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1 INDIVIDUAL ASSIGNMENT Module Title: Fashion Advertising Lecturer: Ms. Yumin Kim Student Name: Hilda Tiolanda Student ID: 001T1110

Fashion Advertising-Individual Assignment- Hilda Tiolanda (001T1110)

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Page 1: Fashion Advertising-Individual Assignment- Hilda Tiolanda (001T1110)

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INDIVIDUAL  

  ASSIGNMENT      

 

 

 

 

Module  Title:  Fashion  Advertising  

Lecturer:  Ms.  Yumin  Kim  

Student  Name:  Hilda  Tiolanda  

Student  ID:  001T1110  

 

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1.0  INTRODUCTION  

1.1  The  Chosen  Company  

 

 

COMPANY  PROFILE  

  The  brand  Diesel  was  born  more  than  20  years  ago  and  is  today  an  innovative  

international   design   company,  manufacturing   jeans   and   casual   clothing   as   well   as  

accessories.  

  When   Renzo   Rosso   founded   the   company   in   1978,   he   wanted   it   to   be   a  

leader,  a  company  which  took  chances  and  carved  out  a  niche  for  itself  in  its  field.  He  

surrounded   himself   with   creative,   talented   people   -­‐   innovators   who,   like   him,  

rejected  the  slavish  trend-­‐following  typical  of  the  fashion  industry.  Renzo  wanted  to  

come  up  with  a  more  dynamic   and   imaginative   line  of   clothing   than  was  available  

anywhere.  He  gave  his  open-­‐minded  new  designers  broad  stylistic  freedom,  hoping  

they   could   create   a   line   of   clothing   perfect   for   people   who   follow   their   own  

independent   path   in   life.   Particularly   for   those   who   decide   to   express   their  

individuality  also  by  the  way  they  dress.  The  name  "Diesel"  was  chosen  as  an  avant-­‐

garde  symbol  of  oil  crisis  of   the  70's  and  as  an   international  word  that  could  bring  

jeans  brand  worldwide  success.  

 

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LABEL  OVERVIEW  

Designer  Profile  (Founder)  

    In  the  case  of  Diesel,  the  individual  who  has  powered  the  company's  growth  

is   Renzo   Rosso.   Born   in   1955   in   the   northeast   of   Italy,   he   attended   an   industrial  

textile  manufacturing   school   and   after   graduating   in   1975,   began  making   his   own  

clothing.   In  1978  he   joined   forces  with  several  other  manufactures   in  his   region  to  

form   the   Genius   Group,  which   created  many   successful   brands   still   widely   known  

today,  such  as  Katherine  Hamnett,  Goldie,  Martin  Guy,  Goldie,  Ten  Big  Boys  and,  of  

course,   Diesel.   In   1985   Renzo   took   complete   control   of   Diesel   by   buying   out   the  

other   partners   and   becoming   the   sole   force   behind   the   brand.   Thereafter   the  

company  began  a  period  of  remarkable  growth  and  expansion.  

  It   was   thus   that,   in   1996,   Renzo   Rosso   and   Diesel   received   the   "Premio  

Risultati"  award  from  the  prestigious  Bocconi   Institute   in  Milan  for  being  the  "Best  

Italian  Company  of  the  Year".  Renzo  was  also  nominated  by  American  Ernst  &  Young  

as  "Entrepreneur  of  the  Year"  for  1997  for  the  company's  strong  moves  in  the  U.S.  In  

December  1997,  the  English  music  and  trend  magazine  "Select"  included  Renzo  in  a  

special   classification   of   the   100   most   important   people   in   the   world   who   will  

contribute  to  the  shape  of  the  new  Millennium.  

  Renzo   is   an   idealistic,   passionate   man   whose   motto   is   "Diesel   is   not   my  

company,  it's  my  life".  

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Creative  Director  and  Head  Designer  (1998  –  2009)  

 

Diesel's   Creative   Director   and   head   designer   is  Wilbert   Das   who   has   worked   for  

Diesel   since  1988.  Wilbert   started  as  a  designer  on   the  Male,  Accessories,  Leather,  

and  Kids  lines.  He  rose  quickly  to  head  the  style  office  and  creative  areas  of  Diesel,  

and   in   1993   was   given   the   official   title   of   Creative   Director,   with   responsibilities  

ranging   from  directing   all   product   design   as  well   as   all   communication   campaigns.  

From  clothing  and  accessory  design  to  advertising,  new  media,  merchandising,  retail  

and  interior  design  (including  stores,  showrooms,  offices,  hotels),  planning  of  fashion  

shows  and  events,  as  well  as  developing  new  brand  extensions  such  as  house  ware,  

furniture  and  even  automobiles.  Literally  all  aspects  of  the  Diesel  brand’s  style  and  

image  fell  under  Wilbert’s  responsibility.  

Wilbert  Das   left  Diesel   in   late   2009  amid   rumors  of   irreconcilable  differences  with  

CEO  Rosso  over  the  future  direction  of  the  company.  

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Current  Designer  (2009  –  Now)  

 

Greek  designer  Sophia  Kokosalaki   is   to   take  the  design  helm  of  Diesel's  Black  Gold  

line.      "Kokosalaki’s   talent   is   incredible.   Her   taste   in   high   end   fashion   is   already  

known,   but  what   people   do   not   necessarily   expect   from  her   is   her   skill   in   dealing  

with   denim   and   contemporary   casual,   the   core   of   Diesel   Black   Gold,"   says   Renzo  

Rosso,  chairman  of  Diesel  and  its  holding  company,  Only  the  Brave.  Positioned  above  

the  brand's  Diesel  and  Diesel  Denim  Gallery  offerings,  Diesel  Black  Gold  -­‐  which  uses  

more  expensive  fabrics  -­‐  made  its  debut  during  New  York  Fashion  Week  in  February  

2008.    

 

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1.2  The  Project  and  Objectives  

  Fundamentally,   the   project   requires   a   definite   fashion   company   or   brand,  

which   in   this   case   I   have  particularly  picked   the  brand  named  as  Diesel.   I   selected  

Diesel   because   Diesel   is   a   brand   that  has   gained   a   huge  part   in   youth   culture   and  

urban   fashion.  The  brand’s   innovative  denim   lines,  various  clothing  collections  and  

accessories  are  more  than  just  popular  fashions  that  appeal  to  everybody.    

  Due  to  its  constant  struggle  for  excellence,  Diesel  has  become  an  emblem  for  

a  dynamic  and  independent  lifestyle.  For  21  years,  Diesel  has  relentlessly  pioneered  

new   styles,   experimented   with   fabrics   and   manufacturing   methods   to   produce  

outstanding  garments  

The  objective  of  this  project  are  stated  below:  

 

1. To  be  able  to  identify  elements  of  great  advertising.  

2. To  be  able  to  understand  the  roles  in  creative  industry  &  target  audience.  

3. To  be  able  to  identify  available  advertising  platform  for  creative  business  as  

well  as  examine  their  efficiency  and  effectiveness.  

4. To  be  able  to  identify  the  key  players  in  advertising  world.  

5. To  be  able  to  understand  the  importance  of  ethical  issues  that  play  roles  in  

creative  industry.  

6. To  be  able  to  show  an  understanding  of  communication  process    

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2.0  STRATEGY  

Brand  Image  

  Beginning  as  a  company  that  is  focused  on  making  quality  clothing.  Diesel  has  

been  a  part  of   youth   culture   for   the  past  30  years  and  has   that   special   something  

which   continues   to   appeal.   It   is   best   known   for   clothing   aimed  at   the   young  adult  

market,   especially   fans   of   denim   jeans.   The   Diesel   brand   also   put   their   name   to  

underwear,  perfume  and  other  popular  accessories  such  as  belts  and  wallets.  

  The   Diesel   brand,   is   now   international,   they   produce   a   wide   range   of  

products  from  clothes  which  they  design  themselves  to  aftershave  where  the  brand  

name   is   licensed   out.   This   is   a   company   which   innovated   in   both   design   and  

production  methods,   by   creating   new  ways   of  making   fabric   and  making   the   final  

product.  Diesel  have   their  brand   in  more   than  80  countries  and   in  excess  of  5,000  

points   of   sale.   They   have   just   over   300   independently   own   store,   which   only   sell  

Diesel,  the  largest  of  which  can  be  would  in  Milan,  Italy.  

 

Marketing  Plot  

  In   recent   years   the   company   has   driven   its   attention   to   endorsing   young  

creativity  by  sponsoring  several  projects  such  as  the  Diesel-­‐U-­‐Music  Contest.  Diesel  

has  been  the  founding  partner  of   International  Talent  Support   in   its  various   forms.  

Diesel  has  also  offered  sponsorship  and  creative  contribution  to  the  2006  edition  of  

Vienna's  Life  Ball  AIDS  charity,  as  well  as  the  Sundance  Film  Festival.  

  Diesel's   innovative   approach   to  marketing  has   let   it   to   be  perhaps   the   first  

clothing   company   to   market   their   clothing   in   video   games,   and   has   developed  

innovative  approaches  to  fashion  shows.  

  In   December   2008,   Diesel   announced   a   marketing   partnership   with   Sony  

Computer   Entertainment   Europe,   to   sell   their   designs   in   Sony's   virtual   world,  

Playstation   Home   with   the  majority   of   the   proceeds   going   to   the   OTBF   Only   The  

Brave  Foundation  (Diesel's  charitable  arm).  

  A   November   2009   New   York   Post   article   mentions   that   "the   CEO   of   the  

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fashion   house's   US   division,   Steve   Birkhold,   has   resigned   to   join   a   rival   firm."  

According  to  the  Post,  Birkhold  was  allegedly  attempting  to  secure  deals  to  expand  

the  Diesel  brand  into  U.S.  chain  stores   like  Macy's,  while  Diesel's   Italy  execs  feared  

such  a  move  would  dilute  the  brand's  image.  

  In  2010  from  its  headquarters  in  Breganze,  it  directly  manages  18  subsidiaries  

across  Europe,  Asia  and  the  Americas.   It   is  now  present   in  more  than  80  countries  

with  5,000  points  of  sale,  including  more  than  400  company  owned  stores.  

  Diesel  is  part  of  the  holding  Only  the  Brave,  which  also  incorporates  55DSL  (a  

brand  strongly  linked  to  street  wear  and  urban  culture);  Staff  International  (an  Italian  

company  that  manufactures  and  distributes  clothing  for  brands  such  as  Diesel  Denim  

Gallery,  Maison  Martin  Margiela,  DSquared2,  Vivienne  Westwood,  Viktor  &  Rolf  and  

Marc   Jacobs   Menswear);   and   controlling   stakes   in   Maison   Martin   Margiela   and  

Viktor  and  Rolf.  

 

 

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3.0  TARGET  AUDIENCES  &  THE  PROCESS  

Target  Audiences  

  Given   its  rejection  of  traditional  “Procterian”  marketing  and  even  of  market  

research,   it   was   not   surprising   that   Diesel   had   no   precise   definition   of   the   target  

audiences.  In  Rosso’s  view,  lifestyle  mattered  more  than  age.  Diesel  targeted  people  

with  a  teenage-­‐  spirited  lifestyle.  Anybody  interested  in  this  lifestyle  could  become  a  

target   customer.   In   reality,   18   to   25-­‐year-­‐olds   clearly   outnumbered  35   to   50-­‐year-­‐

olds   in   the   Diesel   customer   base.   Trendy   young   people   over   25   often   considered  

Diesel  “too  young”  or  “too  hip-­‐hop”  for  them.  

The  Process  

  Before   1991   Diesel   was   a   typical   young   design   company.   It   focused   all   its  

energy  on   launching  new  products   (about  1,800  new   references  per   year)   and  did  

not   even   have   a   consistent   brand   logo.   Starting   in   1991,   Maurizio  Marchiori,   the  

newly-­‐appointed   advertising   director,   developed   a   global   branding   campaign   in-­‐

house   with   the   help   of   Paradiset,   a   Swedish   advertising   agency.   The   campaign  

appropriated  the  “products  make  better  living”  theme  popular  among  advertisers  in  

the   50s   and   turned   it   on   its   head   in   the   “Diesel   for   Successful   Living”   campaign.  

Diesel’s   vision  of   consumer  paradise  was   to  be   interpreted   ironically;   the   standard  

promise  of  “success”  was  exaggerated,  made  absurd,  even  mocked.  Serious  themes  

seemed   to   be   lurking   everywhere   in   the   adverts   but   were   undercut   by   a   final  

admission  that  it  was  all  just  a  joke.  

  Diesel   advertising   campaigns   were   artistic,   colourful   and   sexy—as   fashion  

advertising   often   is—but   they   were   clearly   differentiated   by   their   themes,  

complexity   and   radical   irony.   The   ads  were  not  only   visually   shocking,   they   clearly  

established  Diesel  as  a  counterpoint  to  established  norms  and  institutions.  Diesel  ads  

were  often   confusing,   sometimes   intriguing  and,   as  a   result,  highly  exclusive.   They  

required  wit  and  involvement  to  be  deciphered.  Many  were  left  perplexed  or  failed  

to  see  the  underlying  irony.  The  few  who  understood  Diesel’s  sense  of  humour  could  

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feel  a   real   sense  of  complicity  between  them  and   the  brand.  Thankfully   for  Diesel,  

many  of  these  were  wealthy  teenagers  looking  for  clothes  that  would  stand  out  and  

distinguish  them  from  the  crowd.  

 

 

Kylie  Minogue  in  Diesel  Jeans  

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Zac  Efron  wearing  Diesel  jeans  

 

Mischa  Barton  in  Diesel  shorts  

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Taylor  Lautner  in  Diesel  Jeans

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4.0  ADVERTISING  CAMPAIGN  

4.1  Campaign  1  

Label:       Diesel  Jeans  

Season:     Spring/Summer  2010  

Campaign:    Diesel  ‘Be  Stupid’  

Photographer:  Jason  Nocito  

“Be   Smart”   –   that   is  what   our   parents   and   teachers   told   us   since  we  were   young.  

While  Diesel,  takes  “Be  Stupid”  as  its  philosophy.  

Diesel  Stupid  Philosophy  

Like  balloons,  we  are  filled  with  hopes  and  dreams.  But.  Over  time  a  single  sentence  

creeps   into   our   lives.   Don’t   be   stupid.   It’s   the   crusher   of   possibility.   It’s   the  worlds  

greatest  deflator.  The  world   is   full  of  smart  people.  Doing  all  kind  of  smart  things…  

Thats  smart.  Well,  we’re  with  stupid.  Stupid  is  the  relentless  pursuit  of  a  regret  free  

life.  Smart  may  have  the  brains…  but  stupid  has  the  balls.  The  smart  might  recognize  

things  for  how  they  are.  The  stupid  see  things  for  how  they  could  be.  Smart  critiques.  

Stupid  creates.  The  fact  is  if  we  didnt  have  stupid  thoughts  wed  have  no  interesting  

thoughts   at   all.   Smart  may  have   the   plans…  but   stupid   has   the   stories.  Smart  may  

have  the  authority  but  stupid  has  one  hell  of  a  hangover.  Its  not  smart  to  take  risks…  

Its  stupid.  To  be  stupid  is  to  be  brave.  The  stupid  isnt  afraid  to  fail.  The  stupid  know  

there  are  worse  things  than  failure…  like  not  even  trying.  Smart  had  one  good  idea,  

and   that   idea  was   stupid.  You  can’t  outsmart   stupid.   So  don’t  even   try.  Remember  

only  stupid  can  be  truly  brilliant.    

(  Source  from  Diesel  )  

 

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4.2  Campaign  2  

Label:       Diesel  Jeans  

Season:     Denim  Spring/Summer  2010  Collection  

Campaign:     “Sex  Sells  *Unfortunately  We  Sell  Jeans”  

Photographer:  Miko  Lim  

Models:     Martin  Cannavo,  Sam  Way,  Tobias  Sorensen  and  Dan  Cameron  

Diesel   continues   to   push   the   advertising   envelope   with   their   campaign   for   Spring  

2010   tagged   "Sex   Sells   *Unfortunately   We   Sell   Jeans".   Following   up   on   their   "Be  

Stupid"   campaign   these   ads   garner   the   brand   attention   amongst   consumers  while  

being  sexy  and  having  enough  humor  to  them  to  be  appreciated  by  the  masses.    

The  pictures  feature  young  girls  and  men  half  naked  with  perfect  pairs  of  jeans  on  

them.  The  postures  are  very  tempting  as  if  we  caught  the  models  on  something  

which  was  going  to  be  obscene.  

 

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4.3  Campaign  3  

Label:       Diesel  Jeans  

Season:       Summer/Spring  2007  

Campaign:   “Global  Warming  Ready”  

Photographer:  Terry  Richardson  

For   this   “Global  Warming   Ready”   campaign,   A   series   of   newspaper,  magazine   and  

billboard  advertisements  shows  models  posing  in  Diesel  clothing  in  a  world  affected  

by  raised  water  levels  and  temperatures.  

Diesel’s  marketing   staff   sees   the   “Global  Warming   Ready”   campaign   as   consistent  

with  Diesel’s   tradition   of   generating   attention   and   provoking   discussion   of   serious  

societal  issues  with  a  tongue-­‐in-­‐cheek  ironic  voice.  “Global  Warming  Ready”  portrays  

the   potential   look   of   this   new   world   while   representing   it   in   an   aesthetically  

beautiful  way.  

Global   Warming   Ready”   at   first   glance   appears   to   be   just   another   fashion  

advertisement.  On  second  glance  the  campaign  appears  to  be  an  arrogant  swipe  at  

the  concerns  of  environmentalists.  Wealthy  people  will  continue  to  buy  fashionable  

clothing  even  in  a  world  affected  by  climatic  disaster.    

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Tropical  birds  in  St  Mark’s  Square,  Venice  

 

Sandy  desert  overtakes  the  China  Wall

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Tropical  plants  growing  in  Paris  

 

Rio  de  Janeiro  underwater

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New  York  City  submerged  

 

Beach  scene  at  Mt  Rushmore

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London  a  water  playground  

 

Summer  holidays  with  the  penguins  in  Antarctica  

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4.4  Campaign  4  

Label:  Diesel  Jeans  

Season:  Fall/Winter  2007  

Campaign:  “Human  After  All”  

Photographer:  Johan  Renck  

“Human  After  All"   is  one  of   the  advertising  campaigns   for  Diesel  denim.  The  seven  

frames   take   us   into   a   technology   ruled   future   as   opposing   to   the   "Fuel   for   Life"  

Diesel  fragrance  ads.  A  future  that  is  still  human  as  this  clever  Diesel  ad  accentuates.  

Even  though  technology  takes  big  steps  as  clones'  nurseries,  teleportation  and  space  

ships  will  be  common  aspects  of  life,  some  things  will  never  change  and  that  implies  

the   human   nature.   Error   and   emotion   will   stay   the   same   -­‐   flight   delays,   car  

breakdowns,   balls   breaking   glass,   ugly   breakups,   and   young,   beautiful   humans  

wearing  sexy  Diesel  jeans.  

 

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5.0  THE  CRITICS  (ETHICAL  ISSUE)  

  Diesel   has   always   been   known   to   have   edgy   ad   campaigns.   But   their  most  

controversial   one   to   date  would   have   to   be   their   new   “Be   Stupid”   campaign.   The  

campaign   has   been   banned   by   the  UK   ad  watchdog   (ASA)   for   being   offensive   and  

encouraging  antisocial  behavior.  The  campaign   featured  a  number  of  ads   including  

one  with  a  girl  on  a  stepladder  flashing  her  breasts  at  a  CCTV  camera,  while  another  

features  a  woman  holding  open  her  bikini  bottoms  and  taking  a  photo  of  her  nether  

regions.  It  is  said  that  the  ASA  received  33  complaints  about  Diesel's  posters,  which  

fell  into  three  categories.  First  that  they  should  not  be  seen  by  children,  second  that  

they  were  offensive  and  third  that  they  encouraged  anti-­‐social  behaviour.  

  Another  controversial  campaign  that  has  been  raising  the  heat  would  be  the  

‘Global  Warming  Campaign”.  A   lot   of   people   think   that   this   campaign  has   a   shock  

value,   it   seems   to   underestimate   the   actual   Global  Warming   effect   to   the   world.  

However,  Diesel  said  that  the  campaign  is  actually  made  to  present  global  warming  

in  a  more  positive  context,  that  global  warming  might  just  not  be  such  a  bad  thing.    

Diesel’s  latest  campaign,  “Sex  sells*  Unfortunately  we  sell  jeans”,  is  not  less  

controversial  compared  to  their  previous  campaigns.  The  campaign  features  young  

girls  and  men  half  naked  with  only  a  pair  of  jeans  on  them.  This  campaign  is  assumed  

to  be  too  provocative  and  obscene.  

  Leave  it  to  Diesel  to  create  a  campaign  that  is  both  forwards  and  provocative,  

a  campaign  that  plays  on  people’s  sensitivities.  However,  these  controversial  and  

provocative  campaign  actually  giving  them  precisely  what  they  want,  brand  

awareness.  

 

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6.0  O  THER  SUPPORTING  COMMUNICATION  TOOLS  

  The   Diesel   style   was   also   evident   in   other   forms   of   communication.   Great  

attention  was  given   to  product  placement  among  actors,  musicians  and  celebrities  

(although  Diesel  never  paid   the  stars  and  almost  never  gave  away   the  products   to  

them).  Diesel  garments  featured   in  many  popular  and   independent  movies  such  as  

“Godzilla”,  “Lethal  Weapon”,  “Crime  and  Punishment  in  High  School”,  or  “Anywhere  

But  Here”.  

  Diesel   was   one   of   the   first   clothing   companies   on   the   Internet,   opening   the  

www.diesel.com  site   in  1995.  The  site  contained   information  about  Diesel   clothing  

collections  and  its  licenses,  

  In   1994,  Diesel   built   The   Pelican  Hotel   in   South   Beach,  Miami,  which  was   to  

become   a   vivid  manifestation   of   the   Diesel   philosophy.   All   25   rooms   in   the   hotel  

were  designed  and  decorated  to  feel  like  surreal  movie  sets:  each  filled  with  recycled  

furniture   and   named   after   its   own   style,   e.g.   the   Psychedelic   room,   Halfway   to  

Hollywood  and  Me  Tarzan  (see  Exhibit  5).  The  hotel  became  a  hit  with  the  fashion,  

music  and  publishing  set.  Celebrities  such  as  Cindy  Crawford,  Grace  Jones,  Yoko  Ono  

and  John  F.  Kennedy  Jr.  stayed  there.  

  Diesel   participated   in   the   production   of   video   games   for   Sony   PlayStation,  

Nintendo   and   personal   computers.   It   contributed   the   Diesel   for   Successful   Living  

logo  and  other  creative  content  to  new  video  game  releases,  such  as  Psygnosis’  hits  

“G-­‐Police  I  &  II”,  Acclaim’s  “Shadow  Man”  and  “Extreme  G  II”.  

 

 

 

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http://www.designboom.com/eng/interview/rosso.html  

http://www.couturecandy.com/diesel/designer.html  

http://en.wikipedia.org/wiki/Diesel_(brand)  

http://www.vogue.co.uk/news/daily/090617-­‐sophia-­‐kokosalaki-­‐

becomes-­‐lead-­‐desi.aspx  

http://faculty.insead.edu/chandon/personal_page/Documents/Case_Di

esel%202007_corrected-­‐w.pdf  

http://meetthefamous.com/celebrity-­‐

closet/fashion_article.php?ID=1380  

http://www.denimology.com/2009/09/kylie_minogue_in_diesel_jeans.p

hp  

http://www.denimology.com/2010/05/taylor_lautner_in_diesel_jeans_

4.php  

http://awake-­‐smile.blogspot.com/2008_07_01_archive.html  

http://www.creativeadawards.com/diesel-­‐be-­‐stupid-­‐advertising-­‐

campaign/  

http://www.nitrolicious.com/blog/2010/01/22/diesel-­‐be-­‐stupid-­‐spring-­‐

summer-­‐2010-­‐ad-­‐campaign/  

http://artatm.com/2010/03/awesome-­‐be-­‐stupid-­‐advertising-­‐campaign-­‐

of-­‐diesel/  

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http://www.denimology.com/2010/02/diesel_sex_sells.php  

http://www.millionlooks.com/outfits/sex-­‐sells-­‐–-­‐diesel-­‐campaign/  

http://www.bkrw.com/news/diesel-­‐sex-­‐sells-­‐spring-­‐summer-­‐2010-­‐

denim-­‐campaign.html  

http://theinspirationroom.com/daily/2007/diesel-­‐global-­‐warming-­‐

ready/  

http://www.adverbox.com/ads/diesel-­‐global-­‐warming-­‐campaign/  

http://www.notcot.com/archives/2007/02/global-­‐warming.php  

http://www.hautfashion.com/fashion-­‐ads/diesel-­‐human-­‐after-­‐all-­‐

campaign  

http://theverychronicles.blogspot.com/2007/10/human-­‐after-­‐all-­‐diesel-­‐

fall-­‐winter-­‐07.html  

http://www.notcot.com/archives/2007/07/diesel-­‐human-­‐af.php  

http://www.thefirstpost.co.uk/65209,news-­‐comment,news-­‐

politics,diesel-­‐jeans-­‐be-­‐stupid-­‐flashing-­‐women-­‐poster-­‐adverts-­‐banned-­‐  

http://www.bbc.co.uk/news/10456704  

http://www.guardian.co.uk/media/2010/jun/30/diesel-­‐asa-­‐advertising  

http://www.florencenewspaper.it/vediarticolo.asp?news=b0.07.20.10.0

7  

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