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21. Jazz Cerkno, 19.–21. maj 2016

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: Boj

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Po lanski uspešno izvedeni slavnostni izdaji za festivalsko 20-letnico ekipa nadaljuje z odprto in drzno vizijo, kakršno je zastavil Boštjan Cvek. Poleg žanrske in slogovne pestrosti bo kot vedno navzoča tudi geografska, saj nas bodo obiskali glasbeniki iz kar enajstih držav in kajpak Slovenije. Namenoma pravimo, da nas bodo obiskali glasbeniki iz Slovenije, saj vodje vseh treh slovensko-mednarodnih zasedb, ki smo jih povabili na festival, živijo in ustvarjajo v tujini. To dejstvo ne potrjuje le izjemne prodornosti slovenskega jazza, o katerem se v zadnjih letih govori veliko, ampak tudi njegovo razgibanost in razgledanost, kajti vsak od treh slovenskih glasbenikov bo v Cerkno pripeljal popolnoma drugačno (z)godbo. In enako velja za druge muzičiste, ki se sicer navdihujejo pri istem izviru, a nas popeljejo na sila različne cilje …

Ne pustite se presenetiti – poslušajte jutrišnji jazz že danes, na festivalu Jazz Cerkno od 19. do 21. maja!

Following last year’s successful celebratory edition of the 20th festival, the festival team continues with the festival boasting an open and bold vision, just as it had been set by Boštjan Cvek. With the festival boasting an open and bold vision, just as it had been set by Boštjan. Alongside the diversity of genre and style, geographical diversity will also spice things up, since musicians from eleven countries beside Slovenia will pay their visit to Cerkno. It is on purpose that we say musicians from Slovenia will be visiting, since the leaders of all three Slovenian-international bands that we have invited to the festival, live and work abroad. This fact does not only confirm the much talked about international recognition of Slovenian jazz, but also its cosmopolitism and diversification, as each of the three Slovenian artists will bring a completely different sound (hi)story to Cerkno. The same goes for all other musicians at the festival, inspired by the same source but taking us to quite different destinations...

Don’t be taken by surprise - listen to tomorrow’s jazz today, at Jazz Cerkno from 19 to 21 May! www.jazzcerkno.si

četrtek, 19. maj, ob 19.00 (glavni oder)thursday, May 19, 7pm (main stage)

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Grencsó Open Collective Plays The Compositions of G. Szabados (HUN, SRB)

Prvič v Sloveniji bomo slišali zasedbo, ki pod vodstvom pihalca Istvána Grencsa preigrava skladbe legendarnega »očeta« madžarskega free jazza, pianista Györgyja Szabadosa (1939–2011; pri nas je v 80. letih nastopil solo in na Drugi godbi z znamenitim orkestrom Makuz). István Grencsó (1956), ki je nase opozoril v 80. letih prav spričo sodelovanja s Szabadosem, je svojo zasedbo Open Collective ustanovil leta 1985, ta pa kljub občasnim sodelovanjem z drugimi glasbeniki (npr. v bendu Kampec Dolores) in spreminjanju zasedbe ostaja njegova temeljna formacija. Je izjemno vešč inštrumentalist, enako doma v standardih in baladah kot v frenetičnih freejazzovskih izbruhih. Sodeloval je z vrsto znanih jazzistov, kot so Peter Kowald, Tobias Delius ali Peter Brötzmann. Szabadosevo glasbo, ki jo bo igral s svojim kolektivom, prevevajo vplivi madžarske ljudske glasbe in spiritualnega jazza.

For the first time in Slovenia we will listen to an ensemble, led by reedman István Grencsó, interpreting music by the legendary “father” of Hungarian free jazz, pianist György Szabados (1939-2011; he played in Slovenia in the 1980s, solo, and, at Druga godba, with the famous Makuz orchestra). István Grencsó (1956), who drew much attention in the 1980s playing with Szabados, has founded the Open Collective in 1985, which remains his basic formation despite some occasional collaborations with other musicians (e.g. the Kampec Dolores band) and band members changing. He is an extremely skilled instrumentalist, equally at home in the standards and ballads as in the frenetic free jazz outbursts. He has worked with a number of known jazzers, such as Peter Kowald, Tobias Delius and Peter Brötzmann. Szabados’ music is influenced by Hungarian folk music and spiritual jazz.

István Grencsó (pihala / reeds)Máté Pozsár (klavir / piano)Szilveszter Miklós (bobni / drums)Szilárd Mezei (viola / viola)

četrtek, 19. maj, ob 20.30 (glavni oder)thursday, May 19, 8.30pm (main stage)

Maja Osojnik: All.The.Terms.We.Are (SLO, AUT, USA)fo

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The Vienna-based Slovenian classically trained singer, composer and instrumentalist Ms Maja Osojnik successfully experiments with various music genres: old and contemporary classical music, songs by Ježek, rock, noise, jazz, traditional, chanson, improvisation etc. In Cerkno she will perform the Slovene premiere of her project All.The.Terms.We.Are, that premiered at the opening of the 2015 Jazz Saalfelden festival. The basis of the project are the songs collected in her 2016 album Let Them Grow, a conceptual set of experimental dark pop songs, in which she re-examines themes such as identity, emancipation, mutual understanding, the possibility of expressing ourselves etc. Played with the band All.The.Terms.We.Are, the songs from the album are transformed into longer complex work with multiple music veils from jazz through classical and noise to sound experiment in an intriguing and fascinating way.

Na Dunaju živeča slovenska klasično izobražena pevka, skladateljica in inštrumentalistka Maja Osojnik se uspešno preizkuša v sila raznovrstnih glasbah: stara in sodobna klasika, Ježkovi songi, rock, noise, jazz, etno, šanson, improvizacija … V Cerknem bo prvič v Sloveniji predstavila projekt All.The.Terms.We.Are, ki ga je leta 2015 premierno izvedla na otvoritvi festivala Jazz Saalfelden. Ogrodje projekta so pesmi, zbrane na letošnjem albumu Let Them Grow; gre za konceptualni nabor eksperimentalnih temačnih pop pesmi, v katerih preizprašuje teme, kot so identiteta, emancipacija, medsebojno razumevanje, možnosti izražanja same(ga) sebe idr. Pesmi z albuma v izvedbi All.The.Terms.We.Are doživijo intrigantno in fascinantno preobrazbo v daljše kompleksno delo s številnimi glasbenimi tančicami od jazza prek klasike in noisea do zvočnega eksperimenta.

Maja Osojnik (glas, basovska kljunasta flavta Paetzold, elektrofonija / vocals, paetzold bass recorder, electronics)Audrey Chen (glas, violončelo / vocals, cello)Manfred Engelmayr (el. kitara / el. guitar)Matija Schellander (kontrabas, modularni sintetizator, elektronika / double bass, modular synthesizer, electronics)Manu Mayr (kontrabas, el. bas / double bass, el. bass)Lukas König (bobni, sintetizator / drums, synthesizer)

četrtek, 19. maj, ob 22.00 (glavni oder)thursday, May 19, 10pm (main stage)

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The Rempis Percussion Quartet (USA, NOR)

V tem žgočem kvartetu so se zbrali nekateri najvidnejši predstavniki živahne čikaške jazzovske scene. Dobro jih poznamo iz številnih zasedb, tako »prave« čikagovce – Rempis in Rosaly sta mdr. člana Vandermark 5 – kot udomačene čikagovce, kakršen je norveški veščak Håker Flaten, ki je denimo v svoj kvintet povabil Rempisa in Rosalyja. Vendar The Rempis Percussion Quartet ponuja popolnoma drugačno zvočno pustolovščino od naštetih in drugih bendov, v katerih igra Rempis (The Engines, Rempis/Rosaly Duo, Triage). Kot razkrije že ime kvarteta, je poudarek na tolkalih oziroma ritmu: bend z dvema razgledanima in energičnima bobnarjema združuje svobodnjaški jazz z zahodnoafriškimi in latinskoameriškimi ritmi, v vročo mešanico pa vliva ravno pravšnjo dozo funkovskega groova.

This scorching quartet is comprised of some of the most prominent representatives of the vibrant Chicago jazz scene. We know them very well from numerous bands, both the “real” Chicagoans – Rempis and Rosaly also playing in Vandermark 5 – as well as the domesticated one, the Norwegian bass master Håker Flaten, in whose quintet, for example, Rempis and Rosaly play, too. However, The Rempis Percussion Quartet offers a completely different sound adventure from all the bands having Rempis as a member or the leader (The Engines, Rempis/Rosaly Duo, Triage). The quartet name says it all – the emphasis is on percussions and rhythm: the band with two experienced and energetic drummers combines free jazz with West African and Latin American rhythms, adding just the right dose of funk groove to this boiling mixture.

Dave Rempis (altovski, tenorski in baritonski saksofon / alto, tenor and baritone saxophones)Ingebrigt Håker Flaten (kontrabas / double bass)Frank Rosaly (bobni / drums)Tim Daisy (bobni / drums)

petek, 20. maj, ob 19.30 (glavni oder)friday, May 20, 7.30pm (main stage)

Marko Črnčec Trio (SLO, USA)

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: pro

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The pianist Marko Črnčec (1986) is one of the most prominent jazzers of his generation, already well known on the international scene. Črnčec, who currently lives in New York, has graduated in both the classical and jazz piano. In 2010, only one year after his jazz graduation, he published his first two albums, Signature and Moral Interchange. In 2014 the album Devotion followed, and for this year he plans to publish Ruthenia, an album devoted to the great Russian composers of the 20th century. He will record a new album on tour with his latest trio which will start at our festival with its Slovenian premiere performance. Črnčec combines various jazz approaches and also intertwines jazz with other genres. “I consider myself to be a composer who aspires to balance intellect with emotion, while I never forget that music can make people move, dance, and smile.”

Pianist Marko Črnčec (1986) gre med vidnejše jazziste svoje generacije in se vse bolj uveljavlja na mednarodni sceni. Tačas živi v New Yorku, diplomiral pa je tako iz klasičnega kakor jazzovskega klavirja. Leta 2010, le leto po svoji jazzovski diplomi, je objavil prva dva avtorska albuma, Signature ter Moral Interchange. Leta 2014 je sledil album Devotion, letos pa izide še Ruthenia, posvetilo velikim ruskim skladateljem XX. stoletja. Na turneji s svojim najnovejšim triom – to s premiernim slovenskim nastopom začenja prav v Cerknem – bo posnel nov album. Črnčec povezuje različne jazzovske pristope ter tudi prepleta jazz z drugimi zvrstmi. »Sebe imam za skladatelja, ki si prizadeva uravnovesiti intelekt in emocijo, a nikoli ne pozabim, da glasba lahko ljudi pripravi do premikanja, plesa in smeha.«

Marko Črnčec (klavir, Fender Rhodes / piano, Fender Rhodes)Ricky Rodriguez (kontrabas, el. bas / double bass, el. bass)Jonathan Barber (bobni / drums)

petek, 20. maj, ob 21.00 (glavni oder)friday, May 20, 9pm (main stage)

Pourtant Les Cimes (FRA)

Premierno v Sloveniji predstavljamo »skriti biser« evropske improvizirane glasbe. Francoski trio si je ime nadel po verzu iz haikuja mojstra Basha in tudi glasba tria se navdihuje pri haikuju in zenu. Trio, sprva imenovan po glasbenikih, je leta 2011 posnel album, naslovljen z daljšim citatom iz omenjenega haikuja, Pourtant les cimes des arbres, naslovi štirih skladb pa so, prebrani skupaj, tvorili haiku. Glasbo tria, ki se odvija počasi z velikim poudarkom na premolkih in tišini, a tudi z nenadnimi in predirnimi izbruhi, zato opisujejo kot organsko, njeno strukturo in tok pa primerjajo z naravnimi pojavi, kakršni so denimo dež, veter, valovanje ali dihanje. »Mitično, spiritualno, ritualno,« je godbo tria opisal Dan Sorrels za freejazzblog. Daunik Lazro bo nastopil tudi na sobotnem popoldanskem koncertu v duu z Joejem McPheejem.

For the first time in Slovenia we present the “hidden gem” of European improvised music. The French trio took its name from Basho’s haiku and their music is also inspired by haiku poetry and Zen. The trio, originally named after musicians, recorded an album in 2011, taking a longer quote from that haiku as its title, Pourtant Les Cimes Des Arbres; the titles of the four tracks read together formed a haiku. For this reason, the trio’s music, unravelling slowly, with a strong stress on pauses and silence alongside sudden and poignant outbreaks, is being described as organic. Its structure and flow are compared to the natural phenomena such as rain, wind, waves or breathing. “Mythical, spiritual, ritual,” this is how the trio’s music was described by Dan Sorrels for freejazzblog. Daunik Lazro will also perform at the Saturday afternoon concert in a duo with Joe McPhee.

Daunik Lazro (baritonski in tenorski saksofon / baritone and tenor saxophones)Benjamin Duboc (kontrabas / double bass)Didier Lasserre (kontrabas / double bass)

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petek, 20. maj, ob 22.30 (glavni oder)friday, May 20, at 10.30pm (main stage)

Graewe / Sanders (GER, GBR)

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The German pianist Georg Graewe (1956) is considered one of the most idiosyncratic jazzers and modern music composers. He plays in a variety of formations, from solo and duo through trio (very well known is his trio with Gerry Hemingway and Ernst Reijseger) to large orchestras (GrubenKlangOrchester). On one hand, his pianism is abstract and intellectually challenging, and on the other hand extremely emotional, elegant and open. Since 1993 he has been leading the Random Acoustics label, where he published Stills And Stories, an excellent solo album in 2015. The English drummer Mark Sanders plays with the most prominent names in jazz and improvisation, such as Roscoe Mitchell, Henry Grimes, Peter Brötzmann, Barry Guy, Charles Gayle, Peter Evans and William Parker. He is very well acquainted with Graewe’s playing, since they are both members of the Frisque Concordance quartet, together with our Cerkno friends, John Butcher and Wilbert de Joode.

Nemškega pianista Georga Graeweja (1956) uvrščajo med najbolj samosvoje jazziste in skladatelje moderne glasbe. Ustvarja v raznolikih formacijah, od sola in dua prek tria (zlasti je cenjen trio, v katerem sta še Gerry Hemingway in Ernst Reijseger) do velikih orkestrov (GrubenKlangOrchester). Njegov pianizem je po eni strani abstrakten in intelektualno drzen, po drugi pa skrajno čustven, eleganten in odprt. Od leta 1993 vodi založbo Random Acoustics, pri kateri je lani objavil odličen solo album Stills And Stories. Angleški bobnar Mark Sanders sodeluje z najvidnejšimi imeni jazza in improvizacije, kot so Roscoe Mitchell, Henry Grimes, Peter Brötzmann, Barry Guy, Charles Gayle, Peter Evans in William Parker. Z Graewejem sta še kako dobro uigrana, saj sta člana kvarteta Frisque Concordance, v katerih igrata še naša cerkljanska znanca John Butcher in Wilbert de Joode.

Georg Graewe (klavir / piano)Mark Sanders (bobni / drums)

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sobota, 21. maj, ob 17.00saturday, May 21, 5pm

Lazro / McPhee (FRA, USA)

Na popoldanskem koncertu v cerkljanski Glasbeni šoli bosta nastopila dva mojstra pihal, saksofonist Daunik Lazro (iz tria Pourtant Les Cimes) ter saksofonist in trobentač Joe McPhee (zvečer bo nastopil na glavnem odru z Universal Indians), oba izmojstrena v razširjenih tehnikah igranja. Lazro je znan po počasnem razpletanju nosilne teme z odmerjenimi premolki, McPhee pa po bluesovsko navdihnjenem spiritualnem jazzu. Oba s svojimi glasbili segata čez zvočne konvencije. Obeta se resnična zvočna poslastica, saj zelo redko nastopata skupaj. Njun edini skupni album Élan, Impulse iz leta 1991 velja za mojstrovino, o kateri so kritiki zapisali: »Tole je jazz kot glasba transa, kot glasba, ki se suka skoz zgodovino, kot navdihnjeno kričanje in rohnenje na pragu neizrekljivega(…) Tole je čudovit album. Pika.« (Thom Jurek, All Music Guide).

At the Saturday afternoon concert at the Music School we will listen to two masters, the saxophonist Daunik Lazro (from the trio Pourtant Les Cimes) and the saxophonist and trumpeter Joe McPhee (he will also perform later in the evening with the Universal Indians with Joe McPhee), both honed in extended playing techniques. Lazro is known for his slow intertwining of the main theme with a strong emphasis on pauses and silence, and McPhee for his blues-inspired spiritual jazz. With their instruments, they cross the borders of conventional sounds. We are in for a real treat as these two exceptional musicians rarely play together. The only album they recorded together, Élan, Impulse (1991), is considered a masterpiece. “This is jazz as trance music, as music spinning through history, and as inspired ranting and raving on the threshold of the unspeakable. (…) This is an astonishing record. Period.” (Thom Jurek, All Music Guide).

Daunik Lazro (baritonski in tenorski saksofon / baritone and tenor saxophones)Joe McPhee (saksofoni, žepna trobenta / saxophones, pocket trumpet)

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dodatni koncert, glasbena šola / additional concert, Music Schoolfo

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sobota, 21. maj, ob 19.30 (glavni oder)saturday, May 21, 7.30pm (main stage)

Transitory Museum of Minds (SLO, DNK, CZE)

Slovenian drummer and composer Dre Hočevar (1987), currently living in New York (he appeared at our festival in 2011 with the Boben in Lajna band), has been developing in recent years conceptually sophisticated, complex music at the intersection of free jazz, improvisation and electroacoustic music. In Cerkno, he will introduce the new trio (operating since 2015), which will also be its Slovenian premiere. Hočevar, who has published three praised albums with other ensembles (the last two released by Clean Feed) and plays with well-known names like Nate Wooley and Steve Lehman, describes the new project: “Transitory Museum of Minds is focused on the futures. It sonificates and communicates thought processes, always establishing them as a fundamental means of exploration of sound visions ... It understands improvisation as an open platform with no room for prejudice ... Transitory Museum of Minds exists every day of the year.”

V New Yorku živeči slovenski bobnar in skladatelj Dre Hočevar (1987), ki je na našem festivalu nastopil leta 2011 z bendom Boben in Lajna, v zadnjih letih razvija konceptualno dodelane, kompleksne skladbe na presečišču free jazza, improvizacije in elektroakustične glasbe. V Cerknem se bo premierno v Sloveniji predstavil z lani zbranim novim triom, ki bo na pričujoči premieri posnel tudi album. Hočevar, ki je s prejšnjimi zasedbami objavil tri hvaljene albume (dva sta izšla pri Clean Feed) in igra z imeni, kot sta Nate Wooley in Steve Lehman, novi projekt opisuje takole: »Transitory Museum of Minds je usmerjen v prihodnosti. Miselne procese sonificira, komunicira in vedno znova vzpostavlja kot temeljno sredstvo raziskovanja zvočnih vizij … Improvizacijo misli kot odprto platformo, na kateri ni prostora za predsodke … Transitory Museum of Minds obstaja vsak dan v letu.«

Dre Hočevar (bobni, interakcija / drums, interaction)Christian Balvig (klavir / piano)Michal Wróblewski (altovski saksofon, basovski klarinet /alto saxophone, bass clarinet)

foto: Barka Fabiánová foto: Peter Gannushkin foto: Hanne Marie le Fevre

sobota, 21. maj, ob 21.00 (glavni oder)saturday, May 21, 9pm (main stage)

Universal Indians with Joe McPhee (NOR, NLD, USA)

V Amsterdamu delujoči trio sestavljajo ameriški saksofonist John Dikeman ter basist Jon Rune Strøm in bobnar Tollef Østvang z Norveške (slednja poznamo tudi iz All Included). Trio si je nadel ime po skladbi Alberta Aylerja, ki ga člani skupaj s Cecilom Taylorjem, Johnom Coltranom in Petrom Brötzmannom štejejo med pomembne vzornike, ki so sooblikovali njihovo glasbo – sodoben free jazz: strasten, telesen, surov in intenziven. Že vrsto let s triom igra legendarni ameriški jazzist Joe McPhee (1939), dejaven že od konca 60. let prejšnjega stoletja. Tudi njega je sprva navdihoval Aylerjev spiritualni jazz, z leti pa se je vse bolj posvečal zvočnim raziskovanjem. Kvartet je lani pri založbi Clean Feed objavil hvaljeni album Skullduggery. McPhee, ki je zelo cenjen zaradi razširjene tehnike igranja, bo v duu z Daunikom Lazrojem nastopil tudi na sobotnem koncertu v Glasbeni šoli.

Amsterdam-based trio is comprised of American saxophonist John Dikeman and bassist Jon Rune Strøm and drummer Tollef Østvang from Norway (the last two play in the All Included quintet, a.o.). Trio chose its name from composition by the legendary Albert Ayler, whom – together with Cecil Taylor, John Coltrane and Peter Brötzmann – they cite among important influences who have helped shape their modern free jazz: passionate, muscular, raw and intense. The trio is augmented by the legendary American jazzer Joe McPhee (1939), active since the late 1960s. He was also initially inspired by Ayler’s spiritual jazz, but later has been increasingly involved in sound exploration. Last year, the quartet has published acclaimed album Skullduggery for the Clean Feed label. Highly regarded due to his extended playing techniques, McPhee will also perform at Saturday’s concert at the Music School in duo with Daunik Lazro.

Joe McPhee (saksofoni, žepna trobenta / saxophones, pocket trumpet)John Dikeman (tenorski in baritonski saksofon / tenor and baritone saxophones)Jon Rune Strøm (kontrabas / double bass)Tollef Østvang (bobni, tolkala / drums, percussion)

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sobota, 21. maj, ob 22.30 (glavni oder)saturday, May 21, 10.30pm (main stage)

Cortex (NOR)

Scandinavian jazz, for many years now, ranks among the most innovative and prominent. This is proved by Cortex, a quartet of young musicians (active since 2007), also playing in many well-known bands such as All Included, Paal Nilssen-Love Large Unit, Bushman’s Revenge, Zanussi 5, Friends & Neighbors, Honest John and The Heat Death. Cortex carry on the legacy of the famous quartet led by Ornette Coleman and Don Cherry, their tight and electrifying interplay also being temptingly groovy. The debut album Resection from 2011 was followed a year later with album Göteborg, and in 2014 with Live! (Clean Feed). The latter was rated four out of five stars in acclaimed monthly magazine Downbeat by critic Peter Margasak, who wrote that Cortex might be “the most exciting and fiery freebop unit to emerge from Scandinavia since Atomic.” In Cerkno, they will present the new album, due out this year.

Skandinavski jazz sodi že vrsto let med najinventivnejše in prodorne. To dokazuje tudi Cortex, kvartet mlajših glasbenikov, ki deluje od leta 2007, člani pa so dejavni v številnih znanih zasedbah, kot so All Included, Paal Nilssen-Love Large Unit, Bushman’s Revenge, Zanussi 5, Friends & Neighbors, Honest John ter The Heat Death. Cortex se navezujejo na ustvarjanje znamenitega kvarteta Ornetta Colemana in Dona Cherryja, njihova čvrsta in naelektrena medigra pa se odlikuje z mamljivim grooveom. Prvencu Resection iz leta 2011 je leto zatem sledil album Göteborg ter leta 2014 še Live! (Clean Feed). V cenjenem mesečniku Downbeat je kritik Peter Margasak slednjega ocenil s štirimi zvezdicami od petih ter mdr. napisal, da gre nemara za »najrazburljivejšo in ognjevito freebopovsko zasedbo iz Skandinavije po bendu Atomic«. V Cerknem bodo igrali skladbe z novega albuma, ki izide letos.

Thomas Johansson (trobenta / trumpet)Kristoffer Berre Alberts (tenorski saksofon / tenor saxophone)Ola Høyer (kontrabas / double bass)Gard Nilssen (bobni / drums)

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otvoritev 19. maja ob 20.30, Gabrijel / opening on May 19 at 8.30pm, Gabrijel

»Prit pagliedat« / “C’mon, take a look”Jazz Cerkno 2009–2015

Jože Požrl bo na ogled postavil portrete glasbenikov, ki so v Cerknem nastopali med letoma 2009 in 2015. Večina izmed njegovih črno-belih fotografij prikazuje glasbenike v stanju ustvarjalne zamaknjenosti, v »akciji«. Požrl (1956), sicer likovni pedagog, že več kot 25 dela kot samostojni grafični oblikovalec in fotograf. Jazziste je začel fotografirati pred desetimi leti in od takrat redno obiskuje ter fotografira koncerte v klubih in na jazz festivalih v Sloveniji in tujini. S samostojnimi razstavami se je mdr. predstavil na festivalih v Kopru (Baladoor), Ravnah na Koroškem (Festival slovenskega jazza), Šmartnem (Brda Contemporary Jazz Festival) in na nemškem festivalu Jazzfest Gronau. »Igra svetlob in senc daje dodaten zven atmosferi dogajanja,« je njegove portrete jazzistov opisala umetnostna zgodovinarka in likovna kritičarka Anamarija Stibilj Šajn.

At the exhibition, Jože Požrl will exhibit his portraits of musicians who have performed in Cerkno from 2009 to 2015. Most of his black-and-white photos show the musicians in a state of creative ecstasy, in “action”. Požrl (1956) is an art teacher and works for more than 25 years as a freelance graphic designer and photographer. He began to take photos of jazz musicians ten years ago and since then he regularly visits and takes photographs in clubs and at jazz festivals in Slovenia and abroad. He had solo exhibitions at festivals in Koper (Baladoor), Ravne na Koroškem (Festival of Slovenian Jazz), Šmartno (Brda Contemporary Jazz Festival) and Jazzfest Gronau in Germany, a.o. Art historian and critic Anamarija Stibilj Šajn said about his jazz portraits: “The play of light and shadow gives an additional sound to the atmosphere of the stage activities.”

Jože Požrl (SLO)

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fotografska razstava / photographic exhibition

od torka, 19. aprila, do sobote, 21. maja / from thursday, April 19, to saturday, May 21

glasbena delavnica za otroke »Glasba gline – od igre do mojstrovine« music workshop for children “Clay music - from playing with clay to a masterpiece”

Tokratna glasbena delavnica se bo osredotočila k izdelavi glinenih inštrumentov in igranju na tako izdelana glasbila. Udeleženci bodo v roke vzeli glino, jo gnetli, valjali, rezali, oblikovali, sušili, žgali … in na koncu pripravili koncert. Udeležencem delavnice bo glinena glasbila poleg rednih mentorjev Blaža Celarca in Boštjana Gombača pomagal izdelovati še Urban Magušar, priznani oblikovalec in izdelovalec keramike. Delavnico pripravljamo s podporo OŠ Cerkno in šolske glasbene pedagoginje Vanje Lampič.

This year our music workshop focuses on clay instruments; the participants will learn how to make and play clay instruments. Apart from our regular tutors, Blaž Celarec and Boštjan Gombač, the renowned ceramics designer and manufacturer Urban Magušar will help us create these unique instruments. The workshop is organised with the help of the Cerkno Primary School and its music teacher Vanja Lampič.

Mentorji / Tutors: Urban Magušar, Blaž Celarec, Boštjan Gombač (SLO)

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OŠ Cerkno, mladinski center C.M.A.K. / Cerkno Elementary school, youth center C.M.A.K.

nastop: sobota, 21. maj, ob 11.00, glavni oder / concert: saturday, May 21, 11am, main stage

petek, 20. maj, in sobota, 21. majfriday, May 20, and saturday, May 21

delavnica »Divja hrana v času Jazza« “Wild Food During Jazztime” workshop

Kar zasejejo glasbeniki zvečer, to zraste že naslednji dan: improvizacije na temo užitnih divjih rastlin, njih nabiranja in priprave na nepokritem prizorišču med grmovjem, v gozdu ter na travnikih nad Cerknim. Za deloma civilizirano malico je poskrbljeno. Delavnico vodi Dario Cortese, poznavalec užitnih divjih rastlin in avtor več knjig na to temo. Delavnica traja od 4 do 5 ur in bo v vsakem vremenu. Prenočevanje je možno v Hotelu Cerkno.

Zbirno mesto je vsakič ob 11.00 v Cerknem pred vhodom v Bar pr’ Gabrijelu. Kotizacija za vsak dan je 25 €.Obvezna je vnaprejšnja prijava do 13. maja na t 031/60 1630, e 1630@porezen.si. Več: divjahrana.si

What is sown by musicians in the evening, is already available to be collected and eaten the very next day: improvisations with edible wild plants are held in the forest, on the meadows, and in the form of semi-civilised food, prepared on the spot somewhere on the way or just near the festival tent.

Friday and Saturday, May 20 and 21Duration of 4 to 5 hours.Workshop fee: 25 € per day.Meeting time & place: 11.00, Gabrijel entrance.

Dario Cortese (SLO)

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sobota, 21. maj / saturday, May 21

Etnoploč Trio & Accordion Group 4-8-8-16 (ITA, SLO)

ulični nastopi na raznih prizoriščih po Cerknem street performances at different locations in Cerkno

Aleksander Ipavec – Ipo (harmonika / accordion), Matej Špacapan (trobenta / trumpet), Piero Purini (saksofon / saxophone), Martina Rossi, Renata Lapanja, Igor Cante, Leonardo Snidaro (harmonike / accordions)

javna okrogla miza – podmizje »Vkup godbena gmajna!?« public round table - podcast “O Come, Ye Music Commons!?”

Glasbena revija Nova Muska bo tudi letos pripravila javno okroglo mizo / podmizje (posnetek pogovora bo objavljen na njeni spletni strani) o aktualnih temah na glasbeni sceni. »Razprava med domačimi ustvarjalci, novinarji in prireditelji vabi vse k premisleku v slogu »nič nas ne sme presenetiti« v predvidljivem času zaostrenih družbenih razmer tudi za muziciranje in glasbeno ustvarjalnost v polju nove muzike in improviziranih godb. Ali so sami akterji pripravljeni na še slabše ekonomske in prostorske razmere za sceno, ali so na vidiku novi načini organiziranja glasbenikov, ki so vpeti v lokalne in mednarodne tokove? Ali sam način kolektivnega muziciranja, skladanja in improviziranja ponuja odgovore za delovanje, za kolektivno akcijo, iznajdevanje novih produkcijskih načinov ob že znanih? Ali je napočil čas za »naredimo to skupaj« namesto »naredi sam«?«

Nova Muska online music magazine has been organizing and recording round table discussions on particular music themes, and publishing them online as podcasts. This year the discussion title, O Come, Ye Music Commons!?, is more poetical than the topic. The participants (Slovenian musicians, journalists and concert organizers) will try to shed more light on harsh social conditions for making music and for musical creativity in the field of new music and improvised music. “Are the musicians themselves ready for even worse economic and spatial conditions for the scene, are there new ways of organizing musicians who are engaged in local and international trends? Is it time to “do it together” instead of “do it yourself”?”

Moderatorja / Moderators: Ičo Vidmar in Igor Bašin

sobota, 21. maj, ob 12.00, Gabrijel / saturday, May 21, at noon, Gabrijel

od četrtka, 19. maja, do sobote, 21. majathursday, May 19, to saturday, May 21

Žiga Koritnik: »Jazzy-ga!« (SLO)

Prijave s polnim imenom, naslovom, e-naslovom in mobitelom pošljite na: zkoritni@gmail.com, tel. 040 723 728.

Send your application with your full name, address, e-mail and mobile phone number to: zkoritni@gmail.com, tel. +386 40 723 728.

delavnica glasbene fotografije / music photography workshop

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INFOZavod Jazz Cerkno Trg Prekomorskih brigad 1 SI-5282 Cerkno, Slovenija www.jazzcerkno.siwww.facebook.com/JazzCerkno info@jazzcerkno.si

VSTOPNICE / TICKETS glavni oder / main stage čet / Thu: 20.00 EUR  pet / Fri: 20.00 EUR  sob / Sat: 20.00 EUR  dodatni koncert v glasbeni šoliadditional concert in music schoolsob / Sat: 8.00 EUR  PREDPRODAJA VSTOPNIC / ADVANCE TICKET SALES predprodaja do 19. 5. 2016 do 17.00 advance sale until May 19, 2016 till 5pm. V predprodaji samo vstopnice za glavni oder + Abonma A in B Advance ticket sales only for main stage + SERIES A and B  čet / Thu: 17.50 EUR pet / Fri: 17.50 EUR sob / Sat: 17.50 EUR  ABONMA A: 39,50 EUR / vsi koncerti SERIES A: 39.50 EUR / all concerts  ABONMA B: 34,50 EUR / vsi koncerti razen četrtka  SERIES B: 34.50 EUR / all concerts except Thursday  Otroci do 10. leta (vključno z letnikom 2006) imajo v spremstvu staršev prost vstop. Invalidi imajo prost vstop (brez spremstva). Na prizorišče ni dovoljeno voditi psov in drugih živali. 

Free entrance for children up to 10 years (including those born in 2006), when accompanied by parents. Free entrance for disabled persons / accompaniment must buy his/her own ticket. It is not allowed to bring dogs and other animals to the venue. 

PREDPRODAJNA MESTA / ADVANCE SALE POINTS - internetna predprodaja: www.eventim.si - Hiše vstopnic Eventim Si: Tivoli LJ, Kino Šiška LJ, Križanke LJ, Mestni trg LJ, Europark MB, klicni center: 090 55 77- Partnerska prodajna mesta: Petrol, Pošta Slovenije, Big Bang, (K)kiosk, 3DVA Trafika, M Holidays, Alpetour potovalna agencija in Palma turistična agencija.- Cerkno: bar Gabrijel

NASTANITVE / LODGINGS Hotel Cerkno***: ugodni Jazz vikend paketi www.hotel-cerkno.si rezervacije: ga. Majda Rojc: majda.rojc@hotel-cerkno.si, tel.: +386 (0) 31 858 876 ostala ponudba za bivanje na Cerkljanskem: LTO Laufar: www.turizem-cerkno.si, info@turizem-cerkno.si tel.: +386 (0) 5 373 46 45

Hotel Cerkno***: attractive Jazz Weekend package www.hotel-cerkno.si bookings: Ms. Majda Rojc: majda.rojc@hotel-cerkno.si, tel.: +386 (0) 31 858 876 other accommodation in the region: LTO Laufar: www.turizem-cerkno.si, info@turizem-cerkno.si tel.: +386 (0) 5 373 46 45

GOSTINSKA PONUDBA / WHERE TO EAT Bar Gabrijel: kalamari ter ponudba ostalih cerkljanskih gostincev. Bar Gabrijel: squid and offer of other inns in Cerkno.

ORGANIZACIJA & INFO / PRODUCTION & INFO Zavod Jazz Cerkno www.jazzcerkno.si, www.facebook.com/JazzCerkno, info@jazzcerkno.siOzvočenje / sound system: Aurem Borut Čelik s.p. besedila / texts: Mario Batelić lektoriranje slo. besedil / Slovene proof reader: Mojca Mavri lektoriranje angl. besedil / English proof reader: Urška Lahajnar Ubajiogu urednik in izdajatelj / edited and published by: Zavod Jazz Cerkno celostna podoba / design: Bojan Tavčar tisk / print: www.tiskarna-janus.si naklada / no. of copies: 1000 Format fotografij je prilagojen tiskovini. Photographs have been recropped. Organizator si pridržuje pravico do spremembe programa. We hold the right to change the scheduled program.

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