welser-Möst, The Cleveland Orches-tra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festi-val, in ongoing residencies from Miami to Vienna, and on tour around the world, the Orchestra sets the highest standards of artistic excellence, creative program-ming, and community engagement. The Cleveland Orchestra has a long and distinguished recording and broadcast history. A series of DVD and CD recordings under the direction of Mr. Welser-Möst has recently been added to an exten-sive and widely praised catalog of audio recordings made during the tenures of the ensemble’s former music directors. In addition, Cleve-land Orchestra concerts are heard in syndication each season on radio stations throughout North America and Europe. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an en-semble worthy of joining America’s top rank of symphony orchestras. Over the next decades, the Orches-tra grew from a fine regional or-ganization to one of the most admired symphonic ensembles in the world. Seven music directors (Nikolai Sokoloff, 1918–1933; Artur Rodziński, 1933–1943; Erich Leinsdorf, 1943–1946; George Szell, 1946–1970; Lorin Maazel, 1972–1982; Chris-toph von Dohnányi, 1984–2002; and Franz Welser-Möst, since 2002) have guided and shaped the ensemble’s growth and sound. Touring performances through-out the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round per-formances became a reality with the first Blossom Festival in 1968, presented at an award-winning, purpose-built outdoor facility located just south of the Cleveland metropolitan area near Akron, Ohio. Today, touring, residencies, radio broadcasts, and recordings provide access to the Orchestra’s music making to a broad and loyal constituency around the world. Visit ClevelandOrchestraMiami.com for more information.

The Cleveland Orchestra

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1� 2012-13 Cleveland Orchestra Miami

giancarlo guerrero principal guest conductor cleveland orchestra miami

The 2012-13 season marks Giancarlo Guerrero’s fourth year as music director of the Nashville Symphony and second year as principal guest conductor of Cleveland

Orchestra Miami. He made his Cleveland Orchestra debut in May 2006. He has led the Orchestra in concerts in Miami, at Severance Hall, at the summertime Blossom Festival, and in its annual down-town community concert in Cleveland. Mr. Guerrero’s recent seasons in Nashville have included an opening gala with Yo-Yo Ma, as well as world premieres of a new work by Richard Danielpour, a Béla Fleck banjo concerto, and a Terry Riley concerto for electric violin. This season, in addition to his work conducting concerts and in community engagement ac-tivities with Cleveland Orchestra Miami, he makes his debuts with the BBC Symphony Orchestra and Deutsches Symphonie Berlin, and has return engagements with the orchestras of Boston, Phila-delphia, Toronto, and São Paulo. Internationally, he led a five-city European tour with the Monte Carlo Philharmonic last season, and

this year leads performances in Australia with the Adelaide Symphony and Auck-land Philharmonic. A fervent advocate of new music and contemporary composers, Mr. Guerrero has collaborated with and conducted works by some of America’s most respected composers, including John Adams, John Corigliano, Michael Daugherty, Osvaldo Golijov, Jennifer Higdon, Aaron Jay Kernis, and Roberto Sierra. His first album with the Nashville Symphony, on Naxos, featured works by Daugherty and won three 2011 Grammy Awards. Two more albums have been released, of music by Argentine legend Astor Piazzolla and by American composer Joseph Schwantner; the latter recording received a Grammy Award earlier this year. A strong proponent of young musicians and music education, Mr. Guerrero returns annually to Caracas, Venezuela, to conduct the Orquesta Sinfónica Simón Bolívar and to work with young musicians in the country’s much-lauded El Sistema music education program. This season he will also work with student orchestras at the Curtis Institute of Music in Philadelphia and the Colburn School in California. Born in Nicaragua and raised in Costa Rica, Giancarlo Guerrero received a bachelor’s degree in percussion from Baylor University and his master’s degree in conducting from Northwestern University. He was music director of Oregon’s Eugene Symphony (2003-09) and served as associate conductor of the Minnesota Orchestra (1999-2004). He received the American Symphony Orchestra League’s Helen M. Thompson Award recognizing outstanding achievement among young conductors. Prior to his tenure in Minnesota, he was music director of the Táchi-ra Symphony Orchestra in Venezuela.

Principal Guest Conductor

1�Cleveland Orchestra Miami 2012-13

concert Prelude 1213 season

Concert Prelude

Theme and Variationsby Olivier Messiaen (1908-1992) 1. Thème: Modéré 2. Variation No. 1: Modéré 3. Variation No. 2: Un peu moins modéré 4. Variation No. 3: Modéré, avec éclat 5. Variation No. 4: Vif et passionné 6. Variation No. 5: Très modéré

Eli Matthews, violin Joela Jones, piano

Trio in B-flat major, Opus 11 (for clarinet, cello, and piano) by Ludwig van Beethoven (1770-1827) 1. Allegro con brio 2. Adagio 3. Tema con variazioni: Allegretto (“Pria ch’io l’impegno”)

Robert Woolfrey, clarinet Tanya Ell, cello Carolyn Gadiel Warner, piano

A free performance featuring musicians of The Cleveland Orchestra playing chamber music works, presented before the evening’s orchestral concert.

Friday, November 16, 2012, at 7:00 p.m. Saturday, November 17, 2012, at 7:00 p.m.


Martha BaldwinCharles BernardKatherine BormannCharles CarletonHans ClebschPatrick ConnollyRalph CurryMarc DamoulakisScott DixonBryan DummMark Dumm

Tanya EllYing FuKim GomezJoela JonesAlicia KoelzStanley KonopkaMark KosowerPaul KushiousJung-Min Amy LeeEli MatthewsSonja Braaten Molloy

Jacob NisslyPeter OttoJoanna Patterson ZakanyHenry PeyrebruneAlexandra PreucilWilliam PreucilLynne RamseyMarisela SagerJonathan SherwinEmma ShookJoshua Smith

Barrick SteesTrina StrubleBrian ThorntonIsabel TrautweinCarolyn Gadiel WarnerStephen WarnerRobert WoolfreyDerek ZadinskyJeffrey Zehngut

t h e C l e v e l a n d O r c h e s t r aIn addition to rehearsals and concerts throughout the year, many Cleveland Orchestra musicians donate performance time in support of community engagement, fundraising, education, and audience development activities — including these Concert Preludes. We are pleased to recognize these musicians, listed below, who are volunteering for such events and presentations during the 2011-12 and 2012-13 seasons.

1� 2012-13 Cleveland Orchestra Miami

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1�Cleveland Orchestra Miami 2012-13 Concert Program

The Miami Music Association and the Adrienne Arsht Center present

the Cleveland OrchestraFranz welser-Möst, conductor

gustav mahler symphony no. 3(1860-1911) Part One. 1. Kräftig, entschieden. [Forceful, decisive.]

Part Two. 2. Tempo di Menuetto. Sehr mässig. [Very moderate.] 3. Comodo. Scherzando. Ohne Hast. [Without haste.] 4. Sehr langsam [Very slow], misterioso — 5. Lustig im Tempo und keck im Ausdruck — [Joyous in tempo and jaunty in expression] 6. Langsam, ruhevoll, empfunden. [Slow, peaceful, deeply felt.]

BERnaRDa Fink, mezzo-soprano

women of the FROst syMPHOniC CHORaLE and the MastER CHORaLE OF sOutH FLORiDa karen kennedy, director

MiaMi CHiLDREn’s CHORus timothy a. sharp, director

1213

season

Saturday evening’s concert is being broadcast live on WCLV 104.9 FM Cleveland.

The taking of photographs or any other recording is strictly prohibited.

Friday evening, November 1�, 2012, at 8:00 p.m. Saturday evening, November 1�, 2012, at 8:00 p.m.

John S. and James L. Knight Concert HallSherwood M. and Judy Weiser Auditorium

1� 2012-13 Cleveland Orchestra MiamiIntroducing the Program

i n t R O D u C i n g t H E P R O g R a M

A Brief Look at a Long Symphony

F R O M i t s H u M B L E B E g i n n i n g s as an instrumental appetizer for an opera or an oratorio, the musical genre called symphony grew in ex-

pressive and philosophical capacity through the works of Haydn, Mozart, Beethoven, Brahms, Bruckner, and Tchaikovsky (to name a few of the form’s master ar-chitects). Most historians would agree that this trend reached its zenith in the symphonies of Gustav Mahler, with their multiplicity of movements and vastness of in-strumental (and often vocal) forces. Mahler’s Third Symphony holds the distinction of being the longest of this composer’s nine symphonies, or indeed of any piece by that title in the standard rep-ertoire. Present-day audiences, accustomed to sitting through a movie for an hour and a half, generally have no problem with the Third’s similar duration, especially

since the composer has filled the work’s six movements with a wonderful variety of instrumental color and emotional expression. Composed during Mahler’s summer holiday at Lake Attersee in 1896, the Third Symphony is rooted in that region’s spectacular Alpine scenery, which provided the inspiration for a mode of expression that strives constantly upward. As the composer succinctly put it, over the course of the work he “imagined the constantly increasing articulation of feeling, from the brooding, rigid, elementary forces of nature, to the tender creations of the human heart, which in turn reach out beyond themselves, pointing the way to God.” Mahler once summarized the first movement as “Summer marches in,” and indeed two march themes (a Mahler favorite rhythm) contend for dominance, one dirge-like, the other full of hope. In keeping with the character of this symphony, hope wins out in the end. Relief from this mighty symphonic battle comes with a delicate sec-ond movement in minuet tempo, whose piquant instrumental colors were (the composer suggested) inspired by Alpine wildflowers. The third movement is a bustle of human activity with interludes featuring a posthorn, an instrument with rustic and nostalgic connota-tions for an Austrian audience circa 1900, much as a train whistle would

1�Cleveland Orchestra Miami 2012-13

symphony no. 3 in D minorcomposed 1895-96

About the Music

by gustavMaHLERborn July 7, 1860Kalischt, Bohemia(now Kalištì inthe Czech Republic)

diedMay 18, 1911Vienna

have for many Americans today. Continuing to turn his gaze upward, Mahler closes the symphony with three linked movements that call the listener to spiritual realms. A mysterious setting of a nocturnal poem by Friedrich Nietzsche gives way to sparkling sunshine and the sound of children’s voices pro-claiming salvation in a text derived from Austrian folk poetry. The closing adagio movement evokes what the composer called the “higher form of ‘quiet being’,” by transforming the symphony’s vig-orous opening theme into one of those achingly tender, endless Mahler melodies that lift the listener upward and upward, through one circle after another of harmonic and orchestral color.

—David Wright

i n au g u s t 1 8 9 6 , the young conductor Bruno Walter vis-ited Gustav Mahler in the Carinthian Alps, shortly after the composer had completed his Third Symphony. As he later re-called, Walter stood gaping at the spectacular mountain scen-ery, and Mahler said to him, “No need to look! I have already composed it all!” Mahler’s eagerness to embrace in his music everything in nature, in heaven, in hell, and in the human heart can be seen as the last fling of Romantic idealism. But perhaps, given the irony and “relativity” that Mahler also keenly felt — one might even say suffered from — his artistic goals were an Einstein-like effort to make sense of the seemingly anomalous, to find a unified theory of everything. That would make Mahler very much a citizen of the 20th century. There were no jokes about the scenery a few hours later in Walter’s visit, when the composer sat at the piano to play his new symphony for his guest. (We might think it impossible for anyone, even the composer himself, to reproduce the sound of a hundred-piece orchestra and chorus with just ten fingers on a keyboard; but Mahler’s clear, lean orchestral style, with its open counterpoint and sparing use of instrumental colors, actually translates well to the piano.) As Walter recalled forty

i n t R O D u C i n g t H E P R O g R a M

A Brief Look at a Long Symphony

1� 2012-13 Cleveland Orchestra MiamiAbout the Music

years later in his book on Mahler, he felt an aura of greatness in the room: “Thanks to our talks, full of the overflow of the cre-ative frenzy of his morning’s work, I was familiar with the spiri-tual atmosphere of the Symphony long before I knew its musical content. Yet it was a shattering experience to hear him play it at the piano. . . . This music made me feel I recognized him for the first time; his whole being seemed to breathe a mysterious affin-ity with the forces of nature. I had already guessed its depths, its elemental quality; now, in the range of his creativity, I felt it directly. . . . I saw him as Pan. At the same time, however — this in the last three movements — I was in contact with the long-ing of the human spirit to pass beyond its earthly and temporal bonds. Light streamed from him onto his work, and from his work onto him.” Unfortunately for Mahler, not all ears were as attuned to his music then as Walter’s were. In his zeal to be understood — it was, after all, the age of Richard Strauss’s very explicit program music — Mahler made several attempts to offer lit-erary metaphors as movement titles for this symphony, both in print and in conversations with friends. The music is quite understandable without them, and in fact Mahler suppressed them at the time of the premiere of the full symphony, which he conducted in the Rhineland town of Krefeld on June 9, 1902. (Individual movements, particularly the second, had been per-formed previously in Berlin, Leipzig, and Budapest, to a mixed reception.) Like many composers, Mahler did not have much patience with explanations. Later that year, he wrote to another conductor: “I have now given up for good any further commen-tating, analyzing, or providing any listener’s aid whatever!” Nonetheless, if we agree not to take them too literally, Mahler’s titles can give us some clues to the expressive progress of the symphony, and its philosophical underpinnings. While writing it, he used the working title Die fröhliche Wissenschaft (“The Joyful Knowledge”), after Nietzsche’s book of the same name, and added the Shakespearean subtitle “A Summer Morn-ing’s Dream.” Individually, Mahler referred to the movements by vari-ous titles at different times; his last version, published in the program for a performance of the second movement in Berlin on November 9, 1896, reads as follows:

The symphony consists of the following six movements:

In the Third

Symphony,

Mahler said

he “imagined

the constantly

increasing

articulation of

feeling, from

the brooding,

rigid, elemen-

tary forces

of nature,

to the tender

creations of the

human heart,

which in turn

reach out

beyond them-

selves, point-

ing the way

to God.”

1�Cleveland Orchestra Miami 2012-13 About the Music

Introduction: “Pan awakes.” No. 1. “Summer marches in.” (Bacchic procession.) No. 2. “What the flowers in the meadow tell me.” (Minuet.) No. 3. “What the animals in the forest tell me.” (Rondeau.) No. 4. “What man tells me.” (Alto solo.) No. 5. “What the angels tell me.” (Women’s chorus with alto solo.) No. 6 (Finale). “What love tells me.” (Adagio.)

As this scheme suggests, and the music confirms, Mahler has composed a fundamentally optimistic work, pointing ever upward. In an impatient let-ter trying to describe the work to a friend, he said that his titles offer “some suggestion of how I imagined the constantly increasing articulation of feeling, from the brooding, rigid, elementary forces of nature, to the tender creations of the human heart, which in turn reach out beyond themselves, pointing the way to God.” And who would begrudge Mahler an hour and a half to cover that much ground? Although this is the longest symphony in the standard reper-toire — and today this is not such a test of attention as it used to be, since many movies are longer than this piece — Mahler keeps it interesting by creating six strongly characterized movements and, within each of them, much variety of expression and orchestral color. The first movement is based on two march themes, one funereal, one optimistic. Mahler was particularly attracted to marches, and to their various meanings and functions in daily life. This extensive movement comes off as a titanic, even cinematic struggle between dark and light, the former represented by a piercingly dissonant short phrase that strikes again and again in D minor and the latter by a buoyant march tune announced at the top of the movement, inhibited at first but then blossoming, and subjected to remarkable variations at mid-movement, in place of a more conventional development section. Mahler’s mastery of razor-sharp modern orchestration is everywhere in evidence; it is just a few steps down the road from this music to Shostakovich’s mordant wit and fury. The dirge-like D-minor theme, with its dire trombones and muffled drums, is recapitulated right where it should be in classic sonata form; the effect in this case is to suppress the lively, imaginative spirit of the development. But the irrepressible march theme sprouts again, quietly, from the cold ground, then swells inexorably, almost frighteningly, to the movement’s sudden, fierce conclusion. The first movement by itself constitutes Part I of the symphony, after which Mahler’s score requests a long pause. The remaining five movements make up Part II. The delicate second movement, marked Tempo di menuetto, starts out very much like the corresponding movement of Brahms’s Second Symphony, but ventures off into exotically colored variations à la Borodin or Rimsky-Kor-

gustaV MaHLER 1860-1911

Gustav Mahler, at age five (below left) in the earliest known photograph; with beard at age twenty-one in 1881; (right top) his wife, Alma, and their two daughters, Maria and Anna, in 1906; at the coast (bottom right) of the North Sea; and in a cartoon making fun of the unusual instruments (including cowbell and forging hammer) he orchestrated into his Sixth Symphony.

�1Cleveland Orchestra Miami 2012-13 About the Music

sakov. When the texture dwindles to just a few string or wind instruments, we are especially aware of those telling touches of percussion that are Mahler’s hallmark. The third movement is also in a moderate tempo between slow movement and scherzo, but closer to the latter. Mahler uses a “developing variation” technique with his dainty theme that stems from Brahms, but with his own repertoire of or-chestral sounds and harmonic twists. The variation-interlude for a valved posthorn (a regular trumpet is occasionally substi-tuted), repeated later in the movement, serves the purpose of a trio section for this quasi-scherzo. For a turn-of-the-century Austrian audience, the posthorn, which announced the daily arrival of the mail coach, recalled both bygone times and eco-nomic expansion, much as a train whistle does for Americans of a certain age today. Mahler’s posthorn casts a mood of nos-talgia over the end of the movement, but another fierce coda for the full orchestra strongly marks the end of the first section of Part II. The concluding three movements are a poetic cycle in themselves, performed without a break. (In an earlier version of his metaphorical titles, Mahler digressed from his evolution-ary plan to explore psychic and spiritual states of human be-ings, calling the fourth movement “What night tells me” and the fifth “What the morning bells tell me.”) With this change come actual words in the music — a nightsong from Nietzsche’s Also sprach Zarathustra, set in dark hues for a low female voice, and a cheerful song about angels from Des Knaben Wunderhorn (“The Youth’s Magic Horn”), a classic collection of folk poetry that was Mahler’s touchstone for composition during these same years. The composer’s tem-po indication of “Very slow, mysterious” describes the fourth movement’s rapt, hovering feeling; the music is also touched with those unexpected moments of sudden tender emotion that are another Mahler hallmark. The euphonious horns, a link to the previous movement, seem to lift the singer up, against a background of shimmering strings. More horns and strings, joined by a glockenspiel that glints like the rising sun, evoke dawn in the fifth movement. Its jaunty rhythm and bright colors of children’s and women’s voices bring a message of salvation that is all the happier because it overcomes moments of doubt and fear at mid-movement. The closing sixth-movement adagio (marked “Slow, peace-

When ques-

tioned why

he ended

this sympho-

ny with a slow

movement

instead of the

more usual fast

finale, Mahler

responded that

“in fast move-

ments . . .

everything is

motion, change,

flow,” while a

slow movement

represents the

“higher form of

‘quiet being’.”

�� 2012-13 Cleveland Orchestra Miami

ful, with feeling”) transforms the symphony’s vigorous opening theme into one of those achingly tender, endless Mahler melodies that lift the listener through one circle after another of harmonic and orchestral color. As the opening bars suggest, Beethoven is the model for ada-gios on this immense scale, although Mahler has a sense of dramatic timing and orchestral space that is entirely his own. Critics, of course, demanded to know why he ended his symphony with a slow move-ment instead of a fast finale (as if Tchaikovsky hadn’t just done so, to profound effect, in his Sixth Symphony). Mahler responded that “in fast movements . . . everything is motion, change, flow,” while a slow movement represents the “higher form of ‘quiet being’.” Although this quiet is interrupted now and then by emotions recalled from earlier movements (but not by the actual themes from those movements), all is carried upward in the rising spiral of af-firmation toward a D-major conclusion that is as peaceful, in the inward sense, as it is fortissimo for the full orchestra.

—David Wright © 2012

David Wright lives and writes in Wellesley, Massachusetts. He previously served as program annotator for the New York Philharmonic.

About the Music

Mahler wrote his Third Symphony over the course of two summers; movements 2 through 6 were written in 1895, the first movement in 1896. However, as early as 1893, he had sketched two musical themes that eventually found their way into the first movement. In ad-dition, the song “Ablösung im Sommer” (“Relief in Summer”), on which the third movement was based, was written about 1890. Although movements from this symphony were performed at concerts in 1896 (movement 2) and 1897 (mvts. 2, 3, and 6), the composer conducted the premiere of the complete work on June 9, 1902, at Krefeld. This symphony runs about 95 minutes, without intermission, in performance. Mahler scored it for 4 flutes (2 doubling piccolos),

4 oboes (one doubling english horn), 3 clarinets (one doubling bass clarinet), 2 high clarinets in E flat, 4 bassoons (one doubling contra-bassoon), 8 horns, 4 trumpets, posthorn, 4 trombones, contrabass tuba, timpani, percussion (glockenspiel, snare drum, triangle, tambourine, bass drum, suspended cymbals, cymbal attached to the bass drum, tam-tam, birch brush), 2 harps, strings, contralto solo, women’s chorus, and children’s chorus. The Cleveland Orchestra, Chorus, and Children’s Chorus first performed Mahler’s Third Symphony in October 1969, under the direction of Louis Lane. The most recent per-formances were under the direction of Franz Welser-Möst in September 2012 at Severance Hall in Cleveland.

At a Glance

��Cleveland Orchestra Miami 2012-13 Sung Text

IV. Fourth MoveMent

“Midnight Song” text from Also sprach Zarathustraby Friedrich Nietzsche (1844-1900) alt soloO Mensch! Gib acht!Was spricht die tiefe Mitternacht?Ich schlief!Aus tiefem Traum bin ich erwacht!Die Welt ist tief!Und tiefer, als der Tag gedacht!O Mensch! Tief!Tief ist ihr Weh!Lust tiefer noch als Herzeleid!Weh spricht: Vergeh!Doch alle Lust will Ewigkeit!Will tiefe, tiefe Ewigkeit!

V. FiFth MoveMent

Text from Des Knaben Wunderhorn poems edited by Clemens Brentano (1778-1842) and Ludwig Achim van Arnim (1781-1831)

knabenchorBimm, bamm, bimm, bamm.

frauenchorEs sungen drei Engel einen süssen Gesang,Mit Freuden es selig in dem Himmel klang,Sie jauchzten fröhlich auch dabei,Dass Petrus sei von Sünden frei.

Und als der Herr Jesus zu Tische sass,Mit seinen zwölf Jüngern das Abendmahl ass,Da sprach der Herr Jesus:

alto solo Oh human, give heed!What does deep midnight say?I slept!From deepest dream I have awakened!The world is deep!And deeper than the day had thought!Oh human! Deep!Deep is its woe!Joy deeper still than heartbreak!Pain speaks: Vanish!But all joy seeks eternity,Seeks deep, deep eternity.

children’s choir Ding, dong, ding, dong.

women’s choir Three angels were singing a sweet song;With joy it resounded blissfully in heaven.They happily shouted with joy all together,That Peter was absolved from sin.

For as Lord Jesus sat at table,With his twelve disciples to eat supper,So spoke Lord Jesus:

symphony no. 3 by Gustav Mahler

At a Glance

P L E A S E T U R N P A G E Q U I E T LY


“Was stehst du denn hier?Wenn ich dich anseh, so weinest du mir!“

alt soloUnd sollt ich nicht weinen, du gütiger Gott?

frauenchorDu sollst ja nicht weinen!

alt soloIch hab übertreten die zehn Gebot.Ich gehe und weine ja bitterlich.

frauenchorDu sollst ja nicht weinen!

alt soloAch komm und erbarme dich über mich!

knabenchor und frauenchorBimm, bamm, bimm, bamm.

frauenchorHast du denn übertreten die zehn Gebot,So fall auf die Knie und bete zu Gott,Liebe nur Gott in alle Zeit,So wirst du erlangen die himmlische Freud’.

knabenchorLiebe nur Gott! Die himmlische Freud’ ist eine selige Stadt,Die himmlische Freud’, die kein Ende mehr hat,

knabenchor und frauenchorDie himmlische Freud’ war Petro bereit’tDurch Jesum und Allen zur Seligkeit.

Bimm, bamm, bimm, bamm . . .

“Why are you standing here?When I look at you, you weep!”

alto soloAnd should I not weep, you kind God?

women’s choirNo, you mustn’t weep!

alto soloI have trespassed against the Ten Commandments.I go and weep bitterly.

women’s choirNo, you mustn’t weep!

alto soloAh, come and have mercy upon me!

children’s and women’s choirsDing, dong, ding, dong.

women’s choirIf you have trespassed against the Ten Commandments,Then fall on your knees and pray to God,Love only God forever,And you will attain heavenly joy.

children’s choirLove only God!Heavenly joy is a blessed city,Heavenly joy that has no end.

children’s and women’s choirsHeavenly joy was prepared for PeterBy Jesus and for the salvation of all.

Ding, dong, ding, dong . . .

Sung Text

��Cleveland Orchestra Miami 2012-13

Bernarda FinkMezzo-soprano Bernarda Fink’s repertoire ranges from ancient music to music of the 20th and 21st centuries. She frequently appears with orchestras across Europe and the United States, including recent engagements with Amsterdam’s Royal Con-certgebouw Orchestra, Berlin Philharmonic, Czech Phil-harmonic, Staatskapelle Dresden, London Philharmonic, Philadelphia Orchestra, and Vienna Philharmonic. Bernarda Fink has appeared to widespread critical ac-claim in Argentina and at major opera houses in Europe. She regularly appears in recitals at the Vienna Musikverein and Konzerthaus, Schubertiade Schwarzenberg, Concertge-bouw Amsterdam, and at Wigmore Hall in London. During the 2012-13 season, Ms. Fink returns to Wig-more Hall as artist-in-residence, featuring a schedule of re-citals (solo and with her brother Marcos Fink) and concerts with the Hugo Wolf Quartet and the Academy of Ancient Music. She also sings recitals in Vienna, Berlin, and Stutt-gart, as well as additional duo-recitals with Marcos Fink in Fribourg, Schwarzenberg, and Lille. In the United States, her appearances include recitals in Philadelphia and New York City, as well as orchestral performances with the Chicago Symphony Orchestra (Beethoven’s Missa Solemnis and Mahler’s Third Symphony) and the Houston Symphony (Mahler’s Second). In Europe, she sings Bach’s St. Matthew Passion in a tour across Europe, as well as performances of Missa Solemnis with Herbert Blomstedt in Germany, Schumann’s Paradies und die Peri with Simon Rattle and the Vienna Philharmonic, Mozart’s Requiem with Louis Langrée in Salzburg, and Mendelssohn’s Second Symphony with Riccardo Chailly in Amsterdam. Ms. Fink’s discography of nearly fifty recordings has proved worthy of many prizes, including Diapason d’Or and Grammy awards. Born in Buenos Aires to Slovene parents, Bernarda Fink received her vocal and musical education at the Instituto Superior de Arte del Teatro Colón. In 2006, she was awarded the Austrian Honorary Medal for Arts and Science.

Guest Soloist

�� 2012-13 Cleveland Orchestra MiamiAbout the Artists

SOPRANOSEileen AverkiouFiona CohenJennie DautermannNatalie FernandezNancy Gates-LeeGabriella GrofKathleen HartungStephanie KawzenukJudi Lemoine

Lucy McVeighAlice K. MontfordLea RasabiCarole SandvosHolly StrawbridgeSusan L. TrevarthenMarlene Wepf

ALTOSRocio AbelloMonique L. BelchAllison BiscoNancy ButlerElla CarrCarol Ann CaseyChai Lee ChienCarolyn DeSantiLynn DomackLaura FicorilliJeanne FilosaRenee Michelle GoertzenJanet GrubelNicole HamaouiMary Kilbreath

Caron LittenTeresa LuccheseNanci MitchellRoslyn T. OsborneAmanda RothmanMelanie SchleyNorma SegalRachel SnellMarina TendlerAlexandra von

SzadkowskiJenna WeisbergDale R. WilkersonDebbie Wirges

SOPRANOSDiana AratoAndrea BrookAmanda CappsBianca CheryElla DotyMolly GormanGianna HorakJoy Lakin

Jamie LevineEmma MarzenDeanna MavisEmily MinkowGabby RodriguezAlyson ScherdingTraia ThielShelby Wedelich

ALTOSAlix BigleyAsha BrownNatalie ColeSierra FarquarRebecca FelmanMariah FordeShannon GreenmanSylvia Guzman

Meghan MotleyHannah O’ConnorMelissa OlssonAmber RobbJeanette StraeterKaitlin TunneyBelle ZhangKayla Zuckerman

The Master Chorale is comprised of the finest classical singers in Broward, Miami-Dade, and Palm Beach Counties. The group was formed in 2003 to ensure that world-class performances of major works written for chorus and orchestra would remain part of South Florida’s cultural fabric. The ensemble’s many performances have included The Cleveland Orchestra’s inaugural concerts at the Adrienne Arsht Center in 2007, singing Beethoven’s Ninth Symphony.

WOMEN’S CHORUS — MAHLER THIRD SYMPHONY

The Frost Symphonic Chorale is an auditioned chorus specializing in repertoire for large chorus and orchestra. The chorus has recently performed with the Frost Symphony Orch-estra and the Miami Bach Society. The women of the Symphonic Chorale are performing several concerts of repertoire for treble voices this season, in addition to these performances with The Cleveland Orchestra.

WOMEN’S CHORUS — MAHLER THIRD SYMPHONY

uniVERsity OF MiaMi FROst sCHOOL OF MusiCFrost symphonic Chorale karen kennedy, Director

Master Chorale of south Florida karen kennedy, Artistic Director


karen kennedy Director, Frost symphonic chorale Artistic Director, master chorale of south Florida

Karen Kennedy is associate professor and director of choral studies at the University of Miami Frost School of Music, where she conducts the Frost Chorale and other choral en-sembles. She is also artistic director of the Master Chorale of South Florida. Ms. Kennedy previously held the positions of chorus director for the Honolulu Symphony, director of

choral activities at the University of Hawaii at Manoa, and director of choral activi-ties at Towson University. She earned a doctorate in choral music from Arizona State University, a master’s degree in choral conducting from Butler University, and a bachelor’s degree in music education from DePauw University. Ms. Kennedy has received many awards for teaching, including the Univer-sity of Hawaii Chancellor’s Citation for Meritorious Teaching, Arizona State Uni-versity’s Manzanita “Top Prof” Award, and Butler University’s Faculty Distinction Award. She is well known as a choral clinician and adjudicator for all-state and festival honor choirs. She served as the ACDA Eastern Division Collegiate Rep-ertoire and Standards Chair and as a founding member of the National Collegiate Choral Organization.

About the Artists

timothy a. sharp Music Director, miami children’s chorus

Timothy A. Sharp has served as music director of the award-winning Miami Children’s Chorus for more than two decades. In addition to his work with Miami Children’s Chorus, Mr. Sharp teaches general music at Vineland K-8 Center in Miami-Dade County. As a performer, he appeared with the chorus of Florida Grand Opera for five seasons. He continues his FGO work preparing children to appear in op-

era productions, including this season’s La Bohème and The Magic Flute. Mr. Sharp earned his bachelor’s degree in music education from Bethune-Cookman University and a master’s degree from the University of Illinois at Cham-paign-Urbana, and received an artist-teacher diploma from the Choral Music Experience Institute for Choral Teacher Education. He has presented workshops for Miami-Dade County Public Schools as well as across the country for various choral and educators groups. At the Adrienne Arsht Center, he has conducted workshops on developing children’s voices and twice each year leads the MCC proj-ect Sing Miami! He appears annually at the Arsht Center as a professional devel-opment facilitator for the Miami-Dade County Public Schools Division of Social Sciences, speaking on African-American Spirituals.


Christopher Abello Alexandra AlfonsoLauren AmatJuliana BachKaiya BallardIrene BilbaoSofia CastiiloStephen de JesusTiffany DonatesSamantha DutoitMelissa EcheniqueIsabella FernandezNatalie GarciaAlicia GendronHenry GendronMaria Guia Shaloma GutierrezRamy HannaGabriela Hernandez-FumeroRubie Hertzig

David JuncoVania JuncoLiza KanterMariana KelloggMia LamMarco LanzCatherine LevyAriella LindenfeldJeremy LindendfeldAlexandra ManresaAdriana MantillaAaron MaresAfsaana MohammedErika NegroKristen NoaSophia ParedesEmily PasterisIris PetersonPhanesia PharelSophia Pope

Lilia PrettoSabrina RabiFemke ReniersTiffany RigbyEdmond RodriguezMelinda RodriguezDana RohlfsHannah SaenzGabriel SalazarSabrina SalinasErika SassmannRyan SensaleIsabel SilvaJessica SmithNaomie ValmeDaisy VazquezAlejandra VivancoDiana Wynne

Miami Children’s Chorus timothy a. sharp, Director alan g. ngim, Principal Accompanist analy Mendez, Artistic Administrator

Established in 1965, the award-winning Miami Children’s Chorus (MCC) offers the children of Miami-Dade County the opportunity to study and perform standard and experimental forms of choral music. Through this study the children learn musicianship, vocal technique, discipline, commitment, and the rewards of sustained and dedicated effort. In weekly re-hearsals the children also learn that there is no greater result than giving their personal best. MCC can be heard singing background on recordings of Raul di Blasio, Gloria Estefan,Christian Castro, and the Frost Chorale. They appeared with Queen Latifah as part of the pre-game show for Super Bowl XXIV in 2010 and perform regularly throughout South Flori-da, partnering with many organizations including the Florida Grand Opera. The group has toured nationally and internationally, performing in Argentina, Austria, Brazil, Czech Republic, Italy, the United Kingdom, and throughout the United States, including New York’s Carnegie Hall.

MAHLER THIRD SYMPHONY

About the Artists

Everybody’s a dreamer . . . and everybody’s a star . . . and everybody’s in show biz . . . it doesn’t matter who you are . . . and those who are successful . . . be always on your guard . . . success walks hand in hand with failure along Hollywood Boulevard. (From the song “Celluloid Heroes” by The Kinks)

If you have ever felt this way, call me. —Rick Tonkinson

RICK TONKINSONSTEVEN TONKINSON

CERTIFIED FINANCIAL PLANNER™ PROFESSIONALS

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Toll-free Ph: (866) 323-8326Toll-free Fax: (866) 610-0042

www.TonkinsonFinancial.com

We deal with our client’s life financial issues with common sense, a realistic approach, and encouragement.

It is not how much you have, but rather how well you use it.

Securities and advisory offered through Commonwealth Financial Network®, member FINRA/SIPC, a registered investment adviser.

�0 2012-13 Cleveland Orchestra MiamiAppreciation


Copyright © 2012 by The Cleveland Orchestra and Miami Music Association.

Eric Sellen, Program Book Editor e-mail: [email protected]

Program books for Cleveland Orchestra Miami concerts are produced by The Cleveland Orchestra and distributed free to attending audiences.

Program book advertising is sold through Live Publishing Company. For further information and ad rates, please call 216-721-1800

Program Book

special thanksCleveland Orchestra Miami acknowledges the support of:

The Batchelor Foundation, Inc.Feldman Gale, P.A.

Funding Arts NetworkHouck Anderson, P.A.

John S. and James L. Knight FoundationMiami-Dade County Public Schools

National Endowment for the ArtsNorthern Trust Bank of Florida

Papa John’s PizzaPeacock Foundation, Inc.

United Automobile Insurance CompanyVer Ploeg & Lumpkin, PA

Generous Foundation support provided by The Miami Foundation, from a fund established

by the John S. and James L. Knight Foundation

Support for Cleveland Orchestra Miami is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council,

and the Miami-Dade County Mayor and Board of County Commissioners.

Cleveland Orchestra Miami education programs are funded in part by The Children’s Trust. The Trust is a dedicated source of revenue established by voter referendum

to improve the lives of children and families in Miami-Dade County.

classicalsouthflorida.org

Classical Music.It’s In Our Nature.Just like all of us, classical music lives and breathes. Make it part of your lifestyle. Tune to Classical South Florida on the radio or online. It’s in your nature.

PROUD MEDIA PARTNER OF THE CLEVELAND ORCHESTRA MIAMI RESIDENCY.









PROUD MEDIA PARTNER OF THE CLEVELAND ORCHESTRA MIAMI RESIDENCY.PROUDMEDIAPARTNEROFCLEVELANDORCHESTRAMIAMI.d











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ACCESSIBILITYAdrienne Arsht Center is fully accessible. When purchasing tickets, patrons who have special needs should call (305) 949-6722 or (866) 949-6722 and inform their customer service representative. (786) 468-2011(TTY).

DININGEnjoy PRELUDE BY BARTON G. in a whole new way, featuring new prices, an updated menu of Prelude classics mixed with innovative new dishes, a sumptuous selection of specially prepared “premium” menu options and the ultimate pre- and post-show dining experience! PRELUDE BY BARTON G. now features a two-course dinner including an appetizer and a main course for just $29 (plus tax and gratuity). CALL 305.357.7900 or visit arshtcenter.org/prelude.EMERGENCIESEmergency exits are clearly marked throughout the building. Ushers and security personnel will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.FACILITIES RENTALSPersons or organizations interested in renting the auditoriums, lounges, terraces, plazas or other spaces for private and public events at Adrienne Arsht Center should contact (786) 468-2287 or [email protected] AIDS AND OTHER HEARING-ENHANCEMENT DEVICESPlease reduce the volume on hearing aids and other devices that may produce a noise that would disturb other patrons or the performers. Assistive Listening Devices are available in the lobby; please ask an usher for assistance.LATE SEATINGAdrienne Arsht Center performances begin promptly as scheduled. As a courtesy to the performers and audience members already seated, patrons who arrive late will be asked to wait in the lobby until a suitable break in the performance to be determined in consultation with the performing artists. Until the seating break, latercomers may watch the performance via closed-circuit monitors conveniently situated in the

www.arshtcenter.org, or call (305) 949-6722.MEMBERSHIP - VISIONARY SOCIETYIndividuals can participate and support the Adrienne Arsht Center through a wide variety of membership levels,

notice of performances to invitations to exclusive receptions. These annual tax-deductible gifts help ensure the future of the Center. Visionary Society membership starts at $75, with various giving levels through $5,000. To join the Visionary Society, call (786) 468-2040, email [email protected] or visit arshtcenter.org/join.

INFORMATION

Phone NumbersAccessibility (786) 468-2011(TTY)

Advertising (786) 468-2232

(866) 949-6722 M – F 10am – 6pm Sat. – Sun. noon to CurtainFacilities Rental (786) 468-2287Development (786) 468-2250Group Sales (786) 468-2326Membership (786) 468-2040Parking (305) 949-6722

(866) 949-6722 or visit www.arshtcenter.orgPrelude by Barton G. (305) 357-7900Security (786) 468-2081

Anna Murch fountain in theThomson Plaza for the Arts

Photo by Robin Hill

Arsht Center Information

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Matilde AguirrePierre R. ApollonMagalie Desroches AustinThe Honorable Oscar Braynon IIArmando J. Bucelo, Jr.Felix GarciaThe Honorable Rene GarciaSergio M. GonzalezRosie Gordon-Wallace

The Honorable Donald L. GrahamEvelyn GreerMitchell KaplanHank KleinNathan LeightFlorene Litthcut NicholsCarlos C. Lopez-CanteraRichard C. MilsteinGilberto Neves

Beverly A. ParkerJorge A. PlasenciaAbigail PollakJesus “Jay” PonsThe Honorable Raquel RegaladoLarry RiceAdriana SabinoMario Ernesto SanchezThe Honorable Marc D. Sarnoff

Ronald A. Silver The Honorable

Michelle Spence-JonesAlexander I. TachmesCarole Ann TaylorRaul G. Valdes-FauliJudy WeiserMiles C. Wilkin

Board of Directors

RESIDENT COMPANIES ALLIANCE

Sheldon Anderson Adrienne ArshtDiane de Vries AshleyRobert T. Barlick, Jr.Fred BerensSia BozorgiNorman Braman Sheila BroserRobert S. BrunnM. Anthony BurnsDonald Carlin

Jerome J. CohenStanley CohenSusan T. DanisNancy J. DavisRonald EssermanOscar FeldenkreisPamela GardinerJerrold F. GoodmanRose Ellen GreeneArthur J. Halleran, Jr.Howard Herring

Robert F. Hudson, Jr.Daryl L. Jones Edie LaquerDonald E. LeftonRhoda Levitt George L. LindemannCarlos C. Lopez-CanteraPedro A. Martin, Esq.Arlene MendelsonNedra OrenJ. David Peña, Esq.

Aaron S. Podhurst, Esq.Charles PorterJane A. RobinsonRichard E. Schatz Sherry Spalding-FardieRobert H. Traurig, Esq.Sherwood M. Weiser*Lynn Wolfson

*deceased

Joe A. Martinez Audrey M. EdmonsonChairman Vice Chairwoman

Barbara J. JordanDistrict 1

Jean MonestimeDistrict 2

Audrey M. Edmonson District 3

Sally A. Heyman District 4

Bruno A. BarreiroDistrict 5

Rebeca Sosa District 6

Xavier L. SuarezDistrict 7

Lynda BellDistrict 8

Dennis C. MossDistrict 9

Javier D. SoutoDistrict 10

Joe A. MartinezDistrict 11

José “Pepe” DiazDistrict 12

Esteban Bovo, Jr. District 13

Carlos A. GimenezMayor

MIAMI-DADE BOARD OF COUNTY COMMISSIONERS

PERFORMING ARTS CENTER TRUST, INC.

Alan H. FeinChair-Elect

Emery B. SheerTreasurer

James M. Herron, Secretary

Penny Thurer, Assistant Secretary

J. Ricky Arriola,Immediate Past Chair

Parker D. Thomson,Founding Chair

Mike EidsonChairman

Officers of the Board

Ronald Esserman David Rocker Sherwood M. Weiser* Jason Williams


ADRIENNE ARSHT CENTER FOUNDATION, INC. BOARD OF DIRECTORS

Adrienne ArshtFounding Chairman

Richard E. SchatzChairman

Harvey RuvinClerk of Courts

Pedro J. GarciaProperty Appraiser

Robert A. Cuevas Jr.County Attorney

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Board of Directors






*deceased
























Mike EidsonChairman











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LOST AND FOUNDPatrons should check with the House Manager in the theater lobby prior to leaving the theater, otherwise please call the Adrienne Arsht Center main security number (786) 468-2081. Lost articles will be held for 30 days.

MEMBERS FIRST!As a member of the Adrienne Arsht Center Visionary Society, you have exclusive access to members-only ticket pre-sales and so much more! To join, call 786.468.2040 or visit arshtcenter.org and click “Become a Member.”

PAGERS, CELL PHONES AND OTHER LISTENING DEVICESAll electronic and mechanical devices—including pagers, PDAs, cellular telephones, and wristwatch alarms—must be turned off while in the auditoriums.

PHOTOGRAPHY, VIDEOGRAPHY, AND RECORDINGThe taking of photographs and the use of audio or video recording inside the auditoriums are strictly prohibited.

Pho

to b

y M

itche

ll Za

chs

TICKETSPatrons may purchase tickets

beginning at noon on weekend perfomance days.

(main entrance on NE 13th between Biscayne Blvd. and NE 2nd Ave.) the Adrienne Arsht Center Box

and two hours before every performance.

TOURSFree behind-the-scene tours of the Adrienne Arsht Center complex are given every Monday and Saturday at noon, starting in the Ziff Ballet Opera House Lobby. No reservations necessary.

VOLUNTEERSVolunteers play a central role at the Adrienne Arsht Center. For more information, call (786) 468-2285 or email [email protected].

WEBSITEVisit www.arshtcenter.org for the most up-to-date performance schedule. Also, join our mailing list and we will send performance notices directly to you. When you join, you may choose the types of shows about

sure you add [email protected] to your address book and/or safe list. Visit www.arshtcenter.org today.

Adrienne Arsht Center Uniforms, an EcoArtFashion project by Luis Valenzuela, www.luisvalenzuelausa.com

INFORMATION

Arsht Center Information

34 PLAYBILL

LOST AND FOUNDPatrons should check with the House Manager in the theater lobby prior to leaving the theater, otherwise please call the Adrienne Arsht Center main security number (786) 468-2081. Lost articles will be held for 30 days.

MEMBERS FIRST!As a member of the Adrienne Arsht Center Visionary Society, you have exclusive access to members-only ticket pre-sales and so much more! To join, call 786.468.2040 or visit arshtcenter.org and click “Become a Member.”

PAGERS, CELL PHONES AND OTHER LISTENING DEVICESAll electronic and mechanical devices—including pagers, PDAs, cellular telephones, and wristwatch alarms—must be turned off while in the auditoriums.

PHOTOGRAPHY, VIDEOGRAPHY, AND RECORDINGThe taking of photographs and the use of audio or video recording inside the auditoriums are strictly prohibited.

Pho

to b

y M

itche

ll Za

chs

TICKETSPatrons may purchase tickets

beginning at noon on weekend perfomance days.

(main entrance on NE 13th between Biscayne Blvd. and NE 2nd Ave.) the Adrienne Arsht Center Box

and two hours before every performance.

TOURSFree behind-the-scene tours of the Adrienne Arsht Center complex are given every Monday and Saturday at noon, starting in the Ziff Ballet Opera House Lobby. No reservations necessary.

VOLUNTEERSVolunteers play a central role at the Adrienne Arsht Center. For more information, call (786) 468-2285 or email [email protected].

WEBSITEVisit www.arshtcenter.org for the most up-to-date performance schedule. Also, join our mailing list and we will send performance notices directly to you. When you join, you may choose the types of shows about

sure you add [email protected] to your address book and/or safe list. Visit www.arshtcenter.org today.

Adrienne Arsht Center Uniforms, an EcoArtFashion project by Luis Valenzuela, www.luisvalenzuelausa.com

INFORMATION

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Board of Directors






*deceased
























Mike EidsonChairman










�� 2012-13 Cleveland Orchestra Miami42 PLAYBILL

ADRIENNE ARSHT CENTER FOR THE PERFORMING ARTS OF MIAMI-DADE COUNTYM. John RichardPresident & CEO

Scott ShillerExecutive Vice President

AdministrationJayne Allen Associate General CounselChantal Honoré Manager of Board RelationsJoanie Rivera Executive Assistant to the President & CEOJoanne Matsuura Manager, Of ce of the Executive Vice PresidentThyra Joseph Receptionist

AdvancementMunisha Underhill Senior Director, AdvancementChuré Gladwell Senior Director, Advancement Felicia Hernandez Director, Member Relations and Donor RelationsRita Martin Manager of Special EventsJodi Mailander Farrell Senior Director, Foundation RelationsChristine Brown Manager, Advancement ServicesCarrie Rueda Executive Assistant to the

Vice President of AdvancementKalyn James Corporate Sponsorship CoordinatorEmily Greene Member Relations Assistant

FinanceTeresa Randolph Senior Director of Finance & ControllerAntonio Necuze Accounting DirectorBill McKenna Event AccountantKimba King Manager of Human ResourcesAida Rodriguez Staff AccountantRoberta Llorente Human Resources Assistant Isabel Melo Payroll AccountantFrancisca Squiabro Payables Accountant

Audience ServicesAlice Arslanian Fifelski Theater ManagerNeal Hoffson House ManagerRodolfo Mendible House ManagerPauline Goldsmith House ManagerCarolyn Woodyer Volunteer Services CoordinatorNicole Keating Senior Director, Ticket ServicesMaria Usaga Ticket Services ManagerNadinne Farinas Ticket Services ManagerDavid Saifman Ticket Services ManagerLaura White Ticket Services Manager Julia Turner Ticket Services SupervisorBryan Lindeman Ticket Services SupervisorFernanda Arocena Customer Service RepresentativeDiego Delatorre Customer Service RepresentativeMario Acevedo Customer Service RepresentativeMelissa Almaguer Customer Service RepresentativeAshley Araujo Customer Service RepresentativeHeather Brummer Customer Service RepresentativeMaritza Castro Customer Service RepresentativeLeyda Castro Customer Service RepresentativeCasey Craig Customer Service RepresentativeLina Delgado Customer Service RepresentativeChristy Francois Customer Service Representative Vanessa Ferrando Customer Service RepresentativeAdam Garner Customer Service RepresentativeMabel Gonzalez Customer Service RepresentativeDiana Herrera Customer Service RepresentativeNubia Mora Customer Service Representative Fabiana Parra Customer Service RepresentativeOscar Quesada Customer Service RepresentativeTheo Reyna Customer Service RepresentativeLogan Smiley Customer Service RepresentativeNadia Zehtabi Customer Service Representative

Information TechnologyJames J. Thompson Assistant Vice President,

Information Technology Michael Sampson Director, Applications Francisco Pichardo Information Systems ManagerRenville Williams Junior DeveloperMarco Franceschi IT Systems AdministratorMichael Vigorito IT Support Technician

MarketingSuzette Espinosa Fuentes Assistant Vice President,

Public RelationsCrystal Brewe Senior Director of Marketing Luis Palomares Director, Creative Services John Copeland Director of MarketingEva Bordeaux Silverstein Director of MarketingMorgan Stockmayer Promotions ManagerFernando Olalla e-Marketing ManagerDavid Chang Graphic DesignerRaul Vilaboa Graphic DesignerSam Hall Graphic DesignerGino Campodonico PublicistClaudia Tuck Public Relations CoordinatorNicole Smith Marketing CoordinatorNatalia Ortiz Creative Services CoordinatorBrittany J. Confer Marketing Administrative AssistantKeidy Diaz Group Sales Assistant Natalie Perez e-Marketing Assistant

OperationsDaniel Alzuri Senior Director, OperationsNick Tigue Senior Director, EngineeringThomas McCoy Engineering MangerLucy Hargadon Executive Assistant to the Vice President, OperationsJack Crespo EngineerCarlos De la Torre EngineerJose Hurtado EngineerLevensait Pedro EngineerJimmy Panchana EngineerXavier Ross EngineerAlberto Vega EngineerPedro Villalta Engineer

ProductionJeremy Shubrook Director, ProductionJanice Lane Technical DirectorMichael Matthews Technical DirectorAndres Puigbo Technical DirectorMelissa Santiago-Keenan Assistant Technical DirectorDaniel McMenamin Head Carpenter, Ziff Ballet Opera HouseJohn Mulvaney Assistant Carpenter/Head Flyman

Ziff Ballet Opera HouseRalph Cambon Head Audio Video Technician,

Ziff Ballet Opera HouseFrederick Schwendel Head Carpenter, Knight Concert HallMichael Feldman Head Audio Video Technician,

Knight Concert HallTony Tur Head Electrician, Knight Concert HallJon Goss Head Electrician, Ziff Ballet Opera HouseLuke Klingberg Head Electrician, Studio TheaterRoss LaBrie Head Audio Engineer, Studio Theater

ProgrammingLiz Wallace Assistant Vice President, ProgrammingEd Limia Director, ProgrammingBrian Moore Director, ProgrammingJairo Ontiveros Director, Education and Community EngagementEsther Park Director, ProgrammingAnn Koslow Engagement ManagerJan Melzer Thomas Engagement ManagerRenei Suarez Facility and Rental Schedule ManagerTessa Schultz Programming Coordinator

Facility ManagementPerforming Arts CateringAlliedBartonPritchard Sports and EntertainmentGoldstein Schechter Koch

Andrew GoldbergVice President, Marketing

Ken HarrisVice President, Operations

Valerie RilesVice President, Board and

Government Relations

Trish BrennanVice President,

Human Resources John Burnett

Vice President, Finance/CFO

Suzanna ValdezVice President,Advancement

Louis TertochaGeneral Counsel

Arsht Center


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Board of Directors






*deceased
























Mike EidsonChairman










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Board of Directors






*deceased
























Mike EidsonChairman










Arsht Center

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Board of Directors






*deceased
























Mike EidsonChairman










T I M E O N Y O U R S I D E

Bal HarbourBal Harbour Shops9700 Collins Avenue(305) 868-0118

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The Cleveland Orchestra - Miami