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INTERIOR DESIGN PROJECT LE MERIDIAN PRESIDENT HOTEL '!UN ' I . . ?54, ( '10:>;15J1j

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Page 1: 54, '10:>;15J1j - thapra.lib.su.ac.th

INTERIOR DESIGN PROJECT LE MERIDIAN PRESIDENT HOTEL

'!UN

' I .

. '~ ~" ?54, ( '10:>;15J1j

Page 2: 54, '10:>;15J1j - thapra.lib.su.ac.th

uuuvlilfai 361 214-1 f11~'l'l!1 El <Jn UlJlJ '11 nLL ~~f11 UL U

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.; fl~'l!EI ............................................ .

( EITi11'l"r1ii.fu'11f 'ln'l"qni; )

Page 3: 54, '10:>;15J1j - thapra.lib.su.ac.th

111111Ylo{a.i 361 214-2

1fli'1n1·rn !ln U.'IJ'Utinu.'1'1111a1 iAh'1u. i!J La !l L!JDiL~ aiA L 'l'liH<iiLfl'IA fl' INTERIOR DESIGN PROJECT FOR LE MERIDIAN PRESIDENT HOTEL

.u: ftTl1'U. 'Ylfl.:t

h.:iu.i!JL!il!l L!JDiL~!J'IA L'l'li~Lfl'U.fi' tT.:tmiLlil'llfi 971 - 973 tl'IA'U.L'l'la'!A~fl •

!'I .. A "'.. I:~ I: J'J,~ , Lu'IA!l1fl1ifl!l'IAniflL~!JL 111an !Jfl11!J~.:t'Yl.:t~ 36 1f'U. L 'U.D'Yl L1!ff!l!Jll1!J L'IA!l1fl1i

~:::u.ti.:t!lomiliAn1i 1'!i.:11'M.f111JW"liA'11.:i 'l fi !l 1. 'UiL1t11.W"liA~bti1u.a:::fi'U.ti1'11.:t ') (DEPARTMENT)

2. thiA*1'1tn.:t1iAhit'l11 (OFFICE FOR RENT)

3. ITT'IAD1fl1ih'1u.i!J (HOTEL)

4. 01f11ifi~nu.1111~0'11!Yi L~L'll1 (APARTMENT) '

' I: 1- .. I: ·' ~-' ~ ff'l'IA'!ID'11f'IA flil'IA !J 2 1f'IA ui::no11 Lui11!J

-Basement 1 1li:::no'IJ,tithafiiAfi1'11'1 ') *1111i'11~flfllilll1!J'M.!ln

W"liA111u1'ilo.:t111fl1i n1.:ifi'1iA111~.:i~:::LiliAW"liAri'IJ~'IA'il!l.:t h.:iu.i1J '

-HOTEL LOADllNG

-PURCHASING OFFICE

Page 4: 54, '10:>;15J1j - thapra.lib.su.ac.th

-BANK OFFICE

-RECEIVING

'1'111tl ttJvi!W:i'll.th,i <J ~,,;i -STAFF LOCKER &TOILET

-STAFF CANTEEN & KITCHEN

-TRAINING ROOM

-UNIFORM ROOM

-PERSONAL OFFICE

-LINEN ROOM & LAUNDRY

-WATER TANK & PUMP ROOM

-Ground floor 1h::nauhl~1v

-BANK OFFICE

-SHOP

-HOTEL'S BAKERY

,t ,.j l'I ' ~ t . I ~.I~ ·111UI 2 LJJ'll.1'11WJJ!l,'l'Yl1,'IL'll1'1l!l,'I "l,'1U."l11 JJ"l::n!l'U b1Jtl1V

-FRONT DESK & FRONT OFFICE

-LOBBY

-LOBBY LOUNGE

-BUSSINESS CENTER & BUSSINESS OFFICE

-TOUR SERVICE

-SHOP

-HOTEL OFFICE ASMINISTATION

-1"~ 3 Lil'll.W1'11.'ll!l"TI'll.!l1'1'11"l111VL'll.b,iu."l11 tJ"l::nauttJ~1v -COFFEE SHOP

-ITALIAN RESTAURANT

~APANESE RESTAURANT

Page 5: 54, '10:>;15J1j - thapra.lib.su.ac.th

a'U.ttiu.ri

-BALL ROOM

-MEETING ROOM

-FUNCTION ROOM

-EXHIBITION PRE FUNCTION AREA

-RESTAURANT KITCHEN

-STORAGE

l: .. ii i: "'ti ~ti ~ ~ ~ i: ti ' ~ -11\UI 16-34 L 'U.1!'U.'n 1:mllJ L fl'l!Jl'la~wnu.'!ln'n~l'll.Jfl 1:3J1m 400 n11l'l!l~

tt1m1:u.ti~aamiJ'U. 4 1:'1u Ltiu.ri

-TYPICAL GUESTROOM

-SUITE ROOM

-EXECECUTIVE SUITE ROOM

-PRESIDENT SUITE ROOM

u.a: L'U.u.fia:if'U.~:jj ROOM SERVICE fl!lat1u.a L~fl'l13JR::t11nu.riu.'!lnel'1n~n • •

-tf,.;j 35-311 tlT.:n!l1JLtl~1mhu.'!la~ FITNESS CENTER B'U.L~u.ri -SQUASH COURT

-SWIMMING POOL

-SNOOKER ROOM

-AROBICS ROOM

-SAUNA & MASSAGE

Page 6: 54, '10:>;15J1j - thapra.lib.su.ac.th

1. 1ti~tiE1'14TIJ (Lobby )

2. 1ti~~nl'JEJ'14 (lobby Lounge)

3. flBYl~-tteitl (Coffee Shop) ..... "" .d •

4. lltltl1fl11Bt11btUJ'M. (ltahan Restaurant)

5L ~B~~n (Typical Guestroom)

.fi1Wl'l4 I VUl. 8352 t11TI~UJtl1

.fi1Wl'l4 I VU1. 288 t11TI~L:IJ'11

.fi1Wl'l4 I 'l'l.'YI. 291.6 t11TI~b:IJ'11

<fi1Wl\4 I 'l'l.'YI. 352.5 t11TI~b:IJ'11

<fi1'141'M. I \'I.TI. 41.36 tl1TI~L:IJ'11

1. De Chiara Joseph, Panero Julius and Zeinik Martin. Time-saver standards for

interior designer and space planing. Singapore : M.C. Graw - Hill book

Singapore, 1992

2. Hertz Rudof. Architect's Data. Translated by G.H. Berger and other. London. :

Crosbylookwood Staples, 1970

3. Lawson, Fred. Hotel Motel and Condominium. London, 1976

4. 0. Podd, Groree and D. lesure, John. Planing and Operation Motel and Hotel.

U.S.A. 1978

5. Panaro Julius and Zinik Martin. Human Dimension & Interior Space . Frist

Printing . New York : Witney Libbary of Design.

6. S.C. Reznikoff. Interior Graphic and Design Standard . First Printiing . London. :

The Architect Press Ltd., 1986

1. uimi al:a ti'l!1 alt'

2.u;mi fl1'!11 fi':1Jtl1it

3.mu.'1.V<1'tl1a .,,,~iaqTiinlil ' . '

Page 7: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 8: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 11: 54, '10:>;15J1j - thapra.lib.su.ac.th

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46

f11l'llh:n !JU 60

67

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88

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Page 13: 54, '10:>;15J1j - thapra.lib.su.ac.th

2) 1it'M.m1finl'n1Lfl'rl::~n111LnutlJVl11L1il::n1'n\'f1;itn'1fl'1-11il"1'M.m1aan1L1J1J'1n1Lti.:1

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Page 14: 54, '10:>;15J1j - thapra.lib.su.ac.th
Page 15: 54, '10:>;15J1j - thapra.lib.su.ac.th

-1th1tia14'1J (Main Lobby)

-am.id Lii1~'1t' (Lobby Lounge)

d -flavlVl;J'all (Coffee Shop)

~ A d ... .f,.j ·flfltl1fl1,Elfl1LllV'l4 (Italian Restaurant) ll1l'l419lYl'l4'YI 352.5 fl1TI;JLlJ9l'

Page 16: 54, '10:>;15J1j - thapra.lib.su.ac.th
Page 17: 54, '10:>;15J1j - thapra.lib.su.ac.th

TA1.tn"l1oonuuu111nuei.tn"lu'"'t1.tLL1Nuu1 LNoiLiiuM. L"1ftilt1Mori INTERIOR DESIGN PROJECT FOR LE MERIDIAN PRESIDENT HOTEL

.A l: &'ICl1\UlthJ

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1. l.J'inmth"1LW1mLmti1u.l.'l::TI\Lfl1th" 'l (DEPARTMENT)

2. th'1Lli1'14n.:i1"1LL,.;L1i1 (OFFICE FOR RENT)

3. th'1LB1f111h.:iu.1iJ (HOTEL)

4. 81f111Y!~nU.l.Jl.J,.;'e.:i'lfl \,.;'L1i1 (APARTMENT)

th'!L,,e.:ii'ILL~'IL ii 2 i'IL tl7:::nel.lttli1u

-Basement 1 tl-i::nel.Jttli1ui1"1Lfi'1ti1.:i 'l li1'1'1Wl.Jflfllil111EJ'ILEJn • 1 "1Lthwv1 'It,,, e" B1f111 'Yl1,,i1"1L.., i.:i~:: L il'1Lth'IL8'" l.l W'IL 'IL,, e.:i h.:i u.11!

' .. . . :Llff'l\Lfl1.:J ']

-HOTEL LOADllNG

-PURCHASING OFFICE

-BANK OFFICE

-RECEIVING

-l.l'inmfl~et11ri

Page 18: 54, '10:>;15J1j - thapra.lib.su.ac.th

-Basement 2 th::nEJ'l.J'1.Jti1aW:l"U.~1n'l.J1s'llEJ~ h~u.1:1.1 I: T "' ' ~.r 'IH~:l.lfl LfllJ:l.lr.1'14'11~ ') '1~'14

-STAFF LOCKER &TOILET

-STAFF CANTEEN & KITCHEN

-TRAINING ROOM

-UNIFORM ROOM

-PERSONAL OFFICE

-LINEN ROOM & LAUNDRY

-WATER TANK & PUMP ROOM

-Ground floor tl,:;nEJ'l.Jlt.lti1a

-BANK OFFICE

-SHOP

-HOTEL'S BAKERY

-tf,,.fi 2 Lil"U.WJ'll.'ll!l~'Yl1~L i1'll!l~ h~u.1:1.1 tl1::nEJ'l.J1titi1a

-FRONT DESK & FRONT OFFICE

-LOBBY

-LOBBY LOUNGE

-BUSSINESS CENTER & BUSSINESS OFFICE

-TOUR SERVICE

-SHOP

-HOTEL OFFICE ASMINISTATION

_,,,.;1 3 Lil'U.WJ'U.'!JEJ,'ITI'U.!l1~111l1[J L 'U.h,'llJ.13.1 il1::n!l'l.J 1iJti1 [J

-COFFEE SHOP

-ITALIAN RESTAURANT

~APANESE RESTAURANT

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-BALL ROOM

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-STORAGE

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-SNOOKER ROOM

-AROBICS ROOM

-SAUNA & MASSAGE

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20NJNG

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Page 31: 54, '10:>;15J1j - thapra.lib.su.ac.th

LOBBY & LOBBY LOUNGE

Page 32: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 34: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 35: 54, '10:>;15J1j - thapra.lib.su.ac.th

'!l!l~ (Safe Deposit)

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Page 36: 54, '10:>;15J1j - thapra.lib.su.ac.th

6) TIUa::L~Uti L't.l.n1·rnemu.uu (Interior Design)

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Page 39: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 40: 54, '10:>;15J1j - thapra.lib.su.ac.th

1) th:: tuin1'1.'li'~m1 (Function)

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Page 41: 54, '10:>;15J1j - thapra.lib.su.ac.th

TI.J1fH~1tJtyL~\.4 "fi~i) ·~h::f'l1"

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Chaivul Ruamrude~kool

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Page 42: 54, '10:>;15J1j - thapra.lib.su.ac.th

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5) Lfl7~& (Color Scheme)

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Page 55: 54, '10:>;15J1j - thapra.lib.su.ac.th
Page 56: 54, '10:>;15J1j - thapra.lib.su.ac.th

PERSPECTIVE OF LOBBY

Page 57: 54, '10:>;15J1j - thapra.lib.su.ac.th

PERSPECTIVE OF LOBBY LOUNGE

Page 58: 54, '10:>;15J1j - thapra.lib.su.ac.th

COFFEE SHOP

Page 59: 54, '10:>;15J1j - thapra.lib.su.ac.th

1) iJT.:1!.111'\\tiisav (Function)

•. 1fi1 • I t ., ~ :'I ~ d., Q d d fl a.., ..,11 a u'il a~ -;~ u. '53.J 3.1 li'ln i,i.ni:: bu 'I.I. 'VI a.;i'Yl 3.1 n1w1n11a1'1'11 '5U.li'I:: b fl':iN~ 3.1

'1.ti u.1h ~.;i '1.ti'll1ba1ani,i.ni::-l~'U.n7:1.J 1. 'U.~fls:irvtl1.nabfiv.;i3.111.ii it 'U.tian1'5111ba1ani,i.ni::

~li'lil::'iJa.;iei's.nb;mi1:1.J11.i t~vn11san111'YitJ'U.i:.1it'.;ibiJ'U.li'l1~1i'11!.l~1.;i 6J biJ'U.n1m1v'Yla~b~a~

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fountains as entertainment and pleasure

~' ' .

Grosser Garten. Drr::sden Ger1no.n·,­

Des1gncd l)y Hnn~ Poe.7•<J ; !J?f,.

restore<! t 995

1 256 Fountarn of VJ1soo1n.

Seallle PulJhc L•brarv Sea111e

Wash1ng1on. Designed I)\'

George lsuti"l~'lWcl 19:30

• 25 7 Naramore Fountain

NartlrnorP. Park. Seo.11.e Drsr<Jil&I

by Geornc Tsu111k;11·1J 1%~

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Page 61: 54, '10:>;15J1j - thapra.lib.su.ac.th

S32.-I I AZEL. COR\'t.l"S ,\\"F.l.1..-\:"A. ~I. (1565) 281.

Catkins yellowish, stigmas crimson. :\ Jaq.:c shrub. The nuts wit h the long cupules arc

Fi llicrts, those with th~ '""rt cupulcs "c also cal!cd Cob-nuts.

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207. -01-::\:\ GE. (tTRl"S :\t;KA:'<TIU~I. >J. (1565) 2.fr

15 fl. !::irk, i:: rccni;h-bru\rn. Flo\\·ers, whil~. >lay- July.

(The .,ignalu rc \\". S. on lhe lowcsl kaf i;, apparcnlly, lh~ only indication of the authorship of these drawings from >Iauhiolus.]

Page 63: 54, '10:>;15J1j - thapra.lib.su.ac.th

COMM< . , ' 23S.-C·.·~DI .

bcni<> i' J. "'.,...""' I k" "'" • ' ' ' O' BU CKTllOI' N ' . . " lmmd . . '" " '' .. ,, I .. ' """"'"" > '" :~;·:.::: """'~::~~:;;"'";:' ,,,,,,,: ')'.'. ' '';'"'·" ;,.,,,:;, ".:~:' "'

wi<h ""· Aun• .' "' bcn ie< , " ' " " ''- whid ! ' ""l' u n ow out petals. .R:-.vs, 1'. _.\ • tl . . •~ ?urplc·hhck l 'is the othtr "r1·l· h petals, succeeded by""' """' ' · " .,,, h " " · - . -.. . .• l;lll shrub r,,'-s t c. s:un~ time s·' ...-c'.es, has 5-cleft · - -Ulll outh F vme will be ..... -.urope with . g reen, some

11~ mclhr.uous i:recn 60.re11

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s~ s.-EVERGREE:\ OAK I :\ FLOWER. Qu ~:Reus I LEX. J. I 344. 2.

830.-0 :\J\. ,\'.'II OAK Gc\l.J.. Qu Ekl:l" s J'i,:J>u '.'CIJ l.ATA.

S29. --CORK OAK. QllERCllS SUllER. z. 161.1.

S31.-1I0 1{:\JIEA:ll. CARl' l l<l'S Br.Tl ' l.l'S. z. 201.1.

l!rownish·i;rccn. A tree. April-May.

Page 65: 54, '10:>;15J1j - thapra.lib.su.ac.th

9

100

101

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. . '

4

Page 67: 54, '10:>;15J1j - thapra.lib.su.ac.th

·':"'-

113

Page 68: 54, '10:>;15J1j - thapra.lib.su.ac.th

.::

Page 69: 54, '10:>;15J1j - thapra.lib.su.ac.th

3) n11ifl11.:Jbl.Ulil'l.l. (Lay - out Plan)

fli'1'Y1trn (Main Kitchen)

~

i'.itl-r.:ti:1J1nn:u'l11fln!l ~'11.:ina1.;i

ifl L'YI~ Service Station l1'fl!ltl

4) 1111mn11'!LfltJ11:1J (Interior Presentation)

2

Page 70: 54, '10:>;15J1j - thapra.lib.su.ac.th

_'1 ., !: ~ ., ., "'' T ~ • .I ~I .I !: ~ ITT111l fl!JnTI:IJ1il1n1l1 !.1'1.1.!ln anrHIU~:JJ bff!.I~ bu!.I 1 '1.1.f11'1.1.1'11~'Ylbu'l.l.'Ylfl~'l.l!l~ Lobby Lounge 1fi

5) 1fl1~~ (Color Scheme)

6) TIUl'l::btJUtlL'l.l.n11aanbb1l1J (Interior Design)

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~'1.1.nTiu WJ'l.l.HU~ tfi~ Tfl1~111u t,. t:l.ibit'au.-ii~n1hia'1ln1 ~'l.l.'YlTIUanfl'l.l.'l.l.-~1 Rill ' ' .

Partition ff~ b~ai!~Ri!.lf11 •

Page 71: 54, '10:>;15J1j - thapra.lib.su.ac.th

L'l'lil1'U. : il1L'l'lil1'U..,i'1'hJ Li'.J"U.lfl'l'1131LL'l.J'l.J T-bar nlii1V'!JjBil n1Svi"U. mn..:il31L'l'lil1'U.

L"11::'1'1t1:1Jl31Lti"U.'l::tl'l.J 111EJLWU!l'U.'l'lt1!li!tvlvlt1<1EIL'l~L'n'U.tl a WARM LIGHT ' . DOWN LIGHT

L vi <1fitL "1!lf: n1'l!l <1n LL'l.J'l.JL vl<1fitL "1<1fl "U.i.h"U.'ll <1..:i Coffee Shop it "1::Lil"U.~LL'l.J'l.JL vi <1fitL "1<1f

L 'U.~'U. L vl!lfitL "1!lfii::Lil'U.LL'l.J'l.JL 'l'I antlil Vl'ltn~..:itn"U.ii'1V'l'l11[J \ 'l.J1::t1~n'l '

Page 72: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 78: 54, '10:>;15J1j - thapra.lib.su.ac.th

PERSPECTIVE OF COFFEE SHOP

Page 79: 54, '10:>;15J1j - thapra.lib.su.ac.th

.. , .r.=1. G..- "" ...

TlUftt&OU~ 'Mln11'DOn&UJ1J1''M.1'11J1'&1nLllilil1R11'£11M11'0i11&ftU'MI

( ITALIAN RESTAURANT )

Page 80: 54, '10:>;15J1j - thapra.lib.su.ac.th

(ITALIAN RESTAURANT)

1 ). ih: La'!flt'i.ii~!l!J ( Function )

2). U.'I01fl1!Jflfl 1un11aanu.1.l1.J ( Concept of Design l

d !fl ""'" A ""' L \O!J.;j'il1nL1J"Ullflf11fl11!l1'1'111!lfl1Llil!J'IO

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Page 81: 54, '10:>;15J1j - thapra.lib.su.ac.th

Plate 203. ITALIAN RENAISSANCE ORNAMENT. 345

Page 82: 54, '10:>;15J1j - thapra.lib.su.ac.th

Courtly Progression

the city against h im. But, once his positio n was secure, Ercole abandoned everything to his consort. Duchess Eleonora, said a contempor­ary. "gave audience llnd dell It with llnything there was to do , ruling and gove rning entirely.·· Ferrara was chronically short of money. and "all employments, great l!nd small , in the fortresses or in the communes, we re sold to the highest bidder, cash down and for no mo re than a l\\o-year tenure." During the "salt war ... fought to secure the fertile Po delta from Venice, we arc told that "the duke of Ferrara paid little heed to his domain, but sang and played his music every day as if he had to ... and performed incantations and conjurations "11h a certain me~ser Carlo Soxena , consulting

72

de,·ils to know what was happening in Italy, and other matters."

The duke. unlike his wife's grandfather Al­fonso the Magnanimous. entertained magica l rather than rel igious notions of the next world. He even went so far as to snatch a " living saint" - a nun of Vitcrbo whom he had transported by mule and hidde n in a basket to Ferrara -believing that by her agency he could harness the powers of heaven. She reached his capita l on 7 March 1499. and by August two years later he had built a convent , dedicated to St Catherine of Siena, to house his prize.

It is quite consonant wit h this mixture of magical and religious faith that the duke should join in the ritual upheaval of carnival. At

Epiphany he would go masked th rough Ferrara , begging food fo r the poor and meeting with considerable success. His bag in 1473, the fi rst year he adopted the practice. included 1823 capons. 276 large cheeses and 54 assorted calves and heifers. to say nothing of poultry. wine, S\\ ectmeats and waxen torches.

Duke Ercole. who was interested in metallur­g~ and alchemy, could cast metal and made firearms like an expert. His military skill was demonstrated at the battle o f Ravenna. for instead of having the artille ry in its usual central p<hllltln (where. a' Mad1iavelli says, it merely pre' ented anyone from seeing anything because of the smoke of it~ !!UllS. and impeded the inlantry). hc movcd it to the sides , anti the

Tire 1•afl and impo.>i11g t/11c11I palace 111 Ma1111111 da1es from ''arious p<•riodf mu/ co111ains some 500 rooms and courtyard.\. B<•g1111 by tire Bmwcolsi. 11

wa.\" enlarged and embcllislretl, from l .llH 0111wirtls, hy tire Gu11:ag11 who succeeded them. Tire oldest part, rlre Corre Vecclrill, co11sisrs of tlte 11\'U /are r/1irtee111h-ce11tury Bmracolsi palaces k11m1·11 "' tire Magna Domus. Tire P11/11zzo tie/ Cupiw110 tlare1 from rlre early fo11r11·1·1111t ce11111ry a11d rite Nova Domus, by Luca F111rcell1, from tire /are fifree111/r. The ca.,e/lo di Sa11 Giorgin, b11ilr by Bartoli110 du Nov11m be/IVeen 1395 1111d 1406, i.f a fi11e recta11gular keep wlriclr overlooks rite lake, t1.f does Giulio Rommro 's Cnrre Nuol'U of 1539. On rlti.I' page, tit rec interior views of tire Nova Dom us. Top . left: tire Gallerynfrlre Months, with its stucco· work and pait11etl grottc,chc. 1w1.I' begu11 b1 Giulio

0

Romt1no a11d compll'lcd after Iris 11<•111/r l>r Giol1t11t Ba11isw /Jcr1a111111 1573. Ce111er: rite lute sixtee111/r-cem11ry Galler"' degli lmperarori, or Exlribirion Gallery, wirlr busts of l?oma11 emperon 111 11iclres. Tire gallery .Hill contain.~ eighteen wall­cuphoardr in which " '''"' ltometl tire Gonzaga collection of 11a11tml /11s1tir.1 specimens. curiositil's and preciou.I' objects. Belo•I'. left· a detail of t/11· Sala dt•1 Marchesi. Tltis room co11tai11.f busts of tire four Gonzaga marqtu•.\·st•s am/ tlreir cnnsom. awl pien·1 of allegorical ~tatuary; 1/u• fine ceiling wtu e.lecut<'d in 15 79 hy 1-'r1111ceH·o Segala. Opposite, top. right: cerl111g of tire S11la di Giudiua; ce111er. c11n·ed brackets 111 r/11· Sa/om· deg Ii 11 rcit'ri.

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THE VILLA; FOR PROFIT AND PLEASURE

Towards the end of the 1;11eenth century. the villa emerges as an architectural type distinct from the medieval signorial S1ronghold; a new relation with the surroundings is chiefly indicated by the number of doors and windows giving onto the outside world. The villa is no longer shut-in and defensive, for the outer world is no longer savage, dark and, therefore, menacing. Nature has felt the hand of man and is rationally arranged; the villa overlooks a garden.

Fortress features, such as balllemenls, become mere

I]

decoration ( 1, the villa of Cafaggiolo, built by Michelozzo for Cosimo the Elder in 1451 ); the twin· window was introduced at the

ground level of the fayade. Once thought to have been invented by Michelangelo, this type of window is now considered a Michelozzian

innovation, used ... rural villas before it was seen in the town. It belongs to the new concept of villa life in the country.

The basic plan of a villa

, .

Page 84: 54, '10:>;15J1j - thapra.lib.su.ac.th

\ l

__ _.,.;/

would reflect Ille new relation with the setting. II might be one square bklck, with or without a courtyard(~. Villa Cambiaso at Nbaro, built in 1548 by Galeazzo Alessi for the Giustiniani family); it might have lateral wings, a type of which there are many rural examples. as well as the Palazzo Pini in Florence, and which had great influence on Roman villas (5, Villa F amesina, below the Glanlcolo; built in 1508-11 by Baldassare Peruzzi for the Sienese banker Agostino Chigi, it passed 10 the Famese in 1580).

Or design could be married lo surroundings in other ways: by the courtyard, which Alberti says, in De re aedificatoria, is fundamental to villa architecture; or by a loggia al ground level, or a terrace

above (3, the garden frontage of Villa Gamberaia at Sellignano, a fifteenth-century building, later altered; 2, the loggiaed garden-front of the PalazzodelTeat Mantua, built in 1525-35 for Federico 11 Gonzaga by Giulio Romano; 6, loggia and double, great stairway entrarice at Artlmino, hunting lodge of Grand Duke Ferdinando 1, built by Buontalenti in 1594. and betraying elements of the ancient tower motif).

Such elements might be more than residential amenities and have their practical purpose in the productive ruooing of the estate. (7, plan of the Palladian villa at Fratta Polesine, built in 1568-70 on a "conspicuous site," for "the magnificent signor Francesoo Badoero" and known as La Badoera; the

central block is connected by curving oolonnades to left and right lo the level where farm manager and bailiff had their quarters, and to the stables and other necessary outbuildings).

The Rotonda, near Vicenza (8), is also by Andrea Palladio, who built It in 1570 or so, for Paolo Almerico. Here the utilitarian additions are quite separate from the main house and the two basic themes of villa architecture, the solid block and the open prospect, are resolved by means of the four identical loggiaed porches, each jutting from the middle of one faoade and approached by stone steps. They are on the vertical 8l<es of the villa, which run through the cupolaed central rotonda -a pattern charecteristic of Renaissance humanist

architecture and derived from the Pantheon In Rome.

Palladio himsett wrote that the Pantheon was so-ealled "because it was dedicated, after Jupiter, to all the gods or, as others would have it, because it is a model of the world." Certainly every element of his rotonda breathes the two-fold utititas­delectatio ideal which underlay the ~umanist conception of villa life in the country.

7

V·· ...

Page 85: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 86: 54, '10:>;15J1j - thapra.lib.su.ac.th

ll6 EAHLY GEOHGV\N 1714-1765

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5

CD Two profiles of rlado rails of t!te t)•JJe co111111011/y to be fo1111rf i11 lzo11scs of some pretension toward tire end of t!te first half of the 18tlr cwwry. T}1e flat

1117per edge is cl1aracteristic. Alt/1011g!t early e.xm11ples are usMlly carved i11 wood, this (om1 of oma111e111 was later applied as a stnp of press-

6

mo11/ded co11positio11. ® Two profiles of skirti11g boards/baseboards derived from the detai!i11g of classical co/11m11 bases. The

©A fully pauelled roo111 cf the earfy Ceorgia11 pen"od, c. t 730. Note the way i11 wl1ic/1 tire rails (l1orizo11ta! elemwts) aud stiles (vertical elements) are arranged to observe the basic three-part division of the wall i1110 frieze, field a11d dado. As is usual, tlz.: most elaborate joinery and all the carved detail are confined to the chimneypiece. By this da;e oak, cedar or walnut pa11elli11g was very rare: most roo111s were of deal (pine or fir), i11varia/;/\ · P-_ainted . (2) A detail of plasterwor!: decoration, c. 175 ). Freelv modelled fomts, often co1i1bi11i11-.!, 11atural elements wit/1 fomwl ~ scrolls, are a feature of tlze Rococo pen'od.

Q) An ideal Palladia11 wall treatment from a design /;y lnigojo11es, reproduced by Colen Campbell i11 Vitruvius Britannicus, volume 2, 17·17. ©An applied carver/ and ,C?,ilderl frieze of ri11cea11x (>crollerl aca111/z11s stem; mu/ leaves) i11 the Ro111a11 taste, c. 1725.

enricl1111mt was o{teu picked out i11 co11tm,;ti111?, colo11~ or gilder/. ·

Page 87: 54, '10:>;15J1j - thapra.lib.su.ac.th

3). n17if111<1u.ila-u. ( Lay-out Plan )

.. "' "' .. .. ' ' ~ ~ .. ~ !Jm"Jfl:IJL1J1 "] L'l'IEL"Jt1n,.1t1Et1nE'U'il:L'IJ1 UJ11J

u7::'1'11'U

t .t .d ... .l' d.:t 1. I A d ... fl vn11a an u.u u-u. -u. L 'UEl<J'il1 nan 'l!ltll::'IJ El<J'l'l'U 'YI ll'IJ -u. 1 fl 'l'l 'I! :1.11 n 'il<J wi ll11tl'Yl'il:::'il fl

11-:1u.ila'UE1Bmil'l4Lh'l4•h-:1 "] ti-:1il

3.1)u~nmi4'-u.~wnmwu.a:::ta1'il'it ( Waiting area and Lounge ) 1ilt1'il:::fi1\l.<J

Bar> 11flat1um11

A .r .. ' ~ .I l'I .r A 1. o

3.2)1J1L'Jtbl.'1'1'14'Ylln'1411Ju1::'1'!1'14El1'1'111 ( Dining Hall ) 'il:::Lu'U'l'l'l4'Yl'IJ'U1fl 'l'l'l!~fl

1. 'l4n17ifl 1.~um11 jjn11u.li-:1-rf 'l4~aan 1flt1n11 li 'ilfltti'l4Lil'l4i17::ti:1.11nn1Ja tifl1<1 ' .

'Yl1<1na1J n1::'i11t1a~lflt11El1Jbl.a::ti1 Booth ~-it~ifltil-u. High Partition 1u1.'14ti1

~ . .r.d~ . .r ·"' t' .. ~ b'Un11u.u-:1w-u.'Yl b'l4tn'l4'UU.1Jn'il1nin'l4El'l4 ".I flt17::'1'1'J1<1 Booth 'Yl'l4<1'Y!1<1na1J'il:::

Page 88: 54, '10:>;15J1j - thapra.lib.su.ac.th

3.3) u7nmi:4"'1l.~ITT'll.TIJ1h:::'Yl1'1Ul1'1'11'n!l" ( Sub Dining Hall ) .L'll.ITT'll.d'il:::bi'.J'll.

.!' d A G ,_... ... ~ .l • .. ,_... d 'l"l'll.'Yll.J1ITT'nl'll.1flLl.'ln1'1" L'IH'll.n1tl41!l->IWL:IJ!l Dining Hall Lfl:IJ '1'11!) L'll L'll.n1m'Yl

A .!' .i..._ ~ ~ • I ' ~ .!' .i.r :'I 3.4) U1b1n4'1"l'll.'Yl., 1'1'11U1Uu1:::'Yl1'1l.!l1'1'111ITT'll.fl1 ( Private Room ) 'l'i'll.'Yl'll.'il:::bu'll.

A A' .d I A t A ,¥ .d.¥ IA GJ I Q;

3.5) l.J1b1tl4'1"l'll.'YlITT'll.Um11 flEJU1b1t\4'1"l'll.'Yl'll.'il:::!lEJflflnUITT'll.'!l!l"flTI ( Kitchen ) •

fi'lEJ

4). U'nEJ1n11'1lflEJTI:IJ ( Interior Presentation )

,,.!' ~ .l A ~ ~ d o ' 1 o A ~ ol 'ii::: 'Iii 'l"l'll.fl'l EJ'l"l1:1Jb 'l"l!le.t'lS:tJe.tWYl't:IJ eiu~'ll. unmn1l'I L'll.SJ'll.'!l!l.,,U1nmwu1:::'Yl1'1l.!l1'1'111'il:::

b'lt''ll.fl11:1J'l'l1'1'111 bLl'l::!ll.JEl'll. hbL:iJ'll.iifl bit!l,,'il1nbLS,,,vlth'U.L'l'lfli Lil'll.bLS"'vlbLUU indirect . ' . .,

Page 89: 54, '10:>;15J1j - thapra.lib.su.ac.th

5). 1fl'Na ( Color Scheme )

6). TIEJa:::L~EJfl hm11aan1.L1J1J ( Interior Design )

~ A d n11a an LL1J1Jtl flfl1fl11a1'l'l11a 911 La u-u

Li'.1-utia~tltililJ n~Li'.l-un1:::'1n'l'lit'1ti1~1.L'Yl'U L'Y'lri:::3l1-1atia~1-uaan1.L1J1J

n111.Lu~\'.{-u-ri'1:::li1-1il'~Lil-umtu.'111-un11LL1l~ Space 1~LU'U Zone ti1~ ') LLEJn

'11nn-u 1.La:::itia~fi'tl"J:::nalJ'lla~wi:w L 'l'l:i.iLLli~m~,i-HLi'.1-u 'Y11~iqi'11 '1.tlth-u1J;n11~-u

\'.{-u ;\'.{-ulJ;nni. Waiting Area & Lounge Li'.J-u\'.{-utl'Y'l1:1JLL1J1J Wall to Wall 'l'lir1 4.5 •

lJ;nni. Major Dining Hall tj-i;-uLLnnifl'll:IJ'l:!Bfl1a Lti-u'!lalJ 1flu1a1Jti1u1.Lnnifl~1

L'Y'lti1-u :ll1L'Y'lfl1-u1fl1~'1.aji\!a~LLii-3n1'1.aiaflti'll Lii-ufl'1'1.ai'Y11~a~ L'11:::'l'la:1Ju.~-u"J:::ti1J 111u ' '

LWl-u 1.Ln:::a1tia1u ~11J~:1J~a1u-u-u LL!Wfl~TI~fl11:1J'l'l1'1'1TI 1EiEi1 ' . .

Page 90: 54, '10:>;15J1j - thapra.lib.su.ac.th

LYlfif!H,r,,il'il:Li'.l'UU.1J1JIJ.1'{1 Direct Li'l'lil<lflLYl DOWN LIGHT LW[){l1J1{1~fl

d ~ ~ o :: _, A ol .:; 'n~B.:ln11L'U."U.L'Yl1'U'U kD'U 1J1L1tu.u'U1J\!.

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Page 98: 54, '10:>;15J1j - thapra.lib.su.ac.th
Page 99: 54, '10:>;15J1j - thapra.lib.su.ac.th

PERSPECTIVE OF ITALIAN RESTAURANT

Page 100: 54, '10:>;15J1j - thapra.lib.su.ac.th

(STANDARD GUEST ROOM & TYPICAL GUEST ROOM)

Page 101: 54, '10:>;15J1j - thapra.lib.su.ac.th

( Sla11da1d Guest Room Typical Double Belt}

1). 1h::1mi'lll'isetJ (Background)

:inn'ii"l!fl t'lit 1"bL1a.i b '\lla.i1::*1'l'liiJbL'!ln,t1 'l 'ltlt'la.i1wnbL 1a.ibLa::'l:i.itie"n111iin11ViLl'l'l:t~-U. 'l

2). bL-U.'lfl11a.ififlt-u.n11eenbL'll'll (Concept of Design )

3). n11iflbL'l.lil-U. (Zoning )

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'l'la.Jflti!lL ite"'ltl~-u.fi" MiniBar

4). 'llntJ1n11'11fltJ1'laJ ( Interior Presentation )

b~m1i1'ttl~::Lil-u.tli-::~ il~ilmnbLa:: Mini Bar nfla.i1~~Lilwih1~ni-::Lihii.in1i-::

"rhil1L 'Vif\1-u.LitJ'll L i1tefl11a.inaa.inii-u. n1r.it-u.iln11flnbLti" LitJ'l.JJ1 m 'lt'-u.tl'r.ifo11'11'1.-!sem il-u.

·' ~~ _,,,,_ &_,,,_ ~ ..- ,~:: '~ ' l·":: lJ1::fl'l.Jfl'ltJ~..,. '" L'Vi!ltrn"b!lnliln'l:tt\U'1.'Vi1:: -U.'l'l!l"-U.1.1. 'l n11L'l'lbL9-3ff'l1-3111tJ 1.i.l'!!l-3'Yl-3'1'1a.Jfl

l'l1'lvfffla.i.t~'i{-u, bLa::'t\'ltli-::~'l.Jw°IW '1.\'IJ""'a.ifll1maefl't-i ( Incandescent ) bv1ern"

"'"' l 'l.lnmn1l'!Y1fln1tJ -u.

Page 102: 54, '10:>;15J1j - thapra.lib.su.ac.th

5). TIE.Jlil::t!iu~ hmTrnanu;uu

:1. '!T Fonn t1..;-cai\111J1'il1manim,in1'•1m~ hm L 'tl''l.ln1, 1. '!T1atpm1!111fi ttl'l.I

lllin L'!i'l.I 'a!tffi H"11l1u H"1 '"'1!

Page 103: 54, '10:>;15J1j - thapra.lib.su.ac.th

• 6

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~ - r11"Hl1mnt1wltln !Q o . ., ... 1tnwnunumnr,.,JM cw . ri"1J~11un~n1ulrnnn

•,

Page 104: 54, '10:>;15J1j - thapra.lib.su.ac.th

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Page 107: 54, '10:>;15J1j - thapra.lib.su.ac.th
Page 108: 54, '10:>;15J1j - thapra.lib.su.ac.th

PERSPECTIVE OF TYPICAL GUEST ROOM

Page 109: 54, '10:>;15J1j - thapra.lib.su.ac.th

LUty'l:IJ11'1 l.LVfl'l:LGi. U11Jl'l"J iru~n1'1rnWnn11:1J ffl1:1JL~iJL~1J1flU~l~. n1~Ll'IV1'1:

n-rn fl mJ '1 254 2

WYlniJ° t'l1EJU..f: fioiiJ:1h:'il1'1!1~'111Jll'lmlUUt'l:IJU1rn. n1~Ll'IV1 '1ff1'11l~U1 '

:1JU<1 WJJITT!J. m1u1rJl'l"ifi-liiru au0111'1!1l1U. m1i'in1'11uan h~L"irJu 1n~~:iu ' '

EIE!nLU!J~L'V\UEI 2526

DE CHIARA JOSEPH, PANERO JULIUS, AND ZEINIK MARTIN. TIME-

SAVER STANDARDS FOR INTERIOR DESINGER AND SPACE PLANNING.

SINGAPORE: MAGRAW-HILL BOOK SINGAPORE, 1992

HERTZ RUDOF. ARCHITECT'S DATA. TRANSLATE BY G.H.DERGER AND

OTHERS LONDON: CROSBY LOCHWOOD STAPLES, 1970

LAWSON, FRED. HOTEL MOTEL AND CONDOMINIUMS. LONDON 1976

MARILYN SYMMES. FOUNTAINS SPLASH AND SPECTACLE.

O.PODD, GROREE AND D.IESURE, JOHN. PLANNING AND OPERATION

MOTEL AND HOTEL. USA. 1978

PANERO JULIUS, AND ZEINIK MARTIN. HUMAN DIMANSION & INTERIOR

SPACE. FIRST PRININGTING. NEW YORK: WITNEY LIBBRARY OF DESIGN

S.C. REZNIKOFF. INTERIOR GRAPHIC AND DESIGN STANDARD. FIRST

RINING LONDON: THE ARCHITECT PRESS LTD .. 1986

VERNEUIL, MAURICE PILLARD, 1869. FLORAL PATTERN: 120 FULL­

COLOR DESIGNS IN THE ART NOUVEAU STYLE. DOVER PUBLICATION IN

NEW YORK.